Rehash

Rehash

Rehash: The podcast about the social media phenomenons that strike a nerve in our culture, only to be quickly forgotten - but we think are due for a revisiting. Hosted by Maia (Broey Deschanel) and Hannah Raine Find us on Patreon: https://www.patreon.com/rehashpodcast

  1. Gooners (ft. Daniel Kolitz)

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    Gooners (ft. Daniel Kolitz)

    Imagine: a reality where p*rn becomes so ubiquitous it invents its own sexuality. Just kidding, you’re living it. If you live under a rock and haven’t stumbled across Daniel Kolitz’s groundbreaking Harper’s piece, “The Goon Squad,” it’s time to catch you up. Gooners are a niche subculture inhabiting the internet’s moist-est corners, who have surrendered themselves to the art of m*asturbating. They make their own folk art called goonfuel and dwell in their own little gooncaves. Many gooners also allegedly enter the community straight, but unlock a “latent queerness within” through communal phallus worship and tender homosocial encouragement. In this episode, Hannah and Maia, joined by Daniel, ask whether gooning is something to nervously laugh at and move on, or take seriously as a symptom of the times. Through the sweet pain of total self-debasement and chasing the ecstatic abyss, gooners organize themselves around a digital New Religion. They also, however, press a frightening question: is the internet simply a seductive Siren, calling us all to go spiralling down the pleasure pit of self-annihilation? Tangents include: Hannah and Maia’s friend Jojo’s really good cooking, American Love Story, and women in GOON.  Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic Sources: Samantha Cole, “Enter the Goon Cave, Where Porn and Masturbation Is All That Exists,” Vice (2023). Jacques Cordina, “Limbic Capitalism and Technology,” 3CL (2025). Daniel Dashnaw, “Gooning: How Porn-Induced Trance States Are Changing Masturbation, Intimacy, and the Erotic Brain,” Daniel Dashnaw Couples Therapy (2025). Daniel Kolitz, “The Goon Squad,” Harpers (2025). Monea et al, “Sex As/And/On Social Media,” Selected Papers of #AoIR2024: The 25th Annual Conference of the Association of Internet Researchers Sheffield (2024). Ashwin Rodrigues, “A Tale Of Two Gooners,” Defector (2025). Our Sponsors: * Check out Quince: https://quince.com/rehash Advertising Inquiries: https://redcircle.com/brands

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  2. Hacktivism

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    Hacktivism

    Call them what you will: hactivists, cypherpunks, phone phreaks, e-bandits… these digital vigilantes may be the last bastions of hope in an Information Age where information is not dispersed equally. Growing from a group of pranksters at MIT in the 50s to the “ultra-coordinated mother-f*ckery” of Anonymous and WikiLeaks today, hactivism uses information technologies to achieve political objectives. With their hyper-sophisticated coding skills, hacktivists do everything from leaking classified documents, to providing oppressed citizenry with military grade encryption. They believe that access to computers should be total, that information should be free, and that anarchy reigns supreme. But ever since Chelsea Manning was discovered smuggling over 400k U.S military documents in a Lady Gaga CD case on behalf of WikiLeaks and governments really began cracking down on these hackers, it became clear that maybe the internet wasn’t the anarchic utopia we thought it was. Tangents include: Maia’s primal hatred of Spotify wrapped, The internet’s unfounded hatred of Geese, and Hannah’s dream of putting Maia on WikiFeet. Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES: Maya Jasanoff, “Revenge of the Quiet American,” Foreign Policy, No. 185 (March/April 2011). Steven Levy, Hackers: Heroes of the Computer Revolution, O’Reilley (1984). Peter Ludlow, “WikiLeaks and Hacktivist Culture,” The Nation (2010). Ty McCormick, “Anthropology of An Idea: Hacktivism,” Foreign Policy, No. 200 (2013). Alasdair Roberts, “The WikiLeaks Illusion,” The Wilson Quarterly, Vol. 35, No. 3 (SUMMER 2011). Wendy H. Wong and Peter A. Brown, “E-Bandits in Global Activism: WikiLeaks, Anonymous, and the Politics of No One,” Perspectives on Politics, Vol. 11, No. 4 (December 2013). Our Sponsors: * Check out Quince: https://quince.com/rehash Advertising Inquiries: https://redcircle.com/brands

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    Memes

    “Oi Mista! You me dad?” …The evocative phrase heard around the world thanks to a beautiful little thing called memes. As per one definition by evolutionary biologist Richard Dawkins, the meme is a unit of cultural transmission that can be perpetuated and remixed for all eternity. These nifty visual soundbites have been around forever, but really took form in the Darwinian halls of 4chan. Evolving from image macro, to utopian “open work,” to hate symbol, to ironic shitpost where no object of consumption is sacred (not even Joan Didion… or Geese), the meme has become the true darling of our internet age. In this episode, Hannah and Maia question the purpose of the meme - is it an object of benign humour, a piece of art, a tool for bespoke branding, or a malignant “selfish” gene that has the capacity for great evil? Listen to find out. Tangents include: the Timothy vogue cover, and Hannah’s one-sided beef with Goth Shakira.  Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES: Alexis Benveniste, “The Meaning and History of Memes,” The New York Times (2022). Susan Blackmore, The Meme Machine, Oxford University Press (1999). Roy Christopher, “The Meme is Dead, Long Live the Meme,” Post Memes: Seizing the Memes of Production, Punctum Books (2019). Travis Diehl, “The Many, Many Heads of JD Vance,” Spike Art Magazine (2025). Tom Gerken, “Is this 1921 cartoon the first ever meme?” BBC (2018). Ara H. Merjian and Mike Rugnetta, “From Dada to Memes,” Art News (2020). Scott Wark and McKenzie Wark, “Circulation and its Discontents,”  Post Memes: Seizing the Memes of Production, Punctum Books (2019). Olivia Whittick, “Feminist Meme Queen Goth Shakira,” Ssense. Our Sponsors: * Check out Quince: https://quince.com/rehash Advertising Inquiries: https://redcircle.com/brands

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Rehash: The podcast about the social media phenomenons that strike a nerve in our culture, only to be quickly forgotten - but we think are due for a revisiting. Hosted by Maia (Broey Deschanel) and Hannah Raine Find us on Patreon: https://www.patreon.com/rehashpodcast

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