Music Speaks Shaun Rimkunas
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- Music
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Marvel Cinematic Fanfares
Bryan Tyler and Michael Giacchino has scored MCU films, the most for any composer in the franchise, and composed the fanfare that has been used for the Marvel Studios production logo since 2010-2016.
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Short Ride in A Fast Machine
Short Ride in a Fast Machine is a 1986 orchestral work by John Adams. Adams applies the description "fanfare for orchestra" to this work and to the earlier Tromba Lontana. The former is also known as Fanfare for Great Woods because it was commissioned for the Great Woods Festival of the Pittsburgh Symphony Orchestra
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Aaron Copland's Fanfare for A Common Man
Fanfare for the Common Man is a musical work by the American composer Aaron Copland. It was written in 1942 for the Cincinnati Symphony Orchestra under conductor Eugene Goossens and was inspired in part by a speech made earlier that year by then American Vice President Henry A. Wallace, in which Wallace proclaimed the dawning of the "Century of the Common Man".
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Symphony No. 2 The Big Apple Mvt 3
Johann De Meij's Second Symphony is an ode to New York: not strictly programmatic music but rather a musical interpretation of the spirit, glamour, and indifference of one of the most fascinating cities in the world.
The first movement, Skyline, depicts the massive facade, the “global” contours of New York; in the second movement, Gotham, the brutal, chaotic aspects of the metropolis are introduced.
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Symphony No. 2 The Big Apple Mvts 1-2
Johann De Meij's Second Symphony is an ode to New York: not strictly programmatic music but rather a musical interpretation of the spirit, glamour, and indifference of one of the most fascinating cities in the world.
The first movement, Skyline, depicts the massive facade, the “global” contours of New York; in the second movement, Gotham, the brutal, chaotic aspects of the metropolis are introduced.
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Carnival of the Animals Part 3
Via Wikipedia:
The Carnival of the Animals (French: Le Carnaval des animaux) is a humorous musical suite of fourteen movements, including "The Swan", by the French composer Camille Saint-Saëns. The work, about 25 minutes in duration, was written for private performance by two pianos and chamber ensemble; Saint-Saëns prohibited public performance of the work during his lifetime, feeling that its frivolity would damage his standing as a serious composer.
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