Startup Geometry Podcast

Scott Gosnell

Consulting, Advisory and Business Development Services

  1. 03/29/2018

    EP 041 Gary Lachman on the Lost Knowledge of the Imagination

    Today, I talk with Gary Lachman about his latest book, The Lost Knowledge of the Imagination. We discuss the need to balance the analytic "survival mode" consciousness of the external world with an older way of thinking that prioritizes the inner landscape and the imagination. We also discuss the necessity of creative outlets to regulate how much of the sensory world we take in and process, to open the valve all the way for peak experience and dial it down so we remember to do the dishes. I spend a good bit of the interview groping toward, but never reaching, the concept of a gestalt as a shorthand mental representation of external or internal objects. Some events do not pack down well to a gestalt representation, while others form new gestalts on close examination. This process of gestalt analysis and synthesis runs behind the conversation we have here. Gary Lachman is the author of twenty-one books on topics ranging from the evolution of consciousness to literary suicides, popular culture and the history of the occult. He has written a rock and roll memoir of the 1970s, biographies of Aleister Crowley, Rudolf Steiner, C. G. Jung, Helena Petrovna Blavatsky, Emanuel Swedenborg, P. D. Ouspensky, and Colin Wilson, histories of Hermeticism and the Western Inner Tradition, studies in existentialism and the philosophy of consciousness, and about the influence of esotericism on politics and society. He writes for several journals in the UK, US, and Europe, including Fortean Times, Quest, Strange Attractor, Fenris Wolf, and his work has appeared in the Times Literary Supplement, Times Educational Supplement, Guardian, Independent on Sunday, Sunday Times, Mojo, Gnosis and other publications. He lectures regularly in the UK, US, and Europe, and his work has been translated into a dozen languages. He has appeared in several film and television documentaries and on BBC Radio 3 and 4 and is on the adjunct faculty in Transformative Studies at the California Institute of Integral Studies. Before becoming a full-time writer Lachman studied philosophy, managed a new age bookshop, taught English Literature, and was a Science Writer for UCLA. He was a founding member of the pop group Blondie and in 2006 was inducted into the Rock and Roll Hall of Fame. Lachman was born in New Jersey, but since 1996 has lived in London, UK.         I apologize for the occasional gaps in sound quality. These newfangled trans-Atlantic fiber-optic cables are sometimes troublesome. Or perhaps Mercury is in retrograde.

    1 hr
  2. 09/04/2017

    EP 038 Lynne Kelly on The Memory Code

    Lynne Kelly is a teacher, science writer and anthropologist of oral and pre-literate cultures. Her most recent book is The Memory Code, which deals with the use of memory techniques including rituals, songs, dances, portable devices, and large-scale geographic features and built structures as memory aids.   She has conducted a series of experiments to replicate memory techniques from the classical memory palace to handheld memory devices such as the Lukasa to rituals and storytelling. Today, we talk about how several early and modern cultures have used these memory techniques, why Stonehenge and Chaco Canyon may have been used as memory palaces, and why they were almost certainly centers for an oral culture's knowledge economy.   As with our other conversations with anthropologists, it's helpful to remember the following guidelines: Do not confuse industrial technological advancement with intelligence. "Primitive" people, whether distant from you in space or time, were and are at least as smart as you. The less technology they had at hand, the more this is true. Fools die when times are hard, or as Lynne Kelly's colleague Nungarrayi said to her, "The elders are pragmatic old buggers. If they weren't, we wouldn't have survived." Most often, they are observationally correct even when they are theoretically wrong. We can identify the exact species of animals in cave paintings despite the fact that the artist didn't have a grip on modern biology. Just as any sufficiently advanced technology looks like magic, so does any technology sufficiently different from our own. People of almost all cultures have been given to humor, hoaxes, tall tales, and flimflammery. Sometimes, when they tell you (or each other) something, they're just having a laugh. Sometimes, they're both having a laugh and expressing something serious. Show notes and links may be found at: http://bottlerocketscience.blogspot.com/2017/09/ep-038-lynne-kelly-on-memory-code.html

    1h 4m
4.9
out of 5
9 Ratings

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Consulting, Advisory and Business Development Services

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