Songs & Stories

Backstage Bay Area

Backstage Bay Area is an exclusive podcast that explores San Francisco’s jazz music scene in depth. It features intimate interviews with emerging and established artists. The program also offers a unique glimpse into the artists' creative processes, inspirations, and upcoming projects.

  1. Sweden's Queen of Swing Comes to SF Jazz

    6H AGO

    Sweden's Queen of Swing Comes to SF Jazz

    Show Notes: In this episode of Backstage Bay Area, host Steve Roby sits down with Swedish jazz sensation and multi-instrumentalist Gunhild Carling — a trombonist, trumpeter, flautist, harpist, bagpipe player, tap dancer, and bandleader. Known as "Sweden's Queen of Swing," Gunhild brings an infectious, high-energy blend of classic New Orleans jazz and vintage swing, earning her over 80 million social media views and fans worldwide.   We talk with Gunhild from New Orleans, where she's in the middle of a residency on Bourbon Street during Jazz Fest. She shares how she grew up in a deeply musical family in Sweden, what it means to power music with feeling, and how she approaches choosing the right instrument to tell a song's story. She also reflects on her time living in the Bay Area during the pandemic — and how it inspired some of her most personal songwriting, including a love letter to San Francisco.   Topics covered: Growing up in a musical family in Sweden and finding her voice at age 15The philosophy behind her multi-instrument performances and the influence of Rahsaan Roland KirkWhat "Jazz is My Lifestyle" means as a personal and artistic statementWriting I'll Wait for You in San Francisco during the pandemic lockdown in the Bay AreaHer upcoming shows at SFJAZZ's Joe Henderson Lab — May 23 & 24 — and what audiences can expect, including new songs, tap dancing, and bagpipes  Music featured in this episode: "Jazz is My Lifestyle" — Gunhild Carling"I'll Wait for You in San Francisco" — Gunhild Carling  Music provided by the artist and used with her permission. Both tracks are from the album Jazz is My Lifestyle, available now. Upcoming Shows — Gunhild Carling at SFJAZZ Joe Henderson Lab 📅Friday, May 23 — Shows at 7:00 PM & 8:30 PM 📅 Saturday, May 24 — Shows at 6:00 PM & 7:30 PM Joe Henderson Lab is open seating — arrive early for a front-row spot! 🎟 Tickets and info: SFJAZZ.org 🌐 More on Gunhild Carling, including tour dates and music: gunhildcarling.net Backstage Bay Area is hosted by Steve Roby.

    28 min
  2. Marcus Shelby Celebrates Miles Davis

    2D AGO

    Marcus Shelby Celebrates Miles Davis

    Episode Summary Host Steve Roby sits down with Bay Area bassist, composer, and bandleader Marcus Shelby to discuss his upcoming SF Jazz performance, a tribute to Miles Davis's landmark 1949–50 sessions, later released as Birth of the Cool. Marcus reflects on his journey with the music, the genius of Gil Evans's orchestrations, and what it means to bring this rarely performed repertoire back to life with his new orchestra. About Marcus Shelby Marcus Shelby has spent more than two decades creating large-scale jazz works rooted in history and community — oratorios and suites that trace the Port Chicago Mutiny, Harriet Tubman's journey, and the Civil Rights Movement. Now he turns his attention to a different kind of history: the 11 tracks Miles Davis and his nonet recorded that became Birth of the Cool. What We Talk About How Marcus approaches composition — researching, traveling, and even "method acting" into the stories he tells through musicHis unconventional path into jazz: a post-basketball-career pivot in his early twenties that led him straight to Miles DavisWhy Birth of the Cool was actually the last Miles Davis music to click for him — and why that makes senseThe specific genius of Gil Evans and the unusual instrumentation of the nonet (alto, baritone, trumpet, French horn, trombone, tuba, rhythm section) and how those combinations create something unrepeatableA deep dive into two featured tracks: Boplicity — the most purely Gil Evans track on the record — and the luminous Moonbeams, and what each demands of the musicians who play itRising trumpet star Skyler Tang (a Bay Area native now at The New School in New York), who has been commissioned to rearrange Deception for the concertMarcus's original composition Monk in the City, written for the same instrumentation as the Birth of the Cool nonetWhat a live performance offers that a studio recording cannot — the interpretive choices, the improvisational voice of each soloist, the acoustic magic of SF Jazz's Miner AuditoriumMarcus's wider work as Artistic Director of Healdsburg Jazz (now in his sixth year), his long relationships with SF Jazz, Yerba Buena Gardens Festival, Stanford Jazz, and Community Living JazzFeatured Music Boplicity — Miles DavisMoonbeams — Miles DavisAll music in this episode is used under fair use for educational commentary, with all rights retained by the original creators. Upcoming Performance Marcus Shelby New Orchestra: Miles at 100 — Birth of the Cool Revisited 📅 Sunday, May 10th 📍 Miner Auditorium, SF Jazz — San Francisco, CA 🎟 Tickets & info: sfjazz.org Links & Resources Marcus Shelby: marcusshelby.comHealdsburg Jazz: healdsburgjazz.orgBackstage Bay Area is a podcast about the music and musicians of the San Francisco Bay Area. New episodes drop regularly. Subscribe wherever you listen to podcasts.

    38 min
  3. Daniel Ho’s Many Roads to SFJAZZ

    5D AGO

    Daniel Ho’s Many Roads to SFJAZZ

    Podcast Show Notes:On this episode of Backstage Bay Area, Steve Roby speaks with Daniel Ho, a six-time Grammy-winning musician, composer, producer, and slack key guitarist, ahead of his upcoming appearance at SFJAZZ’s Joe Henderson Lab. In the conversation, Ho reflects on his musical roots in Honolulu, where the ʻukulele first became part of his daily life, and traces his path from Hawaii to Los Angeles, where he studied composition and arranging at the Grove School of Music. He also discusses the mentors who shaped him, the importance of versatility, and how he continues to study and refine his craft. The interview also explores Ho’s broader philosophy of music-making — spanning composition, performance, recording, mastering, instrument design, and visual presentation. He discusses how that way of thinking has shaped his long career, including his years with Kilauea, his work in Hawaiian and world music, and the creative process behind his more recent recordings. Steve and Daniel also discuss two featured songs: “Waimea Bay,” which dates back to Ho’s Kilauea years and became a familiar track on Bay Area radio, and “Ríl Dé Máirt (Tuesday Reel),” from Timbre & Echoes, inspired by the Ukulele Tuesday community in Dublin. The songs featured in this episode — “Waimea Bay” and “Ríl Dé Máirt (Tuesday Reel)” — were provided by the artist and used with the artist’s permission. In the final part of the interview, Ho previews his upcoming SFJAZZ show, discusses the quartet joining him onstage, and shares what he enjoys about performing in a room as intimate as the Joe Henderson Lab. Upcoming Show:Daniel HoSFJAZZ Joe Henderson LabSaturday, May 2, 20267:00 p.m. and 8:30 p.m. Links:Daniel Ho: danielho.comTickets: SFJAZZBackstage Bay Area: backstagebayarea.com

    39 min
  4. T.K. Blue Brings Randy Weston's African Rhythms to SFJAZZ

    APR 6

    T.K. Blue Brings Randy Weston's African Rhythms to SFJAZZ

    Show Notes Saxophonist, composer, and educator TK Blue joins host Steve Roby to celebrate one of jazz's great live traditions — the music and legacy of NEA Jazz Master Dr. Randy Weston, recorded on what would have been Weston's 100th birthday: April 6th, 2025. TK Blue was Weston's longtime musical director and arranger, performing with him for nearly 40 years alongside legends like Don Cherry, Miriam Makeba, Archie Shepp, and Pharaoh Sanders. In this conversation, TK shares his musical roots growing up in Long Island with Caribbean parents, studying jazz in New York City with Jimmy Heath, Rahsaan Roland Kirk, and others through programs like Jazzmobile. He also talks about how a chance encounter at an anti-apartheid fundraiser in Brooklyn — with only a piccolo in his pocket — launched his decades-long journey with Randy Weston. We explore the deep philosophy behind Weston's music: the African rhythmic diaspora, the African civilizations that predate slavery, and the concept of music as a sacred art that unites people of all backgrounds. TK also shares an unforgettable story about opening a hotel door for a mystery photographer in Paris — who turned out to be Henri Cartier-Bresson — and the peaceful, dignified way Randy Weston made his transition in September 2018.  Songs Featured in This Episode: “The Wise One Speaks” — TK Blue, from the album The Rhythms Continue “Kasbah 330A” — TK Blue, from the album The Rhythms Continue Music provided by TK Blue and used with his permission.   🎷 See TK Blue & The African Rhythms Alumni Ensemble Live:   SFJAZZ – Joe Henderson Lab, San Francisco Centennial Tribute to Randy Weston April 10–12, 2025 Friday & Saturday: 7:00 PM & 8:30 PM Sunday: 6:00 PM & 7:30 PM 🎟️ Tickets: https://www.sfjazz.org/tickets/productions/25-26/african-rhythms-alumni-ensemble/   Museum of the African Diaspora (MOAD) – FREE Event Saturday, April 11 at 1:00 PM 🔗 https://www.moadsf.org/event/moad-sfjazz-present-african-rhythms-alumni-quintet

    35 min
4.8
out of 5
9 Ratings

About

Backstage Bay Area is an exclusive podcast that explores San Francisco’s jazz music scene in depth. It features intimate interviews with emerging and established artists. The program also offers a unique glimpse into the artists' creative processes, inspirations, and upcoming projects.

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