The Shakespearean Shrew

The Shakespearean Shrew

This podcast is going to be a decorum-be-damned entrance into understanding Shakespeare’s stages (for there are many) and all the players on it. We will be delving into the ever-pressing question: Why Shakespeare? Or, sometimes: Why, Shakespeare?!

  1. 3D AGO

    Don’t Listen to Yoda - a conversation with YA author Mark Benson

    What do you do when your superpower is writing sadness? Lean in! I had the delightful opportunity to talk with Chicagoan Mark Benson after reading his debut YA novel Isaac and the Sky. This novel is an exploration of the stars and grief, bridging together two worlds with the  telescope of Isaac’s murdered mother. It’s a novel full of authentic and imperfect characters that will keep you wondering if Isaac and Halley can ever escape their loss or if, like a black hole, they will get sucked into it.  Mark likes Disney, NASA, talking about writing, Broadway musicals, animals, and Shakespeare - we are now best friends (he just doesn’t know it yet). We discuss NASA legends (two of whom he KNOWS) and how his life experiences have impacted his writing. In this episode, Mark gives us some important advice about writing (he’s written 12 - or maybe 13 - books–you know it’s impressive when you’ve lost count), tells us about his process (which is amazing and a method I have never heard of before), and talks about how to make important connections with other writers. Who else will understand when your characters mutiny? We discuss the publishing industry and the complexities within, which is important for every aspiring author to understand. He also explains why we should NEVER take advice from Yoda.  This is a conversation you are not going to want to miss.  The arts are under attack, and buying theater tickets and books is a great way to show your support and fight back.  Buy Isaac and the Sky and follow Mark Benson on Instagram: waysidewriter  Buy Tickets for OSP’s: How to Write a Regency Romance PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guest, Mark Benson  Mark Benson grew up in Chicago’s south suburbs before heading to Marquette University, with the hopes of becoming a doctor. Turns out, he’s no good at the medical sciences.He became an English major, fell in love with writing and editing, and has been doing both ever since.  After a couple decades running the family business — the World’s Largest Laundromat in Berwyn — he decided to bet on himself: he’s now a travel advisor specializing in Disney vacations and a restaurant host. But despite multiple career paths (including as a USPTA tennis instructor and a NASA/JPL Solar System Ambassador), he’s always found his way back to writing. He’s passionate about emotional stories, and loves writing novels and stage plays. Check out all of his books. Today, he lives with his wife and kids in Forest Park, Ill.

    1h 12m
  2. APR 8

    A Badass Playwright and Two Badass Actors Tell It Like It Is

    Today I am joined by two amazing women: Margaret Upchurch and Naomi Love as they prepare for their upcoming performance of Aphra Behn’s The Rover. What’s it like to be the first professional female playwright? To have to make up a husband in order to have some kind of social standing? To kill off said fictional husband in the plague? Meet Aphra Behn. There are many mights and maybes surrounding the mythical Behn but the certainty is that, as Virginia Wolf said, “All women together ought to let flowers fall upon the tomb of Aphra Behn, which is, most scandalously but rather appropriately, in Westminster Abbey, for it was she who earned them the right to speak their minds.” And while I do suggest that pilgrimage, for those who would like to stay closer to home, there is no better way to pay your respects than to go support her work and the work of other women. What’s it like to be a woman in the theater industry? To face a shortage of substantive roles? To be cast not only on your performative abilities but your body type, your hair style, your height? Does this happen to men too? Of course, but today, as Aphra Behn dictates and I second, it is about the women. We talk about finding opportunity or, as Aphra Behn did, creating their own. We discuss the politics imbedded in academic institutions and the hard lessons these women have learned along their journey. We talk about taking on roles where that push them out of their typical roles and comfort zones.  Support Aphra Behn’s work - ESPECIALLY if you have never heard of her - and support these two amazing women as they grace the OSP stage as the leading ladies, Hellena, the anti-nun, and Florinda, who none of us can believe doesn’t want to become a nun by the end of the play. OSP is hosting a performed reading of Aphra Behn’s The Rover with a limited showing April 10th-12th. It’s an intimate, indoor theater so get your tickets soon! The arts are under attack, and buying tickets and books is a great way to show your support and fight back.  Buy Tickets for OSP’s: The Rover PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guests, Naomi Love and Margaret Upchurch NAOMI LOVE (Hellena) is excited to return to Oklahoma Shakespeare for her second performance! AT OSP: Jane Austen’s Christmas Cracker. OTHER THEATRE: A Sick Day for Amos McGee, Oklahoma Children's Theatre; Pillar of Fire, Theatre Crude Fringe Festival; Be Aggressive, Being Enough, Play in a Day, Oklahoma City University. FILM: 10 Weeks, Red Not Blue, The Ghost of Methodist Hall, Pace Yourself. ADDITIONAL CREDITS: Scare Actor, Dead Mans Crossing Haunted Attraction. Character Actor, Fairytale Balls 2024-26. She is a Junior Acting major at OCU, currently working towards a B.F.A. Follow Naomi’s acting on TikTok and IG @naomi.ie.love Margaret Upchurch (Florinda) is looking forward to making her Oklahoma Shakespeare debut in The Rover! She is currently a Sophomore BFA Acting student at OCU. Previous work at OCU includes When We Were Young and Unafraid (Penny, Out of the Box) and The Children’s Hour (Karen/Mary Swing, Studio Series). She would like to thank her family and friends for their consistent support and love, and God for His guidance. She hopes you enjoy the show!

    1h 1m
  3. MAR 25

    A Playwright, a Prostitute, and a Nun Walk Into Spring Break

    Spoiler Alert! This week we are once more talking to fabulous director and professor Lance Marsh as he takes on a performed reading of Aphra Behn’s The Rover with a limited showing April 10th-12th. We will talk about what the reading will entail,  the maybes and possibilities of Aphra Behn, her position as the first professional female playwright, and the women she wrote in The Rover, and the similarities between the productions and personas of Behn and Shakespeare. We will talk about her adaptations from Thomas Killigrew’s unpublished work and March’s adaptations for the upcoming production at Oklahoma Shakespeare in the Park. It’s 1985 Spring Break in Fort Lauderdale and things are gonna get wild.  We also talk about cuts (this was after all a two part play when it was first published) and how to cut while still maintaining authorial intent. We will be talking about the plot of the play AND *trigger warning* the four instances of assault within the play. Note: Marsh cut the severity of those scenes so, viewers, the reading should not be triggering. This is a comedy by a woman about women and the monetization of women in the 17th century. It’s going to get real.  Synopsis: Watch as sisters, Florinda (wife to be) and Hellena (nun-to-be), fight the patriarchy and religion(archy), to find their own paths amidst, and within, the upheaval of Carnival (or Spring Break), and have to define themselves amongst the blanket categorization of women as virgins or whores. They will have to navigate between the honorable men (stay gold, Belvile) and the flavors of bad (bad boys, controlling family members, to real POSs - and the lines are squidgy!) to find the guy that will allow them the life they choose. Remember, it’s the 17th century, even Aphra Behn had to make up a husband.  The arts are under attack, and buying tickets and books is a great way to show your support and fight back.  As promised, here is a link to Siouxsie and the Banshees’ song https://music.apple.com/us/song/cities-in-dust/1443842139 and the playlist is AMAZING.  Buy Tickets for OSP’s: The Rover PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guest, D. Lance Marsh.  D. LANCE MARSH (he/him/his) is proud to be serving in his seventeenth year as an Associate Artistic Director for Oklahoma Shakespeare and in his twentieth year at TheatreOCU, where he serves as a Professor and Head of Performance (and briefly as an Acting Associate Dean). For OSP, he has acted in Hamlet, Emma and Blythe Spirit, and The Merry Wives of Windsor and directed Misalliance, The Importance of Being Earnest, The Merchant of Venice, A Comedy of Errors, The Seagull, Othello, Measure for Measure, Macbeth, Blythe Spirit, A Midsummer Night’s Dream, GB Shaw’s You Never Can Tell, and Much Ado About Nothing. A proud member of Actors Equity, he has performed in the City Rep productions of Our Town, Hay Fever, Moonlight and Magnolias, August: Osage County, Much Ado About Nothing and as Mark Rothko in Red and in Peter and the Starcatcher. His most recent projects include playing the role of Sam Byck in Assassins, Richard Nixon in Frost/Nixon, and Ebeneezer Scrooge (twice) in A Christmas Carol at Lyric Theatre of Oklahoma.

    1 hr
  4. FEB 25

    Saying Crap While Wearing Pantaloons with Luke Swanson

    Do you ever wonder what it takes to be an author? Do you want to find out? Join me this week as I talk with author Luke Swanson about a few of his books and what it has taken to get his work from the idea to the published page. We’ll talk about how social media and AI impact writers and the hidden  cost of writing. We also get to discuss metatextuality, so be prepared to throw that term at some unsuspecting victim and why we, as writers and readers, tend to return to the stories we love. We talk quite a bit about The Other Hamlet Brother because….Shakespearean Shrew, and we’ll discuss anachronisms (concepts out of their time), the amalgamation of characters from all of Shakespeare’s plays, and what Shakespeare would have thought of this beautiful bastardization of his works. As a Shakespearean, I admit, I started the book with some hesitance but it constantly surprised me (and made me snort hot tea), so give it a shot and I’m sure it will do the same for you! Below are links to a few of Luke Swanson’s books discussed in the episode.  The Other Hamlet Brother Spectators of War Curtains on A Christmas Carol Reminders:  **Just a reminder that you have one more week to complete the challenge from our first episode to win a signed copy of Kestral Gaian’s The Boy From Elsewhere.  This is the last weekend to see The Importance of Being Earnest at OSP ending March 1st.  The arts are under attack, and buying tickets and books is a great way to show your support and fight back.  Buy Tickets for OSP’s: The Importance of Being Earnest — Oklahoma Shakespeare PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guest Luke Swanson.  Luke Swanson was raised on a steady diet of stories. He is the author of full-length fiction as well as a handful of published short stories. Each of his novels has dabbled in a new genre: murder mystery, fantasy adventure, action thriller, dystopian satire, and cozy mystery…so far. He has also adapted three of his works in screenplays, one of which was a finalist in two online festivals. He lives with his wife in Oklahoma City.

    54 min
  5. FEB 18

    Kissing Cousins: Amanda Kohutek and Ella F. Martin

    **Clarification: these ladies are not cousins and nor do they kiss. Today we get to talk to Amanda Kohutek and Ella Martin about their experiences as best friends being double cast as Gwedolen in The Importance of Being Earnest, their concerns with the current obstacles confronting the arts, and their way of overcoming those obstacles. And what happens when you end up kissing your cousin?! We’ll talk about energy between cast members, what they learned from the more experienced members of the cast, and the different approaches they took towards call backs. Get ready to get some insight into the production, cast, changing locations, and secrets of the stage.  The Importance of Being Earnest is running at OSP from February 19th to March 1st. If you are looking for a Valentine’s Day present that sparkles, look no further than this romantic comedy. Also, with two different casts, you can see the same (but very different) show twice!  Synopsis: Oscar Wilde’s most celebrated comedy sparkles with wit, charm, and razor-sharp satire. The Importance of Being Earnest follows two young gentlemen, Jack and Algernon, who create elaborate double lives to escape social obligations and pursue romance. But when their deceptions collide, the result is a whirlwind of mistaken identities, outrageous revelations, and Wilde’s trademark epigrams that still dazzle over a century later. Audiences are treated to a delightful romp through Victorian society, where cucumber sandwiches, handbags, and the pursuit of “earnestness” become hilariously entangled. Beneath the laughter lies Wilde’s clever critique of class, marriage, and the absurdities of social convention. The arts are under attack, and buying tickets and books is a great way to show your support and fight back.  Buy Tickets for OSP’s: The Importance of Being Earnest — Oklahoma Shakespeare PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guests: Amanda Kohutek and Ella F. Martin Ella Martin (Gwendolen) She/her. Ella is a senior BFA Acting major with a minor in Digital Film and Media at Oklahoma City University from Fort Worth, Texas. Recent credits include The Children’s Hour, Bellwether, and Shakespeare’s Other Women. Amanda Kohutek (Gwendolen) she/her. Amanda is a senior BFA Acting major with a minor in Directing at Oklahoma City University, and is from Arlington, Texas. Recent credits include Feline Fighters (OCU), Charlotte's Web (OCT), and She Stoops to Conquer (OCU).

    57 min
  6. FEB 11

    Getting Wilde: On Taking Risks with Lance Marsh

    Let’s get Wilde – Oscar Wilde! (Sorry, I couldn’t help myself.) This episode allows me the opportunity to talk to amazing director, actor, and human Lance Marsh as we delve into directing not one cast but TWO in the co-production of The Importance of Being Earnest. We discuss the difference between directing and acting in a production, why Marsh is directing The Importance of Being Earnest once again and why he decrees it the all-time funniest play. We talk about the tragic history of Wilde and how it might impact Wilde’s comedy and our reception of the play. We discuss the similarities and differences between Shakespeare and Wilde, the outrage of a society when you take them out of their comfort zone, and maybe even talk about a certain halftime show.  **Listen up as Head of Performance from Oklahoma City University gives some important advice to all our auditioning actors out there on how to get the part - especially when returning for call backs.  This show is running at OSP from February 19th to March 1st. If you are looking for a Valentine’s Day present that sparkles, look no further than this romantic comedy. Also, with two different casts, you can see the same (but very different) show twice!  Synopsis: Oscar Wilde’s most celebrated comedy sparkles with wit, charm, and razor-sharp satire. The Importance of Being Earnest follows two young gentlemen, Jack and Algernon, who create elaborate double lives to escape social obligations and pursue romance. But when their deceptions collide, the result is a whirlwind of mistaken identities, outrageous revelations, and Wilde’s trademark epigrams that still dazzle over a century later. Audiences are treated to a delightful romp through Victorian society, where cucumber sandwiches, handbags, and the pursuit of “earnestness” become hilariously entangled. Beneath the laughter lies Wilde’s clever critique of class, marriage, and the absurdities of social convention. The arts are under attack, and buying tickets and books is a great way to show your support and fight back.  Buy Tickets for OSP’s: The Importance of Being Earnest — Oklahoma Shakespeare PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guest, D. Lance Marsh.  D. LANCE MARSH (he/him/his) is proud to be serving in his seventeenth year as an Associate Artistic Director for Oklahoma Shakespeare and in his twentieth year at TheatreOCU, where he serves as a Professor and Head of Performance (and briefly as an Acting Associate Dean). For OSP, he has acted in Hamlet, Emma and Blythe Spirit, and The Merry Wives of Windsor and directed Misalliance, The Importance of Being Earnest, The Merchant of Venice, A Comedy of Errors, The Seagull, Othello, Measure for Measure, Macbeth, Blythe Spirit, A Midsummer Night’s Dream, GB Shaw’s You Never Can Tell, and Much Ado About Nothing. A proud member of Actors Equity, he has performed in the City Rep productions of Our Town, Hay Fever, Moonlight and Magnolias, August: Osage County, Much Ado About Nothing and as Mark Rothko in Red and in Peter and the Starcatcher. His most recent projects include playing the role of Sam Byck in Assassins, Richard Nixon in Frost/Nixon, and Ebeneezer Scrooge (twice) in A Christmas Carol at Lyric Theatre of Oklahoma.

    39 min
  7. FEB 4

    Redefining the Undefinable: Throwing Words with Kestral Gaian

    Welcome back! Season three is under way and we are starting out with a bang with British author Kestral Gaian, novelist, playwright, poet and professional over thinker. Join us as we discuss Gaian’s new book The Boy From Elsewhere and their poetry from their collection, Tubelines, along with genre, the politics of language, time (and how the construct almost changed completely), and authentic LGBTQ+ characters. Is kissing a political action? Is someone’s identity an attack on someone else? We’ll talk about the human propensity to put words and people in boxes - the human need to define the undefinable. How are you defined? Who defines you? How would you redefine yourself?  There is a challenge in this episode that can win you a signed copy of Kestral Gaian’s new book The Boy From Elsewhere so listen up, post the challenge, you can just post it on social media OR email it to us at theshakespeareanshrew@gmail.com, and tag three people who you think would want to complete the challenge.  Find out more about Kestral Gaian’s work at: https://kestr.al/ Purchase The Boy From Elsewhere Purchase Tubelines The arts are under attack, and buying tickets and books is a great way to show your support and fight back.  Buy Tickets for OSP’s: The Importance of Being Earnest — Oklahoma Shakespeare PLEASE SUBSCRIBE! ⁠www.theshakespeareanshrew.com⁠  https://www.youtube.com/@ShakespeareanShrew  Please follow us on Instagram: @theshakespeareanshrew TikTok: @theshakespeareanshrew The new season of shows for OSP is available ⁠here!⁠  Please donate to OSP: ⁠https://www.okshakes.org/donate⁠  Thank you for listening! Host/Shakespearean Shrew: Karen Feiner Co-Creator/Brew Shrew: Michelle Coffman Cover Art Creator/Artistic Shrew: Katie Kimberling ⁠⁠⁠www.halfmaverick.com⁠⁠⁠ Intro/Outro Music: “Tangled”  by Nihilore: Creative Commons Music Thank you to our guest: Kestral Gaian  Kestral Gaian is an author, poet, and playwright whose work refuses to sit neatly inside a box. Their writing inhabits the places where genres overlap and come undone: the personal and the political, the digital and the human, the soft and the furious. Kestral’s work is defined by a deep belief that stories can help us practise being better humans. Or at least weirder, kinder ones. Kestral's background is wide ranging, from psychotherapy to technology to community activism, and this diversity infuses their art. Audiences and readers often describe being moved not just by what Kestral writes, but by how it feels to inhabit the worlds they create: playful, thoughtful, deeply human. Whether writing poetry, plays, lyrics, or fiction, Kestral Gaian is committed to work that challenges, delights, and endures. Their voice is one of defiance and tenderness, of systems questioned, and of humanity held close.

    57 min

Ratings & Reviews

4.8
out of 5
5 Ratings

About

This podcast is going to be a decorum-be-damned entrance into understanding Shakespeare’s stages (for there are many) and all the players on it. We will be delving into the ever-pressing question: Why Shakespeare? Or, sometimes: Why, Shakespeare?!