The Classical Circuit Ella Lee

Florence Lockheart is the editor of Classical Music Magazine, the only magazine and website dedicated to the classical music industry in the UK. A Classics graduate from Durham University, Florence has always had a strong interest in classical music, which she nurtured over the years through both choral singing and training as a solo singer. Editor of the magazine since late 2021, her passion for both the artform and the industry is palpable, and she continues to develop CM's role as a trusted resource for the classical music world.
In this episode, Florence spoke about what her role as an editor entails, and shared some insightful tips on how to conduct an interview (duly noted by yours truly). She also spoke about the joy she found in working on a cover feature about Maestro, the 2023 Bernstein biopic, and having difficult conversations involving the breaking of bad news to fellow creatives during the pandemic.
-------------------
Classical Music:
Website
Instagram
X (formerly Twitter)
Facebook
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Raffaello Morales is the founder and music director of the Fidelio Cafe in London, known and well-loved for their 'classical dinner-concert' series, comprising a one-hour concert by an established musician or ensemble, followed by a three-course menu specially curated for that evening's programme. Within the wider Fidelio project, Raffaello also conducts the Fidelio Orchestra, run as a charity with the intent of providing high-level orchestral experience for young musicians, with the likes of Angela Hewitt and Cedric Tiberghien on its roster of former collaborators.
In this episode, Raffaello talks about the role of the concert hall, and why he favours a less formal setting for live music; the adaptations the current classical music model might need to make in order to ride the waves of change; and the desire to bring classical music to as wide a public as possible without undervaluing the intimate live music experience.
-------------------
Fidelio links:
Website
Instagram
X (formerly Twitter)
Facebook
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

French pianist Pierre-Laurent Aimard is widely known as an authority figure in contemporary music, and also for shedding new light on music of the past. His international concert career has already spanned several decades, with an enormous discography to boot, all of which he has carried out alongside a dedicated commitment to teaching. In 1973, at the age of 16, he won first prize in the Messiaen Competition, and three years later was invited by Pierre Boulez to be the first solo pianist of the Ensemble Intercontemporain. In addition to Boulez, he has collaborated very closely with leading composers like Kurtag, Birtwhistle, Ligeti, and Messiaen, having given countless world premieres over the course of his career.
In this episode, Pierre-Laurent talks about his new recording of Schubert Ländler, what he learned from Ligeti and Messiaen, what we expect from performers as members of an audience, and why he’s not actually *that* taken with the piano world.
-------------------
Buy Pierre-Laurent's new release, 'Schubert: Ländler' here
-------------------
Pierre-Laurent's links:
Website
Instagram
X (formerly Twitter)
Facebook
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Alexandra Knight is the founder and CEO of classical music agency Knight Classical. After reading Music and then Law at Oxford University, Alexandra joined the artist management world, working first at Harrison Parrott, then at International Classical Artists - where she later became a Director at the age of 28 - before launching Knight Classical in January 2020. In her career so far, Alexandra has worked for renowned artists such as Janine Jansen, Neeme Järvi and Sir James Galway; built swiftly rising careers for artists including Alena Baeva and Joseph Bastian; and signed young prize-winning talents such as Anna Tsybuleva, amongst others.
In this episode, Alexandra talks about the role of an artist manager, and how the manager-artist partnership is much like a marriage; she reflects on the moment she realised she'd taken her first client from day one through to their debut with the New York Philharmonic; and she shares some thoughts on the psychological models that can often be found in high-level performers. She also talks very openly about dealing with imposter syndrome, and her experiences of sexism in the workplace.
-------------------
Knight Classical's links:
Website
Instagram
X (formerly Twitter)
Facebook
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Paul Wee is an internationally-acclaimed pianist with a love for celebrating the hidden gems of the piano repertoire. His recordings for BIS have been met with great critical acclaim, including being shortlisted for multiple Gramophone Awards. Not your average pianist, Paul also happens to be a very successful barrister; he was called to the bar by Gray's Inn in 2010, and currently practises from Essex Court Chambers in London. Paul performs around his professional commitments as a barrister, both in London and internationally, and will be making his Wigmore Hall debut in June 2024.
In this episode, Paul discusses fitting the piano around life as a barrister, and his reasons for recording the repertoire he has so far. He also talks about wondering whether the success of his earlier recordings were due to the 'novelty' factors, and shares just how difficult it was to adjust to the sudden change of path from music to law.
-------------------
Pre-order Paul's new album, Henselt & Bronsart: Piano Concertos (out May 31st)
Tickets for Paul's Wigmore Hall debut (June 15th)
-------------------
Paul's links:
Website
Instagram
X (formerly Twitter)
Facebook
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.

Timothy Ridout is one of today’s most sought-after violists, being a former BBC New Generation Artist, a Borletti-Buitoni Fellowship recipient and winner of the Royal Philharmonic Society Young Artist Award. As well as having performed with many major orchestras and conductors worldwide, Tim is a celebrated chamber musician, bringing programmes regularly to the likes of Wigmore Hall and the Concertgebouw Amsterdam. He records regularly for Harmonia Mundi, and his recording of Elgar's Cello Concerto (as transcribed by Lionel Tertis) and the Bloch Suite for viola and orchestra - with Martyn Brabbins and the BBC Symphony Orchestra - won the Gramophone Concerto Award in 2023.
In this episode, Tim speaks about his formative experiences with the viola and how he stays on top of his game amidst a hectic performing/travelling schedule. He also spoke about his long-standing relationship with Walton's Viola Concerto and the journey to his Proms debut in 2021, plus a little insight into his methods for blowing off steam in the face of frustration…
-------------------
Tim's links:
Website
Facebook
Instagram
YouTube
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).

Hosted on Acast. See acast.com/privacy for more information.