Second Cut

Second Cut
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Jacob, Kieran, and Sam explore topics in film history, criticism, and theory through weekly movie reviews!

  1. HÁ 4 DIAS

    Is Anne Hathaway a Great Movie Star?

    Anne Hathaway has been a Disney princess, a rom-com lead, Catwoman, an Oscar winner, and one of the most recognizable American movie stars of the 21st century. But what actually makes her work on screen? In this episode of Second Cut, Jacob and Kieran look at Hathaway through two very different performances: Andy Sachs in The Devil Wears Prada and Fantine in Les Misérables. Using James Naremore’s ideas about film acting as a loose framework, they ask what makes a performance readable, natural, expressive, and suited to the film around it. Along the way, they talk Meryl Streep’s Miranda Priestly, Emily Blunt and Stanley Tucci stealing scenes, whether The Devil Wears Prada is really about a woman becoming “bad” or just becoming good at her job, Tom Hooper’s sung-through approach to Les Misérables, Russell Crowe’s Javert, Victor Hugo, French revolutionary context, and whether Hathaway’s Oscar-winning Fantine is a great performance, a great Oscar clip, or both. Follow Second Cut:YouTube: @SecondCutPodSubstack: https://secondcutpod.substack.comSocials: @SecondCutPodEmail: secondcutpod@gmail.com Chapters 00:00 Intro00:49 Why Anne Hathaway now?02:08 First encounters with Hathaway05:48 Rom-coms, “movies for women,” and The Hustle07:25 Hathaway’s star power and theater background09:49 James Naremore and how to judge film acting14:03 The Devil Wears Prada17:32 What is The Devil Wears Prada really about?23:12 Andy Sachs, career success, and the boyfriend problem29:21 Miranda Priestly and the missing cost of ambition31:53 Emily Blunt, Stanley Tucci, and the supporting cast33:34 Anne Hathaway’s performance as Andy40:06 Does the film only feel deeper than it is?43:19 The Miranda movie we wish existed48:52 The Devil Wears Prada 2 speculation50:53 Les Misérables and Tom Hooper returns54:38 Les Misérables plot summary57:00 Sung-through musicals and pacing1:00:35 Valjean, Javert, and the French rebellion1:01:32 Anne Hathaway as Fantine1:04:57 The 2012 Supporting Actress race1:09:54 Hugh Jackman, Russell Crowe, and Javert1:12:53 Performance without dialogue1:14:07 I Dreamed a Dream1:14:47 Sweeney Todd energy and the innkeepers1:19:21 Why the revolution material drags1:24:55 French history and assumed context1:26:32 What Tom Hooper could have changed1:29:27 Final thoughts on Anne Hathaway1:30:27 Looking ahead to Hathaway’s upcoming films1:30:59 Plugs and outro Music:Awakening (Instrumental) by Wataboihttps://soundcloud.com/wataboiCreative Commons — Attribution 3.0 Unported — CC BY-SA 3.0Music promoted by FDL Musichttps://youtu.be/X2oQNUOmk2k

    1h 33min

  2. 8 DE ABR.

    Seeing Double: The Art of Playing Multiple Roles

    In this episode of Second Cut, we talk about one of cinema’s coolest tricks: watching a single actor become multiple people. Because of Michael B. Jordan’s Oscar-winning twin performance in Sinners, we get into what makes multi-role acting so compelling, why it so often leans comic, and what separates a gimmick from a real performance. Then we dive into Alec Guinness playing nearly an entire murderous aristocratic family in Kind Hearts and Coronets, Peter Sellers splitting himself across the madness of Dr. Strangelove, and Jordan’s physically and emotionally distinct twins in Sinners. Along the way, we talk class satire, Cold War absurdity, vampire assimilation, and the filmmaking tricks that make one actor seem to exist twice on screen. Chapters00:00 Intro 00:52 The phenomenon of actors playing multiple roles 14:32 Kind Hearts and Coronets 44:51 Dr. Strangelove 1:15:53 Sinners and the Oscar context 1:20:35 Getting into Sinners proper 1:31:56 Why Michael B. Jordan’s performance works 1:34:19 How the twin shots are pulled off 1:37:46 The vampires, assimilation, and cultural memory 1:46:13 The climax and final Sinners thoughts 1:48:44 OutroMusic: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboiCreative Commons — Attribution 3.0 Unported — CC BY-SA 3.0Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

    1h 51min

  3. 27 DE MAR.

    Did Frankenstein Movies Forget Mary Shelley?

    Mary Shelley wrote Frankenstein, but a lot of Frankenstein movies spend surprisingly little time letting women matter inside that story. In this episode of Second Cut, Jacob, Sam, and Kieran dig into Bride of Frankenstein (1935), Frankenstein Created Woman (1967), and Lisa Frankenstein (2024) to ask what happens when “female-focused Frankenstein” movies are still mostly about male creators, male desire, and male control. They get into James Whale’s camp classic, Peter Cushing’s Hammer mad scientist, Diablo Cody and Zelda Williams’ coming-of-rage monster romance, Mary Shelley’s goth legacy, queer readings, Hammer excess, and why Lisa Frankenstein feels closest to a version of Frankenstein cinema that actually remembers its author. Chapters 00:00 Intro01:22 What even counts as a “female-focused Frankenstein” movie?04:08 Mary Shelley, teenage goth genius11:42 Del Toro, stage versions, and better female presence20:13 Bride of Frankenstein37:50 Where is the bride, actually?43:58 Transition to Frankenstein Created Woman1:00:48 Hammer takes Frankenstein back1:32:29 Lisa Frankenstein1:38:28 Why the movie doesn’t fully connect1:47:09 Burton, Reiniger, and the visual lineage1:53:45 Final thoughts on Lisa Frankenstein2:00:00 Plugs and outro Music: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboiCreative Commons — Attribution 3.0 Unported — CC BY-SA 3.0Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

    1h 54min

  4. 18 DE MAR.

    The Razzies and the Spectacle of Failure

    What are the Razzies actually for? In this episode, we use the Golden Raspberry Awards to talk about bad-movie culture, awards as spectacle, and why so many infamous flops are really stories about ego, stardom, and show business. Using Showgirls, All About Steve, and Hurry Up Tomorrow, we ask whether the Razzies are a useful counterweight to prestige culture or just another way Hollywood turns failure into entertainment. Along the way, we get into Paul Verhoeven, Sandra Bullock’s bizarre Razzie/Oscar weekend, The Weeknd’s self-mythologizing, and the difference between a movie that is trash, a movie that is fascinatingly broken, and a movie that is simply unbearable. Chapters 00:00 Introduction 00:56 What are the Razzies actually for? 04:00 Razzie origins and how they started 09:52 Membership, voting, and repeat offenders 12:42 Why these three films 13:50 Showgirls and Razzie infamy 15:15 Verhoeven, Joe Eszterhas, and the film’s setup 21:56 Is Showgirls misunderstood or just bad? 36:49 Showgirls at the Razzies 42:55 Final thoughts on Showgirls 43:57 The real link between all three films: stardom and show business 45:14 All About Steve and Sandra Bullock’s Razzie/Oscar weekend 51:07 All About Steve plot recap 01:04:17 Why All About Steve fails 01:08:20 All About Steve Razzie results 01:12:56 Hurry Up Tomorrow and this year’s Razzies 01:16:23 How Hurry Up Tomorrow got made 01:20:23 Symbolism, fandom, and the ego problem 01:31:37 Why the film’s themes feel thin 01:36:20 Ending and interpretation 01:41:41 Ranking the three: bad, entertaining, or unbearable? 01:51:38 Our own Razzie ballot 01:53:54 Outro Music: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboiCreative Commons — Attribution 3.0 Unported — CC BY-SA 3.0Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

    1h 56min

  5. 13 DE MAR.

    Why Robert Duvall Was One of America’s Greatest Actors

    In this episode of Second Cut, we remember Robert Duvall by looking at three performances across three different decades: his brief but unforgettable debut as Boo Radley in To Kill a Mockingbird, his Oscar-winning turn in Tender Mercies, and his late-career western authority in Open Range. We talk about what made Duvall such a singular screen presence: the restraint, the stillness, the emotional precision, and the way he could dominate a film without ever seeming to push for attention. Along the way, we get into Gregory Peck and Atticus Finch, why Tender Mercies feels strangely forgotten, Kevin Costner’s pacing in Open Range, and the kind of actor Duvall was in both epics and intimate dramas. Chapters 00:00 Robert Duvall memorial intro 01:07 Career overview and why Duvall mattered 05:37 The art of underplaying 14:42 To Kill a Mockingbird 24:24 Gregory Peck and the Atticus Finch debate 36:00 Boo Radley and Duvall’s debut 42:44 Tender Mercies 49:04 Oscar context and the Pacino question 59:26 Why Tender Mercies faded from memory 1:05:05 Open Range 1:08:38 Costner’s pacing and the film’s setup 1:13:39 Why Duvall anchors the western 1:22:42 Final thoughts on Open Range 1:25:39 Other great Duvall roles 1:28:45 Outro Music:Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboiCreative Commons — Attribution 3.0 Unported — CC BY-SA 3.0Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

    1h 30min

  6. 11 DE MAR.

    How Black Cinema Changed American Movies

    For Black History Month, we’re looking at American Black film history through three major points of entry: Oscar Micheaux’s Within Our Gates (1920), Sidney Poitier’s In the Heat of the Night (1967), and Nia DaCosta’s Little Woods (2018). We talk about what gets left out of standard film-history narratives, the importance of Black filmmakers and performers in shaping American cinema, and how race, representation, authorship, and opportunity have changed across the medium’s history. Along the way, we get into Micheaux as a pioneering counter-cinema figure responding to The Birth of a Nation, Poitier as a defining screen presence of the civil-rights era, and DaCosta as a modern filmmaker whose career points toward a different Hollywood than the one that came before. Chapters 00:00 Introduction: Black Film History and the Canon 08:28 Early Representation and Canon Blind Spots 18:47 Oscar Micheaux and Within Our Gates 33:13 Within Our Gates: Plot and Themes 41:37 From Early Hollywood to Sidney Poitier 44:22 Sidney Poitier and In the Heat of the Night 01:04:22 Iconic Scenes, Production Context, and Legacy 01:19:04 Nia DaCosta and the Modern Industry 01:36:50 Little Woods: Plot, Themes, and Debut Direction 01:51:44 Closing Remarks Music: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboi Creative Commons — Attribution 3.0 Unported — CC BY-SA 3.0 Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

    1h 54min

  7. 24 DE FEV.

    Port Royal Under Attack, or Pirate Movies and Why They Keep Disappearing

    Pirate movies used to be Hollywood’s A-list spectacle, then they vanished, then Disney revived them, and now they’re gone again. In this episode, we trace the genre’s DNA from Treasure Island and Captain Hook to the “pirate code,” and we dig into how censorship and shifting cultural politics pushed classic swashbucklers to soften (or outright reroute) piracy into privateering, smuggling, and honor-bound adventure. Using three cornerstone films to chart the whole arc—Captain Blood (1935), The Black Swan (1942), and Pirates of the Caribbean: The Curse of the Black Pearl (2003)—we follow pirate cinema from the silent-era template and studio-era craftsmanship to modern franchise engineering. Along the way, we get specific about what the genre does on screen: character dynamics that turn criminals into folk heroes, action staging that has to sell bodies-in-motion against water-and-ship logistics, and the craft toolbox, that makes the sea feel cinematic rather than staged. We break down the set pieces, the musical identity, and why Black Pearl hit the sweet spot that later sequels struggled to replicate. Chapters 00:00 The Golden Age of Pirate Films 02:58 Pirate Tropes and Their Evolution 05:57 The Influence of Literature on Pirate Cinema 08:56 The Silent Era and Early Pirate Films 12:03 The Swashbuckler Era: Captain Blood and Beyond 14:59 Censorship and the Portrayal of Pirates 17:58 The Resurgence of Pirate Films in Modern Cinema 20:47 The Black Swan: A New Wave of Pirate Stories 57:22 The Transition from Privateers to Pirates 01:00:38 Character Dynamics and Romantic Tropes 01:02:08 Visual Effects and Cinematography in Pirate Films 01:06:04 The Impact of World War II on Film Production 01:08:39 The Evolution of Pirate Characters in Cinema 01:12:15 The Role of Captain Jack Sparrow 01:14:38 The Plot and Themes of Pirates of the Caribbean 01:20:15 Sword Fights and Action Sequences 01:25:49 The Musical Score and Its Influence 01:39:26 The Legacy of Pirates of the Caribbean

    1h 44min

  8. 30 DE JAN.

    From Oldboy to Decision to Leave: The Cinema of Park Chan-wook

    Jacob, Kieran, and Sam delve into the cinematic works of Park Chan-wook, focusing on his notable films such as Oldboy, The Handmaiden, and Decision to Leave. We explore the themes, character complexities, and visual storytelling techniques that define his films, as well as the impact of Oldboy on global cinema, the use of humor in dark narratives, and the cultural context of Korean cinema. Read us here: https://secondcutpod.substack.com/ Follow us everywhere @SecondCutPod Music: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboi Creative Commons — Attribution 3.0 Unported — CC BY-SA 3.0 Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k Chapters 00:00 Exploring Park Chan-wook's Cinematic Range 02:52 The Vengeance Trilogy: Themes and Impact 06:07 Character Complexity and Moral Ambiguity 08:55 Visual Style and Symbolism in Park Chan-wook's Films 12:02 The Role of Humor in Dark Themes 15:05 Cinematic Techniques: Zooms and Recontextualization 18:01 Realism in Action: Vulnerability of Characters 21:06 Cultural Context and Global Influence 23:58 Conclusion: Park Chan-wook's Legacy 29:31 Exploring Psychological Thrillers 31:46 The Shock Factor of Oldboy 36:36 Unpacking the Plot Twists 41:37 Character Analysis: Odeh Su 46:30 Cinematic Techniques and Influences 55:40 Themes of Memory and Identity 01:01:42 Exploring The Handmaiden's Themes 01:08:05 Cultural Context and Historical Significance 01:15:19 Character Dynamics and Performances 01:21:31 Narrative Structure and Twists 01:27:57 Dark Humor and Absurdity in Storytelling 01:30:43 Final Thoughts on The Handmaiden 01:33:24 First Impressions and Rewatch Value 01:34:37 Character Dynamics and Relationships 01:36:56 Plot Twists and Moral Dilemmas 01:39:57 Technological Elements in Storytelling 01:43:05 Hitchcockian Influences 01:48:34 Visual Storytelling and Cinematic Techniques 01:55:06 Final Thoughts and Interpretations

    2h3min
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Sobre

Jacob, Kieran, and Sam explore topics in film history, criticism, and theory through weekly movie reviews!

Informações

  • Criado por
    Second Cut
  • Anos de atividade
    2021 - 2026
  • Episódios
    93
  • Classificação
    Explícito
  • Copyright
    © Second Cut
  • Site do podcast
    Second Cut