The Irish Airs Project

Various

Interviews and recordings by Irish Airs Players. Hosted by Kell Chole.

Episodes

  1. Jun 14

    Denis Liddy and Elvie Miller partner for an emotional telling of The Wild Geese

    çWe found Denis and Elvie at home in Clare, where they shared the musical storytelling of The Wild Geese. As Denis plays on fiddle, Elvie answers on piano. Rather than a duet, it is more a musical conversation, creating beauty and contrast, bringing the story to life. Denis Liddy — Musician and Educator Denis Liddy is a traditional Irish fiddle player and primary school teacher from Newmarket-on-Fergus, County Clare, Ireland CDSS Camps and Online Programs. He has been playing the fiddle since the age of eight and has built a strong reputation in the Irish traditional music scene. Career and Achievements Music Career: Since 1999, Denis has led his students to numerous music competitions, winning multiple awards. He has recorded four CDs and toured extensively across Ireland, the UK, France, Spain, Canada, China, Bulgaria, the US, Australia, and Sweden CDSS Camps and Online Programs. Recordings: He has released albums, including Tradaree with his wife, Elvie Miller CDSS Camps and Online Programs. Performance and Teaching: Denis regularly teaches and performs at major Irish music festivals such as the Willie Clancy Summer School, Milwaukee Irish Festival, Ennis Traditional Music Festival, and Joseph Browne Traditional Music Festival CDSS Camps and Online Programs. Music School: He runs a large traditional music school in County Clare, where he mentors young musicians and fosters their skills CDSS Camps and Online Programs. Community and Cultural Impact Through his work, Denis supports the preservation and promotion of Irish traditional music and dance, contributing to vibrant community life in County Clare and beyond. His programs and performances help sustain and pass on these cultural traditions to new generations CDSS Camps and Online Programs. In summary, Denis Liddy is a respected figure in Irish traditional music, combining his passion for performance with a commitment to education and cultural preservation. Elvie Miller is an American folk musician, accordionist, and contra dance performer known for her work in traditional Irish and English country dance music. She grew up immersed in the New England music and dance community, attending Family Week at Pinewoods many times as a camper CDSS Camps and Online Programs. From an early age, she played music — starting with classical piano — before shifting to Irish/contra dance accordion and piano www.monadnockfolk.org. In 2005, Miller earned the Thomas J. Watson Fellowship, traveling through Ireland, England, Scotland, Finland, Sweden, France, and Cape Breton to study accordion and traditional music. She performed internationally alongside artists such as Karen Tweed, Timo Alakotila, and Maria Kalaniemi www.monadnockfolk.org. She now lives in County Clare, Ireland, with her husband, fiddler Denis Liddy, and their twin daughters CDSS Camps and Online Programs. Miller has been active in teaching and performing, touring with groups like Rodney Miller, Airdance, Night Watch, and Denis Liddy www.monadnockfolk.org. She has released several recordings, including Grapevine (2003) with Naomi Morse on fiddle, Spyglass (2007) with her father Rodney Miller on fiddle, and contributed to Night Watch’s upcoming debut album www.monadnockfolk.org. She is also known for her compositions and performances at events such as the Milwaukee Irish Fest www.monadnockfolk.org. Her career blends folk music, dance, and community engagement, and she continues to explore children’s literature alongside her musical pursuits

    Denis Liddy and Elvie Miller partner for an emotional telling of The Wild Geese
  2. Jan 11

    Dr. Robert Harvey dynamically interprets The Lament for Father Newman

    Dr. Robert Harvey is a fan of John Brady’s music and has recorded the Lament for Father Newman for The Airs project. Robert has just released a new album with his brother James that includes a Sean Ryan tune not previously in print, called Arderin Jig, along with Heywood Wake and a great version of The Jig of Clonmore in A. After you enjoy his lament and interview forThe Airs Project, be sure to watch their video on YouTube: https://youtu.be/vB-SlEv4pac?si=7E9FvFR9FJMFsYj4 Filmed by Naoise Kettle, it’s a musical and visual treat! Robert is a seven-time All-Ireland Champion and a flautist from Mountrath, Co. Laois. He is known for his work with the supergroup Ciorras and his role in the animated short film ‘The Lost Letter’. Harvey has also starred in the Universal Studios animated film ‘The Christmas Letter’ narrated by Kate Winslet. His solo flute album, Feochan, was released in 2017, and his recent album Beara features a duet with Tara Viscardi. Harvey is also the author of Feadail: The Whistling Tradition in Ireland, which explores the history and performance practice of whistling. He is the musical director of the DCU Irish Traditional Music Ensemble and has composed and arranged music for various ensembles, including the DCU Irish Traditional Music Ensemble and Ceoltoiri Óga Laighean. Harvey studied music at Trinity College Dublin and the Conservatory of Music and Drama DIT, graduating with first-class honours and receiving the President’s Gold Medal for his master's research. He has also been involved in various international projects, including touring with the Katerina Garcia Band and the Traditional Arts Collective.

    Dr. Robert Harvey dynamically interprets The Lament for Father Newman
  3. 09/30/2025

    Jon Turton plays Green Fields of Canada

    Welcome to The Irish Airs Project! In our first episode, we sit down with Jon Turton in Liverpool. This interview was recorded in January 2025. Video of the interview can be found here: https://youtu.be/bJIikv2WZxg Thanks for listening! Enjoy! Jon's Bio: “My family is originally from the County of Roscommon, it was inevitable that Irish Traditional music would be a big part of my life. I started playing the whistle when I was probably 10 years old. I eventually settled on the Uilleann Pipes as my preferred instrument. Other than the pipes, you might often see me with a banjo or bouzouki. Whilst growing up, I was lucky that there was a practice set in the house as my dad played a bit. They say it takes 21 years to learn to play the pipes, well I’ve been playing twice that time. Even today, I’m still learning something new every time I play, that’s what I love about music, you’re always listening and learning. I first became aware of Comhaltas when I was 16. Living in the North East of Wales meant there were infrequent long journeys to the Liverpool Irish Centre on Mount Pleasant, a building that was the beating heart of the Irish Community at the time. I remember going to the Echoes of Erin concerts and being envious of the players, who would have been not much older than myself then. I became more involved with the Liverpool branch when I was an adult. The love and knowledge of Irish Traditional music was passed down to me through my family. I wanted others, who didn’t have this, to be able to learn to play and enjoy the friendships that I’ve made over the years. I believe that Comhaltas and the branches provide the first step to a lifelong love of traditional music and bonds with other members in their community. In 2024, I decided to run for the Northern UK Region Chairman of Comhaltas. It was the perfect time, I had recently taken early retirement and I wanted to give back to my community. I had plenty of time on my hands, but now I’ve never been busier! My hope for the future is to improve the lines of communications between the region and the branches. I want to see more co-operation and inter-branch visits to foster a sense of connection between us. All the hard work behind the scenes, I wouldn’t be able to do without my fantastic and enthusiastic committee and the equally dedicated branches. Another area that I’m personally interested in, is promoting more active numbers of pipers in Comhaltas in Britain. One of the aims of Comhaltas is the promotion of national instruments like the harp and the pipes. Uilleann pipes are on the Unesco list of Intangible heritage, to see an instrument so dear to me being protected is amazing. We can only preserve unique instruments through participation and continue evolving its use in our lives. I can’t wait to see what 2025 has to offer for the Northern region and for my own branch. I’ll continue playing and improving my piping skills in-between sessions. If anybody wants to reach out to me or the committee to support promotion of the pipes or plan an inter-branch visit. You can talk to me in person or email me at northernregion@comhaltas.co.uk

    Jon Turton plays Green Fields of Canada

Ratings & Reviews

5
out of 5
2 Ratings

About

Interviews and recordings by Irish Airs Players. Hosted by Kell Chole.