Somerset House Podcast

Somerset House
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Somerset House Podcast

The Somerset House Podcast, shaped and sculpted by artists, explores original cultural ideas which connect listeners to the creative process. Each series goes behind the scenes at Somerset House to uncover the stories explored through our programme and creative community. As the home of cultural innovators, Somerset House connects creativity and the artist with wider society to produce unexpected outcomes and unexplored futures, intensifying creativity and multiplying opportunity to drive artistic and social innovation.

  1. The Process: More Than a Space - The Club in Black Queer History

    2024/12/05

    The Process: More Than a Space - The Club in Black Queer History

    Why has the club been so pivotal to the history of black queer placemaking?  For artist and filmmaker Topher Campbell, growing up as a Black queer man in 1980s and 90s Britain, the club provided a sanctuary from the judgement and hostility of mainstream society. It became a space for community, self-discovery, and, as a care leaver, a sense of home. As co-founder of the rukus! archive and curator of the exhibition Making a rukus!: Black Queer Histories Through Love and Resistance, Campbell reflects on how the club scene reverberates through the archive, one of Europe's largest Black LGBTQIA+ collections, and its vital role in Black queer placemaking.  In this podcast, Campbell speaks with two pioneers of the Black queer club scene: DJ Biggy C (aka Calvin Dawkins) in London, who helped create space for Black music in the capital’s predominantly white gay clubs, and US based Madison Moore, academic, DJ, and author of Fabulous: The Rise of the Beautiful Eccentric. Madison discusses his mission to reclaim techno for the black femme community and how fabulousness can offer both mask and armour for Black queer club-goers.  Madison is an assistant professor at Brown University. For further support, we’d like to highlight the following resources:   UK Black Pride  BLKOUT  Black Beetle Health  Galop  Produced by: Alannah Chance  Presented by: Topher Campbell  Series presenter: Laurent John  Mixed by Mike Woolley  Theme Music: Ka Baird   Additional Music: Shaun J Wright and Alinka

    29 分鐘
  2. The Process: Episode 16 Trailer - What is the legacy of the 2011 riots?

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    The Process: Episode 16 Trailer - What is the legacy of the 2011 riots?

    The Process is an artist-led podcast series, developed by Somerset House, which explores the new ideas, big questions and surprising tangents which emerge from the artistic process.

    1 分鐘
  3. The Process: What is the legacy of the 2011 riots?

    2024/09/25

    The Process: What is the legacy of the 2011 riots?

    What one site in Croydon can tell us about the biggest moment of civil unrest in Britain in a generation. Artist Imran Perretta was in his early 20s when the riots began in 2011. What started in London quickly spread across England, but it was the footage of a furniture shop set on fire in Croydon which stayed with Imran. Now, 13 years later, Imran revisits that moment in a new commission for Somerset House Studios which recreates Reeves Corner in the gallery space, accompanied by a new work for string quartet, entitled ‘A Requiem for the Dispossessed.’  In this episode of The Process, Imran heads back to Reeves Corner to reflect on its legacy today. We hear from Tim Newburn, professor of criminology and social policy at the LSE, about the history of civil unrest in Britain and the nature of riots.  Croydon-based community artist Natalie Mitchell shares how community art projects can transform the way we think about public space. We follow Imran as he records with the Manchester Camerata and hear insights from sound designer Rob Szeliga on the ways in which music can affect how we feel.   As the requiem builds to its crescendo and the site lies silent, we ask: what does this patch of land say about the legacy of social unrest in Britain? Why has such a monumental uprising been largely forgotten? And how can sound tell this story in new ways?  We’re sensitive to the fact that while this subject matter is important to explore, it may be triggering to some audiences.  For further support, we’d like to highlight the following resources:  Healing Justice https://healingjusticeldn.org  Resist and Renew https://resistrenew.com  Radical Therapist Network: https://www.radicaltherapistnetwork.com    The Black, African and Asian Network (BAATN): https://www.baatn.org.uk  Credits  Produced by Alannah Chance  Presented by Imran Perretta  Series presenter is Laurent John  Mixed by Mike Wooley  Theme Music by Ka Baird with additional music by Harry Murdoch  The Process: A Somerset House Podcast    An artist-led podcast series which explores the new ideas, big questions and surprising tangents which emerge from the artistic process.  Drawing on the creative community both on site at Somerset House and from the exhibition programme, each episode follows artists as they explore one idea they’re currently pursuing, to see where it ends up.  From financial astrology to the black renaissance, quantum listening to the transformative powers of cute, along the way we hear from a cross-section of thinkers who have inspired them to help shape where it might go next.

    34 分鐘
  4. The Process: The Darker Side of Cute with Sean-Kierre Lyons

    2024/04/12

    The Process: The Darker Side of Cute with Sean-Kierre Lyons

    How can cuteness be used to sugar coat difficult messages?  In this episode we join another artist commissioned for the Somerset House exhibition CUTE, Brooklyn based Sean-Kierre Lyons, to explore how cute characters have been used to tackle sensitive ideas from the middle ages on.  In her practice, Sean-Kierre brings the grotesque and the cute together to approach challenging themes. Much of her work is inspired by cartoon animation, specifically its roots in racist caricature. For her Somerset House installation Sean-Kierre created a dragon-like gargoyle called Benevolence, one of nine protector gods she is developing, inspired by the 90s cartoon ‘Gargoyles’ Here Sean-Kierre exposes the double edged sword of cute, looking at how cute characters have been used to mask malicious intent, as in the case of the animated characters used in war propaganda, as well as to deliver moral reminders, as far back as medieval masonry. She talks to animator of the Big Blue, Gyimah Gariba about how he uses cuteness to demonstrate the vulnerability of earth’s climate and art historian Dr Janetta Rebold Benton explains how gargoyles could be thought to be a form of cartoons of the middle ages. Contains strong language from the start.  CUTE: An Exhibition Exploring the Irresistible Force of Cuteness in Contemporary Culture, at Somerset House, 25 Jan - 14 Apr 2024. Principal Partner: Sanrio Producer - Alannah Chance Exec Producer - Eleanor Ritter-Scott Series presenter - Laurent John

    27 分鐘
  5. The Process: FELT CUTE, MIGHT SHAPESHIFT LATER with Hannah Diamond

    2024/03/28

    The Process: FELT CUTE, MIGHT SHAPESHIFT LATER with Hannah Diamond

    Hannah Diamond reflects on the transformative powers of cute Cute aesthetics have exploded into pop culture. We use filters to make ourselves look like cute cats, dot our texts with hearts and smiley faces and our phones ping with alerts from cartoon animals reminding us to study French or change energy suppliers. Brands have been using cute images to sell us things since the dawn of advertising but with the rise of social media we are increasingly becoming the brand, as we seek to cutify our online and IRL selves. Over the last ten years the music collective and label PC Music have been playing with the aesthetics of pop music, internet culture and consumerism to suggest that artifice doesn’t need to be inauthentic. Artist and musician Hannah Diamond is one of the founding members, known for her hyper-real, hyper-pop art direction and an ear for sugary hooks. For CUTE, an exhibition at Somerset House, Hannah was commissioned to curate a room in the style of a girl’s sleepover accompanied by a stream of music videos that embody the power of cute. In this episode we go deeper into the ways pop music and cuteness intersect, celebrating the ways plasticity can be liberating rather than limiting. Hannah talks to fellow label affiliate Hayden Dunham, the brains behind the Hey QT project, about self transformation through world building and Dazed journalist Gunseli Yalcinkaya explains why the internet has such an enduring obsession with cute. CUTE: An Exhibition Exploring the Irresistible Force of Cuteness in Contemporary Culture, at Somerset House, 25 Jan - 14 Apr 2024. Principal Partner: Sanrio Producer - Alannah Chance Exec Producer - Eleanor Ritter-Scott Series presenter - Laurent John

    29 分鐘
  6. Not Strictly Speaking: The Disembodied Voice with Prem Sahib and Felicia Atkinson

    2024/03/22

    Not Strictly Speaking: The Disembodied Voice with Prem Sahib and Felicia Atkinson

    What does it mean to use the voice of others within a performance, text or recording? In this episode of Not Strictly Speaking, we look at the ways in which the voice is used both in service of power, and as a way of reclaiming agency. Prem Sahib’s new sound performance for Assembly, Alleus, takes a speech by former Home Secretary Suella Braverman and renders it into a new form through layers of processing and repetition, suggesting the idea of a curse or malediction. Resisting the idea that one hostile voice can speak for the many, Prem explores how political rhetoric can speak on behalf of others, and take possession of bodies at a distance. Composer and sound artist Felicia Atkinson, who has composed the sound across the podcast series, considers the boundaries between thought and speech, looking at how recorded speech and text can intertwine. Felicia’s work with voice plays with space, distance and found sound, inviting the everyday into her recordings. In this episode, she discusses the role the voice plays within her work, the writers who live within her and how the recorded voice can be slippery and shapeshifting. Alleus by Prem Sahib was co-commissioned and presented by the Roberts Institute of Art and Somerset House Studios as part of Assembly, 2024. Not Strictly Speaking Series  The voice is the first sound we encounter and the first instrument we learn to play, we are subject to the disembodied voice of politicians while the communal voice is raised in protest.  In conjunction with this year’s Assembly at Somerset House, this 3 part podcast series explores different manifestations of the voice and how it informs our ways of thinking.  Each episode follows one artist featured in the 2024 programme, as they unpack their work with the voice in dialogue with another artist. Vocalist and composer Elaine Mitchener is joined by the pioneer of extended vocal technique Joan La Barbara to explore the voice as an instrument, looking at how the human voice can channel meaning without words. Artist Prem Sahib plays with the shape shifting nature of political speech and its potential to inhabit other bodies alongside composer Felicia Atkinson on the mercurial nature of recording, while the vocal work of sound artist Vivienne Griffin is placed in dialogue with artist Helen Cammock on the concept of the voice as a site of resistance.  The sound for the series is composed by French composer and sound artist Felicia Atkinson who crafts a series of bespoke sound commissions for each episode. Commissioned by Somerset House Studios Producer - Alannah Chance Exec Producer - Eleanor Ritter-Scott Series Composer - Felicia Atkinson Mix - Harry Murdoch Assembly was supported by PRS Foundation’s The Open Fund for Organisations, John S Cohen Foundation, Kitmapper, The Wire Magazine and Goethe Institute London.

    27 分鐘
  7. Not Strictly Speaking: The Voice as Resistance with Vivienne Griffin and Helen Cammock

    2024/03/21

    Not Strictly Speaking: The Voice as Resistance with Vivienne Griffin and Helen Cammock

    The communal voice has a long history within the resistance movement, from African American spirituals, to the protest songs of the civil rights movement and the current pro-Palestine marches. In this episode we explore the enduring power of group singing and how it can embody resistance and resilience with Turner prize winning artist Helen Cammock and artist and Somerset House Studios resident, Vivienne Griffin.   Vivienne's sound work often centres around the voice, both her own and those of small choral ensembles. For their piece for Assembly they are drawing on the voice of the harp as a symbol of resistance within the history of British colonialism.  The work will be performed by Northern Irish harpist Úna Monaghan alongside a mechanised harp created by Vivienne, who will together interpret a text score.  Helen Cammock works across film, printmaking, performance and writing. Her work explores the role of the voice within the creation and maintenance of power structures as well as how the communal voice can subvert the dominant narratives of history. Here Helen unpacks how her work with communal voice has interrogated the idea of the voice as a site of resistance and the body as resilience. Not Strictly Speaking Series The voice is the first sound we encounter and the first instrument we learn to play, we are subject to the disembodied voice of politicians while the communal voice is raised in protest.  In conjunction with this year’s Assembly at Somerset House, this 3 part podcast series explores different manifestations of the voice and how it informs our ways of thinking. Each episode follows one artist featured in the 2024 programme, as they unpack their work with the voice in dialogue with another artist. Vocalist and composer Elaine Mitchener is joined by the pioneer of extended vocal technique Joan La Barbara to explore the voice as an instrument, looking at how the human voice can channel meaning without words. Artist Prem Sahib plays with the shape shifting nature of political speech and its potential to inhabit other bodies alongside composer Felicia Atkinson on the mercurial nature of recording, while the vocal work of sound artist Vivienne Griffin is placed in dialogue with artist Helen Cammock on the concept of the voice as a site of resistance. The sound for the series is composed by French composer and sound artist Felicia Atkinson who crafts a series of bespoke sound commissions for each episode. Commissioned by Somerset House Studios Producer - Alannah Chance Exec Producer - Eleanor Ritter-Scott Series Composer - Felicia Atkinson Mix - Harry Murdoch Assembly was supported by PRS Foundation’s The Open Fund for Organisations, John S Cohen Foundation, Kitmapper, The Wire Magazine and Goethe Institute London.

    28 分鐘
  8. Not Strictly Speaking: The Voice is the Instrument with Elaine Mitchener & Joan La Barbara

    2024/03/20

    Not Strictly Speaking: The Voice is the Instrument with Elaine Mitchener & Joan La Barbara

    A three-part podcast series exploring different manifestations of the voice in response to the Assembly programme. Each episode follows an artist featured in the 2024 programme as they unpack the power of the voice beyond speech, in dialogue with a number of guests.

    32 分鐘
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簡介

The Somerset House Podcast, shaped and sculpted by artists, explores original cultural ideas which connect listeners to the creative process. Each series goes behind the scenes at Somerset House to uncover the stories explored through our programme and creative community. As the home of cultural innovators, Somerset House connects creativity and the artist with wider society to produce unexpected outcomes and unexplored futures, intensifying creativity and multiplying opportunity to drive artistic and social innovation.

資訊

  • 創作者
    Somerset House
  • 活躍年代
    2017年 - 2024年
  • 集數
    76
  • 年齡分級
    兒少適宜
  • 版權
    © 868329
  • 節目網站
    Somerset House Podcast

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