The Boom WABE

What does pursuing a degree related to film and television look like? What can you actually study? SCAD students Grace Lawell, Jack Savage, and June Hauser share their experiences working toward degrees related to film and TV at the school and how Atlanta factors into their careers. Grace graduated in 2022 with a B.F.A in performing arts, June Hauser is a senior pursuing a B.F.A in film and television and a minor in casting - and is the student manager of the Atlanta Casting Office at SCAD - and Jack Savage is a first-year student working toward his B.F.A in acting.

Sammie Purcell, associate editor of Rough Draft Atlanta, also joins the show to talk about the closing weekend of the Atlanta Film Festival and the city’s bid to host the Sundance Film Festival.




Mentioned this episode:

Atlanta’s bid for the Sundance Film Festival

Atlanta Film Festival




This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.

For more information, visit wabe.org/theboom

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alpha Tyler got her start in casting as an intern on James Cameron’s “Titanic.” Since then, she’s worked on shows like “Martin” and as the casting director for Tyler Perry. Ready for a career change, Alpha became a professor of performing arts at SCAD in 2016 and is also the faculty adviser for SCAD’s Casting Office. Alpha talks about her career path and explains how SCAD’s Casting Office acts as a resource for students and alumni. The school is the only academic institution in the country offering a minor in casting.

Plus, reporter Nicole Carr talks about her investigation for ProPublica that revealed texts sent by film executive Ryan Millsap in which he shared racist and antisemitic sentiments.




Mentioned this episode:

Nicole Carr’s follow-up article on texts sent by film executive Ryan Millsap

Atlanta Film Festival

Netflix’s “A Man in Full”

Production on “Peacemaker” season begins

Starz’s “P-Valley”

 

This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.

 

For more information, visit wabe.org/theboom

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sean Albertson approaches editing film the way he does cooking a meal: Try a little of this, what should I add here, does all this work together? Sean shares his editing philosophy, working on the horror film “Imaginary,” and how he’s plugging in to the industry here after his recent move to Atlanta.

Mentioned this episode:

What’s filming in Georgia

AJC on “Tulsa King”




This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.

 

For more information, visit wabe.org/theboom

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Civil War epic film “Gone with the Wind” premiered in Atlanta 85 years ago. Much like the book, it was met with critical acclaim and continues to be considered by many as one of the greatest films of all time. “Gone with the Wind” isn’t without problems, however. Morehouse College Professor Stephane Dunn and Georgia State University Professor Emeritus Tim Crimmins discuss the film’s problematic representation of slavery, the South, and race, as well as its premiere in Atlanta in 1939.

This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.

For more information, visit wabe.org/theboom

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Legalized segregation was a system of discrimination put in place by whites in power, used to oppress Black Americans. Segregation during Jim Crow touched nearly every aspect of life in the American South, including movie theaters and the content of the films played therein. Film and media Scholar Nsenga Burton and Matthew Bernstein, professor of film and media studies at Emory, explore the history of film and theaters during segregation in Atlanta. Plus, WABE’s Blues and Jazz Classics host, H. Johnson, tells his story of how segregation impacted him as a movie-lover.




This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen.

 

For more information, visit wabe.org/theboom

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Georgia General Assembly's 2024 session ended on Thursday and HB1180, which proposed changes to the state's film tax credit, did not pass. WABE's business reporter Marlon Hyde has the details.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.