161 episodes
The Queer Quadrant The Queer Quadrant
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- TV & Film
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4.7 • 42 Ratings
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Four-quadrant films are movies designed to appeal to the biggest, widest audience possible. In the process, they can often leave out a lot of LGBTQ+ representation – but end up loaded with subtext. In The Queer Quadrant, hosts Brooke Solomon and Jordan Gustafson examine cinema in all its cultural contexts, and explore why your favorite four-quadrant blockbuster is maybe…not as straight as you think it is.
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TÁR with Phil Iscove
Jordan and Brooke are rejoined by Phil Iscove (Podcast Like It's 1992) for 2022's absolute masterclass in filmmaking (and, surprisingly, memes?). We dig into Lydia's gender presentation in a male-dominated industry (is she actually...a girlboss?), the thrills and humor Todd Field manages to layer here, pretend pretension and why basically everyone can enjoy this movie, and Cate Blanchett's amazing U-Haul lesbian wardrobe!
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Follow Phil on Twitter, Patreon, and listen to Podcast Like It's 1992!
This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off -
Tombstone with Phil Tice
Jordan and Brooke are joined by author & writer Phil Tice for 1993's sincere take on the Western epics. Phil goes deep and analyzes Doc and Wyatt's incredibly intimate conversations, Brooke laments the terribly underwritten women of this film, and Jordan marvels at the fact that two podcasters could get this excited about gunslinging.
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Check out Tice Tomes and High Strangeness!
This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off -
Hairspray (2007) with Ella Kemp
Jordan and Brooke are joined by Ella Kemp (Letterboxd) for 2007's sock-hoppin' musical featuring - gasp - actual sets?! We talk some inspired (and some uninspired) casting choices, the legacy of John Waters, all things camp, drag, JAMES EFFING MARSDEN, and Zac Efron's one perfect curl.
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Bringing Up Baby with Mia Lee Vicino
Jordan and Brooke are rejoined by Mia Lee Vicino (Letterboxd, Best in Show) for 1938's delightful romp, known as a box office flop and the "feral stepchild" of screwball comedies. We finally get to discuss David Canfield's amazing article on Cary Grant & Randolph Scott's life, thirst over noted badass Katharine Hepburn, marvel at how insane it is to combine these practical effects with such snappy writing, and express major fashion and gender envy over Cary Grant in a fluffy dressing gown.
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Follow Mia on Twitter and Letterboxd!
This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off -
Carrie (1976) with Cass Clarke
Jordan and Brooke are rejoined by writer & podcaster Cass Clarke (Horror Hangover) for 1976's iconic and powerful film, the prom royalty of teen horror. We talk bitch-ass high schoolers, Carrie being punished via a literal closet, historically sexy art of St. Sebastian, the abject horror of womanhood, how we really need to nominate more horror at the Oscars, and getting cathartic, bloody REVENGE!!
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Follow Cass on their website! -
Everything Everywhere All at Once with Yutaka Tamanaha & Liam Boyack
Join Jordan, Brooke, and special guests Liam Boyack and Yutaka Tamanaha (The Horror Hour) just in time for awards season, as we dive into 2023's zany Oscar juggernaut that nobody could escape. We think this movie is great! We are thrilled by the awards it won! We love the dildos and the scrappy production and the cast and the costumes! We, do, however, have some questions about the butt plug stuff. Plus, a bonus mini therapy session as we unpack generational trauma, the need for mainstream representation, and disappointing our parents.
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Follow The Horror Hour on Twitter and YouTube!
This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off
Customer Reviews
Listen today!
Two great people, one fantastic show!
Great concept, aimless discussions
I’ve listened to two episodes (Rope, Happiest Season) and I will not be returning for more. It’s a great idea for a podcast, but the discussions are so formless that the two episodes I listened to were just 3 people talking for over an hour without any plot description, games, discussion points, pauses for breaks, etc. This podcast needs an agenda so that each episode follows a similar outline. The hosts seem fine (they’re a little too film school-y rather than film scholar-y) and they seemed to have gotten guests that are better and more-informed than them (which is smart). Also, some of the movies they’ve chosen are not, and were not intended to be, blockbusters so they’re not even adhering to their own premise. Which makes sense, because—again—aimless. Disappointed.
Great Podcast!!
It the best!