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Henry and Samuel
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  • تقييمات الأفلام
  • يتم التحديث أسبوعيًا

Co-hosts Henry and Samuel go through franchises and filmographies in the vain hope of answering one simple question: How can we get the most out of the movies we watch?

  1. قبل ٤ أيام

    After Hours

    For the second week in a row Scorsese is leaning into his more humorous side, this time with the thriller parody After Hours. We found this convoluted plot needed quite a bit of buy-in, but once you do there is plenty of fun to be had. As we sprint around the winding streets of SoHo, we discuss potential titles for a follow-up film, revisiting the Star Wars sequels, the archaic concept of having no “cash” on you, how well this movie would work as an adventure game, and Henry fundamentally not understanding the math Samuel does in his head.

    ١ س ٣٠ د

  2. ٢ فبراير

    The King of Comedy

    Many aspects of The King of Comedy (now over 40 years old) feel incredibly timeless. It’s a story of fanaticism and parasocial relationships that feels possibly more relevant today in the age of the internet than it did in the age of television personalities. We discuss this unique brand of cringe comedy, Scorsese’s slightly more subtle stylistic touches, office layouts, and come up with a bunch of great ways to mispronounce Rupert Pupkin. Plus: the final (?) segment of “Free Streaming Service Ads Breakdown!”

    ١ س ٤٥ د

  3. ٢٦ يناير

    Raging Bull

    Last week we bet big that Raging Bull would be the first truly amazing film of this miniseries. And this week, we’re pleased to say: we were correct! Everything seems to have come together at just the right time for this to be a truly stunning work of art: Robert De Niro’s passion, Martin Scorsese’s redemption, and Thelma Schoonmaker’s pitch-perfect editing. And that’s before we even get to Joe Pesci! We also discuss the best movie-within-a-movie movies, our embarrassing lack of familiarity with Stallone, Viola Davis’ interest in cats acting, and some theory on why black and white and color in film usually don’t mix well.

    ١ س ٥٥ د

  4. ١٩ يناير

    New York, New York

    If you find yourself trying to watch the currently un-streamable film New York, New York, it’s recommended you take a break every time you can’t stand De Niro anymore. Unfortunately, the troubled nature of this movie’s production—Scorsese’s cocaine addiction and extramartial affair, Minelli’s discomfort with improv, De Niro’s obsessive method acting—seeps into the final product, resulting in a movie so uncomfortable that the fantastic music and brilliant final act is not enough to save it. We try to come to terms with these mixed feelings, along with how this fits into Lucille 2’s backstory, why Damien Chazelle is clearly so influenced by this film, and how much we’re cashing all our chips in on next week’s movie.

    ١ س ٤٢ د

  5. ١٢ يناير

    Taxi Driver

    They said it couldn’t be done. They said two cis white men who liked movies couldn’t make it to 28 years of age without having seen Taxi Driver. And yet somehow that was true, until this week. Let’s just say right now is, uh, not the best time to be watching a movie from the perspective of a troubled, violent, lonely male figure, and as a result we’re not too thrilled about this film. Thankfully we’ve packed this episode with as many tangent-spawning questions as possible, including: how much money is Travis Bickle making? Why did Ron Howard name his kids like that? How does one become superstitious? Why are we so bad at guessing children’s ages? How many “gangster” movies have we seen thus far this miniseries? Why does Samuel not watch anime if he’s already read the manga? And maybe most pointlessly: what sorts of ads does Pluto show when you watch this movie?

    ١ س ٤٧ د

  6. ٥ يناير

    Alice Doesn't Live Here Anymore

    Alice Doesn’t Live Here Anymore is Scorsese’s second (and ostensibly last) movie to center around a female protagonist, showing off a more sincere side to his filmmaking that we don’t always see. Alice’s struggles (beautiful rendered by an Oscar winning performance from Ellen Burstyn) have a timeless quality to them, even if aspects of the ending feel quite dated. We get into all that as well as personal stories of food poisoning, walking home alone, and eating in locally owned diners. Also, we misremember Talia Shire’s role in The Godfather!

    ١ س ٣٢ د
  7. Best Art of 2025

    ٢٩‏/١٢‏/٢٠٢٥

    Best Art of 2025

    As the year 2025 starts to wind down and we look back, we gotta say: not a lot of good stuff happened this year! Despite that, we both came to the table this week with a list of some of our favorite art that came out in this year. Join and listen to us ramble about puzzle games, YouTube essays, LEGO sets, JRPGs, sad indie music, Warhammer podcasts, books about lonely people, and a very very large baby.

    ١ س ٥٧ د

  8. ٢٢‏/١٢‏/٢٠٢٥

    Avatar: Fire and Ash

    James Cameron’s long-awaited third Avatar film is here, and it sure looks and sounds a lot like the last one! Rather than simply re-release our Way of Water episode (which we could do given how similar these two films are), we come to you this week with all our freshest takes on Fire and Ash, AI-generated commercials, Odyssey trailers, franchise subtitling, hair on Pandora, legs on snakes and whales, and Verang’s whole freaky deal. Plus, a collective fifteen minutes of banter centered around Spider’s bladder.

    ٢ س ٢٢ د
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Co-hosts Henry and Samuel go through franchises and filmographies in the vain hope of answering one simple question: How can we get the most out of the movies we watch?

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    Henry and Samuel
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