THE BALLAD DODECET- Stories. Songs. Scripture. Broadcast from the edge of eternity.

Victor Robert Farrell
  • 5.0 (1)
  • Christianity
  • Updated Monthly

Welcome to The Ballad Dodecet—a broadcast from the crossroads of story, song, and Scripture. From the quiet voice of Night Whispers to the thunder of original music and unfolding ballads, this channel carries a living narrative of faith, fire, and redemption. These are not just episodes—they are fragments of a greater story. Voices in the dark. Songs in the wilderness. Truth spoken where it still matters. If you’ve got ears to hear… you’re already part of it. The Ballad Dodecet is a multi-stream broadcast of stories, songs, and Scripture—woven together from the world of Night Whispers and beyond. Here you’ll find daily devotionals, original music, spoken word, and unfolding narratives rooted in faith, struggle, and redemption. This is not just a podcast—it’s a living archive. A place where the Word is spoken, the songs are sung, and the story is still being written. Step in, listen closely… and walk by faith.

  1. 3d ago

    Covenant Fire-Hymn-08 - From 12 Rights-08-THE RIGHT TO FAITHFULNESS IN MARRIAGE

    Covenant Fire is Hymn Number 8 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, covenant weight, and faithful fire. This hymn corresponds to the Eighth Right: The Right to Faithfulness in Marriage. After the first seven hymns declare life, the worship of the one true God, the rejection of false gods, reverence for the Name of God, gathered worship, household order, and life free from violence, this eighth hymn stands before the marriage covenant. Covenant Fire is not a soft love song. It is a hymn of vow, fidelity, endurance, repentance, mercy, and holy desire. It remembers that marriage is not merely a feeling, a contract, a mood, or a romantic season. It is a covenant made before God. The heart of the hymn is clear: Covenant fire Burning through the years Stronger than the wanting Deeper than the tears This song speaks to the long obedience of marriage: coffee mornings, rainy nights, sharp words repented of, bills beside the Bible, silence in the room, grace through the doorway, and two sinners learning to love under the Lordship of Christ. It is about guarding the door, guarding the eyes, guarding the vow, and refusing the old sins when they rise. The ring is not a chain. It is a circle round a flame. The vow is not a cage. It is a shelter in the rain. Covenant Fire carries warmth, but not weakness. It honours love as something holy, durable, costly, and guarded by God. It is a song for husbands and wives who know that faithfulness must be chosen again and again, not merely felt once and remembered. Musically, this is rugged country gospel with a solemn marriage fire: deep male choir, steady drums, restrained organ, warm acoustic weight, and a baritone lead that sounds like a man renewing his vow before God. This is not sentimental romance. This is not soft worship. This is the sound of a covenant still burning. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    6 min

  2. 3d ago

    Enough is A Hallelujah-Hymn-11- From 12 Rights-11-THE RIGHT TO REJOICE WITHOUT COVETNOUS

    Enough Is a Hallelujah is Hymn Number 11 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, gratitude with backbone, and contentment as warfare. This hymn corresponds to the Eleventh Right: The Right to Contentment. After the first ten hymns declare life, the worship of the one true God, the rejection of false gods, reverence for the Name of God, gathered worship, household order, life free from violence, faithfulness in marriage, stewardship, and truthful witness, this eleventh hymn stands at the small table and gives thanks. Enough Is a Hallelujah is not a hymn of laziness. It is not a hymn of defeat. It is not a hymn that despises ambition, labour, or provision. It is a hymn of holy contentment. It recognises that coveting is a hunger with a hole where thanks should be. Envy looks at another man’s portion and calls God unjust. Gratitude looks at the bread in hand and blesses the Giver. The heart of the hymn is clear: Enough is a Hallelujah Enough is a battle cry Enough is how a thankful man Looks the devil in the eye This song speaks against comparison, resentment, envy, and the restless spirit that can never rejoice because someone else has more. It blesses the crust. It blesses the cup. It blesses the hand that lifts us up. It blesses the work, the rest, the small table, the gathered family, and the Father who still stands beside His children. Contentment is not weakness. It is not passivity. It is spiritual resistance. It is the refusal to let envy steal praise. Musically, this is rugged country gospel with a warm hearth-and-table feel: deep male choir, steady drums, acoustic weight, and a baritone lead that sounds like a man who has learned to give thanks without surrendering his backbone. This is not soft worship. This is not prosperity religion. This is the sound of gratitude standing its ground. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    5 min

  3. 3d ago

    Go Tell The Kingdom-Hymn-12- From 12 Rights-12-THE RIGHT TO PROCLAIM THE GOSPEL

    Go Tell the Kingdom is Hymn Number 12 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this final hymn completes the Iron Hymns sequence with rugged country gospel, strong male baritone lead, deep male harmonies, low drums, gospel proclamation, and kingdom fire. This hymn corresponds to the Twelfth Right: The Right to Proclaim the Gospel. After the first eleven hymns declare life, the worship of the one true God, the rejection of false gods, reverence for the Name of God, gathered worship, household order, life free from violence, faithfulness in marriage, stewardship, truthful witness, and holy contentment, this twelfth hymn turns outward. The people of God are sent. Go Tell the Kingdom is a hymn of proclamation. It is not private comfort hidden away. It is not a timid whisper. It is not a faith kept safely indoors. It is a trumpet call to carry the good news of Jesus Christ into the world. The heart of the hymn is clear: Go tell the Kingdom Tell it loud and plain Christ was nailed for sinners And He broke the grave again This song declares the cross, the blood, the empty tomb, the mercy of God, the pardon of sinners, and the coming reign of Christ. It is for the kitchen, the graveyard, the prison, the rain, the pulpit, the radio, the road, the town, the city, the holler, and the farthest home. The gospel is not an optional extra. It is the message the Church has been given to carry: Christ has died. Christ has risen. Christ will come again. This final hymn gathers the whole album into one sending cry. The rights are not merely to be protected. They are to be lived, sung, preached, guarded, and carried into the world under the Lordship of Jesus Christ. Musically, this is rugged country gospel with revival weight: deep male choir, low drums, strong baritone lead, open-road momentum, and the sound of a people sent with the Bible in their hands and fire in their bones. This is not soft worship. This is not sentimental religion. This is the sound of the gospel being carried. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    5 min

  4. 3d ago

    Meet Me At The House of God -Hymn-05 - From 12 Rights-05-THE RIGHT TO GATHER IN WORSHIP

    Meet Me at the House of God is Hymn Number 5 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, church-bell weight, and gathered worship fire. This hymn corresponds to the Fifth Right: The Right to Gather in Worship. After the first four hymns declare life, the worship of the one true God, the rejection of false gods, and reverence for the Name of God, this fifth hymn calls the people of God together. The Christian faith is not meant to be lived as a lonely performance. We are called into the household of faith, around the Word, among the saints, under the Lordship of Christ. Meet Me at the House of God is a song for weary believers making their way through rain, fog, trouble, grief, opposition, and ordinary life — still answering the bell, still opening the Bible, still gathering with the people of God. This is not a crowd chasing a show. This is not a market. This is not religious entertainment. This is the covenant people of God coming together to pray, sing, hear the Word, break bread, lift holy hands, bear one another’s burdens, and remember that we were never meant to walk alone. The heart of the hymn is simple: Meet me at the house of God Where the weary learn to stand Where the Word is bread and thunder Where the broken find a hand The hymn carries a warm but rugged spirit: a church bell across the valley, families on the road, elders in the pews, children at the door, saints coming through the fog, and a Bible waiting open. It is country gospel with a Highland edge — strong, reverent, communal, and full of grit. This is not soft worship. This is not sentimental religion. This is the sound of the people of God coming home. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    6 min

  5. 3d ago

    No Blood On My Hands-Hymn-07 - From 12 Rights-07-THE RIGHT TO LIFE FREE FROM VIOLENCE

    This House Belongs to God is Hymn Number 6 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, household faith, and fatherly backbone. This hymn corresponds to the Sixth Right: The Right to Honour Family Order. After the first five hymns declare life, the worship of the one true God, the rejection of false gods, reverence for the Name of God, and the gathering of God’s people, this sixth hymn brings the declaration home. Not merely into church buildings. Not merely into public confession. But into the kitchen, the doorway, the cradle, the table, the marriage bed, the family room, the prayer chair, and the hard daily work of keeping a household under God. This House Belongs to God is a hymn of household consecration. It declares that the Christian home is not owned by the age, the screen, the street, the state, or the idols of unbelief. It belongs first to the Lord. This is a song for fathers needing courage, mothers holding fast, children needing blessing, kin needing refuge, and families learning how to stand in a world that wants to reorder everything. The heart of the hymn is clear: This house belongs to God Every room and every stone Every child beneath this roof Every seed of mercy sown This is not nostalgia. It is not sentimental family religion. It is a strong declaration that household order is holy ground. A home is not just a place where people sleep. It is a place where souls are formed, mercy is practised, children are guarded, Scripture is opened, forgiveness is learned, and Christ is honoured. The hymn carries warmth, but not softness. There is fire in it: the fire of covenant, duty, protection, prayer, and faithful love. It says: Let the world rage at the door. Let the storms come hard and broad. We will lift the Bible higher. This house belongs to God. Musically, this is rugged country gospel with deep male choir strength, low drums, steady conviction, and the feel of a family standing together beneath the Word of God. This is not soft worship. This is not decorative religion. This is the sound of a household being claimed for the Lord. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    5 min

  6. 3d ago

    No Other Altar -Hymn-03 - From 12 Rights-03-THE RIGHT TO REJECT FALSE GODS

    No Other Altar is Hymn Number 3 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, solemn fire, and holy defiance. This hymn corresponds to the Third Right: The Right to Reject False Gods. If Breath Belongs to God declares that life belongs to the Lord, and One Throne, One Name declares that worship belongs to the one true God, then No Other Altar takes the next necessary step: Every false god must be refused. This is not a song of vague spirituality. It is not a polite nod toward religion in general. It is an Iron Hymn of renunciation — a sung rejection of idols, counterfeit saviours, false worship, cultural gods, fashionable lies, and every altar built by human pride. False gods do not always arrive as carved statues. Sometimes they come as money. Sometimes as pleasure. Sometimes as fear. Sometimes as power. Sometimes as self. Sometimes as state. Sometimes as ideology. Sometimes as technology. Sometimes as appetite, status, or the mirror and the screen. They glitter for a day, but they cannot save. They promise freedom, but they forge chains. They call darkness light and shame liberty. The answer of the hymn is clear: No other altar. No other flame. No other master. No other name. At its heart, No Other Altar recognises that worship is never neutral. Whatever a man bows before will eventually shape him. Whatever a family serves will eventually rule the household. Whatever a nation honours will eventually claim its children. This hymn is therefore a refusal. A refusal to burn incense to the gods of dying men. A refusal to surrender to the idols of self and greed. A refusal to trade the living God for something our own hands have made. A refusal to treat Christ as merely one option among many. The song rises from warning into confession, from confession into renunciation, and from renunciation into worship. This is country gospel with iron in the spine: a strong baritone voice, a gathered male choir, low drums, restrained organ, and the sound of idols falling before the living God. This is not soft worship. This is not sentimental religion. This is holy refusal. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    6 min

  7. 3d ago

    One Throne One Name-Hymn-02 - From 12 Rights-02-THE RIGHT TO WORSHIP THE ONE TRUE GOD

    One Throne, One Name is Hymn Number 2 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, reverent fire, and holy allegiance. This hymn corresponds to the Second Right: The Right to Worship the One True God. If Breath Belongs to God, the first hymn, begins with life as sacred gift, then One Throne, One Name moves immediately to worship. It asks the next great question: If life belongs to God, then who deserves the throne? The answer is clear. Not the state. Not the self. Not money. Not fear. Not culture. Not the crowd. Not the idols glittering for a day. There is one throne. There is one Name. There is one living God who alone is worthy of worship. One Throne, One Name is an Iron Hymn of allegiance. It is not decorative religion. It is not vague spirituality. It is not background worship to soften the atmosphere. It is a sung declaration that every false throne must fall before the Lord who made heaven and earth. The hymn opens before creation itself: Before the mountains trembled, before the rivers ran, before the dust was gathered and formed into a man. From there, it rises into its central confession: no idol made of silver, no kingdom made of stone, and no crown upon a mortal head can sit upon God’s throne. That is the heart of the Second Right. Christians do not ask permission to worship the one true God. They recognise the One who already reigns. Worship is not a private hobby or a cultural preference. It is the first allegiance of the human soul. This song stands against the old lie that man may choose his own gods and remain unchanged. Worship always forms us. What we adore, we become shaped by. What we bow before, we eventually serve. That is why this hymn refuses the idols of the age: We will not kneel to money. We will not bow to fear. We will not call the darkness light. We will not serve the glittering gods of the hour. The chorus carries the declaration: One throne One Name One God forevermore One King One claim One Lord that we adore This is country gospel with iron in the spine: a strong baritone voice, a gathered male choir, and the sound of men standing in a storm, refusing every counterfeit throne and every false king. This is not soft worship. This is holy allegiance. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

    5 min

  8. 3d ago

    Tell It Straight-Hymn-10 - From 12 Rights-10-THE RIGHT TO TRUTHFUL WITNESS

    Tell It Straight is Hymn Number 10 from The Rights We Sing: Twelve Hymns for the Twelve Christian Rights. Performed by Silas Creed & The Crescent Hill Conservatory Choir, recorded live in Louisville, Kentucky, this hymn continues the Iron Hymns sound: rugged country gospel, strong male baritone lead, deep male harmonies, low drums, courtroom gravity, and pulpit fire. This hymn corresponds to the Tenth Right: The Right to Truthful Witness. After the first nine hymns declare life, the worship of the one true God, the rejection of false gods, reverence for the Name of God, gathered worship, household order, life free from violence, faithfulness in marriage, and stewardship before God, this tenth hymn stands in the witness box. Tell It Straight is a hymn of truth, testimony, courage, confession, and moral clarity. It is not a song for managed narratives. It is not a song for polished excuses. It is not a song for convenient silence. It is a call to speak the truth before God. The heart of the hymn is clear: Tell it straight With your hand on the Word Say what you saw Say what you heard A false witness does not merely bend the facts. He buries the innocent alive. He hands the wolf a clean white coat and calls the shepherd unkind. This song stands against the lie dressed up in Sunday clothes, the silence bought with comfort, and the mouth that bends for bread. It remembers that God weighs every answer and remembers what was said. Truthful witness is not cruelty. It is not gossip. It is not pride. It is the holy refusal to bless the lie, hide the wound, or bury justice in order to keep ourselves dry. The Christian must learn to say yes when yes is true, no when no is true, and nothing when silence is obedience. But when witness is required, the truth must not be trimmed. Musically, this is rugged country gospel with courtroom weight: deep male choir, low drums, restrained organ, and a baritone lead that sounds like a man with one hand on the Bible and no place left to hide. This is not soft worship. This is not sentimental religion. This is the sound of truth standing up. The Rights We Sing album sequence: Breath Belongs to God — The Right to LifeOne Throne, One Name — The Right to Worship the One True GodNo Other Altar — The Right to Reject False GodsThe Name Is Fire — The Right to Reverence the Name of GodMeet Me at the House of God — The Right to Gather in WorshipThis House Belongs to God — The Right to Honour Family OrderNo Blood on My Hands — The Right to Life Free from ViolenceCovenant Fire — The Right to Faithfulness in MarriageThe Steward’s Song — The Right to Steward Your PossessionsTell It Straight — The Right to Truthful WitnessEnough Is a Hallelujah — The Right to ContentmentGo Tell the Kingdom — The Right to Proclaim the GospelTwelve rights. Twelve hymns. One King. Find out more at 12rights.com. Support the show 🎵 The Ballad Dodecet™  - Twelve Stories. One Epic Song. - 🔥 Step Into the Ballad Universe - Where twelve stories ignite a cosmos. 🌍 A World Across Six Nations- From the mist-shrouded Highlands of Scotland to the deep hollers of Appalachia, the Ballad Dodecet spans: Scotland, England, Ireland-Northern Ireland,  Wales, -North America. Each volume taps into centuries of folklore, faith, and frontier resilience—binding together diverse cultures and long-whispered legends into one unforgettable tapestry of story and song. 🎼 Where Music Meets Myth - Fiction, song, and folklore collide. - Each book is laced with:🎶 Original music,📓 Hidden journals & personal letters,📚 Companion fanbooks, 🔎 Easter eggs, crossovers, and spiritual insights Welcome to a living, breathing world—ready to read, hear, and explore. 🎧 ▶ LISTEN LIVE – WLMP 660 AM- HTTPS://WWW. KINGDOM.ROCKS  Tune in to We Love Mountain Praise for exclusive ballad broadcasts, story-backed songs, devotionals, and behind-the-scenes revelations. 🛒 SHOP THE BALLAD- HTTPS://WWW. DODECET.COM Support the journey. Collect the songs. Wear the legend.

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Welcome to The Ballad Dodecet—a broadcast from the crossroads of story, song, and Scripture. From the quiet voice of Night Whispers to the thunder of original music and unfolding ballads, this channel carries a living narrative of faith, fire, and redemption. These are not just episodes—they are fragments of a greater story. Voices in the dark. Songs in the wilderness. Truth spoken where it still matters. If you’ve got ears to hear… you’re already part of it. The Ballad Dodecet is a multi-stream broadcast of stories, songs, and Scripture—woven together from the world of Night Whispers and beyond. Here you’ll find daily devotionals, original music, spoken word, and unfolding narratives rooted in faith, struggle, and redemption. This is not just a podcast—it’s a living archive. A place where the Word is spoken, the songs are sung, and the story is still being written. Step in, listen closely… and walk by faith.

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