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Paul Jay

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  1. hace 14 h

    "Who Owns the Stage?" — Paul Jay on What Mainstream Journalism Is Paid Not to Ask - Pt. 1/3

    Part one of a three-part conversation. In this wide-ranging talk with host Shalaj Lawania, filmmaker and independent-media founder Paul Jay traces a single thread through five decades of work: most journalism, most academic history, most political commentary studies the actors on stage — and carefully avoids the question of who owns it. Jay talks about his \"red diaper baby\" upbringing — a father who joined Canadian Bomber Command in 1939 to fight fascism, a mother who fled Hollywood and McCarthyism, and a childhood spent reading newspapers at the height of the Cold War. He describes creating the debate show CounterSpin at the CBC, and what he came to see as the structural cowardice of mainstream media after 9/11 and in the run-up to the Iraq War. He recounts watching newsrooms ignore weapons inspectors who had shown there was no evidence for weapons of mass destruction in Iraq — even as those interviews aired one door away from the national newsroom — and the stunning story of Senator Bob Graham, chair of the Senate Intelligence Committee and co-chair of the congressional 9/11 inquiry, who told Jay on camera that the Bush-Cheney administration didn\'t just know an attack was coming but facilitated it. Jay offered the interview to every major news outlet in North America for free. Not one replied. He explains why he built The Real News Network and theAnalysis.news on a \"triple no\" model — no corporate money, no government money, no advertising — and how algorithms and tech monopolies now suppress independent journalism that connects the dots, citing Elon Musk\'s candid line that platforms don\'t need to censor, they \"just limit reach.\" Along the way: the \"big lie\" beneath Canadian and American identity, why North America was a corporate project from the Hudson\'s Bay Company onward, and the consequences of slavery and genocide that societies learn to compartmentalize.  But for all the diagnosis, Jay\'s outlook isn\'t fatalist. His drive, he says, isn\'t altruism — it\'s self-interest understood: no one benefits from a world on the brink of nuclear war and climate collapse, and a meaningful life means working to change it. It\'s the conviction behind theAnalysis.news\' own credo — that the world can only be understood in the process of changing it — and behind his forthcoming film, How to Stop a Nuclear War, narrated by Emma Thompson.

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Quality journalism in these very dangerous times

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