The Impossible Salon

Cultures of Philosophy

Welcome to the Impossible Salon, a podcast from the research project ‘Cultures of Philosophy: Women Writing Knowledge in Early Modern Europe,’ based at the University of Exeter. This project is funded by UK Research and Innovation (UKRI) under the UK government’s Horizon Europe funding guarantee [grant number EP/Y006372/1].

  1. Mar 21

    Camilla Bonfiglio with Carlotta Moro 

    In this episode, host Helene von Tabouillot speaks with Carlotta Moro, postdoc on the Cultures of Philosophy project, about the 17th-century Sicilian writer, Camilla Bonfiglio, and her treatise, Book in Praise of Women and on the Cruelty of Men. We discuss the arguments and imagery employed by Bonfiglio, through which she suggests that women are superior to men in a myriad of ways, as well as the intellectual milieu in which Bonfiglio was situated.  Camilla Bonfiglio’s Book in Praise of Women and on the Cruelty of Men (ca.1602-1619), edited and translated by Carlotta Moro, is forthcoming within the series “The Other Voice in Early Modern Europe” published by Iter Press (pending peer review).  This episode was recorded in October 2025.  This podcast is supported by the European Research Council-selected Starting Grant, ‘Cultures of Philosophy: Women Writing Knowledge in Early Modern Europe’, funded by UK Research and Innovation (UKRI), under the UK government’s Horizon Europe funding guarantee [grant number EP/Y006372/1].   Guest: Carlotta Moro  Host: Helene von Tabouillot  Music: Leonora Duarte: Simfonia no. 7. Conducted and performed by Korneel Bernolet. Thanks to Bernolet for the kind permission to use his rendition.  Francesca Caccini: Maria dolce Maria. Performed by Capella di Santa Maria degli Angiolini. Thanks to Brilliant Classics for the kind permission to use this rendition.  Graphic design (logo): Nynne Oline B. Bennicke.  Painting (logo): Anna Maria van Schurman, self-portrait as Pudicitia (1633), used with the kind permission of Museum Martena, Franeker, The Netherlands.  Suggested reading:  -Cox, Virginia. 2011. The Prodigious Muse: Women’s Writing in Counter-Reformation Italy. Johns Hopkins University Press.  -Cox, Virginia. 2016. ‘Members, Muses, Mascots: Women and Italian Academies’. In The Italian Academies 1525-1700, edited by Jane E. Everson, Denis Reidy, and Lisa Sampson. Routledge.  -Fonte, Moderata. 1997. The Worth of Women. Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men. Translated by Virginia Cox. The University of Chicago Press.  -Marinella, Lucrezia. 1999. The Nobility and Excellence of Women, and the Defects and Vices of Men. Edited and translated by Letizia Panizza and Anne Dunhill. The University of Chicago Press.  -McClure, George W. 2013. ‘The Birth of the Assicurate: Italy’s First Female Academy (1654-1704)’. In Parlour Games and the Public Life of Women in Renaissance Italy. University of Toronto Press.  -Tarabotti, Arcangela. 2004. Paternal Tyranny. Edited and translated by Letizia Panizza. The University of Chicago Press.  Project Website: culturesofphilosophy.exeter.ac.uk

  2. Mar 22

    Marie de Gournay with Helena Taylor 

    In this episode, host Helene von Tabouillot speaks with the project’s PI, Helena Taylor, about the French professional writer and salon hostess, Marie de Gournay (1565-1645). As a young woman in the late 16th century, Gournay met the famed essayist Montaigne, who adopted her as a protégée. She successfully built a career as an editor of his works, a translator of Roman classics, and an essayist. We discuss the constant slander Gournay dealt with throughout her career – and how it helped shape some of her best writing.  This episode was recorded in April 2025.  Guest: Helena Taylor  Host: Helene von Tabouillot  Music:  Leonora Duarte: Simfonia no. 7. Conducted and performed by Korneel Bernolet. Thanks to Bernolet for the kind permission to use his rendition.   Francesca Caccini: Maria dolce Maria. Performed by Capella di Santa Maria degli Angiolini. Thanks to Brilliant Classics for the kind permission to use this rendition.  Graphic design (logo): Nynne Oline B. Bennicke.  Painting (logo): Anna Maria van Schurman, self-portrait as Pudicitia (1633), used with the kind permission of Museum Martena, Franeker, The Netherlands.   This podcast is supported by the European Research Council-selected Starting Grant, ‘Cultures of Philosophy: Women Writing Knowledge in Early Modern Europe’, funded by UK Research and Innovation (UKRI), under the UK government’s Horizon Europe funding guarantee [grant number EP/Y006372/1].   Suggested reading:  Gournay, Marie le Jars de. 2002. Apology for the Woman Writing and Other Works. Translated by Richard Hillman and Colette Quesnel. The University of Chicago Press.  Bauschatz, Cathleen M. 2009. ‘To Choose Ink and Pen: French Renaissance Women’s Writing’. In A History of Women’s Writing in France, edited by Sonya Stephens. Cambridge University Press.  Butterworth, Emily. 2011. ‘Women Writers in the Sixteenth Century’. In The Cambridge History of French Literature, edited by William Burgwinkle, Nicholas Hammond, and Emma Wilson. Cambridge University Press.  Heitsch, Dorothea. 2010. ‘Cats on a Windowsill: An Alchemical Study of Marie de Gournay’. In Gender and Scientific Discourse in Early Modern Culture. Routledge.  Larsen, Anne R. 2008. ‘A Women’s Republic of Letters: Anna Maria van Schurman, Marie de Gournay, and Female Self-Representation in Relation to the Public Sphere’. Early Modern Women. 3: 105–26.  Pal, Carol. 2012. Republic of Women: Rethinking the Republic of Letters in the Seventeenth Century. Cambridge University Press.   Taylor, Helena. 2024. Women Writing Antiquity. Gender and Learning in Early Modern France. Oxford University Press.  Project Website: culturesofphilosophy.exeter.ac.uk

  3. Mar 23

    The Early Royal Society with Felicity Henderson 

    In this episode, host Helene von Tabouillot speaks with the project’s Senior Research Fellow, Felicity Henderson, about the early days of the Royal Society of London. We discuss the role women played as informal sources, guests, and inquirers in the Royal Society, from which they were officially excluded until 1945. Encountering 17th-century women with particular interests ranging from salmon to shiny cliffs, we consider the possibilities of excavating these women’s voices from the male narratives in which they are embedded.    This episode contains brief discussions of miscarriage and suicidal ideation.  This episode was recorded in April 2025.    Guest: Felicity Henderson  Host: Helene von Tabouillot  Music: Leonora Duarte: Simfonia no. 7. Conducted and performed by Korneel Bernolet. Thanks to Bernolet for the kind permission to use his rendition.  Francesca Caccini: Maria dolce Maria. Performed by Capella di Santa Maria degli Angiolini. Thanks to Brilliant Classics for the kind permission to use this rendition.  Graphic design (logo): Nynne Oline B. Bennicke.  Painting (logo): Anna Maria van Schurman, self-portrait as Pudicitia (1633), used with the kind permission of Museum Martena, Franeker, The Netherlands.   This podcast is supported by the European Research Council-selected Starting Grant, ‘Cultures of Philosophy: Women Writing Knowledge in Early Modern Europe’, funded by UK Research and Innovation (UKRI), under the UK government’s Horizon Europe funding guarantee [grant number EP/Y006372/1].    Suggested reading:  Henderson, Felicity, 2024. Robert Hooke’s Experimental Philosophy. Reaktion Books.  Henderson, Felicity, 2024. ‘Scientific Transactions’. In The Oxford Handbook of English Prose, 1640-1714. Oxford University Press.  Hunter, Lynette and Sarah Hutton (eds). 1997. Women, science and medicine, 1500-1700: mothers and sisters of the Royal Society. Sutton Publishing Ltd.  Schiebinger, Londa. 1989. The Mind Has No Sex? Women in the Origins of Modern Science. Harvard University Press.  Tyson, Sarah. 2018. ‘From Exclusion to Reclamation’. In Where Are the Women? Why Expanding the Archive Makes the Philosophy Better. Colombia University Press.  Project Website: culturesofphilosophy.exeter.ac.uk

  4. Sep 21

    Anna Maria van Schurman with Floris Verhaart 

    In this episode, project PI Helena Taylor speaks with postdoc Floris Verhaart on the ‘Star of Utrecht’, Anna Maria van Schurman (1607-1678). Verhaart gives an introduction to van Schurman’s life as a renowned intellectual in the Dutch Republic and her later religious sectarianism, and they discuss her works, including both logical treatises and autobiographical image control.  This episode was recorded in May 2026.  This podcast is supported by the European Research Council-selected Starting Grant, ‘Cultures of Philosophy: Women Writing Knowledge in Early Modern Europe’, funded by UK Research and Innovation (UKRI), under the UK government’s Horizon Europe funding guarantee [grant number EP/Y006372/1]. Guest: Floris Verhaart Host: Helena Taylor Production: Helene von Tabouillot Music: Leonora Duarte: Simfonia no. 7. Conducted and performed by Korneel Bernolet. Thanks to Bernolet for the kind permission to use his rendition. Francesca Caccini: Maria dolce Maria. Performed by Capella di Santa Maria degli Angiolini. Thanks to Brilliant Classics for the kind permission to use this rendition. Graphic design: Nynne Oline B. Bennicke. Painting: Anna Maria van Schurman self-portrait as Pudicitia (1633), used with the kind permission of Museum Martena, Franeker, The Netherlands. In this episode, Floris Verhaart reads from Joyce Irwin’s translations of van Schurman: Schurman, Anna Maria van. 1998. Whether a Christian Woman Should Be Educated and Other Writings from Her Intellectual Circle. Edited by Joyce Irwin. The University of Chicago Press. Further suggested reading: Baar, Mirjam de, Machteld Löwensteyn, Marit Monteiro, and A. Agnes Sneller, eds. 1996. Choosing the Better Part. Anna Maria van Schurman (1607 - 1678). Kluwer Academic Publishers. Beek, Pieta van. 2010. The First Female Student: Anna Maria van Schurman. Utrecht: Igitur. (This is available in open-access format: The First Female University Student: Anna Maria van Schurman (1636) - Utrecht University.) Larsen, Anne R. 2008. ‘A Women’s Republic of Letters: Anna Maria van Schurman, Marie de Gournay, and Female Self-Representation in Relation to the Public Sphere’. Early Modern Women 3: 105–26. Larsen, Anne R. 2018. ‘Religious Alterity. Anna Maria van Schurman and Jean de Labadie’. French Forum 43 (2): 301–18. Larsen, Anne R. 2024. ‘Anna Maria van Schurman: Self-Portraiture, Female Scholarly Identity, and the Republic of Letters’. Renaissance Quarterly 77 (3): 879–922. Project Website: culturesofphilosophy.exeter.ac.uk

About

Welcome to the Impossible Salon, a podcast from the research project ‘Cultures of Philosophy: Women Writing Knowledge in Early Modern Europe,’ based at the University of Exeter. This project is funded by UK Research and Innovation (UKRI) under the UK government’s Horizon Europe funding guarantee [grant number EP/Y006372/1].