Talkin' TV

talkintvpodcast@gmail.com
  • 4.0 (8)
  • TV & FILM
  • UPDATED WEEKLY

So many people just want to talk about movies without really knowing what they're talking about. A podcast, starring Dominic Rizzi and Chris Evanko, where we set out to examine film and TV from an intellectual standpoint. Thanks for stopping by.

  1. 4D AGO

    Talkin' Lost Episode 72 - Ji Yeon + The Bride (w/Ms. Filmingo)

    In this episode, we return to the island for a pivotal chapter of Lost—Season 4, Episode 7, “Ji Yeon.” What begins as a seemingly tender flash-forward centered on Sun soon reveals one of the show’s most devastating structural twists. As we follow Sun preparing to give birth in the future while Jin struggles through a chaotic mission on the island, the episode quietly builds toward a revelation that reshapes how we understand the timeline and the cost of survival. We unpack how the episode plays with audience expectations, the emotional weight behind Sun and Jin’s relationship, and why the final moments remain one of the most haunting gut punches in the series. From there, we shift from the mysteries of the island to gothic cinema with a review of Maggie Gyllenhaal’s The Bride, starring Jessie Buckley and Christian Bale. Gyllenhaal reimagines the classic monster myth with a darkly romantic lens, blending horror, tragedy, and social commentary. We dive into Buckley’s striking performance, Bale’s presence in the film’s shadowy world, and how Gyllenhaal continues the bold directorial voice she first established with The Lost Daughter. Does The Bride reinvent the Frankenstein legacy—or simply dress it in new clothes? We break down the film’s themes, performances, and visual style in this week’s deep-dive review. Be sure to stay tuned for more in-depth reviews, analysis and breakdowns every week only on the #talkintvpodcast

    1h 22m

  2. MAR 2

    Talkin' Lost Episode 71 - The Other Woman + The Secret Agent (w/Daniel Mazzarolo)

    This week, we revisit one of the more psychologically charged chapters of Lost, “The Other Woman,”an episode that pulls back the curtain on Juliet Burke’s complicated past among the Others. Through flashbacks, we see her uneasy relationship with Ben Linus, whose manipulative affection curdles into something far more possessive and dangerous. The episode reframes Juliet’s isolation on the island—not just as survival, but as emotional imprisonment. On the island in the present timeline, tensions mount as Juliet and Jack track Charlotte and Daniel to the Tempest station, uncovering a high-stakes threat involving toxic gas. What unfolds is less about action and more about trust: Who is lying? Who is protecting whom? And can Juliet ever truly escape Ben’s shadow? We discuss how the episode deepens the moral ambiguity of the Others, strengthens Juliet’s arc as one of the show’s most quietly resilient characters, and continues Season 4’s accelerating shift toward confrontation between the survivors and the freighter team. It’s a character study wrapped in a ticking-clock thriller—and a reminder that on Lost, the most dangerous weapon is emotional leverage. From the humid paranoia of a mysterious island, we pivot to the suffocating tension of urban Brazil in The Secret Agent, directed by Kleber Mendonça Filho and starring Wagner Moura—a film that has been nominated for several Academy Awards, including Best Picture, Actor for Wagner Moura, International Film for Brazil and Best Casting. If Lost explores control through personal manipulation, The Secret Agent scales that tension to the political and institutional. Moura delivers a magnetic performance as a man caught between ideology and survival, navigating a system built on surveillance and quiet coercion. Mendonça Filho directs with clinical patience, letting scenes breathe just long enough for discomfort to set in. The film thrives on atmosphere—its framing tight, its sound design oppressive, its moral universe murky. Moura’s performance anchors the narrative with restrained intensity; he conveys paranoia not through grand gestures, but through stillness. Every glance feels monitored. Every silence feels weaponized. In our review, we unpack how the film interrogates state power and personal complicity, why its pacing may divide audiences, and how its craftsmanship—particularly in editing and cinematography—justifies its Academy recognition. We also explore the fascinating connective tissue between the episode of Lost and The Secret Agent: both center on characters trapped inside systems that demand loyalty while eroding autonomy. It’s a conversation about control—romantic, political, psychological—and about what it means to resist when resistance itself may already be anticipated. Tune in as we move from the island to the surveillance state, from Ben Linus to bureaucratic menace, and from network television intrigue to Oscar-nominated cinema. And be sure to keep coming back every week for more reviews and most Lost discussion, only on the #talkintvpodcast

    1h 27m

  3. FEB 23

    Talkin' Lost Episode 70 - The Constant* + A Knight of the Seven Kingdoms

    Few episodes of television have ever balanced science fiction, romance, suspense, and raw emotional catharsis as perfectly as “The Constant.” In a season built on urgency and fractured timelines, this hour becomes something deeper: a love story disguised as a time-travel thriller. When Desmond Hume begins unsticking from time after leaving the Island by helicopter, his consciousness violently flashes between 1996 and 2004. The rules are murky, the stakes lethal. Guided by physicist Daniel Faraday, Desmond learns he needs a “constant” — a person anchored in both timelines — or his mind will burn out. That constant is Penny Widmore. What follows is the show’s most unforgettable sequence: a cross-cut phone call that bends time but lands with devastating emotional clarity. When Penny answers the phone on Christmas Eve, eight years after Desmond last saw her, the sci-fi scaffolding falls away and we’re left with something timeless — longing, regret, and love refusing to be erased by physics. “The Constant” is often called the best episode of Lost, and for good reason: It proves the show’s mythology works best when grounded in human stakes. It rewards long-term investment in character arcs. It delivers one of television’s most emotionally satisfying payoffs. It shows how genre storytelling can be intimate rather than bombastic. It’s not just clever — it’s moving. Not just ambitious — but precise. The kind of episode that reminds you why serialized television can feel transcendent. And that brings us to A Knight of the Seven Kingdoms — the quiet miracle none of us saw coming. After the divisive ending of Game of Thrones, many fans felt unmoored. The political grandeur and moral complexity that once defined Westeros seemed swallowed by spectacle. For some, the magic was gone. Then came Dunk and Egg. Set decades before the War of the Five Kings, the series trades apocalyptic stakes for something far more intimate: honor, loyalty, friendship. Ser Duncan the Tall isn’t playing the game of thrones — he’s trying to survive it with decency intact. And young Aegon V (Egg) brings a hopeful lens to a world we thought we understood. Like “The Constant,” A Knight of the Seven Kingdoms succeeds because it remembers what made its universe powerful in the first place: character over chaos. It slows down. It breathes. It lets moments land. Instead of chasing shock value, it rebuilds trust through sincerity. Where “The Constant” showed that Lost was never really about the Island but about connection, A Knight of the Seven Kingdoms reminds us that Westeros was never just about who sits the Iron Throne — it’s about the people wandering the roads beneath it. Both stories strip away the noise.Both center emotional anchors.Both prove that spectacle means nothing without heart. And in doing so, they resurrect something precious: belief. Belief that television can still surprise us.Belief that long-form storytelling can still move us.Belief that love — whether across time or across kingdoms — is the only constant that matters. Be sure to keep coming back every week for more great content, only on the #talkintvpodcast

    57 min

  4. FEB 16

    Talkin' Lost Episode 69 - Eggtown

    This week on the pod, we’re heading back to the Island to unpack Lost Season 4, Episode 4: “Eggtown.” It’s a Kate-centric hour that blends domestic fantasy with legal thriller energy, as the flash-forwards finally start filling in the gaps of the Oceanic Six storyline. We break down what “Eggtown” reveals about Kate’s need to run—even when she’s trying to stay—why her off-Island life feels like a gilded cage, and how the episode uses motherhood as both redemption and self-deception. On the Island, alliances shift as Locke’s camp fractures, Hurley’s loyalty is tested, and Ben continues to manipulate literally everyone in the room. We dig into the moral chess match between Ben and Locke, the thematic meaning behind Kate’s trial, and how this episode quietly sets the emotional stakes for the rest of Season 4. Then we shift gears into this weekend’s new theatrical releases: First up, Gore Verbinski’s Good Luck, Have Fun, Don’t Die, starring Sam Rockwell, Haley Lu Richardson, and Juno Temple. We talk about Verbinski returning to large-scale genre filmmaking with a chaotic, high-concept sci-fi premise, Rockwell doing what Rockwell does best—existential panic with charm—and whether the film balances spectacle with heart or leans too far into cosmic weirdness. Next, Emerald Fennell’s Wuthering Heights, led by Margot Robbie and Jacob Elordi. We get into Fennell’s gothic sensibilities, the challenge of reinterpreting such a brooding literary classic for modern audiences, and whether this version amplifies the romance, the toxicity, or both. Is it a lush prestige drama, a fever dream, or something more divisive? Finally, we break down Bart Layton’s Crime 101, starring Chris Hemsworth, Mark Ruffalo, Halle Berry, and Barry Keoghan. A slick crime thriller with serious star power, this one promises cat-and-mouse tension and morally gray characters. We discuss whether Layton’s documentary instincts sharpen the realism, how the ensemble chemistry plays out, and if the film delivers on its pulpy premise. Time travel, tragic romance, high-stakes heists—it’s a packed episode. Be sure to keep coming back every week for more Talkin' Lost, since next week is a big one with the Constant, and as always be sure to subscribe for more content from the #talkintvpodcast

    31 min

  5. FEB 9

    Talkin' Lost Episode 68 - The Economist

    In this episode, we dive headfirst into Lost Season 4, Episode 3: “The Economist”—aka the moment Ben Linus proves (again) that he’s always ten moves ahead and Locke learns the hard way that leadership on the Island comes with a body count. We break down Sayid’s off-Island hitman arc & what the mysterious “economist” really tells us about the freighter folk and their not-so-pure intentions. Along the way, we unpack the episode’s biggest themes—control, manipulation, and the price of loyalty—while connecting the dots between the flash-forwards and the growing civil war on the Island. Is Ben lying? (Yes.) Is Locke being played? (Also yes.) And why does Sayid always look like he knows this will end badly? Buckle up as we analyze the clues, question the motives, and count how many times Ben absolutely does not tell the truth. Be sure to keep coming back every week for more great content only on the #talkintvpodcast

    29 min

  6. FEB 2

    Talkin' Lost Episode 67 - Confirmed Dead + 2026 Movie Draft

    This episode is about arrivals—and expectations. We kick things off with a deep dive into Lost Season 4, Episode 2: “Confirmed Dead.” We unpack the arrival of the freighter team—Faraday, Charlotte, Miles, and Lapidus—and why this episode quietly resets the entire chessboard. From Faraday’s eerie time experiments to the unsettling truth behind Naomi’s mission, we explore how “Confirmed Dead” trades clear answers for tension, intention, and the growing sense that everyone on the island is being scouted for a reason. Then we shift formats and hit the draft board. In the second half of the show, we run a sports-style movie draft for the year 2026, treating upcoming releases like franchise-altering prospects. Blockbusters and prestige collide as titles like The Odyssey, Avengers: Doomsday, Project Hail Mary, and more come off the board. We debate first-round locks vs. risky reaches, sleeper hits, director pedigree, box office upside, and which films are built for opening weekend dominance versus long-term legacy. It’s part film analysis, part hype machine, and part front-office chaos—because predicting the future is always messy, whether you’re landing on an island or building a release slate. From mysterious new players on Lost to cinematic prospects fighting for the top pick, this episode is all about who shows up… and what they’re really capable of. Draft clock’s ticking. Keep coming back for more Lost and more movie updates only on the #talkintvpodcast

    1h 22m

  7. JAN 26

    Talkin' Lost Episode 66 - The Beginning of the End (Season 4 Premiere) + Most Anticipated TV 2026

    After a much needed break, we're back for the final run of Lost! In this episode, we rewind the clock to Lost Season 4’s explosive premiere, “The Beginning of the End,” and unpack why it marked a turning point for the series. From the shock of the freighter reveal to the emotional fallout of Charlie’s sacrifice, we break down the episode’s biggest moments, hidden clues, and how the flash-forwards reshaped everything we thought we knew about the island. Then, we fast-forward to the future. What does must-see TV look like in 2026? We dig into the most anticipated upcoming shows, buzzy renewals, ambitious new sci-fi and fantasy projects, and the trends poised to dominate the small screen—from prestige reboots to boundary-pushing originals. Whether you’re a longtime Lostie or just hunting for your next obsession, this episode bridges TV’s past and future in one spoiler-filled, hype-packed conversation. 🎙️📺 A brand new year is upon us as we draw ever closer to our 12 seasons and a short film promise we made all those years ago, so be sure to keep tuning into new episodes as we drop them every week only on the #talkintvpodcast

    53 min

  8. JAN 12

    Episode 253 - Top 10 Movies 2025 (Season 8 Premiere)

    In this episode, we’re counting down our Top 10 Best Movies of 2025—the films that dominated the big screen, sparked conversations, and kept us thinking long after the credits rolled. From jaw-dropping blockbusters and visionary sci-fi to intimate indie gems and unforgettable performances, this list celebrates the full spectrum of what made this year in film so special. We break down why each movie earned its spot, highlighting standout performances, bold directing choices, memorable soundtracks, and the moments that made audiences laugh, cry, or sit in stunned silence. Whether you’re catching up on what you missed or debating our rankings with friends, this episode is your ultimate guide to the must-watch films of the year. 🎥 Spoiler-light discussion🍿 Perfect for movie lovers and casual fans alike🏆 One year. Ten films. Endless opinions. Press play and let the countdown begin. It's a brand new year and a brand new set of content. Be sure to stay tuned to #officialtalkintvpodcast as we break down the year to come.

    2h 6m
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4
out of 5
8 Ratings

About

So many people just want to talk about movies without really knowing what they're talking about. A podcast, starring Dominic Rizzi and Chris Evanko, where we set out to examine film and TV from an intellectual standpoint. Thanks for stopping by.

Information

  • Creator
    talkintvpodcast@gmail.com
  • Years Active
    2019 - 2026
  • Episodes
    404
  • Rating
    Explicit
  • Copyright
    © talkintvpodcast@gmail.com
  • Show Website
    Talkin' TV