Privacy is Global

Internews ADAPT

Privacidad, خصوصية, siri, privacy, privacidade. Finding the word in different languages might look simple. The contexts in which privacy plays out around the world, however, is definitely not. What does privacy mean for people in countries around the world? How are new technologies and widespread data aggregation impacting societies, politics, and cultures? What are the stories of the activists working to protect privacy rights and advocate for adequate laws, regulations and practices to ensure data is collected, processed, analyzed and used responsibly?

  1. 09/29/2022

    Datachiri 2.0: A Creative Storytelling Series on Data Rights [Español]

    “¿Qué pasaría si hubiera un monstruo mítico que chupa datos biológicos en vez de sangre?” Como parte de nuestra serie 'ficciones creativas', Privacy is Global se complace en presentar Datachiri. 2.0. Te invitamos a entrar en el paisaje sonoro de La Paz, Bolivia, en 2043. El gobierno se ha disuelto en gran medida y la gente depende de los dispositivos proporcionados de forma gratuita por una organización llamada 'la Congregación'. Allí vive Sascha, una joven en silla de ruedas que también depende en buena medida de la Congregación para poder usar su silla y desplazarse. Sin embargo, un peligro parece estar al acecho, de boca a oído la gente en La Paz habla de un monstruo mitológico capaz de hackear las redes de la Congregación y alimentarse de biodatos. Cuando el dispositivo de Sascha deja de reconocerla comienza una búsqueda para saber qué hay detrás de esta desaparición sospechosa, y qué significa existir, o dejar de hacerlo, en tiempos del Datachiri. Datachiri 2.0 es una historia escrita por Marianne Díaz Hernández basada en el cómic escrito por Alejandro Barrientos e ilustrado por Joaquín Cuevas en colaboración con Internet Bolivia. Las ‘ficciones creativas’ de ADAPT reunió a equipos de escritores de ficción, activistas, abogades, dibujantes de cómics, comediantes, ingeniero/as de audio e ilustradores para pensar en cómo podríamos lograr que más personas se interesen en la privacidad de los datos y la defensa de los derechos digitales a través de la ficción especulativa, el humor y los nuevos modos de comunicación. Para ver el cómic, consulta https://internetbolivia.org/datachiri-2-0/ Para saber más sobre el estado de la protección de datos en Bolivia, escucha nuestro episodio anterior producido en colaboración con Internet Bolivia, visita la línea del tiempo sobre el proceso de promoción de la ley de protección de datos y lee sobre toda la situación en ese país aquí.

    20 min
  2. 09/29/2022

    Datachiri 2.0: A Creative Storytelling Series on Data Rights [English]

    “What if there was a mythical monster that sucked our biodata instead of our blood?” As part of our ‘creative fictions’ series, Privacy is Global is excited to bring you Datachiri. 2.0. We invite you to sonically enter 2043 La Paz, Bolivia. Sascha lives in a society where the government has largely dissolved, and people rely on devices provided for free by an organization called ‘the Congregation.’ There are rumors of the Datachiri, a mysterious entity that is able to hack the Congregation’s networks to feed on biodata. Sascha’s device no longer recognizes her and she goes on a quest to discover why she’s been disconnected. Datachiri 2.0 is a story written by Marianne Díaz Hernández based on the comic book written by Alejandro Barrientos and illustrated by Joaquin Cuevas in collaboration with Internet Bolivia. The ADAPT Creative fictions project assembled teams of fiction writers, activists, lawyers, comic book artists, comedians, audio engineers, and illustrators to think about how we could get more people interested in data privacy and digital rights advocacy through speculative fiction, humor, and new modes of communication. To view the comic book, please see https://internetbolivia.org/datachiri-2-0/ To understand more about the status of data protection in Bolivia, please listen to our previous episode produced in collaboration with Internet Bolivia, read a blog post by Diandra Cespedes,  or visit the timeline of advocacy here.

    21 min
  3. 09/29/2022

    La Culpa Es De Graciela: A Creative Storytelling Series on Data Rights [Español]

    “VANESSA sabe que he estado ahorrando para mis vacaciones en la playa… ¡y también los hackers!” Como parte de nuestra serie 'ficciones creativas', Privacy is Global se complace en presentarles La Culpa Es De Graciela, una historia escrita por el dramaturgo ecuatoriano Sebastián Bravo Montenegro y producida en alianza con la Fundación Ciudadanía y Desarrollo de Ecuador. Esta historia sigue a Graciela en su primer día de trabajo en una importante institución financiera como estratega de redes sociales. Todo empieza muy bien, pero muy pronto aprende por las malas lo importante que es que las instituciones tengan protecciones adecuadas para los datos personales y que el gobierno haga cumplir las leyes y reglamentos. Esta historia está inspirada en hechos reales: la fuga de datos de 2019 de los datos personales de casi todos los y las ecuatoriana/os. Las ‘ficciones creativas’  de ADAPT reunieron a equipos de escritore/as de ficción, activistes, abogades, dibujantes de cómics, comediantes, ingeniero/as de audio e ilustradores para pensar en cómo podríamos lograr que más personas se interesen en la privacidad de los datos y la defensa de derechos digitales a través de la ficción especulativa, el humor y otros innovadores modos de comunicación. Para escuchar más sobre la política de protección de datos en Ecuador y el impulso de las regulaciones, escucha nuestro podcast anterior sobre el tema.

    32 min
  4. 09/29/2022

    Creative Storytelling for Data Rights: An Introductory Episode to the Series

    “What if there was a mythical monster that sucked our biodata instead of our blood?” “Can you imagine the CEO’s reaction when he realized the whole country’s personal data was stolen from his company’s databases?” “What if we could send messages back in time and warn ourselves about the dangers of losing our privacy?” These are some of the questions that emerged when we asked teams of fiction writers, activists, lawyers, comic book artists, comedians, audio engineers, and illustrators to think about how we could get more people interested in data privacy and digital rights. Over the past 6 months, Internews’ ‘ADAPT’ Project, in collaboration with the Heinrich Böll Foundation, Internet Bolivia, Coding Rights, Paradigm Initiative, and Fundación Ciudadanía y Desarrollo have produced a series of speculative audio fictions. These stories are meant to entertain, inspire, amaze, educate, and activate – and we hope that they let listeners experience the urgency of data privacy as a basic civil right. In this introductory episode, we interview key collaborators from Brazil, Ecuador, Nigeria, and Bolivia who contributed to our four creative audio fictions projects. We discuss why we decided to produce audio fictions, and some of the challenges and opportunities around collaborations between activists and creatives. We invite you to listen to the series and enjoy. Projects include: La Culpa Es De Graciela (Graciela is to Blame) is a story written by playwright Sebastián Bravo Montenegro and produced in partnership with Fundación Ciudadanía y Desarrollo in Ecuador. This story follows Graciela on her first day working at a major financial institution as their social media manager. Graciela learns the hard way how important it is that institutions have adequate safeguards for personal data and that the government enforces laws and regulations! The story is inspired by a true story, the 2019 data leak of almost every Ecuadorian citizen’s personal data. Você Está Lendo Minha Mente? (Are You Reading My Mind?) is a story co-written by Joana Varon and Lucía Egaña Rojas and produced in partnership with Coding Rights. In this story, Sofia enters a library in Rio de Janeiro looking for an Octavia Butler book but ends up finding a portal to interact with her future self. That is when she is told about the future surveillance capabilities of the Tech Brotherhood and the seeds of resistance that need to be planted. Datachiri 2.0 is a story written by Marianne Díaz Hernández based on the comic book written by Alejandro Barrientos and illustrated by Joaquin Cuevas in collaboration with Internet Bolivia. This story is set in 2040 in La Paz, Bolivia, in a society where the government has largely dissolved, and people rely on devices provided for free by an organization called ‘the Congregation.’ There are rumors of a mythological monster that is able to hack the Congregation’s networks to feed on biodata. Crime and Prejudice is a series of three radio dramas produced by Paradigm Initiative. The series follows the online controversy when the police arrive at Dr. Ewem’s door to arrest her based on information that could only have been obtained from the company Moontech. There is an uproar and backlash on Nigeria twitter. When #boycottmoontech starts to trend, we see how Moontech responds.

    15 min

About

Privacidad, خصوصية, siri, privacy, privacidade. Finding the word in different languages might look simple. The contexts in which privacy plays out around the world, however, is definitely not. What does privacy mean for people in countries around the world? How are new technologies and widespread data aggregation impacting societies, politics, and cultures? What are the stories of the activists working to protect privacy rights and advocate for adequate laws, regulations and practices to ensure data is collected, processed, analyzed and used responsibly?