Rhythms Magazine

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Australia’s Roots Music Bible

  1. 17H AGO

    Bad Bunny, Bob Dylan’s Silence and Buddy Guy at 90: Ep 9’s Wild Tour Through Modern Roots + Fela and Charli XCX

    Episode 9 is the one where Brian Wise and Michael Mackenzie briefly mistake themselves for an IT helpdesk, a sports panel, and a moral philosophy seminar—before landing, somewhat dazed, back in music. It opens with Wise declaring he “can’t stand” the sound of his own voice (a bold confession for a career built on talking), while Mackenzie offers the sort of praise that feels both affectionate and faintly menacing: “the voice of a generation.”  Before the audio collapses entirely, the conversation sprints through Wise’s great sporting exertion: the exhausting labour of watching sport.  There’s genuine distress at skier Lindsey Vonn crashing out in 13 seconds, complete with a description of pain you could feel through the screen.  From there, the mood whiplashes into the Super Bowl halftime show—Wise calls Bad Bunny’s performance the best he’s ever seen, even while admitting he couldn’t understand a word of it. Mackenzie, meanwhile, is stuck on the visuals of sugar cane cutting and its historical echoes closer to home.  Their consensus: if Donald Trump calls it the worst halftime show ever, that’s basically a five-star review. Then comes one of Wise’s purest modern urges: gadget-lust triggered by sport. Spotting tennis champion Elena Rybakina wearing a watch post-match, he consults “our friend AI” and discovers it’s a Vanguard Orb worth a mere $200,000.  At which point the show finally pivots to the Grammys—specifically the stuff that doesn’t make the glossy broadcast.  Wise notes that Fela Kuti received a posthumous Lifetime Achievement Award, nearly 30 years after his death at 58, making him the first African musician to be honoured that way.  They sketch Kuti as both musical revolutionary and political force, the Afrobeat originator whose trance-like repetition and complex grooves seeped into Remain in Light and My Life in the Bush of Ghosts. The point: the Grammys have 85 categories, and the good parts are buried where only the determined will look. The episode’s left turn into pop comes via Mackenzie’s discovery of Charli XCX through the comedy-chat juggernaut Smartless. Wise’s response—“Who’s he?”—is treated as both generational commentary and perfectly on-brand.  The subtext is clear: don’t confuse “not my cup of tea” with “not worth paying attention to”. Politics drifts in, as it tends to now, through the question of who’s writing protest songs. Wise notes Nils Lofgren’s “No Kings, No Hate, No Fear”, nods to Lucinda Williams and Mavis Staples, and longs—audibly—for Bob Dylan to re-enter the ring with something era-defining.  Mackenzie is unconvinced, offering the counterpoint that Dylan’s signature move in moments like this is often silence. Screen culture gets its usual run: Mackenzie’s recommendation of the British robbery thriller Steel mostly lands—until Wise objects to the final 15 minutes for explaining too much, revealing his mother’s literary habit of reading the last chapter first.  The music talk returns in force with Buddy Guy. Wise has interviewed him (Buddy turns 90 this year and is flagged as possibly touring Australia for the last time), and the hosts linger on the question Wise once had about Buddy’s live habit of paying tribute to other blues greats.  Finally, Al Green turns up as both salvation and complication. Wise recommends Green’s EP To Love Somebody (Bee Gees cover included, plus “Perfect Day” featuring RAYE and a take on R.E.M.’s “Everybody Hurts”), while Mackenzie raises the perennial problem: applauding the artistry while not airbrushing the artist.  Episode 9’s through-line, then, isn’t sport or even the Grammys. It’s the way culture arrives in the room: messy, overlapping, sometimes off-mic, and always demanding you listen harder than the algorithm wants you to. Essential Links Lindsey Vonn's heroic return ends in heartbreak | Wide World of Sports Bad Bunny's Apple Music Super Bowl Halftime Show Vanguart Orb Flying Tourbillon Review: The Futuristic Titanium Timepiece of 2025 FELA Anikulapo Kuti - All songs The Rolling Stones and Steve Riley - Zydeco Sont Pas Salés [Official Audio] Smartless on YouTube Charli xcx - I might say something stupid (official lyric video) Charli xcx - House (Lyrics) ft. John Cale Nils Lofgren - No Kings No Hate No Fear STEAL - Official Trailer | Prime Video A HOUSE OF DYNAMITE | Official Trailer | Netflix Sinners (2025) - Post Credit Scene (1/2) Sinners Soundtrack This Little Light of Mine Buddy Guy Aint Done With The Blues  Buddy Guy Where You At Where U At Al Green - Everybody Hurts (Official Lyric Video)

    39 min
  2. FEB 6

    Episode 8: Polka Legends, Reggae Giants, Why Tennis Triumphs Over Music, and Van Is (Once Again) The Man

    Episode 8 of On The Record opens with Brian Wise and Michael Mackenzie doing what many seasoned music listeners now do instinctively when the Grammys roll around: stare at the screen and wonder which planet they’ve accidentally landed on.   Brian reminds us that the Grammys permanently lost their way the moment they abolished the polka category.    This wasn’t a niche concern, either. For years, Brian faithfully rang Jimmy Sturr, the undisputed Muhammad Ali of polka, who won his Grammy almost every time. A system so reliable has no place in modern music awards culture, clearly.   The tone shifts sharply—and respectfully—with news of the death of Sly Dunbar, one half of the mighty Sly & Robbie. What follows is a proper reckoning with just how vast Dunbar’s influence was: reggae, dub, dancehall, pop, rock, Dylan (Infidels), Grace Jones (Nightclubbing, Warm Leatherette, Living My Life), even a dub version of the Rolling Stones’ “Undercover of the Night.” Sly and Robbie weren’t just players, they were architects.   See the list of some of their important work below, along with links to every other turning point in the conversation.   From there, Episode 8 pivots to the curious durability of certain artists who simply refuse to age in the expected way. David Byrne is a rare example of someone who keeps recalibrating his work, with his latest tour behind Who Is The Sky garnering rave reviews in every state. That thought feeds neatly into a wider cultural question: why the Australian Open continues to thrive while music festivals across the country are quietly collapsing? The answer, the hosts suggest, has less to do with sport versus music and more to do with clarity of purpose. Tennis delivers a fixed narrative, star power, and infrastructure, while festivals increasingly ask audiences to tolerate inconvenience, rising costs and vague promises of “vibes.” It’s a sobering comparison given the state of live music in Australia right now. The episode closes with genuine surprise at the quality of Van Morrison’s latest release, an album that sidesteps the curmudgeonly baggage of recent years and reconnects with the musical instinct that made him essential in the first place. It’s not framed as a comeback so much as a reminder: when Morrison stops arguing with the world and channels his Celtic soul, something powerful still happens. Important Links Grammys 2026 list of nominees and winners  Jimmy Sturr website  Jimmy Sturr youtube channel  BAD BUNNY Wins BEST MÚSICA URBANA ALBUM | 2026 GRAMMYs  Bad Bunny Tiny Desk Concert  BAD BUNNY - NUEVAYoL (Video Oficial) | DeBÍ TiRAR MáS FOToS  The Goodies Pirate Radio (A Walk In the Black Forest)    Chat GPT’s Top 20 Albums Featuring / Produced by Sly & Robbie Black Uhuru – Red (1981) Black Uhuru – Chill Out (1982) Grace Jones – Nightclubbing (1981) Grace Jones – Warm Leatherette (1980) Grace Jones – Living My Life (1982) Sly & Robbie – Language Barrier (1985) Black Uhuru – Sinsemilla (1980) Gregory Isaacs – Night Nurse (1982) Peter Tosh – Bush Doctor (1978) Sly & Robbie – Rhythm Killers (1987) Culture – International Herb (1979) Ini Kamoze – Ini Kamoze (1984) Serge Gainsbourg – Aux armes et cætera (1979) The Gladiators – Proverbial Reggae (1978) Bunny Wailer – Rock ’n’ Groove (1981) Sly & Robbie – Dub Experience (1979) Black Uhuru – Anthem (1984) Bob Dylan – Infidels (1983) Jimmy Cliff – The Power and the Glory (1983) Sly & Robbie – Reggae Greats (1984)   Uncut: interview with Sly Dunbar on music  Undercover (Of The Night) (Dub) with Sly on percussion Black Uhuru Sistren  Grace Jones - Pull Up To The Bumper  David Byrne Tiny Desk Concert David's Reasons To Be Cheerful newsletter  FRANKENSTEIN Trailer (2025) Guillermo del Toro  Michael's fave food movie Chef is on Iview  STEAL - Official Trailer | Prime Video  Van Morrison Somebody Tried To Sell Me A Bridge (full album)  Gillian Welch talks to Brian about Her Forthcoming Tour of Australia with Dave Rawlings  Lucinda Williams On her new album World's Gone Wrong

    33 min
  3. JAN 23

    Ep 7: Bob Weir and the Grateful Dead, New Bowie Doco, Songwriting, Loretta and Best Bands At Sporting Events

    On the latest episode of On The Record, Brian Wise and Michael Mackenzie ease into their weekly cultural ramble with the sombre news of Bob Weir’s death—remembering an artist whose band (The Grateful Dead) they half‑followed but wholly respected. Weir, who died on January 10 at 78 (the same date as David Bowie’s passing—coincidence or cosmic scheduling?), becomes the launchpad for a surprisingly affectionate exploration of Deadhead culture. Michael recalls the excellent Long Strange Trip documentary—long enough, Brian notes, to break a Melbourne Film Festival projector—and the pair marvel at the Grateful Dead’s unique talent for turning concerts into economic ecosystems.  From there, the conversation pivots to David Bowie's The Final Act documentary (streaming on ABC), Crowded House opening the Australian Open (a first for tennis, apparently), and the AFL's ongoing failure to book local acts for the Grand Final. Why Snoop Dogg over Emma Donovan? Why not Troy Cassar-Daley? The hosts are baffled. Then there's Bluesfest's controversial booking of heavy metal act Parkway Drive, which has purists clutching their harmonicas. Festival director Peter Noble defends the choice, arguing you can't limit festivals by genre.  The episode meanders through Lucinda Williams' new album, Russell Crowe's Oscar-worthy turn in Nuremberg, and the existential challenges of songwriting. On The Record with Brian Wise and Michael Mackenzie is available on all major podcast platforms. Rhythms Magazine subscribers can access exclusive bonus content, including Loretta Miller's debut CD. Episode Links Grateful Dead Doco Long Strange Trip – Official Trailer | Prime Video  David Bowie/Mick Jagger Dancing In the Street  Bowie: The Final Act on Iview (2025)  David Bowie - Changes (Live performance Glastonbury 1971)  Split Enz reuniting for first time in 17 years | 7.30 Lucinda Williams - World's Gone Wrong  NUREMBERG | Official Trailer #1 (2025)  The Nazi and the Psychiatrist: Hermann Goring, Dr. Douglas M. Kelley, and a Fatal Meeting of Minds at the End of WWII  Jeff Tweedy: How to Write One Song  Loretta Miller on Bandcamp  Subscribe to Rhythms to get Loretta's album on cd

    33 min
  4. JAN 16

    On The Record Ep 6: Special Guest Liz Stringer, Mushroom Murders, Sam Fender and why Brian is Wrong About a Golden Globe Winner

    If On The Record were a boxing match, Episode 5 would open with the bell ringing and Brian Wise and Michael Mackenzie already mid-ring.. The topic? The Golden Globes. The real issue? Whether a film can be called a “musical or comedy” when it is clearly neither, and whether Paul Thomas Anderson should be declared a genius by popular vote or sent to the cinematic sin bin.  Two overly seasoned cultural obsessives staring at the same screen and seeing entirely different movies. From there, the episode sprawls—happily and unapologetically—into a wide-ranging conversation about awards hype, viewing expectations, and the strange disconnect between critical acclaim and lived experience. One host praises audacity and subversion, the other demands coherence and restraint. Nobody backs down. Nobody changes their mind. Which, frankly, is exactly how these debates should be conducted. Luckily, special guest Liz Stringer moves the conversation into other areas that are slightly more important - touring her latest album and raising money to address housing insecurity along with the uncomfortable truth that this is no longer a fringe issue confined to capital cities or stereotypes.  The show rolls on, touching on music-making, self-management, creative independence, reality TV guilt, Russian books that are abandoned for the sake of mental health, and the eternal question of why we all say we won’t watch that show again… and then absolutely do. By the end of Episode 5, On The Record has done what it does best: entertained, provoked, and digressed wildly. It’s messy, funny, opinionated, and oddly comforting—like a long conversation you didn’t plan to have, but are very glad you did. Episode Links Liz Stringer website  Liz's album The Second High One Battle After Another - Official Trailer  If I Had Legs I'd Kick You | Official Trailer HD | A24  Sam Fender - Remember My Name  Audrey Powne - From The Fire (ALBUM)  The Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah Krasnostein Milk Fed by Melissa Broder  The Pitt  Succession  THE HISTORY OF SOUND | Official Trailer  SENTIMENTAL VALUE - Official Trailer  The Faces Ooh La La (2004 Remaster)

    44 min
  5. JAN 10

    On The Record Ep 5 : Bowie Remembered, Brian's Fave Band of 2025, Great Steak, and Why 1966 Didn't Suck

    Episode 5 of On The Record, and the conversation has hit its sweet spot: loose, curious, opinionated—and occasionally interrupted by reality. There’s a healthy scepticism about hype, a refusal to confuse longevity with importance, and a shared belief that some things still genuinely matter—even if the algorithm disagrees. Brian Wise brings context and deep musical memory; Michael Mackenzie brings reflection, curiosity, and the occasional philosophical swerve. Together, they interrogate nostalgia without fully surrendering to it, defend enthusiasm when it’s earned, and question why so much modern culture feels like it’s passing time rather than saying something. There are laughs, strong opinions, thoughtful pauses, and moments where the conversation snaps into focus just long enough to land a point before wandering off again. It’s not a panel show, not a lecture, and definitely not a hot take factory. Episode 5 doesn’t shout. It knows what it’s doing. Sort of. Important links Norma Tanega - Walkin' My Cat Named Dog  Stray Cats - Runaway Boys  Ram Jam - Black Betty  The Rolling Stones - Not Fade Away (Mono)  The Uncool - the new memoir from award-winning filmmaker and journalist Cameron Crowe  Grover Lewis article - Hitting The Note With The Allman Brothers Band (first published in 'Rolling Stone', November 25, 1971, Issue No. 96)  Kid Creole & The Coconuts website  Kid Creole & The Coconuts - Stool Pigeon   Du Fermier Restaurant website Florry - First It Was A Movie, The It Was A Book  Florry website  David Bowie - Lazarus  David Bowie website

    53 min

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Australia’s Roots Music Bible

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