The Big Book Project

Lori Feathers

The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time. The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes. The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text. The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.We discuss books like Roberto Bolaño’s 2666

  1. 4d ago

    Sasha Sokolov's A School for Fools and Between Dog and Wolf, with Jose Vergara

    https://substack.com/@thebigbookproject Lori is joined by Jose Vergara, Associate Professor of Russian at Bryn Mawr College, for a deep dive on Sasha Sokolov, the great destabilizing stylist of Soviet literature and a true writer’s writer. Together they read through Sokolov’s first two novels, A School for Fools (New York Review Books Classics) and Between Dog and Wolf (Columbia University Press), both translated by Alexander Boguslawski. They get into: the boy narrator of A School for Fools, his double, and his “problem with time,” railroads, and the dreamlike stream of consciousness passages; the alternating prose and poetry of Between Dog and Wolf, the title’s meaning, birds, butterflies, and transformation as an escape from Soviet constraint. They also discuss Sokolov’s exile and his fascination with the “how” of art. Sokolov's novels are not without their challenges, but Jose's indispensable annotated guide to Between Dog and Wolf can help you on your journey of this important work: https://encyclopediaofthedog.com/ Other books mentioned: Astrophobia and In the House of the Hanged, Essays, both by Sasha Sokolov, Maidenhair and The Light and the Dark (Mikhail Shishkin), and Fathers and Sons (Ivan Turgenev). ⏱️ Chapters 00:00 "Time doesn't make sense to him" 00:47 Welcome and meet Jose Vergara 02:26 Why Sokolov is a writer's writer 07:45 Inside A School for Fools 11:12 The double and the problem with time 12:44 Veta, the railroad, and a passage read aloud 16:13 How to read a destabilizing novel 23:29 Birds, butterflies, and transformation 28:03 Deformity and disability in Sokolov 36:26 Between Dog and Wolf: structure and story 44:17 The river, the living, and the dead 46:58 A poem read aloud: "Return" 1:00:13 Influences: Joyce, painting, and music 1:04:41 Who Sokolov influenced: Mikhail Shishkin 1:09:00 Why these big books are worth the struggle

  2. May 15

    Steven Moore on "Last Time Around," William Gaddis & the Future of the Big Novel

    https://substack.com/@thebigbookproject (Lori recorded this interview on a different device, and we apologize for the poor quality of her audio.) For five decades Steven Moore has been one of the most thoughtful champions of the kinds of novels we read at The Big Book Project — the abundant, stylistically ambitious works that reward slow attention. He is the foremost scholar on William Gaddis, the editor who worked alongside David Foster Wallace on Infinite Jest, author of a two-volume alternative history of the novel, and a former editor at Dalkey Archive Press. If your bookshelves are groaning under the weight of capacious fiction there is a very good chance that Steven Moore played some role in getting it out into the world. In this conversation Steven joins host Lori Feathers to discuss his new collection, Last Time "Around": Essays, Reviews, Interviews. They discuss why Gaddis turned toward the nineteenth-century Russians, what W. M. Spackman understood about style that most critics still miss, and why a sense of humor is closer to a sense of rebellion than to mere lightness. The conversation moves into the question of artistry, that elusive quality that separates literature from fiction, and Steven argues for the kind of close attention that asks why an author chose dusk rather than twilight — the choices that take a second reading to even notice. They discuss the small presses that have come to the rescue of literature, dwindling book coverage, and whether there is still an audience for the big, brainy, erudite novel of the kind that once changed Moore’s life. Toward the end Lori draws Steven into a round-robin, asking Steven to opine on novels by, among others, Lucy Ellmann, Susanna Clarke, Mervyn Peake, Joseph McElroy, Gertrude Stein, John Cowper Powys, and James Elkins. If you love long novels, dense novels, novels that ask something of you — subscribe to The Big Book Project on YouTube and follow along on Substack. Host Lori Feathers reads the abundant works of fiction with fellow bibliophiles, one extraordinary novel at a time.

  3. May 5

    News From the Empire with Ron Restrepo

    The name Fernando Del Paso was new to me two and a half years ago when author, publisher, and Dalkey Archive Press alum Martin Riker introduced me to Palinuro of Mexico. What a revelation this late Mexican novelist! Here was an author who wrote wildly, exuberantly, and explored consciousness, memory, and the ineffable mysticism of the world in such a compelling way. It didn’t take me any time at all to go out and purchase a second-hand copy of his only other novel to be translated into English, News From the Empire, a thematically different novel than Palinuro, but with that signature, uncontainable writing style. It’s such a pleasure, then, to find a fellow fan of Del Paso, who, like me, wants to foist these novels on adventuresome readers in the US.  Ron Restrepo is one of the most intrepid readers I know, and I had fun talking to him about News From the Empire. We discuss that wonderful style, the novel’s polyvocal narration, and how Del Paso interrogates notions of empire and historiography. I hope that this conversation will persuade you to read this exuberant, funny, and tragic novel. Or if not, perhaps you will enjoy our discussion of the brief reign in Mexico of two European royals: Maximillan of Hapsburg Austria and his Belgian bride Charlotte, the daughter of King Leopold, I, and how Europe’s imperial ambitions in Latin America were debated, at times resisted, and other times poorly implemented, with the United States, France, Spain, and the Church in Rome each exercising its power in pursuit of conflicting interests. i

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About

The Big Book Project is a multi-venue reading experience for bibliophiles fascinated by long or dense works of fiction and interested in discussing them with others, one novel at a time. The works selected will be capacious novels from the mid-nineteenth century through today that possess an abundant writing style or complexity in structure and themes. The notion that reading need not be a solitary activity has special resonance with these novels given that there is much to discuss, elaborate upon and question in the authors’ expression of ideas. I like to think of these novels as abundant because I appreciate their richness and volume, characteristics bestow a sort of grace to luxuriate with the text. The critic and scholar Alexander Nehamas writes that when a work of art beckons, it is because we do not fully understand it but feel the strong desire to do so. And it is this deliberative process, the journey, of trying to understand why a novel is extraordinary that I want to explore with fellow readers at The Big Book Project.We discuss books like Roberto Bolaño’s 2666

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