The Endless Knot Mark Sundaram & Aven McMaster

In this episode we talk to the authors of two new books on Ovid’s Metamorphoses, the Latin epic poem he wrote in 8 CE. Stephanie McCarter has published a new translation of the poem, and Gareth Williams has written a short interpretive introductory work on the epic to go with the Columbia Core Curriculum. We talked with both of them about the way Ovid fits into contemporary society, what considerations there are when teaching this epic, and the joys and difficulties of engaging with Ovid’s poetic brilliance.
Content note for sexual violence and brief description of trauma.
LingComm23
LingFest
@AllEndlessKnot@toot.community
Stephanie McCarter’s website
Ovid’s Metamorphoses
Gareth Williams faculty page
On Ovid’s Metamorphoses
“Landscape Near Rome during Storm” by Simon Denis
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As we get ready to mark the new year, it seems a good time to talk about a classic cocktail made with sparkling wine: the Bellini. Our conversation takes us to Italy, in the 20th century, the 15th century, and the 1st century BCE, to Renaissance art and the Roman practice of patronage, and more. Happy New Year!
“Rewriting the history of art patronage”, by Jaynie Anderson. Renaissance Studies. Vol. 10, No. 2, Women Patrons of Renaissance Art, 1300–1600 (JUNE 1996), pp. 129-138.
“Isabella d'Este and Giovanni Bellini's 'Presepio'“, by J. M. Fletcher. The Burlington Magazine. Vol. 113, No. 825, Venetian Painting (Dec., 1971), pp. 703-713.
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We welcome back Paul Anthony Jones, of Haggard Hawks fame, to ell us about his new book “Why Is This a Question?”. We talk about how his experience of social media has changed since we last interviewed him in 2016, what it was like researching a book covering such wide-ranging topics, the state of the publishing industry, and more.
Haggard Hawks
Our previous interview with Paul (episode 21)
Citogenesis (the Wikipedia citation problem) coined in xkcd comic
Ridley, R. T. “To Be Taken with a Pinch of Salt: The Destruction of Carthage.” Classical Philology, vol. 81, no. 2, 1986, pp. 140–46.
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We talk about the origins of music, its connection (both etymological and scientific) with the mind, how language is used to describe and teach music, the Muses, and the Museum of Alexandria. Also featuring brief cameos from music YouTuber 12Tone.
Monk’s Muse Cocktail
12Tone’s video “Why Do Notes Have Names?”
Ghost Notes Podcast
“Future” video
Murdoch Mysteries episode “The Dominion of New South Mimico”
Language: The Cultural Tool by Daniel Everett
Erskine, Andrew. “Culture and Power in Ptolemaic Egypt: The Museum and Library of Alexandria.” Greece & Rome, vol. 42, no. 1, 1995, pp. 38–48. JSTOR.
Hardie, Alex. “Etymologising the Muse.” Materiali e Discussioni per l’analisi Dei Testi Classici, no. 62, 2009, pp. 9–57. JSTOR.
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We spoke with Tim Brooks of the Endangered Alphabets project about the cultural importance of scripts, the pressures on marginalized and isolated scripts, his beautiful wood carvings, and the various initiatives he and his group have been working on to support script revitalization and creation around the world.
Website: Endangered Alphabets
Inhabit Media
Twitter: @endangeredalpha
Instagram: @endangeredalphas
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Commemorating the 6th anniversary of the death of Mark’s father, and the 75th anniversary of Indian independence, this episode connects widows and partition, and while also touching on the legacy of Alexander the Great, the origins of badminton and tennis, and obscure typesetting vocabulary.
Merry Widow Cocktail
Black Widow Cocktail
Olson, Kelly. “Fringed Clothing in Roman Iconography and Written Sources.” Textiles in Ancient Mediterranean Iconography, edited by SUSANNA HARRIS et al., Oxbow Books, 2022, pp. 149–60.
Olson, Kelly. "Insignia Lugentium: Female Mourning Garments in Roman Antiquity". American Journal of Ancient History (New Series 3-4, 2004-2005 [2007]): 3-4, 2004, pp. 89-130.
Hagerman, Christopher A. “In the Footsteps of the 'Macedonian Conqueror": Alexander the Great and British India.” International Journal of the Classical Tradition, vol. 16, no. 3/4, 2009, pp. 344–92.
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