MovieMaker MovieMaker Magazine

Nardeep Khurmi wrote, directed and stars in Land of Gold, a cross-country, cross-cultural road trip exploring the dynamic between a Punjabi American truck driver (Khurmi) and a Mexican-American girl named Elena (Caroline Valenicia) whom he finds hiding in his trailer.
"Can you get more American," he asks, "than two communities of color, who have been marginalized by the country they want to call home, banding together to find their piece of the pie?"
The film arose in part from his fascination with the intersection of Indian and Mexican immigrants in Southern California, fueled in part by a chance encounter with a very good restaurant.

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Ali Afshar has one of the most unique origin stories in Hollywood. His family moved to Petaluma, California after the Iranian Revolution of 1979, and he sought peace against a backdrop of tragedy by wrestling and street racing. A stuntman older brother helped him make his way into acting, and he soon became a producer as well. His latest project is the bilingual upstairs-downstairs family drama Casa Grande, now airing on Amazon's Freevee.
But that barely scratches the surface of a story that includes racing success, shooting Christmas movies in a converted barn, and his goal of eventually telling the story of the German heavy metal band The Scorpions. His production company is ESX Entertainment.


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Alex Convery grew up in the Chicago suburbs in the 1990s, when Michael Jordan was a superhero. He watched the Jordan doc THE LAST DANCE during pandemic lockdowns, like everyone else. But unlike everyone else, he saw an amazing movie idea about the creation of Nike's trademark sneaker, Air Jordans.
Two years later, Convery's script has been made into a movie directed by Ben Affleck, starring Affleck, Matt Damon, Viola Davis and other A-listers. It's a fascinating, fun film that looks like the first surefire Oscar contender of 2023.
We talked to Convery about how he pulled it off, his love of William Goldman, and using VHS for masterful expositition.

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Two-time Oscar winner Barbara Kopple helped invent the modern-day documentary with her groundbreaking Harlan County, USA, which recounted a brutal coalminers' strike in dirt-poor Harlan County, Kentucky and won the 1976 Oscar for best documentary. She won her second Oscar in 1991 for American Dream, about a heartland strike against the Hormel Foods corporation.
She returns to the grassroots struggle for survival and dignity in her new film Gumbo Coalition, about the work of the Civil Rights groups the Urban League and UnidosUS during the Trump presidency. We just saw it at the 25th anniversary edition of the Sarasota Film Festival, where we recorded this episode.
In addition to docs about social issues, Kopple has also made some fascinating films about celebrities at heightened moments, including the Woody Allen film Wild Man Blues and the Dixie Chicks portrait Shut Up and Sing. But what unites all of her films is a cinema vérité style in which she lets her subjects do the talking and observes with minimal interference.


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Born into the film industry, William Sherak has a long family history with innovators like James Cameron and George Lucas. He tells us about running Hollywood's go-to 3D company at exactly the right moment, watching Jurassic Park with Steven Spielberg, connecting with directing duo Radio Silence (Matt Bettinelli-Olpin and Tyler Gillett), and helping salvage the Scream franchise from the smoldering wreckage of The Weinstein Company.
He also tells us why practical effects work so well for slasher movies, making a Scream in New York, and how it's going with Neve Campbell.


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You know when you're watching a cop show, and a suspect says the cops planted a gun? Or drugs?
It happened for years in Baltimore thanks to the crooked Gun Trace Task Force. The new documentary I Got a Monster, by Kevin Abrams, explains the disgraced officers' M.O. and how they finally went down.
He also tells us how common he thinks the behavior is, and how to stop it.
If you're interested, here's the very interesting podcast that MovieMaker host Tim Molloy references in which an ex-police officer estimates that 1,000 cops in the United States are bad.

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