TOTIM Exposures

Where professionals talk documentary photography—technique, ethics, and intent.

TOTIM Exposures is a forum for photojournalists and industry adjacent professionals to interview featured contributors to the TOTIM app. Each episode covers the photographer’s background, career path, and approach to their work. Conversations focus on photographic technique, the purpose and intention behind each story, and a detailed debrief of how the story was produced and executed. The podcast is intended for anyone interested in the process and challenges of documentary photojournalism. totim.substack.com

  1. Jul 23

    Amber Maalouf / Ashlie Chavez - "Rarámuri of Chihuahua" Podcast

    In episode 026 of Exposures, Amber Maalouf speaks with her twin sister, Ashley Chavez, about the family history, personal relationships, and ethical considerations behind her photographs from Chihuahua. Their conversation moves through Maalouf’s photography work, the importance of sincerity as a prerequisite for access when documenting communities, the role commercial work often plays in supporting her personal projects, and her understanding of photography as a way to preserve the people, places, and experiences she loves. To Experience “Rarámuri of Chihuahua” DOWNLOAD TOTIM APP Amber Maalouf Amber Maalouf is a fine art photographer with a BFA in Creative Photography based in Los Angeles. Her Fine Art background allows her to pursue every photographic field imaginable, fusing her analogue upbringing with digital. As a second generation Chihuahuan artist, Amber has been transitioning to commercial work and photojournalism while maintaining integrity to her personal work. Her work has been featured in publications including Life & Thyme Magazine, Secret Menu Magazine, Air France Magazine, Dazed & Confused, VICE, JPG, Artistic Visions, GUP, BLISS, Sneeze Magazine, Ladygunn, LA Canvas, and We Are The Superlative Conspiracy among many others. Ashlie Chavez Ashlie Chavez is an Artist and Photographer with a BFA in Fine Art and emphasis in Creative Photography. She runs an online art store selling her own work at artforyourwalls.org and predominantly shoots film. Ashlie works collaboratively with her twin sister and is inspired by her son River. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  2. Jul 9

    Jocelyn Bain Hogg / Seamus Murphy - "An Education" Podcast

    In episode 25 of Exposures, Seamus Murphy speaks with Jocelyn Bain Hogg about An Education, a body of work made while Bain Hogg was a student at Lancing College in the late 1970s and early 1980s. The project began when photography became an escape from the pressures and social hierarchies of boarding school. Working first with an inherited Rolleiflex from his father, Bain Hogg used the darkroom as a refuge and the camera as a way to understand the closed world around him. As Bain Hogg and Murphy move through the images, An Education is revealed as the remarkably assured beginning of a career. Though started decades before his defining later work, the photographs already contain many of the sensitivites that would shape Bain Hogg’s practice of intimate access, private worlds and a wry examination of British life. To Experience “An Education” DOWNLOAD TOTIM APP Jocelyn Bain Hogg Jocelyn Bain Hogg is a British documentary photographer and member of VII. He studied Documentary Photography at Newport College of Art before beginning his career as a unit photographer on film sets and a publicity photographer for the BBC. He later worked across editorial, fashion, commercial, and documentary photography, with work published by Vogue, Vanity Fair, The Sunday Times, The Independent, The Observer, GQ, Le Monde, Granta, and The New Yorker. Seamus Murphy Seamus Murphy is a documentary photographer and filmmaker. Regardless of medium or subject, he strives for intimacy and a poetic realism. As a photographer he has won seven World Press Photo awards for his work in Afghanistan, Gaza, Lebanon, Sierra Leone, Peru, UK and Ireland. He undertakes long-term documentary projects and has been published and exhibited widely. He is in the collections of The Getty Museum, Imperial War Museum, National Gallery of Ireland, and FRAC, Auvergne, France. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  3. Jun 24

    Billy Miaron / Chona Mwemba - "Naidurra" Podcast

    To Experience “Naidurra” DOWNLOAD TOTIM APP In Episode 24 of Exposures, Kenyan documentary photographer Billy Miaron speaks with Chona Mwemba about Naidurra, his story from the Maasai Mara National Reserve. The project is rooted in pastoralist Maasai life, where livestock herding, movement, and preservation of the natural environment shape social and economic systems. Miaron traces his own path into photography, from growing up in Maasai community and discovering a love of images through National Geographic magazines, to studying software engineering and eventually recognizing photography as a personal practice for documenting community and the systems that shaped his own life. Billy Miaron Billy Miaron is a Kenyan documentary photographer whose work focuses on community, environment, public health, and social change. His photography has been recognized by Best Artworks of the Year 2019 and the 2022 “Water=Life” Global Photography Competition, which he won for his work with the World Health Organization documenting the effects of drought in the Horn of Africa on health and food security. His photographs have been published internationally by organizations and outlets including the Financial Times, the World Health Organization, and health and academic research publications. In 2023, he was selected for the Vital Impacts Photography Mentorship Program, further developing his documentary practice. He is currently working on a long-term project documenting community-led conservation efforts in the Amboseli ecosystem, with a focus on peaceful coexistence between the Maasai community and wildlife. Chona Mwemba Chona Mwemba is a self-taught Zambian photographer with a deep love for capturing everyday life moments that cannot be replicated. The rawness and richness of his subjects and their environments serve as a personal reminder to always see the beauty of life regardless of geography. His work has been featured on platforms such as the BBC and The Times (UK). Through his work he strives to portray Zambia in a positive light. With this series of images he aspires to bring to life the beauty and strength of the Zambian people across the country, highlighting their gracious, resilient and amiable nature. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  4. Jun 11

    O-Young Kwon / "At Her Brother's Grave" Podcast

    To Experience “At Her Brother’s Grave” DOWNLOAD TOTIM APP In episode 023 of Exposures, O-Young Kwon discusses the development of At Her Brother’s Grave. Kwon describes the project as an effort to examine the “psychological effects the war is leaving behind.” The conversation follows his movement through Poland and into western Ukraine, including his encounter with Tetiana on a train to Lviv and the subsequent decision to accompany her to the funeral of her brother. Kwon places the work within a broader critique of conflict photography, emphasizing the limitations of sensational imagery while identifying the “real power of visual journalism is to reveal hidden stories” and “that the role of good journalism is to achieve a more complete picture and not just a popular one.” Exposures 023 is Hosted by TOTIM Founder/ Director Luke Mertz O-Young Kwon O-Young Kwon is a multimedia documentarian based in Berlin and Athens. He explores subcultures and social issues often shaped by political realities. His documentary work focuses on injustice, human vulnerability, and resilience, combining empathy with critical reflection to amplify marginalized voices. His work continues to receive international recognition through renowned publications and visual art festivals worldwide. His recent project on the psychological impact of war in Ukraine marked his debut as a documentary theater author, commissioned by the state theater in Hamburg, Germany. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  5. May 28

    Scott Wallace / Eros Hoagland "Covering El Salvador's Civil War" Podcast

    In this episode 022 of Exposures, Scott Wallace speaks with Eros Hoagland about El Salvador, Central America, and the changing conditions of conflict reporting across the last four decades. The discussion moves through the practical and ethical conditions of reporting during the Salvadoran civil war: access to guerrilla forces and army commanders and the constant pressure of working in a country shaped by surveillance, death squads, intelligence operations, and contested territory. The conversation then broadens to the transformation of journalism itself, including the shift from analog to digital photography, the collapse of older media structures, the rise of the internet, and the new risks created when images from conflict zones can circulate instantly and endanger their subjects. It closes by connecting Wallace’s early Central America reporting to his current work on environmental issues, Indigenous struggles, rainforest protection, organized crime in the Amazon, and his teaching at the University of Connecticut in environmental journalism and global press freedom. To Experience “Covering El Salvador’s Civil War” DOWNLOAD TOTIM APP Scott Wallace Scott Wallace is an American journalist, writer, producer, educator, and photojournalist whose work has focused on armed conflict, international crime, Indigenous affairs, conservation, and the environment. He began his career in Central America in 1983, reporting from El Salvador as a freelance stringer for CBS News/CBS Radio and The Atlanta Journal-Constitution before expanding his work across Nicaragua and Guatemala for outlets including Newsweek, The Independent, and The Guardian. From 1983 to 1989, he covered the region’s U.S.-backed wars and counterinsurgencies, later serving as Central America correspondent for The Guardian. Wallace’s reporting, photography, and television work have since appeared across National Geographic, Smithsonian, The New York Times, The Washington Post, Harper’s, The Nation, Newsweek, CNN, and the National Geographic Channel. He is an associate professor of journalism at the University of Connecticut and the author of The Unconquered: In Search of the Amazon’s Last Uncontacted Tribes and Central America in the Crosshairs of War: On the Road from Vietnam to Iraq. Eros Hoagland Eros Hoagland is a Los Angeles–based visual storyteller, photojournalist, and cinematographer. Hoagland began his career documenting communities and countries shaped by cycles of violence, working for more than fifteen years across North and South America, the Middle East, and Asia. In 2014, he expanded into film and entertainment photography after being invited to work with acclaimed directors Michael Mann and Alejandro Iñárritu. His clients include The New York Times, Netflix, HBO, National Geographic, Apple TV, TIME, Legendary Pictures, The New Yorker, Smithsonian Magazine, ESPN, Der Spiegel, the Los Angeles Times, and the American Red Cross. A California native, he spends his time outside of work surfing and diving in the Pacific Ocean. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  6. May 7

    Kris Graves / "LONG SUN DOWN" Podcast

    To Experience “LONG SUN DOWN” DOWNLOAD TOTIM APP In episode 021 of Exposures, photographer and publisher Kris Graves discusses Long Sun Down as well as his daily practice across photography, publishing, bookmaking, and art documentation. He also explores the long-term concerns that shape his work: the American landscape, structural discrimination, and the visible and less visible systems that organize land, power, and exclusion. Graves describes his background as a New Yorker with family roots in Montgomery, Alabama, and how repeated childhood trips to the South helped form an early awareness of the differences between regions, histories, and lived environments. Exposures 021 is Hosted by TOTIM Founder/ Director Luke Mertz Kris Graves Kris Graves is an artist and publisher based in New York and California. Graves creates artwork that deals with societal problems and aims to use art as a means to inform people about cultural issues. Using a mix of conceptual and documentary practices, Graves photographs the subtleties of societal power and its impact on the built environment. He explores how capitalism and power have shaped countries -- and how that can be seen and experienced in everyday life. Graves also works to elevate the representation of people of color in the fine art canon; and to create opportunities for conversation about race, representation, and urban life. He photographs to preserve memory. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  7. Apr 22

    David Simon-Martret / Paul Geddis - "Krokodil" Podcast

    To Experience “Krokodil” DOWNLOAD TOTIM APP In episode 20 of Exposures, David Simon-Martret speaks with Paul Geddis about the slow, deliberate process behind his and partner Blanca Galindo’s photographic work and the making of Krokodil. The conversation centers on reporting within situations marked by addiction, vulnerability, and fear, and on the ethical demands of photographing people whose lives are shaped by legal risk and social stigma. The episode follows how a work ethic rooted in time and trust expanded into later work, moving from the specific realities of drug use toward larger questions of addiction, social systems, and ecological loss. In discussing their more recent focus on coral reefs, biodiversity and climate, David reflects on the challenge of finding a visual language for slow-moving crisis’ without relying on over-dramatization. The result is a thoughtful conversation between old friends about photographic ethics, visual form, and how documentary work can continue to make people look carefully at difficult subjects. David Simon / Leafhopper David Simon and Blanca Galindo ( Leafhopper) are visual artists working in photography and film based between Barcelona, Spain and Kuala Lumpur, Malaysia. David studied philosophy at UB and photography at IEFC. Blanca obtained her Media degree at UAB and University of California SB.Their work takes in photojournalism, art photography, fashion, music, NGO commissions and commercial projects. In 2012 David and Blanca co-created Leafhopper, an image based project taking its name from the common cicada, and focused on concept driven long form stories that combine philosophical criteria with powerful aesthetic images creating a reflection on the human and the natural world. In their work as Leafhopper, culture, people, fauna and flora are seen as equal expressions of the natural sublime, creating a common thread across subject matter as seemingly disparate as LGBTQ communities in Malaysia, narco-iconography, coral bleaching and a global study in addiction published in 2019 titled ‘It’s a Wonderful Life’. Paul Geddis Paul Geddis is a Barcelona-based journalist, editor, and communications professional whose work spans media, music, culture, and tech. After spending 2007–2015 at VICE Spain, including time as Editor in Chief, he went on to lead content at Sónar Festival, serve as EU Content Lead for Patreon EMEA, and later move into PR. Across those roles, his work has focused on original storytelling, cultural communication, youth audiences, emerging talent, and content-led campaigns that connect strong ideas with wider publics. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

  8. Apr 9

    Valerie Plesch / Tasneem Alsultan - "Kosovo, After the War" Podcast

    In Episode 019 of Exposures, Valerie Plesch, in conversation with Tasneem Alsultan, speaks about the long aftermath of war and the human collective scarring that persists after international attention has moved on. In discussing her recently published story, Kosovo, After the War, Plesch describes how her own family history shaped her approach to reporting: her mother’s family fled Vietnam in the final days before the fall of Saigon, and that experience of displacement, resettlement, and inherited trauma continues to inform the stories she is drawn to today. Plesch reflects on her sustained interest in post-conflict and post-disaster societies, and on the particular value of documenting what comes after the formal end of crisis. Rather than focusing only on the spectacle of war itself, she returns to the quieter and more difficult terrain of reconstruction, memory, and survival. In Kosovo, that means listening to women and families still living with the consequences of violence, grief, disappearance, and stigma, and tracing how conflict persists across generations. Valerie Plesch Valerie Plesch is an independent photojournalist, documentary photographer, and writer based in Washington, D.C., where she covers politics, the White House, Capitol Hill, immigration, refugee resettlement, and related issues for editorial and feature assignments. Her work has been published by a wide range of major national and international outlets, including The New York Times, The Washington Post, Bloomberg News, The Wall Street Journal, PBS NewsHour, USA Today, Reuters, NPR, Politico, Financial Times Magazine, Al Jazeera English, and FRONTLINE, among many others. Her long-form documentary work focuses on the aftermath of war and the ways memory, identity, trauma, and displacement continue to shape individual and collective lives. Tasneem Alsultan Tasneem Alsultan is a Saudi-American investigative photographer and visual storyteller whose work explores women’s rights and social dynamics in Saudi Arabia and the Gulf region. Her work has been published in The New York Times and National Geographic amongst others. Tasneem became the first Arab female Global Ambassador for Canon in 2018, a Catchlight fellow in 2019, was voted the ‘Princess Noura University Award for Excellence’ in the Arts Category and received honourable mention for the Anja Niedringhaus Courage in Photojournalism. In 2020, she cofounded Ruwa Space, a platform to support visual creatives and offer education and consultation across the Middle East & North Africa. She’s a member of Rawiya women’s Middle Eastern photography collective. TOTIM is a new, nonprofit initiative built to support and amplify a global and diverse community of visual storytellers. We rely on your support to bring under-reported stories to light and sustain vital, independent documentary photography. Please consider a charitable, tax-deductible gift. Get full access to TOTIM at totim.substack.com/subscribe

About

TOTIM Exposures is a forum for photojournalists and industry adjacent professionals to interview featured contributors to the TOTIM app. Each episode covers the photographer’s background, career path, and approach to their work. Conversations focus on photographic technique, the purpose and intention behind each story, and a detailed debrief of how the story was produced and executed. The podcast is intended for anyone interested in the process and challenges of documentary photojournalism. totim.substack.com

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