Composers Datebook

American Public Media

4,7 (175)
HISTÓRIA DA MÚSICA
DIÁRIO

Composers Datebook™ is a daily two-minute program designed to inform, engage, and entertain listeners with timely information about composers of the past and present. Each program notes significant or intriguing musical events involving composers of the past and present, with appropriate and accessible music related to each.

HÁ 1 H

A birthday Beatle

Synopsis John Lennon was born on today’s date in the year 1940, in Liverpool, England — during a German air raid on that city, as it happened. With three other young lads from Liverpool, Lennon would eventually become world-famous, courtesy of the band he helped formed in 1959 called the Beatles. The Beatles started out in a Liverpool nightclub called the Cavern, playing pop tunes of the day, but soon began performing original material of their own. Before disbanding in 1970, some recognizable elements of classical music were incorporated into some Beatles songs, including a string quartet, a Baroque trumpet, and even an orchestra. And it wasn’t just a one-sided exchange: Leonard Bernstein played a Beatles song on one of his Young People’s Concerts to demonstrate sonata form. Arthur Fiedler performed symphonic arrangements of Beatles tunes at his Boston Pops concerts. And decades after the Beatles disbanded, former member Paul McCartney began composing original chamber works and big concert hall pieces, including a semi-autobiographical Liverpool Oratorio. Not surprisingly, some young British and American composers coming of age in the 1960s and 70s credit the Beatles as an influence. One elegant set of solo guitar arrangements of Lennon-McCartney tunes even came from Japan, courtesy of eminent Japanese composer (and Beatles fan) Toru Takemitsu. Music Played in Today's Program Lennon and McCartney (arr. Toru Takemitsu): Here, There and Everywhere; John Williams, guitar Sony 66704

2min
HÁ 1 DIA

Sharon Isbin and John Corigliano

Synopsis 1991 was a big year for American composer John Corigliano. The Metropolitan Opera premiered his opera The Ghosts of Versailles and the 53-year old composer won two Grammys and the Grawemeyer Award for his Symphony No. 1. Corigliano was increasingly recognized as one of the leading American composers of his generation, and was deluged with commissions for new works. But about 10 years before all that, guitarist Sharon Isbin had asked Corigliano to write a concerto for her, and kept on asking him. On today’s date in 1993, her persistence paid off when, with the St. Paul Chamber Orchestra and conductor Hugh Wolff, she gave the premiere performance of Corigliano’s Troubadours — Variations for Guitar and Orchestra. This piece was inspired by the courtly love tradition of the medieval troubadours, whose songs combined sophisticated word play with simple but elegantly communicative melodies. “For composers the idea of true simplicity — in contrast to chic simple-mindedness — is mistrusted and scorned,” Corigliano wrote. “But the guitar has a natural innocence about it … So the idea of a guitar concerto was, for me, like a nostalgic return to all the feelings I had when I started composing — before the commissions and deadlines and reviews. A time when discovery and optimistic enthusiasm ruled my senses … Troubadours is a lyrical concerto.” Music Played in Today's Program John Corigliano (b. 1938): Troubadours; Sharon Isbin, guitar; St. Paul Chamber Orchestra; Hugh Wolff, conductor; Virgin 55083

2min
HÁ 2 DIAS

Music and politics with Rimsky-Korsakov and John Adams

Synopsis On today’s date in 1909, The Golden Cockerel, the last opera of the Russian composer Nikolai Rimsky-Korsakov, had its premiere in Moscow. Rimsky-Korsakov had died the previous year, after a bitter battle with government censors who objected to the opera’s thinly disguised satire against the bumbling administration of Czarist Russia. For the premiere, the censors won — the opera was performed with all the changes that Rimsky-Korsakov had so stubbornly resisted while alive. The original text was not restored until after the Russian revolution of 1917. Closer to our own time, in October 1987, American composer John Adam’s Nixon in China, debuted at Houston Grand Opera. Alice Goodman’s libretto depicts the historic visit to Red China of President Nixon and then Secretary of State, Henry Kissinger. Adams says he was completely indifferent to what the real-life personages in his opera might have thought of it. No government censors objected, in any case, but Adams said that Richard Nixon’s lawyer, Leonard Garment, did attend a performance of Nixon in China, and probably reported back to the former President. Nixon’s reaction is not known — nor that of Henry Kissinger. We’re happy to report, however, that according to John Adams, Leonard Garment did subsequently became something of a fan of his music. Music Played in Today's Program Nikolai Rimsky-Korsakov (1844-1908): The Golden Cockerel Suite; Russian National Orchestra; Mikhail Pletnev, conductor; DG 447 084 John Adams (b. 1947): The Chairman Dances; San Francisco Symphony; Edo de Waart, conductor; Nonesuch 79453

2min
HÁ 3 DIAS

Brahms and Rzewski for amateurs

Synopsis The first performance of the Liebeslieder — or the Love Song Waltzes — for piano four-hands by Johannes Brahms took place on today’s date in 1869. The performers were two distinguished soloists: Clara Schumann, widow of composer Robert Schumann, and Hermann Levi, a famous conductor of his day. But in fact, the Liebeslieder Waltzes were intended for amateur musicians to play. These popular scores provided Brahms with some steady income, certainly more than he earned from performances of his symphonies, which some of his contemporaries considered difficult “new” music. Brahms wrote to his publisher: “I must admit that, for the first time, I grinned at the sight of a work of mine in print. Moreover, I gladly risk being called an ass if our Liebeslieder don’t give more than a few people pleasure.” Some much more recent piano music designed for amateur performers was collected into a volume, Carnegie Hall Millennium Piano Book. This volume was conceived by composer Ellen Taaffe Zwilich and the artistic director of Carnegie Hall, Judith Arron. They were concerned about the lack of contemporary piano works that intermediate-level piano students could perform, so commissioned ten composers to write suitable piano pieces from composers ranging from Milton Babbitt and Elliott Carte to Chen Yi and Tan Dun. Music Played in Today's Program Johannes Brahms (1833-1897): Liebeslieder Waltz No. 18; Silke-Thora Matthies and Christian Köhn, piano; Naxos 553140 Frederic Rzewski (1938-2021): The Days Fly By; Ursula Oppens, piano; Companion CD to Boosey and Hawkes ‘The Carnegie Hall Millennium Piano Book’ ASIN: B003AG8IUK

2min
HÁ 4 DIAS

Timely Argento and Takemitsu

Synopsis It was on this day in 1972 that A Ring of Time by American composer Dominick Argento was premiered by the Minnesota Orchestra in Minneapolis. The work was commissioned to celebrate that orchestra’s 70th anniversary. A Ring of Time is subtitled “Preludes and Pageants for Orchestra and Bells,” and evokes the hours of the day, from dawn to midnight, and the seasons of the year. Though born in York, Pennsylvania, Argento was of Italian heritage, and after spending a year studying in Italy, returned there often to reflect and compose. Argento said: “On one level the title of A Ring of Time refers to the predominant role assigned to bells ... those aural signals of time’s passing. But it should also be mentioned the work was wholly composed in Florence where the hourly ringing of church bells is inescapable.” Bells figured prominently in another 20th-century work by the Japanese composer Toru Takemitsu, From Me Flows What You Call Time, which was premiered by the Boston Symphony in 1990, in New York City, as a commission to celebrate the centennial of Carnegie Hall. Again, bells play a significant role, and Takemitsu directs that at the end of his piece, a series of small bells be rung gently from the balcony above and around the audience. Music Played in Today's Program Dominick Argento (1927-2019): A Ring of Time; Minnesota Orchestra; Eiji Oue, conductor; Reference 91 Toru Takemitsu (1930-1996): From Me Flows What You Call Time; Pacific Symphony; Carl St. Clair, conductor; Sony 63044

2min
HÁ 5 DIAS

How to win friends and influence Shostakovich

Synopsis In 1939, Dale Carnegie published a self-help book, How to Win Friends and Influence People, suggesting you could change people’s behavior to you by changing your behavior toward them. We’re not sure if Carnegie’s book was ever translated into Russian, but we’d like to cite the case of famous Russian cellist Mstislav Rostropovich as an example of one way to influence a particular composer. In Rostropovich’s day, the greatest living Soviet composers were Sergei Prokofiev and Dmitri Shostakovich. In 1949 Prokofiev wrote a Cello Sonata for 22-year old Rostropovich, and also dedicated his 1952 Sinfonia Concertante for cello and orchestra to him. Not surprisingly, Rostropovich hoped Shostakovich might write something for him, too, and so asked that composer’s wife, Nina, how to ask him. She replied the best way was never to mention the idea in the presence of her husband. She knew Shostakovich was following the cellist’s career with interest, and if the idea of writing something for Rostropovich was his own, rather than somebody else’s, it stood a better chance of becoming reality. Rostropovich followed her advice, and — surprise surprise — on today’s date in 1959, gave the premiere performance with the Leningrad Philharmonic of a brand-new cello concerto specially-written for him by Dmitri Shostakovich. Music Played in Today's Program Dmitri Shostakovich (1906-1975): Cello Concerto No. 1; Philadelphia Orchestra; Eugene Ormandy, conductor; (Sony 7858322)

2min
HÁ 6 DIAS

Ceremonial Beethoven and Schuman

Synopsis If you had arrived early for the gala reopening celebration of Vienna’s Josephstadt Theater on today’s date in 1822, you might have heard the theater orchestra frantically rehearing a new overture by Beethoven. They had just received the score, and so at the last minute were getting their first look at the new piece they would perform that evening. Beethoven’s Consecration of the House Overture was a last-minute commission and interrupted Beethoven’s work on two bigger projects: his Missa Solemnis and the Ninth Symphony. This overture begins with a series of solemn chords, continues with a stately march, and closes with a fugue — a tribute to Handel, whose music was much on Beethoven’s mind at the time. One hundred forty-six years later to the day, another festive occasion was observed with new music, when, on October 3, 1968, the New York Philharmonic, as part of its 125th anniversary celebrations, premiered a new orchestral work by the American composer William Schuman. Leonard Bernstein conducted. Schuman’s piece, To Thee Old Cause, was scored for solo oboe and orchestra. Originally, Schumann planned an upbeat, celebratory work, but the 1968 assassinations of Dr. Martin Luther King Jr. and Robert Kennedy changed all that and more somber music, dedicated to their memory, was the result. Music Played in Today's Program Ludwig van Beethoven (1770-1827): Consecration of the House Overture; Berlin Philharmonic; Bernhard Klee, conductor; DG 453 713 Willliam Schuman (1910-1992): To Thee Old Cause; New York Philharmonic; Leonard Bernstein, conductor; Sony 63088

2min
2 DE OUT.

Joan Tower's 'Made in America'

Synopsis These days, the cost of commissioning a major American composer to write a major orchestral work requires, well, a major amount of money. Back in 2001, a group of smaller-budget symphonies around the country decided to pool their resources and commission American composer Joan Tower to write a new orchestral piece for them. What would have been cost-prohibitive individually proved very doable when they all chipped in, aided by foundation grant or two. 65 orchestras from all 50 states participated, with the idea being each of them would get first performing rights to Tower’s new work. “When they asked me to do this, they called the project Made in America, and that became the work’s title. [Since] it was going across the U.S., this word ‘America’ kept popping up in my brain. Also, the tune ‘America the Beautiful’ started to come in, and I thought, ‘I really love this tune. It’s a beautiful tune, and I think I’ll start with this,’” she said. Joan Tower’s Made in America received its first performance by the Glen Falls Symphony Orchestra in New York State on today’s date in 2005, then premiered in each of the remaining 49 states over the next two years, ending up in Alaska with the Juneau Symphony in June of 2007. Music Played in Today's Program Joan Tower (b. 1938): Made in America; Nashville Symphony/Leonard Slatkin (Naxos 8559328)

2min

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John Birge

Apresentação

4,7

de 5

175 avaliações

History is Interesting

5 de mar.

Pudelmom

The historical tidbits add interesting background.
Gut

04/12/2024

Fill makes Games

Gut, sehr gut.
Make it a longer show?

29/09/2024

HarrierLG

My only complaint of Composer's Datebook is that it is too short! Perhaps a five minute snippet instead of two? Include score illustrations on the web site?
Nice Musical Podcast

02/08/2024

tara starlong

I like to listen to the Nutcracker

Composers Datebook™ is a daily two-minute program designed to inform, engage, and entertain listeners with timely information about composers of the past and present. Each program notes significant or intriguing musical events involving composers of the past and present, with appropriate and accessible music related to each.