The Akerman Year

Simon Howell and Kate Rennebohm
  • 5.0 (4)
  • TV & FILM
  • UPDATED MONTHLY
The Akerman Year

Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.

Episodes

  1. Part 11: L'adaptatrice (ft. Rebecca Sheehan)

    07/26/2023

    Part 11: L'adaptatrice (ft. Rebecca Sheehan)

    Kate and Simon are joined by author and film academic Rebecca Sheehan to dissect two later Akerman features, including her final scripted feature, bound together in this episode by their respective takes on literary giants. First up is 2000's La Captive, derived from a section of Marcel Proust's In Search of Lost Time; next is Almayer's Folly, derived from the Joseph Conrad novella/story of the same name. Music by: Rachmaninoff, Mozart. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    2h 5m
  2. Part 10: Self-portrait (ft. Patricia White)

    04/17/2023

    Part 10: Self-portrait (ft. Patricia White)

    Film scholar and author Patricia White joins us to tackle a couple of Akerman's more direct attempts at self-portraiture (Lettre d'un Cinéaste and Chantal Akerman par Chantal Akerman), along with Sami Frey's behind-the-scenes chronicle Autour de Jeanne Dielman (edited by Akerman in the early 2000s). Discussed: the greatness of Delphine Seyrig, the joy of listening to Akerman talk about movies, her push-pull approach to tackling commissioned work, and (of course) much more. Music by: The Peter Parkers, Tim Hecker, Sandy Denny. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 43m
  3. Part 9: Akerman vs. America

    11/07/2022

    Part 9: Akerman vs. America

    Riding guest-free for a change, Kate and Simon tackle three films (a short and two features) that touch on issues of racism, injustice, and murder: the Amnesty International-prompted Pour Febe Elisabeth Velasquez, El Salvador, 1999's Sud and 2002's De L'Autre Coté. We also dive a little more than usual into criticisms of Akerman's documentary work/style and consider how the intervening decades have treated Akerman's portraits of American racism and violence. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 39m
  4. Part 8: See and don't see (ft. Alisa Lebow)

    08/06/2022

    Part 8: See and don't see (ft. Alisa Lebow)

    With the help of scholar and filmmaker Alisa Lebow, who arrives armed with memories of meeting and speaking with Akerman, we tackle some of the Akerman work most inherently tied up with questions and challenges of Jewish identity, history and politics. These films are: 1980's medium-length TV doc Dis-Moi (Tell Me); 1986's tragicomic examination of Jewish life in New York, Histoires d'Amerique, and 2006's experimental and bracing La-Bas (Down There). Check out Alisa's Filming Revolution here: https://www.filmingrevolution.org/ Music: Do Make Say Think "Goodbye enemy Airship" Mary 'Queenie' Lyons "See and Don't See" If youlike the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    2h 30m
  5. Part 7: Song and dance (ft. Girish Shambu)

    07/07/2022

    Part 7: Song and dance (ft. Girish Shambu)

    After a mid-season siesta, we're back with one of the most obviously pleasurable and accessible groupings of any episode of The Akerman Year: that's right, it's time for musicals. Girish Shambu is on with us to talk about the beguiling whatsit Les Années 80, the one-hour TV documentary One Day Pina Asked, and finally Akerman's long-in-the-making Golden Eighties. (Apologies for the blown-out sound on Simon's mic. Those responsible are above sacking but have received a strong reprimand.) Read the Pajama interview in LOLA: http://www.lolajournal.com/2/pajama.html If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    2h 13m
  6. Part 6: Have you considered analysis? (ft. Miriam Bale)

    05/05/2022

    Part 6: Have you considered analysis? (ft. Miriam Bale)

    This month, we're taking a look at Akerman's sole foray into the English mainstream via the 1996 rom-com A Couch in New York, while also taking a look at the 7-minute short that followed in its wake (the introspective Le jour ou) and looking backwards to a previous comic gem, 1984's 60-minute L'homme a la valise. Joining us for this spirited and lively discussion is the great Miriam Bale, returning Lodgers champ. Discussed: Jewish comedy, Akerman's physical comic chops, William Hurt as the end boss of WASPSs, and much more. Follow Miriam on Twitter at @miriambale and follow the Indie Memphis Film Festival at @indiememphis. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 46m
  7. Part 5: Hot summer nights (ft. Caden Mark Gardner)

    04/01/2022

    Part 5: Hot summer nights (ft. Caden Mark Gardner)

    Once again, the stylistic breadth of Akerman's work comes to the fore via two features linked closely in theme but vastly divergent in approach. First up is Toute une nuit (1982), which chronicles a single smouldering Brussels night via the (mostly) romantic trials and tribulations of several dozen characters; that's followed this month by the more divisive Nuit et jour (1991), a chronicle of bifurcated love in the form of an askew philosophical romantic drama, complete with narration supplied by Akerman herself. Writer and critic Caden Mark Gardner is on hand to help us out on this one! Caden's article on the Digital Trans Archive as mentioned by Kate: https://www.criterion.com/current/posts/7254-from-the-margins-what-the-archives-show-us-about-trans-cinema-and-audiences Caden on Patreon: https://www.patreon.com/corpsesfoolsandmonsters If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 47m
  8. Part 4: Placement and displacement (ft. Jessica Bardsley)

    03/02/2022

    Part 4: Placement and displacement (ft. Jessica Bardsley)

    This month, Lodgers alumnus and filmmaker Jessica Bardsley joins us to talk about three exceedingly different projects, all linked by the theme of displacement: 1978's Jeanne Dielman follow-up Les rendez-vous d'Anna, 1984's hilarious Family Business, made while looking to secure funding for Golden Eighties (more on that one in a future episode) and 1993's commanding documentary depicting life in Eastern Europe following the collapse of the USSR, D'Est. Music used in this episode: Imperia, "Train to Leningrad" If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    2h 12m
  9. Part 3: in correspondence (ft. Lakshmi Padmanabhan)

    02/01/2022

    Part 3: in correspondence (ft. Lakshmi Padmanabhan)

    This month, we're joined by Lakshmi Padmanabhan to discuss two films centered around the acts of letter-reading: first up is the widely heralded News From Home, Akerman's 1976 feature juxtaposing the letters her mother wrote to her in the early 70s with contemporary images of New York life. After that, we zoom ahead a decade to look at her less well-known (and much less-seen) Letters Home, a filmed adaptation of a play derived from Sylvia Plath's correspondences with her mother. Non-Akerman works referenced this month: BLKNWS (2019, d. Khalil Joseph) Nasir (2020, d. Arun Karthik) Taxi Driver (1976, d. Martin Scorsese) God Told Me To (1976, d. Larry Choen) Music used in this episode: dEUS, Blondie, News From Babel. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 45m
  10. Part 2: Unsimulated eating, unsimulated sex (ft. Erin Nunoda)

    12/28/2021

    Part 2: Unsimulated eating, unsimulated sex (ft. Erin Nunoda)

    Special guest Erin Nunoda joins us for a fun and freewheeling (and queer theory-festooned!) chat about a stylistically diverse set of sharp, daring and often pretty funny movies set in Brussels, Paris, and points in between. Films discussed this month: La Paresse Je tu il elle J'ai faim, j'ai froid Portrait d'une jeune fille de la fin des années 60 à Bruxelles Clips of "Suzanne" performed by: Françoise Hardy, Jorane, Peter Gabriel and Young Galaxy. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 58m
  11. Part 1: Domestic orders (ft. Justine Smith)

    11/08/2021

    Part 1: Domestic orders (ft. Justine Smith)

    For our appropriately gargantuan first proper episode, we welcome back fellow Lodger and film-studies veteran Justine Smith to dive in at the deep end with discussion of some of Akerman's early shorts, before moving onto the film Akerman is still far and away best known for, the 200-minute colossus Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles . Kate's piece on Dennis Hopper's Out of the Blue for Cinema Scope: https://cinema-scope.com/features/trouble-up-north-dennis-hoppers-out-of-the-blue/ Akerman films discussed or mentioned in this episode: L'enfant aimé ou je joue à être une femme mariée _; _La chambre; Hotel Monterey; Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles Other films mentioned in this episode: Michael Snow - Wavelength; La Station Centrale; Standard Time Todd Haynes - [Safe], Carol Bette Gordon - Variety Marie-Claude Treilhou - Simone Barbès ou la vertu If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    1h 55m
  12. Part 0: Blow up this town

    11/05/2021

    Part 0: Blow up this town

    In our introductory episode, we give a high-level overview of Chantal Akerman's origins, tease the future of the podcast, and dive right into Akerman's spirited first short film, Saute Ma Ville (aka Blow Up My Town), made at the age of 18. If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/

    31 min
  • 12 Episodes

Ratings & Reviews

5
out of 5
4 Ratings

About

Chantal Akerman's work stretched across mediums, formats, modes, concerns, countries, and production models, but only a handful of them have actually been seen by most cinephiles, especially in North America. In this monthly miniseries, we (Kate, Simon, and an assortment of special guests) will make a comprehensive case for Akerman as belonging on any list of the great artists of the last century -- not only for her relatively "famous" works, but also for her dozens of much-less-seen projects.

Information

  • Creator
    Simon Howell and Kate Rennebohm
  • Years Active
    2021 - 2023
  • Episodes
    12
  • Rating
    Explicit
  • Copyright
    © 2024 The Akerman Year
  • Show Website
    The Akerman Year

To listen to explicit episodes, sign in.

Stay up to date with this show

Sign in or sign up to follow shows, save episodes, and get the latest updates.
Select a country or region

Africa, Middle East, and India

Asia Pacific

Europe

Latin America and the Caribbean

The United States and Canada