She's All Over the Place Chonacas

Griefcat: From the German word Kummerspeck or in English “grief bacon,”  
the weight you gain from emotional eating or, in this case, the cat you get after a breakup. 
 
Annie Nardolilli: Singer, Songwriter, Guitar
Louisa Hall: Singer, Songwriter, Ukulele
 
What does a Mormon ex-sheriff and an Atheist tech employee have in common?  No, that’s not the beginning of an elaborate joke and Griefcat isn’t the punchline.  Instead, Annie Nardolilli and Louisa Hall, the masterminds behind Griefcat, are a duo that you can’t easily categorize or file into a neat little genre. They are mutually perpetuating forces in matching outfits who together create beautifully blended harmonies and brilliant lyrics, with an unpredictable twist.  They’ve been compared to Flight of the Conchords, Tenacious D, Norwegian duo Ylvis, and Garfunkel and Oates by fans, but if you ask Annie to describe their sound, she’ll say “We’re like if Taylor Swift, Dolly Parton, and Bo Burnham met up at an Olive Garden and wrote a song while eating unlimited breadsticks. Does that make sense? Probably not.” 
 
On their brilliant album Late Stage Capitalism, the nine tracks range from flat out hilarious to unexpectedly thought provoking, each with a unique sound and lyrics to tickle the soul.  An amalgamation of musical talent, these troubadours of the modern age display immense songwriting skills and infinite humor, with topical songs that not only dazzle but also make you smile and laugh while making fun of the world in which we live.  The musicianship stands out on its own too; traditional instruments abound but you will also hear slide guitar, ukulele, trumpet, trombone, violin, and cello peppered throughout the album.  The album explores how unbridled capitalism has invaded every facet of modern life, from workplace politics to interpersonal relationships, and even our most private moments. 
 
They came up with the title in early 2020 when they wrote arguably their most well-known song on the album to date, “Revolution (Poop At Work)” which catapulted the duo to viral infamy and a strong following with over 25 million organic views of their videos, more than 15 million of those views for that song alone.  Even Questlove commented on the song, saying “LOL I feel seen, I see my version as a political act.”  They’ve also received likes from SZA and actor Alan Tudyk for their posts, among others. 
 
“Revolution (Poop At Work)” is a song about how even the smallest acts of defiance can be revolutionary. “So much of the 2020s feel like the 1920s all over again - the income inequality is staggering, and the rich are getting richer while others are struggling,” says Louisa.  “Late stage capitalism is at the core of our entire album, but this is the song that most explicitly calls this out. We always tell audiences it’s our most cerebral song, then we dive into a 1.5 minute poop joke.  Life can be crappy, but it’s so much more fun to laugh your way through it!” 
 
Other songs on the album include “I Just Want To Get Inside (Your Bank Account),” an unanticipated, ‘90s-style love song with a hilarious contradiction between two women looking for two different things when it comes to a new relationship.  Are they looking for love or money? It also shines a light on dating culture and how much sensitive personal information we share online every day.  “Crytpobro” is a traditional country tune with all the makings of a hit song.  It’s a melodic, catchy, and current, and a breakup song about losing love, in this case to the cult of Cryptocurrency and the church of Elon Musk.  The opening track, “Benevolent Billionaire,” featuring standout vocalist Jarreau Williams along with many of Washington, DC’s brightest musical talent, is loosely based on ‘80s supergroup charity singles like “Do They Know It’s Christmas?” and “We are the World.”  The song begins with Jarreau

Jenifer Pepen Aquino, also known as SirenAi, is a first-generation American of Dominican descent. She is an artist, poet, photographer, public speaker, and co-founder of the One Love Art DAO. Growing up in a multicultural environment, SirenAi developed a deep appreciation for history and the arts. Through her artworks, she expresses universal stories on spirituality, mythology, history, relationships, and her experience as a Latina woman. Her passion for the arts extends to her roles as a collector, curator, and community builder.
Connect More: 
kaleido.art/card/sirenai - artwork by SirenAi
ONE LOVE ART DAO https://linktr.ee/oneloveart
 
https://twitter.com/Jeni_Pepen
https://twitter.com/_sarkism
https://twitter.com/lukoart_
https://twitter.com/chazwesley99
https://twitter.com/Jancarlo316
https://twitter.com/CoinCoffee_Life
https://twitter.com/YuZapata3SC
https://twitter.com/judasaca_art
 
Katie Chonacas Socials
Website: https://www.chonacas.com/
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Over more than half a century as a writer for the London Daily Express and the Times of London, British-born Ivor Davis covered major stories in North America. He penned a weekly entertainment column for the New York Times Syndicate for over 15 years, interviewing some of the biggest names in show business, from Cary Grant to Elizabeth Taylor, Richard Burton to Tom Cruise and Muhammad Ali.
In 1962 he was smuggled onto the campus of the riot-torn University of Mississippi when James Meredith became the first black student to be enrolled --accompanied by 127 --yes 127-- US attorneys--Days of rioting followed with two killed--including one foreign journalist. Three years later Davis  was in the front lines as Los Angeles’ Watts riots erupted.
In l964, Davis was the only British daily newspaper correspondent to cover The Beatles’ first American tour from start to finish, given unparalleled access to John, Paul, George and Ringo on the road, in their hotel, and during long nights of card and Monopoly games as they talked frankly about their bizarre new life. He also ghosted a regular newspaper column for George Harrison. His first-hand, insider’s memoir, the award-winning The Beatles and Me On Tour, 60th Anniversary Book, was published  in February. It is a fascinating journey back in time where for the first time he chronicles, frankly and humorously, 34 days with the world’s most famous band on the road—at a critical moment in the history of rock. The anniversary edition was published on Feb 9th this year.
Davis covered Robert Kennedy’s 1968 presidential bid and was in the kitchen in the Ambassador Hotel the night Senator Kennedy was assassinated.  He was one of the Boys on the Bus chronicling the life of actor-turned-politician Ronald Reagan, first in his campaign for governor of California, then for president.
He was a co-author of the 1969 political book Divided They Stand, which chronicled the Presidential election; and witnessed some of the biggest trials in American history: Sirhan Sirhan, convicted of killing Bobby Kennedy in 1969; black-power militant Angela Davis, acquitted of murder in l972; a year later, Daniel Ellsberg’s trial for leaking the Pentagon Papers, and, in 1976, he was in San Francisco to see heiress Patty Hearst convicted of robbery after being kidnapped by the Symbionese Liberation Army.
  His new true crime book, “The Devil in My Friend: The Inside Story of a Malibu Murder.”  It is an account of the famous Eighties trial of Malibu engineer Frederick George Roehler,  who was convicted of the murder of his wife and young stepson after an almost year-long trial in the Santa Barbara Courthouse in May l982. The killings took place close by—at Santa Cruz Island. The new book will be published this year on May 7th.
 
https://ivordavisbooks.com/
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The Blind Boys of Alabama are a legendary American gospel group founded in 1939 at the Alabama Institute for the Negro Deaf and Blind in Talladega, Alabama.
Originally called the Happy Land Jubilee Singers, the group consisted of mostly visually impaired students who found solace and inspiration in singing together. The original members were Clarence Fountain (baritone), George Scott (baritone and guitarist), Johnny Fields (bass), Velma Traylor (tenor), and Olice Thomas (baritone). Though the lineup has changed throughout the years, with none of the original members remaining, the core mission of the Blind Boys of Alabama has stayed consistent: creating uplifting and powerful gospel music.
The Blind Boys of Alabama are credited with pioneering a unique approach to gospel, incorporating elements of soul, blues, and R&B into their sound. Their music has resonated with audiences for decades, and they've achieved incredible success, including:
Winning six Grammy Awards Being inducted into the Gospel Music Hall of Fame and the Alabama Music Hall of Fame Receiving the National Heritage Fellowship from the National Endowment for the Arts The Blind Boys of Alabama have also collaborated with a wide range of artists from various genres, including Prince, Lou Reed, Peter Gabriel, Bonnie Raitt, and Ben Harper. Their enduring legacy continues to inspire new generations of musicians and listeners alike.
Link for the book and merch! https://www.blindboys.com/
 
https://twitter.com/blindboys
https://www.instagram.com/blindboysofalabama
 
TUNE into this episode with Joey Williams on She's All Over the Place:
https://podcasts.apple.com/us/podcast/legends-in-the-music-industry-with-joey-williams/id1485475729?i=1000478243213
 
 
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Robert F. Kennedy Jr. speaking at SXSW for a private event hosted by American Values 2024
AV24 - Learn more: https://av24.org/
Watch the RFK Jr. doc https://therealrfkjrmovie.com/trailer1/?sub4=7a1058dc8e9a44eea12cf277e37afe52&afid=23
Producer Jeff Hays - Director Ronny Lynch
Video at SXSW 2024 https://www.youtube.com/watch?v=1vemA4WF0Cc&t=93s
 
David Christopher Lee: https://davidsguide.com
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xo KEC
 
 
 
 
 

Welcome to season 6!
Stay connected subscribe to my newsletter to stay connected  https://www.chonacas.com/
Watch the RFK Jr. doc https://therealrfkjrmovie.com/trailer1/?sub4=7a1058dc8e9a44eea12cf277e37afe52&afid=23
 
Dr. Marcus Collins - For the Culture https://marctothec.com/
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Check out my new album "A Lover's Fairytale" https://www.chonacas.com/music/
 
xo KEC