Ransom Note

Ransom Note

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste. With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history. Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture. We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell. With love until the grave.

  1. PREMIERE: Patricia Wolf - Abiotic Factors [Music To Watch Seeds Grow By]

    HACE 3 DÍAS

    PREMIERE: Patricia Wolf - Abiotic Factors [Music To Watch Seeds Grow By]

    We’re premiering the video for ‘Abiotic Factors’ – Patricia Wolf’s opening dispatch from Gothic, Colorado and the invisible forces that determine whether anything grows at all… Tia and Wil’s Music To Watch Seeds Grow By series – the ambient/new-age/planty cassette label has in nine editions, tried to make a compelling case that the best way to understand ambient is to get your hands in some soil and think about it properly. Each artist chooses a plant that inspires their music and can be sown in the month of the release. Simple. Seasonal. You may have noticed it already. For the ninth edition – the third of Season Two – they’ve brought in Portland, Oregon-based musician and field recordist Patricia Wolf, whose album Yarrow takes its name from Achillea millefolium, a flowering plant whose broad geographic range spans North America and Eurasia, which also happens to make it the perfect conceptual thread to connect Portland (where the music was written and recorded) to London (where the cassette was pressed and will land through your letterbox alongside a packet of yarrow seeds and a fact card about the plant). A transatlantic weed of the most beautiful kind. Wolf is one of the most interesting people quietly operating at the edges of sound art. Her recent arc has taken her from grief (I’ll Look For You In Others, 2022) to a kind of luminous rebirth (See-Through, 2022), then to birds – literal birds, in Iceland, for a documentary score (Hrafnamynd, 2025) – and now, with this album, to plants. Specifically, to the invisible forces that determine whether plants live or die at all. Yarrow was created in response to Wolf’s artist residency at the Rocky Mountain Biological Laboratory in Gothic, Colorado, as part of the Art-Science Exchange Project in the summer of 2024. She worked closely with ecologists Dr Paul CaraDonna, Dr Amy Iler, Dr Jane Ogilvie, Dr Nickolas Waser, Dr Mary Price, and Dr Will Petry, spending weeks embedded in long-term research on plants, pollinators, and their interactions as the climate changes. This is not, in other words, an ambient album about plants in the vague, pastoral sense. It’s an album about plants in the way a botanist might describe them: as dynamic organisms in constant, often invisible negotiation with their environment. Which brings us to ‘Abiotic Factors’, the album’s opening track and the subject of today’s premiere. Abiotic factors – for those of us who skipped that particular biology lesson – are the non-living environmental conditions that determine whether an organism can exist at all: light availability, temperature, rainfall, wind, soil composition. They are the infrastructure beneath the visible world, the silent set of forces that a plant cannot choose but must simply work with, adapt to, or perish. As a concept for an opening track, it’s contemplative and a perfect orientation into the album… which you’ll all hear in its entirety soon little seedlings. The video was shot closer to home – in Wolf’s Portland neighbourhood - through the lens of Edward Pack Davee, the filmmaker behind the Hrafnamynd documentary Wolf scored last year. Watch here: https://www.theransomnote.com/art-culture/video-premiere-patricia-wolf-abiotic-factors/

    7 min
  2. Safiye: The 'Shine A Light On' Mix

    HACE 6 DÍAS

    Safiye: The 'Shine A Light On' Mix

    Safiye has been quietly doing the work. And we mean that in every sense. Anyone who's crossed paths with her at Love International - or anywhere else, for that matter - will know there's a version of Safiye most people never fully clock. The one making sure everything runs smoothly, checking in on people, holding the energy of a room without ever needing to shout about it. Calm, kind, and completely unflappable in the way that only someone truly on top of things can afford to be. Years spent on dancefloors across the globe and through a bi-weekly show on SWU.FM have sharpened her instinct for the room, one that's taken her from Bristol's underground to the fields of Glastonbury and to the aforementioned Love International - last few tix left for that those at the back. Since 2024, she has been part of Bristol's disco powerhouse Paradisco, a permanent fixture on dancefloors in the city and beyond. As she puts it herself, it's not just showing up to a gig and pressing play - the coordination, the planning, the endless behind-the-scenes effort that nobody really sees. That's the work. And she does it with the same ease she brings to everything else. The through line in all of it is a sound that's slippery by design. House, electro, disco and acid all chosen carefully, sequenced with intention. Let’s have a chat and get it on, shall we? https://www.theransomnote.com/music/mixes/safiye-the-shine-a-light-on-mix/

    1 h 47 min
  3. Seeds Mix #10: Salamanda's A Cradle for Basil

    14 ABR

    Seeds Mix #10: Salamanda's A Cradle for Basil

    “Everyone needs a moment of silence every once in a while,” Basil seems to know this, too. Salamanda create a bed for Basil’s germination. Watching something small grow in your kitchen makes you pay close attention. The Seoul-based duo Salamanda and the next artist stepping up for Seeds understand this. Uman (Sala) and Yejin (Manda) spent a day watching a single basil plant on a windowsill, noticing how the light shifted across its leaves, water gathered at its roots, and time slipped by. What started as a simple observation turned into a meditation on the inner life of a plant and what it means to really listen to something living. Sala(Uman)_s salad Basil droops in the cold, grows too fast in the heat, and can wilt from too much attention; it needs a moment, too. Salamanda noticed that this silence is a pause for space, where the real growth happens. For them, music fills that space… Manda talks about understanding her own feelings by looking at her plants. When she feels down, the plants seem to react. They reflect something back: being present, paying attention, and giving and receiving care. This mix comes from that kind of language, asking you to keep coming back to care for the same small plant. If basil could think, what would it think of you? Get your headphones on. Listen to the way a plant listens to light… https://soundcloud.com/8salamanda8

    1 h 1 min
  4. Lay Llamas - The Ransom Note Mix

    10 ABR

    Lay Llamas - The Ransom Note Mix

    A longstanding, driving force within the Italian underground and the wider world of contemporary psychedelic music, Lay Llamas celebrates the release of the project's new album 'Time, Islands and Thresholds' with a mesmerizing mix for our main series. Nicola Giunta has been leading the psych brigade under the Lay Llamas banner for well over a decade. Formed in 2012, the project has since released an entrancing, ever-evolving body of work across indispensable labels including Rocket Recordings and Black Sweat Records, collaborating with the likes of Goat, Clinic, Damo Suzuki (Can), and Mark Stewart (The Pop Group) along the way. With new album ‘Time, Islands and Thresholds‘, Lay Llamas heads out on a spellbinding, synapse-fried voyage that evokes hallucinatory visions in mysterious, exotic lands. Across ten tracks, hypnagogic psychedelia is masterfully laced with cosmic dub, space rock, and the kind of music you might hear on records by Eden Ahbez and Martin Denny. Describing the imagery and existential trajectory that underpins the record, Giunta references “surfers on acid, mysterious rites on deserted islands, worshippers of solar deities, night flights, animal skins, will-o’-the-wisps on hilltops, liminal spaces, passages into the underworld, psychic inner journeys; life, death and rebirth.” ‘Time, Islands and Thresholds‘ then, is a record of heady, retrofuturist iconography and into-the-void introspection. Drawing parallels with Spacemen 3, Peaking Lights and Sun Araw, it’s an album that nevertheless finds Lay Llamas plotting the project’s own psychotropic course. The album finale ‘I Was Blind (Now It’s Over)‘ is also one of the most beautifully strung out songs we’ve heard this year. To accompany the release of the album, Giunta has put together a suitably potent mix of hypnotic drum trances, heavyweight dub, snarling noir-punk and rarefied psych to liven up, expand and soothe your soul. Settle in for a special one. Interview: https://www.theransomnote.com/music/lay-llamas-the-ransom-note-mix/ Tracklist 1 - Cheval Fou - La fin de la vie, le début de la survivance 2 - Cloud Management, Vivien Goldman - Judge Judge 3 - The Serfs - Cold Hand In Mine 4 - Laika - Spooky Rhodes 5 - Geologist - Oracle Road 6 - Death and Vanilla - Intro 7 - Orange Car Crash - Straight Star 8 - Coma World - Western 9 - Des Demonas - There Are No Vampires in Africa 10 - Dave Harrington (ft. Chris Forsyth - Ryan Jewell - Spencer Zahn) - REDUX Dub 8 11 - Deradoorian - Weed Jam 12 - Montel Palmer - Mermaid Wolf Whistle

    1 h 1 min
  5. PREMIERE: THE SHAPE OF DANCE TO COME - What Is Your Definition [Calypso Records]

    9 ABR

    PREMIERE: THE SHAPE OF DANCE TO COME - What Is Your Definition [Calypso Records]

    Wonky organic grooves from ALF CHAMPION and MDHNTR via Calypso records new compilation There once was a Shape who could dance, With pockets of electronica trance, It wobbled its form through the Definition, And questioned each note and condition, While singing quite badly about circumstance. “What is,” asked the Shape, “this peculiar sound? That bounces and bobs all around and around? Is it liquid or solid or something between? The strangest device I have ever seen!” Said a very confused polka-dotted hound. The Definition replied with a riddled refrain: “I am what you hear when you listen again, A thing that is not, yet somehow it is, A shape-shifting, drift-curious quiz, That dances through corridors, valleys, and rain.” And they walttzed through the Calypso till dawn broke its spell, Those two nonsensical friends, who got on quite well, For a Shape needs Definition as much as it’s true, That Definition needs Shape to be something brand new, And that, my dear reader, concludes this strange tale to tell. “What Is Your Definition” sits in that liminal space between organic groove and electronic. It’s the sound of something taking shape… which leads rather nicely onto Calypso Vol. II, a nine-year endeavour where Iñigo Vontier and Thomass Jackson assemble 16 voices across the spectrum of the experimental electronic Press play and find out what you’re listening to. Or better yet: ask what your own voice is. @calypsorecs @alf_champion @mdhntr000

    5 min
  6. Daichi: The 'Shine A Light On' Mix

    7 ABR

    Daichi: The 'Shine A Light On' Mix

    From the coastline to the dance-floor. Daichi's ear was formed early. Weekends spent at Oppa-La in Enoshima absorbing whatever the room had to offer, left a mark that still runs through everything he does. From there the path naturally progressed, co-founding Vinyl Youth, a collective whose energy has carried through Korea and onto the stage at Rainbow Disco Club. His productions tell a similar story. Edits and originals landing on MM Discos, Crue-L and Not an Animal, each release finding ears far beyond Japan. This is music with a sense of place. Read more: https://www.theransomnote.com/music/mixes/daichi-the-shine-a-light-on-mix/

    1 h 5 min
  7. PREMIERE: Strange Fruit - Pouvoir Moteur [Gentle Tuesday]

    1 ABR

    PREMIERE: Strange Fruit - Pouvoir Moteur [Gentle Tuesday]

    akarta’s Strange Fruit with the last track from their Drips EP is something super special. Pouvoi Moteur – French for “motoric power,” since you asked – is exactly what that sounds like: locked-groove krautrock discipline shot through with kosmische shimmer, the kind of track that makes the road ahead feel endless and the destination irrelevant. The ghost of Can’s engine room is all over it, that locked hypnosis that somehow never quite repeats itself, while Cluster’s smeared electronics hover at the periphery. Aryadiaz, who conceived it partly out of an obsession with factory machinery and, apparently, partly with German beer, describes the 4/4 pattern as feeling like “breaking through space and time.” We’re inclined to agree. Out now via Gentle Tuesday Recordings, with a vinyl release to follow through Loide and TipTop Records. Stunning stuff. https://strangefruit.bandcamp.com/album/drips

    5 min
  8. Sister Ray Davis's Spectacular Ransom Note Mixtape

    31 MAR

    Sister Ray Davis's Spectacular Ransom Note Mixtape

    Adispatch from the holy island, via Alabama. Two guys from Muscle Shoals, Alabama -0 the city that quietly wrote half the soul records you’ve ever loved — making shoegaze concept albums about a tidal island off the coast of Northumberland. On paper, it shouldn’t work. In practice, Holy Island, the debut from Adam Morrow and Jamie Sego’s Sister Ray Davies, is one of the more beautifully stunning records to land this year: motorik folk, walls of fuzz, delay pedal disco, and genuine literary heft, released via the always excellent Sonic Cathedral and drawing comparisons to mid-period Flying Saucer Attack, Souvlaki-era Slowdive and a long-lost Spacemen 3 outtake. They are, by their own admission, complete beginners as DJs. We handed them the airwaves anyway. What came back is exactly what you’d expect from two people who learned to hear music through Nuggets compilations and Delia Derbyshire records, who want biblical noise and dream of piloting the Grateful Dead’s Wall of Sound. It’s a mix that’s charming and oddly coherent: dub basslines, psych and proto-electronic tangents, the kind of selection that could only have been assembled by people who think in pedals and reverb tails rather than BPMs. A journey with a clear first step, even if the destination remains gloriously unclear. Not a DJ mix in any conventional sense, just an excellently varied record collection let loose.

    1 h 38 min
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Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste. With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history. Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture. We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell. With love until the grave.

Información

  • Creador
    Ransom Note
  • Años de actividad
    2014 - 2026
  • Episodios
    500
  • Clasificación
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