Script Apart with Al Horner

Script Apart
Script Apart with Al Horner

A podcast about the first-draft secrets behind great movies and TV shows. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. Hosted by Al Horner and produced by Kamil Dymek. Hosted on Acast. See acast.com/privacy for more information.

  1. 2D AGO

    M3GAN 2.0 with Gerard Johnstone

    In 2023, Megan – a sassy robot, designed to be your daughter’s best friend – danced and dismembered her way to internet infamy. The title character of director Gerard Johnstone and writer Akela Cooper’s Blumhouse horror-comedy was an evil doll in the tradition of Chucky from Child’s Play, but at the same time, distinct in her modernity. As I asked in my review for Empire Magazine at the time: “Has Chucky ever interrupted a stabbing spree to sing Sia’s pop smash ‘Titanium’? Has Billy the Puppet ever broken into a TikTok-style dance before another Saw franchise victim met their violent demise?” The answer was no, and a moment in meme culture was born. There were SNL skits about Megan, starring Aubrey Plaza. The film took $181m at the box office against a paltry $12m budget. It seemed inevitable a sequel would follow – and two years later, that sequel is here. Written by Gerard, my guest today, from a story he conceived with Cooper, the film is bigger in every possible regard. It lays on the explosions and spectacle thicker and faster than before, throwing car chases and robot-on-robot fist fights into the mix this time around. It’s higher in stakes: the fate of the world is on the line here, as a new rogue A.I threat, Amelia, emerges. And it’s also more expansive in the conversation this Frankensteinian fable wants to have about parenthood, as well as the genie-out-of-the-bottle effect of artificial intelligence.  But did you know in the first draft of this sequel, Joe Rogan and Snoop Dogg had brief parts written for them? Or that at one point in the script, Cady – played by Violet McGraw – has to fend off her sweet, old grandad in a fight scene in a diner, because he’s being controlled by a neuro-chip? Or that the story initially involved Amelia firing missiles into the Middle East, sparking a new conflict in the region – a plot line removed for obvious reasons? In the spoiler conversation you’re about to hear, Gerard walks me through his fascinating and extremely funny sequel. We get into all the important plot points in spoiler detail – and talk about the pressure of following up a film with the kind of immense digital footprint that the first one had. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    59 min
  2. JUL 4

    Black Mirror with Charlie Brooker

    Today on Script Apart, we’re taking a long, hard look in the mirror – Charlie Brooker’s dystopian anthology series Black Mirror, to be more precise, with the beloved British writer joining Al for a spoiler-filled breakdown of the show’s brilliant latest season. Yes, this week we’re delving into a show that reflects back at us our darkest fears about the unrelenting march of  technology on modern life. Across thirty three acclaimed episodes and one interactive special, Black Mirror has wondered what parts of the human experience might soon be transformed – or worse yet, disfigured – by advances in artificial intelligence. The answer is “a great many parts.” The resulting stories are always gripping. When Charlie conceived the show in 2011, those advances must have felt still quite abstract – a possibility on the horizon. In today’s time of Chat GPT, little is abstract anymore about the topics and technologies spotlighted in Black Mirror. The internet is constantly ablaze with observations about the collapsing gap between our reality and the reality of the show. Because what may begin as a flight of fantasy in Charlie’s hands has a distressing habit of becoming real years later. Yes, we’re living in a Black Mirror episode, to quote a common online refrain, and in the spoiler chat you're about to hear, Charlie and Al get into that. You’ll hear how the show has changed across its time on screen, responding to the fact that tech companies are no longer faceless corporations like they were when the show began; they’re now the extension of celebrity CEOs, with cult-like legions of disciples. You’ll get Charlie’s take on Al’s suspicion that episodes like ‘Hotel Reverie’ appear to indicate that something has softened in the writer since he began this journey with Black Mirror. And you’ll hear some truly mind-bending descriptions of the original ideas behind some of the series’ best-loved episodes, including one that was intended to be a Bond movie-esque adventure, one that was originally planned to be a musical and of course, the moving San Junipero. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    1h 24m
  3. JUN 27

    Elio with Domee Shi and Madeline Sharafian

    As the Talking Heads once nearly sang: “And may find yourself beamed up into a spacecraft. And you may find yourself pretending to be the leader of Earth. And you may find yourself hanging out with weird and wonderful beings from outer-space, going up against intergalactic warlords and maybe learning a thing or two about belonging along the way.” Yes, it’s an Elio special on today’s Script Apart, as we venture across the cosmos with the Pixar film’s co-directors, Domee Shi and Madeline Sharafian. Elio tells the story of a child who longs to be abducted by aliens. Still reeling from the loss of his parents and struggling to adjust to living with his well-meaing aunt, the character embarks on an adventure that changes how he sees life back on Earth. It was written by Julia Cho, Mark Hammer and Mike Jones, from a story by Madeline, Domee and Adrian Molina. Domee you may know as the director of Turning Red, which we covered on this show in 2022. Madeline, meanwhile, is the director behind Burrough, a beautiful Pixar short film from a couple of years ago (this is her first feature). In the spoiler conversation you’re about to hear, we discuss initial drafts of this story in which Olga was Elio’s mother, rather than his aunt. I ask about how the film grapples with loneliness; the process of creating the magical worlds that Pixar movies so often invite filmgoers into, whether that’s Monstropolis or Coco’s Land of the Dead; and of course, the meaning of that Carl Sagan speech asking “Are we alone?” that close the film. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    44 min
  4. JUN 23

    28 Years Later with Alex Garland

    The last time acclaimed writer-director Alex Garland (Ex Machina, Civil War, Annihilation) appeared on Script Apart, he told Al about his desire to quit directing temporarily and focus on writing – you know, like in the early days of his career. Well, it doesn’t get much more like those early days than returning to the blood-soaked quarantined Britain he imagined two decades ago, with a director who he shared an incredibly fruitful partnership with around the turn of the century. 28 Years Later, which hit cinemas on Friday, sees Alex team up once more with Danny Boyle – the filmmaker with whom he made The Beach and Sunshine, as well as a 2002 zombie horror that redefined the genre. This sequel, however, is no retread of the film that sent a shiver through Britain’s spine. It’s a deeply contemplative meditation on Britain, death and how history is remembered and misremembered. The film stars Alfie Williams as Spike, a boy living in a protected tidal island community off the coast of Northumberland, who leads his mother, played by Jodie Comer, on a dangerous quest onto the mainland in search of a doctor to cure a mysterious ailment. What follows is not what many fans expected, in all the best ways. What you’re about to hear is a spoiler-filled conversation delving deep into the influence of Brexit on the film. We dissect that ending and its allusions to a disgraced figure from British pop culture history. Also explored: the origins of the Alpha zombies, the inspiration behind Ralph Fiennes’ Kelson character, and Alex’s original draft of a 28 Years Later movie, which saw Chinese special forces infiltrate Britain in search of the lab where the rage virus began. Enjoy the episode and stay away from those infected, people. Support for this episode comes from Final Draft. Script Apart is hosted by Al Horner and produced by Kamil Dymek. This episode was recorded and mixed by Daniel Gregory. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    1h 2m
  5. APR 25

    Clueless with Amy Heckerling

    Did you think Script Apart was going to let the 30th anniversary of one of the most iconic teen films ever just pass us by? In the words of Cher Horowitz – “as if.” On today’s episode, we’re joined by Amy Heckerling, the writer-director who, three decades ago this summer, gave Jane Austen’s Emma a Beverly Hills makeover to remember. You may also know her for Fast Times at Ridgemont High, Look Who’s Talking and Vamps, but Clueless is the film that she’s best-known for – a Nineties treasure trove of high school hilarity that’s still beloved today. So much so that a musical adaptation, also written by Amy, just opened in London’s West End.  In the conversation you’re about to hear, Amy tells Al about the spirit of kindness that runs through the movie. We get into the TV pilot for Clueless – then titled No Worries – that was turned down across Hollywood, and discuss what was going on in Amy’s life at the time of writing Clueless. The story of the film is one of a sunny optimist named Cher who’s ready to take on the world. For Amy, though, that was hardly the case as she wrote the hit comedy. “I was feeling very depressed, which is how most stories start,” she teased in an interview in 2016. In this episode, she tells us why.  Support for this episode comes from Final Draft. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    50 min
  6. APR 11

    American Psycho with Guinevere Turner

    Today on Script Apart – one of cinema’s great monster movies. The terrifying creature at this movie’s core, though, didn’t have trailing tentacles, bloodshot eyes or reptilian skin. Instead of sharp teeth, it wore a sharp suit – Valentino pinstripe, perfectly pressed. This monster owned a gleaming Rolex, lived in an elegant condo and smiled politely through slap-up dinners with his fellow Wall Street sleazes. At night, he stalked the streets of New York, maiming sex workers and murdering the homeless, to a soundtrack of Huey Lewis and the News. And twenty-five years on, he’s arguably more fearsome than ever in his relevance to our own world.  Yes, joining Al Horner for a metaphorical reservation at Dorsia this week is author, actress and screenwriter Guinevere Turner, who co-wrote American Psycho. Guinevere teamed up with someone who would become a long-time collaborator, director Mary Harron, to adapt Bret Easton Ellis’ controversial novel about a deranged investment banker named Patrick Bateman (Christian Bale). In the spoiler conversation you’re about to hear, Guinevere tells me about the parts of herself she perhaps threaded into her and Mary's version of the story, either consciously or subconsciously – as revealed in her 2023 memoir, When The World Didn’t End, she grew up in a cult that promised followers they’d be whisked off in a spaceship to Venus, and there’s cult-like framing of money and materialism in American Psycho that perhaps was no accident. We get into her and Mary’s treatment of Patrick as an “alien who’s crash-landed to Earth,” learning to fit in through the pop culture he engages in. You’ll also hear about Bret Easton Ellis’s version of the film that ended with Patrick Bateman singing a musical tribute to New York, and what Guinevere’s take is on the upcoming remake, reported to be directed by Luca Guadagnino.  For more from Guinevere, whose other work includes The L Word, Go Fish, The Notorious Bettie Page and 2018’s Charlie Says, pick up When The World Didn’t End, which is a great read – and head to our Patreon page! We’re running an exclusive series on our Patreon called One Writing Tip, in which great writers share one piece of advice they swear by that they think all emerging writers should know. And for more from us at Script Apart, hit subscribe if you haven’t already. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. Support for this episode comes from Final Draft. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    1h 6m
  7. MAR 28

    Severance with Dan Erickson

    Praise Kier, it’s a Severance Script Apart special! In the spoiler conversation you’re about to hear, Dan Erickson – the dystopian workplace drama’s creator and showrunner – spills all the secrets that Lumon Industries will allow, about the season two finale that aired last week, and our real-world relationships with work, corporations and personal pain that the show offers a meditation on. The series, starring Adam Scott, Britt Lower, John Tuturro and Zach Cherry, debuted on Apple TV+ in 2022 at the exact right time: post-pandemic, a new Zoom-aided groundswell of people found themselves now “working from home” in a way that might be better described as “living at work.” Studies showed Brits and Americans were working longer than hours than ever and tethered to their desks in this round the clock way that made Severance’s story – of characters trapped in an endless hellscape of never-ending work – hit in this deeply relatable way. All work and no play… you know the rest. It was a three year wait for season two, but the payoff was worth it. This latest batch of episodes delved deeper into the lives and psyches of Mark S, Helly R and their “Outies” – the versions of themselves who have no recollection of their job once they leave; it’s like they’re never there. And in doing so, new questions and philosophical dilemmas were thrown at us in the audience about personhood under capitalism, who deserves what rights and what constitutes a soul. Listen out for Dan’s revelations about his drastically different original pilot for the show, and his breakdown of every twist and turn in this final episode including that ambiguous line of Helly’s – “I’m her.” We also get into the hardship from Dan’s life that he’s glad he didn’t sever from: a period of depression in which he learned there’s “power in clawing your way out of a dark place.” It made him the writer he is today – the writer responsible for Severance. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com. Support for this episode comes from Final Draft. To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

    48 min
4.7
out of 5
195 Ratings

About

A podcast about the first-draft secrets behind great movies and TV shows. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. Hosted by Al Horner and produced by Kamil Dymek. Hosted on Acast. See acast.com/privacy for more information.

You Might Also Like

To listen to explicit episodes, sign in.

Stay up to date with this show

Sign in or sign up to follow shows, save episodes, and get the latest updates.

Select a country or region

Africa, Middle East, and India

Asia Pacific

Europe

Latin America and the Caribbean

The United States and Canada