In this episode, Mike chats with former Chicago Tribune music critic, Howard Reich. Howard shares his journey from being a jazz critic to becoming an accidental filmmaker and opera writer. He emphasizes the role of music in storytelling and the importance of critics in promoting lesser-known artists. He also reflects on his transition to new artistic mediums like opera and ballet, celebrating the legacy of musicians and the power of music to shape identity and experience. More Info for this episode: Gershwin's Piano Concerto in F (YouTube) An American in Paris trailer (YouTube) Makoto Ozone - pianist (YouTube) Patricia Barber - pianist (YouTube) Kurt Elling (YouTube) Mike Jones - Duke Ellington Medley (YouTube) Prisoner of Her Past - Book by Howard Reich The Art of Inventing Hope - Book by Howard Reich Kimikos Pearl - Ballet inspired by Howard Reich For the Left Hand - Documentary by Howard Reich From Howard’s website: Howard was born in Chicago and at age 10 moved with his family to Skokie, a northern suburb that was a nexus of Holocaust survivors, like his parents. At age 16, Howard happened on the film “An American in Paris” and instantly became obsessed with music. By 18 he was a piano performance major at Northwestern, and at 22 he began freelancing articles on music for the Chicago Daily News. The next year he started contributing arts coverage to the Chicago Tribune, where he was hired full time in 1983 and spent his entire newspaper career. Howard’s stories took him to London, Paris, Warsaw, Vienna, Moscow, Munich, Prague, Havana, Panama and other locales, as well as deep into one of the most culturally vibrant cities in the world: Chicago. Howard served for 32 years as the Tribune’s jazz critic, the last three years doubling as classical/opera critic. He retired from the newspaper in 2021, continues writing for the stage and page, and lives in a Chicago suburb with Pam Becker, his wife, a retired Tribune editor. Mike Jones bio: Born and raised in Buffalo, NY, Jones attended Berklee College of Music in Boston, and after college he remained in the city, working with such eminent local players as Herb Pomeroy and Gray Sargent. After significant East Coast performances, appearances at the Floating Jazz Festival on the S.S. Norway and the Queen Elizabeth ll, and a series of recordings that established him as a world-class pianist steeped in the pre-bop jazz tradition, Jones relocated to Las Vegas. There he caught the ear of Penn Jillette who, in 2002, brought Jones onboard for the nightly Penn and Teller show at Rio All-Suite Hotel and Casino.
