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Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy (NYU Press, 2024), Jonathan Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron.
Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity―stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world.
Jonathan Branfman is the Eli Reinhard Postdoctoral Fellow in Jewish Studies at Stanford University.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? 
Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.
Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.
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How did ordinary Iraqis survive the occupation of their communities by the Islamic State? How did they decide whether to stay or flee, to cooperate or resist? Based on an original survey from Baghdad alongside key interviews in the field Surviving the Islamic State: Contention, Cooperation, and Neutrality in Wartime Iraq (Columbia University Press, 2024) offers an insightful account of how Iraqis in different areas of the country responded to the rise and fall of the Islamic State.
Dr. Austin J. Knuppe argues that people adopt survival repertoires—a variety of social practices, tools, organized routines, symbols, and rhetorical strategies—to navigate wartime violence and detect threats. He traces how repertoires varied among different communities over the course of the conflict. In areas insulated from insurgent control, such as cosmopolitan Baghdad, local residents had the flexibility to support coalition forces while also voicing opposition to government policies. For Iraqis in rural communities confronting insurgent control, collaboration and resistance entailed significant risks. In Sunni-majority communities in the western desert, passive acquiescence and active cooperation temporarily insulated Iraqis from insurgent victimization. For ethnic and religious minorities in the north, however, flight or resistance proved the only viable options. In many communities, local residents mobilized neighborhood self-defense groups and militias loosely aligned with coalition forces once the tides turned against the Islamic State.
Beyond contributing to academic and policy debates about civilian protection during wartime, Surviving the Islamic State foregrounds everyday people’s experiences while modeling an ethical approach for conducting field research in conflict-affected communities.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Playwright Naomi Westerman was an anthropology graduate student studying death rituals around the world when her whole family died, turning the end of lives from an academic pursuit into something deeply personal. She became fascinated by the concept of loss and grief, the multiple ways we experience it across cultures, history, and art.
Happy Death Club: Essays on Death, Grief, and Bereavement Across Cultures (404 Inklings, 2024) is part memoir, part meditation on the many faces of death – from sprinkling ashes across the globe, to the power of horror movies, the complexities of engaging in true crime entertainment, and the vital communities of peer support groups – Happy Death Club is a frank, curious and darkly humorous look at one person’s journey through grief, and what lies beyond.
 This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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War in the 21st century will remain a chameleon that takes on different forms and guises. Beyond Ukraine: Debating the Future of War (Oxford University Press, 2024) edited by Tim Sweijs and Jeffrey H. Michaels offers the first comprehensive update and revision of ideas about the future of war since Russia’s 2022 invasion of Ukraine. It argues that the war has fundamentally shifted our perspective on the nature and character of future war, but also cautions against marginalising many other parallel trends, types of war, and ways of waging them.
World-renowned international experts from the War Studies field consider the impact of the war in Ukraine on the broader social phenomenon of war: they analyse visions of future war; examine the impact of technological innovation on its conduct; assess our ability to anticipate its future; and consider lessons learned for leaders, soldiers, strategists, scholars and concerned citizens.
Beyond Ukraine features contributions from Azar Gat, Beatrice Heuser, Antulio Echevarria, Audrey Cronin, T.X. Hammes, Kenneth Payne, Frank Hoffman, David Betz, Jan Willem Honig, and many other pre-eminent thinkers on the past, present and future of war—including an afterword by the late Christopher Coker.
Tim Sweijs is the Director of Research at The Hague Centre for Strategic Studies (HCSS) and a Senior Research Fellow at the Netherlands’ War Studies Research Centre of the Netherlands Defence Academy.
Jeffrey H. Michaels PhD is the IEN Senior Fellow in American Foreign Policy and International Security at the Institut Barcelona d'Estudis Internacionals.
Stephen Satkiewicz is an independent scholar whose research areas are related to Civilizational Sciences, Social Complexity, Big History, Historical Sociology, military history, War studies, International Relations, Geopolitics, as well as Russian and East European history.
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Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. 
Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest (Bloomsbury, 2024) encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.
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