This Jungian Life Podcast Joseph Lee, Lisa Marchiano, & Deb Stewart

Karl Kerenyi collaborated with Jung in demonstrating the psychological meaning of Greek mythology. Kerenyi found in Hermes a representation of “a third way of living life, besides the Apollonian rational and the Dionysian irrational. God of jokes and journeys, thieves and magicians, the tricky Guide of Souls” arrives as a surprise. Like the quicksilver that is his Roman name, Mercury/Hermes appears on winged sandals, heralding the new. Hermes disdains regulation and law to deliver new ideas, dissolve opposites, and provide decisive experiences. Just as he alone traversed the realms--from the heights of Mt. Olympus to the underworld of Hades--Hermes now swifts his way from the unconscious to ego awareness. Hermes is the symbol of a living reality seeking conscious acknowledgment, the agent of creativity and transformation. How we perceive his message is not his interest. He is already gone.
Here’s the dream we analyze:
 “I’m on a piece of inhabited land, by the shore, with many others in a beach town. Some of the people I know, some I do not. Across the water is an island. It looks like Devil’s Tower in Wyoming (the one in Close Encounters of the Third Kind), but this island is lush, tropical, and Jurassic. It’s a beautiful day, close to sunset, and the view is gorgeous. All of the sudden, we all realize there are three enormous boats that look like cruise ships balancing on the edge of the top of the island. They’re huge, a third of the height of the island. One looks old, two look new. No one knows how they got there. There is a theory they went ashore when the water level was higher, but we all know that doesn’t make much sense... we would have seen them there long ago, but in this case, they just appeared, seemingly out of nowhere. We all realize they’re about to fall as they’re balanced precariously. As we anticipate an enormous crash, we take shelter. I can see them fall slowly off the top of the island to the base. There is a lot of destruction - so much dust and debris, and the sky gets very hazy. But I am safe. The next morning, we wake up, and it’s a beautiful day. The shape of the island across the water is totally different. It’s been totally reconstructed by the crash of the boats (which are no longer visible). The island looks a lot less ominous in shape. I look to my left and see that some of the debris from the island has landed in the water, which allowed for a bike path to be built from our land to the island, across the water. I realize perhaps this crash has actually improved things for the better, and everything feels calm and beautiful.”
 REFERENCES:
Karl Kerenyi. Hermes: Guide of Souls. https://www.amazon.com/dp/0882140949/ref=cm_sw_em_r_mt_dp_FWG6RQ37RTQYF4X0MZGN
Rafael Lopez-Pedraza. Hermes and His Children. https://www.amazon.com/dp/3856307354/ref=cm_sw_em_r_mt_dp_VA65WSXZ59B9ZECAREVK
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Images of earth’s perpetual restlessness waves gently rock us, lift us up for an exhilarating ride – or inundate us in the terrifying phenomenon of a tsunami. Surfers surrender to the rhythm of waves, an embodied metaphor of attuning to the rising and falling of unconscious forces. Poseidon, Greek god of the ocean, was also the deity of destructive tidal waves, which can sweep us away and show up often in dreams. In physics, a wave is a disturbance that travels through space and matter, transferring energy from one place to another and, therefore, part of the fabric of the subatomic universe. From playful white caps on a summer’s day to waves that pound the shore as they break, waves are a potent image of energy and reflect inner psychic processes.
Here’s the dream we analyze:
“I am paddleboarding with my ex-boyfriend and several other people, mostly older adults. We are in a mountain lake, with an evergreen, tree-covered mountain rising from the lake behind us. The sun is out, and the water is calm. It feels pleasant. After some time passes, I notice several people quickly swimming to shore. The sky has suddenly drastically darkened, and I think it’s either about to rain or the sun is setting, so it’s time to leave. The water gets rougher now, too. My ex and I swim to shore, and I am surprised by how quickly and easily I am able to swim. When I get to shore, I notice that the older adults are struggling in the water. I want to help them, but my ex stops me. It is now that I notice that the dark sky is actually due to the fact that the mountain is completely on fire, and the fire is rushing down toward the water. I have to stand and watch, hoping all the older adults make it. The fire reaches the water, and the last of the older adults are thrust to shore. It is very dark now, and there is something beautiful about the fire. I want to get a closer look but am wary of getting near the water, which I know will be scalding. I get closer and try to take a picture, but at the moment I go to capture the image, the smoke obscures my view.”
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Kabbalah is an ancient Jewish mystical tradition that has captured the imaginations of people from widely diverse backgrounds, including Jung himself. Three weeks after his heart attack in 1944, Jung had an ecstatic vision, “…Everything around me also seemed enchanted…I myself was in Pardes-Rimonim, in the pomegranate garden where Tiferet and Malchut married. I also imagined myself as Rabi Shimon ben Yochai, whose mystical marriage was celebrated now. It looked exactly as the Kabbalists portrayed it. I cannot tell you how amazing it was…” Though Jung did not live long enough to explore the Kabbalah fully, his psyche was deeply affected by the images and philosophies which played an important role in his life during this crisis.
Like analysis, Kabbalistic methods cultivate an extraordinary receptivity to Self that illuminates the inner dimensions of the human soul, its unexplored potential, and our relationship to the divine. Its first written fragments surfaced in the 13th century, but the oral tradition reaches back millennia. Its primary symbol, the Tree of Life, reflects a rich cosmology that maps the progression of archetypal forces in the outer and inner world. It helps us track the flow of psychic energy as it descends from its animating source to archetypal image, thought, and finally to action. Like all images of the Self, it invokes the transcendental ordering principle that heals and facilitates individuation.
Here’s the dream we analyze:
“I’m in Putin’s inner circle. It’s attached to some other business place that I’m working in. I’m wearing a suit. He’s got an office, like in a 1920s socialist apartment building with tall ceilings. It’s not particularly high security, and I’m in it. The place is a bit messy. Putin is thin; he looks like the younger Putin, not the rounder face. One we see on TV. He’s getting medication out of boxes, and I see their statins, and I figure he’s got heart trouble. I take a seat on a sofa, and we’re talking; I’m thinking about how vulnerable he looks like a nice man; actually, I’m sensing that he trusts me, we have a good easy rapport. I’m wondering whether he knows I’m queer and what he would make of that; given the state of LGBTQ rights in Russia, I figure out that there are two pollutants, this real one behind the scenes and the one on TV. The one on TV has a body double, but the rest of the world doesn’t know that. I wonder how I’m going to keep this from the world and whether it will ever come out that I know him and how I would justify that to the media. I go to the bathroom off his office, and Putin’s bath is running. I gather that he is going to have a bath. I go back into the office, smoke a cigarette on the sofa, and we talk some more, and then I leave. I go to another room or to my friends are out of affection. I kiss my friend A repeatedly on the face, whose name I get wrong. She tells me her name is something else. It’s the first time I’ve heard her tell me the name that she says she is hers. I know her by at least two other names. I accidentally kiss her on the lips. The other friend B is there too, and then I realized that I have kissed B, not A. B asks me whether I’ve been smoking cannabis because there is a really strong smell on my breath. I think about the cigarette I smoked in Putin’s office and wonder how it could have left such a strong smell, and for context, she says the future feels unclear.”
REFERENCES:
Dion Fortune. The Mystical Qabalah. https://www.amazon.com/dp/157863752X/ref=cm_sw_em_r_mt_dp_CNHVRG5XVEK52RWZMASB?_encoding=UTF8&psc=1
Erich Neumann. The Essays of Erich Neumann, Volume 3: The Place of Creation. https://www.amazon.com/dp/0691603871/ref=cm_sw_em_r_mt_dp_TMA84417K13TPNWG4DGV?_encoding=UTF8&psc=1
Rabbi Aryeh Kaplan. Meditation and Kabbalah. https://www.amazon.com/dp/0877286167/ref=cm_sw_em_r_mt_dp_0HVCPYAXXW8DKHKYXMJJ
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A fiendish inner spirit can prompt behavior that defies self-interest and even common sense. In Edgar Allan Poe’s story, the protagonist acts on his diabolical urge to commit murder, followed by a self-destructive urge to confess it. Jung says, “If he has done it secretly, without moral consciousness of it, and remains undiscovered, the punishment can nevertheless be visited upon him…” The impulse to take irrational and even immoral risks can cause inner torment and lead to damaging actions. The trickster within tempts us to yield to impulse, succumb to negligence, or be recklessly perverse—simply for the sake of indulging the foolish or forbidden. Posing as merely mischievous, the imp of the perverse proffers a sense of power and grandiosity. He challenges us to meet him with the power of self-reflection, ego strength, and restraint, the components of conscious choice. 
Here’s the dream we analyze:
“I am with my wife and child on the North pole. We are in a small cabin. I don’t know why we are here or how we got here. It is not a familiar place, but I’m not surprised to be here. There is a blizzard raging outside. Inside it is dark; a fire is burning in a traditional cast iron stove. We huddle together by the fire. I am responsible for the fire. The door blows open, and I can see the white blizzard outside. I fear that my daughter will somehow be sucked into the blizzard. I manage to close the door. I search for firewood, but the cabin is dark and unfamiliar. I venture out into the storm and find some firewood. I return inside to tend to the fire. I find my wife and daughter asleep by the stove.” 
 REFERENCES:
Edgar Allan Poe stories online: https://poestories.com/read/imp
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 RESOURCES:
Learn to Analyze your own Dreams: https://thisjungianlife.com/enroll/
PAJA Advanced Clinical Practice Program: https://www.cgjungphiladelphia.org/assets/2022-2023-advanced-clinical-practice.pdf
Seminar in Jungian Studies: Philadelphia Association of Jungian Analysts:
https://www.cgjungphiladelphia.org/seminar.shtml

Fairy tales are fierce narratives of human shadow and its transformation. Hansel and Gretel depicts raw childhood trauma: parents abandon their children in the forest in order to feed themselves. Then the children discover a magical, edible cottage, only to be entrapped by a cannibalistic witch. Everyone is starving, a metaphor for psychic insufficiency. The children’s loyalty to one another gives rise to strategy and bravery, yielding riches and redemption—the reward for engaging danger with valor. Marie-Louise von Franz, one of Jung’s closest collaborators, recognized that fairy tales are maps of everyone’s unconscious. This tale invites us to consider how we handle our internal hungers. What might we be starving for? Have we abandoned inner children to the wilderness of the unconscious? Does a witch within threaten to devour tender potential? Or can we, like Hansel and Gretel, rise above our primal forest with consciousness and courage and find the treasure of wholeness?
Here's the dream we analyze:
“I’m on an ocean beach looking out to my one-room house that juts out on a dock above where the waves break. The house could use some work and a coat of paint, but there’s a feeling of pride as I gaze over it. I look down and notice I’m wearing a peasant dress, which is not at all my style and better suited for a little girl. A craggy cliff looms to the left side of the beach. From around the cliff, two sea monsters appear swimming, nearing my house on the water. I wasn’t afraid of them, but watched them calmly. As they approach, they begin to rock the walls of the house, and I continue to watch powerlessly as they wrest it from its dock and tear it out to sea. The sea monsters retreat over the horizon and the house begins to sink. I am then inland but not far from the beach, at a pub in a seaside town. I see my parents in a booth, engaged in a fiddle contest. They are my parents, I know this to be sure, but they are monstrous apparitions, soft as puppets and with frightfully large heads. I try to tell them about my house and that it is gone, expecting some kind of comfort or perhaps an invitation to stay with them. They glance my way but they don’t acknowledge me or that I’m in distress. The fiddle contest goes on uninterrupted. The barkeep tells me that if I’m not there for the fiddle contest, then I will have to leave. The dream ends as I struggle to breathe.”
REFERENCES:
Night Shyamalan Film: The Visit, : https://www.youtube.com/watch?v=YfQnRjkuvaY
Erich Neumann: The Origins and History of Consciousness. https://www.amazon.com/dp/0691163596/ref=cm_sw_em_r_mt_dp_050QS0734HKDZG2S7BJD
John Hill. At Home In The World: Sounds and Symmetries of Belonging. https://www.amazon.com/dp/1685030211/ref=cm_sw_em_r_mt_dp_E3T32X59A0E42D239D26
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 RESOURCES:
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The daimon, a guiding spirit of individual destiny, was discussed by ancient Greek philosophers and still surfaces in books and movies like The Golden Compass by Philip Pullman. Daimons were particularly linked to creativity and life force and described as lesser deities, divine messengers, and determinative fates. For Jung, “daimon” was a synonym for that part of the unconscious concerned with life purpose, and it spoke through intuition and dreams. Ego’s task is transforming the autonomous power of the daimon into authentic expression in life. Jungian analyst and author James Hillman says, “The soul of each of us is given a unique daimon before we are born, and it has selected an image or pattern that we live on earth. This soul-companion, the daimon, guides us here; in the process of arrival, however, we forget all that took place and believe we come empty into this world. The daimon remembers what is in your image and belongs to your pattern, and therefore your daimon is the carrier of your destiny.”
Here’s the dream we analyze:
“I am sitting in the front row of an academic lecture in a large auditorium. I can see my father sitting way back in the last row. A speaker is introduced. He begins to perform miraculous feats. For example, although he is an older man in his 60s, he successfully bench-presses over 500 pounds on stage. Next, he begins to levitate. While flying through the air, he proclaims that he is Jesus. He demands that everyone in the audience pray to him in worship. I do not pray to him. He goes around to each audience member and requests a prayer - all obey. When he appears in front of me, he demands a prayer. I hold up two sticks in the shape of a cross and denounce him. I state angrily that “Christ protects me” and that “this old man is not God.” At this point, I notice that my father (in the back row) is the only other person in the building not praying to the fraud.” 
REFERENCES:
James Hillman. The Soul’s Code. https://www.amazon.com/dp/B0182Q5VQ6/ref=cm_sw_em_r_mt_dp_PQMPE5QJ2S9FWVB3CTAK
Andrew Solomon. Far From the Tree. https://www.amazon.com/dp/0743236726/ref=cm_sw_em_r_mt_dp_47WXXPMBZNTE88VHYTC7
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 RESOURCES:
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