Melbourne Deepcast

Melbourne Deepcast
  • 4.6 (10)
  • MUSIC
  • UPDATED SEMIMONTHLY

Deepcasting since '09 📡

  1. MDC.323 Primo

    5D AGO

    MDC.323 Primo

    Captured in the woods at last year’s Dripping festival, Bay Area legend Primo Pitino treats us to a wildly transcendental ride through 20+ years of deep crate excavation, swerving between dizzy acid freakouts and deep progressive melters from the late ’90s. @primo-pitino Q. What sounds/feelings did you draw upon when gathering inspiration for this set? Describe the setting + vibe out there while you were playing.. A. Dripping was wild, spaced out & transcendental, but also a moment to connect with friends, community, & even the earth tbqh. It was otherworldly but also felt very much like a family affair. I wanted to play a set that would bring us down to some oceanic depths, out into space, but also ultimately bring the dancers together. Dripping takes place on a lovely mid sized campground in New Jersey with a lake, lots of foliage, & also many left over accoutrements of Ren Faire type events which take place during other times of the year. There are dance and art performances in various parts of the campground downtempo music on the lake, a big sound system in a large field, and in two indoor venues, the Inn (expansive, feels like a club but opens out to to the air) and the barn (bouncy wood floor, jam packed, hot and sweaty) I closed out the first night in the Barn, it was exciting, the energy was euphoric and infectious, at that point (3am) people had been dancing for hours but they fully seemed like they could easily go until dawn, the first record I played “No Command - Keim”, was meant as a sort of trippers clarion call, to answer their energy and bring it forward. When I started to play people really started to fizz, and it just felt like the best house party I had ever been to, so tripped out, silly, and also friendly. Q. Are there any records in the mix that you were especially excited to share? What is it about these that resonate with you so much? A. One of the tracks I was most excited to play that night was “Smiling in San Antonio” by Ed2000, it sounds so much like a 1992 UK hardcore piano rave “second summer of love” type tune but it was recorded in 2001 & has this crazy heavy bass, and almost post modern restructuring of that style, that I felt would make it go along with these heavier techy and acidic things I had chosen for the rest of the set, and at the same time bring that feeling of euphoria & togetherness that, for me anyhow, only raving has truly been able to bring out. "The fight against oppression" - Pure Science 1997 ~I think I’ve been playing it for at least 9 years. It has a super heavy kick combined with some watery vibration & depth, the Dr Martin Luther King sample is played over itself again and again, also creating a tension build, so that when it is taken out again, the heavy beat of this deep track is brought into sharper focus. Definitely Two Billion Year Journey with the whale songs as synths, Reese type bass, and voice over suggesting whales as space traveling entities, is a big favorite. Also Analogue Bounce by Freak and Swank really stands out for me, very unique, and Bay Area, which I love. Q. You made the big move from SF over to NYC a couple of years back, leaving after a 20 year long stint of running parties (including co-founding the iconic Club Lonely nights) and DJing around the Bay, tell us about how the transition has been + what new projects you’re excited about? A. It was terrifying! I had lived in the same house for 14 years, and DJ’ed in some of the same clubs for 16/18 years. But I'm very happy to be here, I'm excited to connect with the Brooklyn dance community, and to make paintings again as well. Project wise, I just completed a fun painting on Mansions, & have been playing sets with my friend Kiyoshi909 which for me have been a few of the best sets I’ve played in all my 22+ years of djing, we both seem to bring out the freakiest possible tracks when we play together, so if you’re in Brooklyn this summer keep an eye out for us :)

    1h 60m
  2. MDC.322 Yu Yang

    APR 20

    MDC.322 Yu Yang

    Shanghai tastemaker Yu Yang pulls us into her twilight zone, navigating deep hypnotic house, synthy techno and tracky minimal groovers for the after hours inclined. @yuyang11 Q. As a music lover that has lived across multiple corners of the globe, bouncing between London, Shanghai and Bali and having spent time living in NYC, what sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed? A. All the life experiences in different places exposed me to different sounds & communities and helped me discover the core element of sound that I am attracted to - synth, groove and flow; and myself as a person of what experiences I am looking for on the dancefloor, which is feeling emotions and being introspective on the dancefloor. Sometimes it’s fun, sometimes it’s overwhelming, sometimes it’s even unpleasant, but it’s all part of the journey. This set goes a bit deep and trippy so I think it could be listened to at after parties, taking a walk or going for a run in the evening, or any time when you feel like being on a music journey. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? So many but if I have to choose: Bullet Proof by Hd Substance Synth-driven. Smooth groove. Rolling waves that go deep. Wata Igarashi & Polygonia - Cross Passage The most techno track on the whole set. Love a rolling bassline pushing deeper and deeper. Keplrr – 4DRK Been playing a lot of Keplrr lately. This one drifts on the calmer side, while others dive deeper, more emotional. A constant balance of techno and breaks, weaving feelings into every layer. Q. You’re spending more and more time playing in the UK and Europe these days, where do you feel your uniquely global sound has been well received of late? A. Japan and the United Kingdom both really champion this sound—through festivals like Rural and Houghton, and artists such as Powder, DJ Nobu, Wata Igarashi, Craig Richards, Jane Fitz and many more. Feeling inspired—and lucky—to move between Asia and the UK within this scene.

    1h 47m
  3. MDC.321 Eamon Harkin

    MAR 31

    MDC.321 Eamon Harkin

    With a new album freshly minted on @mistersaturdaynight earlier this month, Mister Sunday and Nowadays co-founder Eamon Harkin draws on his storied 25-year journey as a DJ and NYC dancefloor specialist to soundtrack the end of a particularly chilly New York winter. Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed? A. The mix was made as we were starting to emerge from one of the coldest and hardest winters in memory here in New York. I wanted to channel that vulnerable feeling of early spring as the evenings stretch a little and there’s the occasional hint of warmth emerging from the cold. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. I’ve featured a lot of artists that have been with me most of my musical life. Producers who I’ve always looked to for inspiration like John Tejada, Donato Dozzy, Mike Huckaby and Bobby Konders. Overall it’s really about collecting a range of songs to fit a certain musical idea and feeling that I’m trying to convey in the mix. Q. Your new album, The Place Where We Live, is described as feeling both physical and introspective and exploring themes such as belonging and transition, tell us more about the themes that inspired the music and how you found the right balance between club ready tension and quieter reflective moments. A. I think for many of us electronic and dance music fans we enjoy the back and forth between club ready music and more introspective home listening. That spectrum of sounds is very much who I am musically and so it was a natural act to reflect this range in the album. At the same time as a long time immigrant in the US who has grappled with certain feelings of alienation from his origins since covid there were those emotions and feelings I wanted to bring to the record. I’ll let the listener determine if the right balance was struck!

    2h 9m
  4. MDC.320 Babycino

    MAR 12

    MDC.320 Babycino

    Naarm's own Babycino steps up next mixing dubwise rollers and summery house digs. A budding DJ, producer and open-air dance specialist, his Reasons To Be Cheerful parties and Skylab shows blend classy jams with playful flair, meaning 100% good times for the groove inclined! @babycinoofficial Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed? I wanted to try to keep it nice and hypnotic in parts, mostly through the first hour or so. So there’s some dub tinged house, deeper house cuts and then into some kind of psychedelic, percussive funk jams. All roads lead back to House music though, in some form or another. If I can lock in, lose my train of thought and kind of forget where I am for a little bit while listening to a mix or music. That’s the best. Almost like entering another realm. That being said, I do like flourishes of chaos being injected as well, so hopefully there are some well placed disruptions and switch ups. For the listening environment. Perhaps a long car journey, or a long walk/ jog through a changing landscape Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. There are a few favourites in the mix but I have to say that the closing track, the Janeret remix of Flash And The Pan’s Walking in the Rain, is on heavy rotation at the moment. I absolutely love the original, it’s so moody and ethereal while also being raw and kinda edgy. This particular remix reworks it for a dancefloor, while keeping that vibe sooooo well. Q. Your Reasons To Be Cheerful parties have become a much-loved part of the annual party calendar, featuring a smorgasbord of house and disco legends the likes of Jex Opolis, DJ Lloyd and Chee Shimizu to name a few! Tell us about your plans for the party going forward, and what you’ve most enjoyed about the experience thus far? A. Aw, bless! Thank you so much! Going forward, I just want to work on maintaining a consistent quality with the curation and to ensure it’s a free and open space, musically and spiritually. Quite simply, I really want to focus on improving with each event, adding more visual art elements/installations, not to reinvent the wheel but just to add my own personal weirdness to the space. Things I’ve enjoyed so far.. I’d say meeting people and inviting artists who I really respect, whether it’s an OG like Chee or connecting with some of the local peeps that I deeply admire. A specific top experience so far is going b2b with Chee Shimizu at Angel. He really is one of the best! Chee and Weatherall are the guiding stars for me, so it was such an honour to go beat for beat with a master!

    1h 54m
  5. MDC.319 Pocari Sweaty

    FEB 17

    MDC.319 Pocari Sweaty

    Carving out a special place within Taipei's harder-edged sonic landscape, the Mango Season party founder and infinitely groovy DJ Pocari Sweaty has been at the forefront of Taipei's house scene for the past few years, offering Mango Seasoners extended dubs, deep euphoric house and obscure disco journeys from guests like Telephones, Benedek and Mayurashka to name a few. Currently in Australia for the first time, we're lucky enough to have him in the mix with a wonderfully spaced out selection of floated techy groovers and deep house music in its finest form. @pocari_sweaty Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed A. To be honest I didn’t put too much thought into this mix, and didn’t go into it with any plans to release a mix. I just hooked up a recorder and started playing from a loose selection of deep and techy records I’d recently bought, and I liked how it turned out! Thank you guys for digging it too, and for putting it out! Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. I would say I’m especially stoked to share this Terry Francis track Rock Hopper. I bought this record from a discogs seller in Taipei called bigbadjimmy. It turns out he was a DJ in Taipei in the late 90s / early 00s and even opened for Terry Francis in Seoul on his first Asia tour back then. I think it’s really special to have a direct lineage to this record’s original context! Q. Your Mango Season parties have become a regular fixture of the Taipei underground scene over the last few years with a host of deep digging guests covering all kinds of house and disco leaning sounds, tell us about your idea behind the night and what have been some of your favourite memories thus far? A. Taipei is definitely a city that likes heavy music, so I started Mango Season to create the kind of warm and sweet party that I really want to go to. Damn there are really too many good memories, all of the guests have been amazing. Dea’s closing track last August, 多情沒有問題 by 馬玉芬 was really fun, the entirety of Telephones’ set last October was incredible, and last month MLiR and I played b2b all night for the second anniversary of the party. We didn’t plan a thing and played one track each for the whole night. Perfectly in sync, it was awesome.

    1h 42m
  6. MDC 2025 Review

    FEB 4

    MDC 2025 Review

    MDC's @myles-mac back once again with a trip friendly scuba dive through the best bits of 2025. Tracklist: T.E.C. - Hi Set & Low Set // Serenity Now
Puli - C.S.B. // Open Space Milou Moon - Circles (Guy Contact Remix) // ORiGiN Recordings Guy Contact & Solar Suite - Perfect Harmony ft. Sa+ga // Wax’o Paradiso Musicentrydelete - Sub AM // Mood Hut Alex Kassian X Spooky - Orange Coloured Liquid (Part II) // Test Pressing Greville - Electric Push CPU Mix // Mad Habitat Recordings Anthony Naples - Scanners // ANS Recordings
 Retza & DJ Activities Man - Play (Round 1) // All Kinds of Music Pancratio - A Never Ending Story // Love On The Rocks RAMZi - flufi // FATi Records Pool Sharks - Orange Crickets // Pepper Recs Aldonna - Pink Beluga // Semi Delicious Pancratio - Groove Throtter # 2 // Faith Beat DAWS - Feel So (3am Mix) // Correspondant Deetron presents Soulmate - The Visitor // Ilian Tape 
 T.E.C. - 7001 On Plastic // Serenity Now Tornado Wallace - Bitter Suite // Test Pressing Command D - Fever // Self Released
 Other Joe Feat. CTP - Ice in my Veins // Best Effort

    1h 25m
  7. MDC.318 Willis Anne

    JAN 30

    MDC.318 Willis Anne

    Cut from various projects and produced between Berlin and Melbourne over the last fifteen years, LAN label head and hardware specialist Willis Anne digs through his archives to deliver mix made up of 100% unreleased and forthcoming material. @willis-anne Q. Being a mix comprised solely of your own music – a housier than usual deep dive into the unreleased archives of your wide ranging back catalogue, how did you come up with the concept for the mix, and how would you say your sound has evolved over the years? A. My first love is hip-hop and house music, that’s how I started making music. Over time I moved into more abstract and experimental territories, before eventually bringing all those elements together into something more hybrid. I still make house music, but today I’m mostly known for hybrid music, and playing wide-ranging, dynamic sets across genres, which is also what I explore with my alias FOREIGNER. I’ve known Melbourne Deepcast for a long time, even before moving to Australia, so I was honoured to be invited! There are so many strong mixes on the platform, and I wanted to do something special. I thought - why not record a mix made entirely of my own productions! I properly dig into my archives, and as a result it includes unreleased material from different periods, as well as a few upcoming tracks. In that sense, the housier focus makes this mix a bit of a rare snapshot. Q. Looking back, where were you looking to gather inspiration when producing these tracks? I know you were living in Berlin for quite a few years, who or what was inspiring your creative process back then? A. Beyond Berlin’s DJ culture, I was especially inspired by artists performing live in clubs. That period aligned with my hardware-only approach, and I went deeper into that way of working. I was strongly influenced by the left-field hardware house scene at the time, particularly artists from L.I.E.S. Records like Steve Summers and Bookworms. Spending time with them, jamming, and being close to that environment had a big impact on my process. Many labels and artists working in that space emerged and flourished during the 2010s, and that era shaped a good part of the music in this mix. Q. I know you’ve been a driving force behind hardware based electronic music production here in Melbourne over the past couple of years with JAM, your open invitation electronic jam sessions.. Tell us about your idea for these community jam sessions, and what has been the most rewarding part of the whole process? A. JAM takes effort to run, but it’s a very special project. People are genuinely grateful for the space, and it’s rewarding to see how much they enjoy connecting and making music together. The idea is to make access easy and remove intimidation, and that approach really works. What I find most rewarding is seeing beginners gain confidence and have fun. People who don’t know each other come together, start jamming, and create something on the spot. That sense of openness and shared experience is what makes JAM meaningful for me.

    1h 29m
  8. MDC.317 Zeynep

    12/19/2025

    MDC.317 Zeynep

    Operating on a global frequency with a knack for genre-blurred grooviness, Berlin-based Zeynep delivers a transportive blend of rolling rhythms and cross-pollinated mind-lockers that hit all the right spots. For those that like their grooves deep, percussive, techy and mysterious you've come to the right place. @zeynep Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in? A. First off, I want to thank you for letting me be part of this incredible mix series :‘) what an honor! As a big fan of MDC I wanted to tap into a deeper, more mysterious side of myself while still holding onto the sound that feels like “me”. I tried to let the mix slowly build into that, so you can hear different influences coming through before it settles where it needs to be. As for the ideal listening environment... I like thinking about how it can live in different contexts. That’s why I love when people surprise me with where they play my mixes. Someone once told me they put one on at an orgy which might be the highest compliment I’ve ever received. So yeah, whatever place you’re in (physical or emotional) if it fits, it fits. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. The opening track export city by project runaway from 2020 really captures the kind of rhythm I’m into right now. It’s built around infectious percussion and a sleek, pulsing groove. It kinda mirrors internal restlessness and the desire to move which is what draws me in I guess. The closing track No Reason by Vertical Blank from 1993 has these darkwave vocals that feel sad and euphoric at the same time. It’s got this “the end is near but you’re not sure if that’s good or bad“ energy which sounds strange but that ambiguity is exactly why it resonates with me.. if that makes sense? Q. I know you’re a big advocate of community focussed DIY parties, what are some events you’ve played over the last year that you’ve felt best embody community spirit, and what do you feel are some of the most important elements required to achieve it? A. Two of my favorite gigs this year were Earth Dog in NYC and noclubs in Amsterdam. Both were proper DIY raves in secret locations, built entirely from scratch with great sound and music by great people who genuinely care. What made each of them so special was how much they embodied real community spirit: everyone contributing, looking out for each other and creating a space that truly feels owned by the people in it. You feel it in how accessible and transparent everything is, in the shared ownership and in the effort to keep things affordable while inviting diverse voices into both the lineup and the organization. Being part of experiences like these makes people feel safe and part of something they get to shape, rather than just attend. And I think that’s a key element. Big up to both crews and anyone out there for keeping that culture alive and staying real and true to themselves!

    1h 38m
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4.6
out of 5
10 Ratings

About

Deepcasting since '09 📡

Information

  • Creator
    Melbourne Deepcast
  • Years Active
    2009 - 2026
  • Episodes
    304
  • Rating
    Clean
  • Copyright
    © All rights reserved
  • Show Website
    Melbourne Deepcast

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