Scoring Notes

Scoring Notes

We love music notation software and related products and technology, so that’s what we cover here. You’ll find timely news, in-depth coverage about the field, and honest reviews about products you use every day. You’ll learn about the interesting people in our field and find out our opinions on ever-changing developments in the industry.

  1. 6시간 전

    Freshly pressed

    After a stretch away from the mic with NAMM coverage and a few product launches in the interim, Philip Rothman and David MacDonald return for an episode that, as David puts it, is “delightfully very nerdy.” To kick things off, David turns the tables and puts Philip in the interview seat, asking him about two significant sets of releases from Notation Central and NYC Music Services. On the Notation Express side, the big news is two-way communication between Dorico and the Stream Deck: buttons now light up to reflect what Dorico is actually doing in real time — active note durations, engaged accidentals and articulations, current mode, playback state, and more. Philip also walks through the new Note Tools folder, which lets users chain up to four buttons together to build a complete transposition or interval command before executing it in one shot, and touches on the Notation Express Keypad and the Virtual Stream Deck. The PDF Batch Utilities get equal time: native Apple Silicon builds that launch ten times faster, codesigning and notarization, source PDF info shown right in the file list, bookmarks in stitched output, smarter handling of one- and two-page files, and a brand-new fifth app — PDF-Counter — that drops a page-count CSV into any folder you throw at it. For the second half, Philip asks David about the utility apps that have quietly become indispensable in his day-to-day work. David talks through Dropzone, a Mac menu-bar app that makes dragging files to frequently-needed folders — or AirDrop, or a terminal window — almost frictionless, and Alfred, the customizable launcher he’s built out with custom searches (including a dedicated IMSLP search), file navigation shortcuts, and a direct line to his task manager. From there, the conversation turns back to the notation software itself, with a look at two features that deserve more attention than they get: Dorico’s Jump Bar and Sibelius’s Command Search, both of which let you find and fire any command just by typing for it.  Where might those tools go next, and what it would mean for notation software to understand what you’re asking for, not just what you typed? Products mentioned Notation Central / NYC Music Services Notation Express PDF Batch Utilities Stream Deck Elgato Stream Deck Virtual Stream Deck Stream Deck Mobile Mac utilities discussed by David Dropzone (Aptonic Software) Alfred Raycast (mentioned as alternative to Alfred) LaunchBar (mentioned as alternative to Alfred) Hazel (mentioned in context of Dropzone) Things (mentioned as David’s to-do app, integrated with Alfred) Other references IMSLP (Petrucci Music Library) (David’s custom Alfred search) Previous Scoring Notes posts and podcast episodes Directly mentioned or closely related: Notation Express for Dorico 6: Your Stream Deck just got smarter PDF Batch Utilities get a major rebuild — and a brand new app Notation Express: Stream Deck profile for Sibelius (the original 2019 launch) Boost your workflow: a Stream Deck review (Dan Kreider’s 2018 review of the Stream Deck, pre-Notation Express) Quickly scale many PDFs with PDF-BatchScale (the original launch) PDF-MusicBinder and PDF-BatchStitch utilities for music printing Chronology of a perfect music printing job How to tape and fold pages for parts: a video tutorial (accordion-style printing) Calibrating printers and workflows NAMM 2026: On the scene (and related NAMM 2026 coverage, including the happy hour) Forthcoming (mentioned in the episode): Virtual Stream Deck article

    1시간 18분
  2. 2월 28일

    NAMM 2026: An interview with Sam Butler and Joe Plazak

    At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology. In this interview, we talk with Sam Butler, Avid’s vice president of product management, and Joe Plazak, Sibelius product owner and senior principal software developer at Avid, to reflect on the philosophy behind Sibelius’s recent development approach, how user feedback shapes prioritization, and where they believe users should most clearly feel progress compared to a year ago. We also talk about automation and AI in notation, the realities of cross-platform and mobile workflows, and what Avid wants musicians to understand about its long-term commitment to Sibelius. Be sure to check out our other conversations from the NAMM Show from earlier this month. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player. More about the 2026 NAMM Show from Scoring Notes: NAMM 2026: On the scene NAMM 2026: Piascore’s bet on interactivity NAMM 2026: John Barron opens the door to Dorico’s future NAMM 2026: Sounding out the inputs with klang.io’s Sebastian Murgul NAMM 2026: Getting into a Fender-bender with Chris Swaffer NAMM 2026: An avid Sibelius discussion with Sam Butler and Joe Plazak NAMM 2026: An interview with John Barron NAMM 2026: An interview with Sebastian Murgul NAMM 2026: An interview with Chris Swaffer

    37분
  3. 2월 14일

    NAMM 2026: An interview with Sebastian Murgul

    At the 2026 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology. In this conversation, we speak with Sebastian Murgul, co-founder and CEO of klang.io, to talk about a category that sits just adjacent to music notation — and yet increasingly intersects with it in practical, unavoidable ways: music transcription. Sebastian explains what klang.io’s tools are designed to do — and just as importantly, what they are not. We talk about why AI-based transcription has reached a point of practical usefulness now, where the hardest musical problems still lie, and how klang.io thinks about accuracy as something musicians can trust and build on, rather than a promise of perfection. We also discuss interoperability with notation software via formats like MIDI and MusicXML, real-world use cases that have surprised him, and the broader anxieties musicians understandably have around automation and AI. Come back the next few weeks for more conversations from the NAMM Show. And as always, if you like this podcast episode, there’s plenty more for you from Scoring Notes — be sure to follow us right in your podcast player. More about the 2026 NAMM Show from Scoring Notes: NAMM 2026: On the scene NAMM 2026: Piascore’s bet on interactivity NAMM 2026: John Barron opens the door to Dorico’s future NAMM 2026: Sounding out the inputs with klang.io’s Sebastian Murgul NAMM 2026: Getting into a Fender-bender with Chris Swaffer NAMM 2026: An avid Sibelius discussion with Sam Butler and Joe Plazak NAMM 2026: An interview with John Barron

    33분
  4. 2025. 11. 01.

    Cleo Huggins, the designer of the first music font [encore]

    We talk a lot about fonts on the Scoring Notes podcast. But there was a time when there were no music fonts. And then, there was one. Cleo Huggins, on the staff of Adobe in 1986, designed Sonata, the very first music font. It’s hard to imagine today, but it was revolutionary at the time, and a leading industry publication called it the “Music Product of the Year”. Sonata provided the blueprint for the core music fonts later created for use in Finale and Sibelius, but it may surprise you to learn that Sonata was created without any one particular music software product in mind. Cleo tells Philip Rothman and David MacDonald about her early studies with some of the great typographic experts of the 1970 and 1980s, and how her work in graphic design, 3-D animation, background as a violinist, and a key meeting with Steve Jobs about the launch of the first Macintosh computer all led to her taking responsibility for creating Sonata. Cleo discusses the revolution in PostScript technology and the introduction of the laser printer, and how that made it possible for her to create a high quality music font that was unconstrained by limitations of bitmapping. She recalls the various sources of inspiration and research she did — everything from Bach’s manuscript to the Music Writer, to Notaset dry transfer sheets — and the process of regularizing beautiful calligraphy without losing the distinctive elements of music notation. She also recalls thinking about all the minute details from careful placement to the key mapping of each character, and the feedback received from early music software pioneers eager to incorporate Sonata into their programs. Cleo’s career moved on from Sonata to a variety of endeavors, all propelled by a deep curiosity and propensity to good, and we talk about that too — and ask her if she’d ever come back to the world of music fonts, with all of the progress that has taken place in the nearly four decades since her groundbreaking work transformed the history of music notation. More on Scoring Notes: Music Type Foundry fonts newly revised and re-released Download and install all Finale fonts on Mac and Windows MuseScore Studio 4.6 adds full SMuFL support, other engraving and playback updates Cantorum, a plainchant font for Dorico Introducing Lelandia, a new suite of music fonts for Sibelius Daniel Spreadbury on music fonts: past, present, and future Music fonts and open standards with Daniel Spreadbury A brief history of music notation on computers Back to the future of music notation on computers How to make a SMuFL font A fount of fonts at Notation Central Introducing the Norfolk and Pori chord symbol fonts for Sibelius — and an angled slash variant From the Finale Blog: Meet Steve Peha, creator of Petrucci, Finale’s first music font A brief history of Finale fonts

    59분
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We love music notation software and related products and technology, so that’s what we cover here. You’ll find timely news, in-depth coverage about the field, and honest reviews about products you use every day. You’ll learn about the interesting people in our field and find out our opinions on ever-changing developments in the industry.

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