The Musical Mind: Join the Hike

Kevin Ure

Join the Hike as we talk about musical concepts, including audiation, ear training, composition, theory, and much more!

  1. May 21

    Stop Drilling for 100% — It’s Putting Your Ear to Sleep

    For years I was telling my ear training students to drill until they scored a perfect 100%. I watched it slowly put their ears to sleep. This video is about the practice model that actually works. Why momentum beats perfection, why a frustrated ear is functionally the same as a deaf ear, and why a few honest errors in your training material may help your development rather than hurt it. If you've been grinding the same interval drill or chord exercise for weeks chasing a perfect score, this is for you. Chapters 0:00 — The confession 0:51 — Thesis: momentum over perfection 1:58 — The 7-day rule 2:48 — Why this works (desirable difficulty) 4:02 — The physical layer no one talks about 5:19 — When the definition of mastery has to flip 6:52 — Music works like spoken language 8:23 — What happens when the training material has errors 9:15 — Pillar 1: Categorical perception 10:29 — Pillar 2: Overfitting and noise injection 11:23 — Permission to move on Tell me in the comments The single interval, chord, or exercise that's tripping you up the most right now. Be specific. I read every one and pull the most common ones into future micro-exercises. About I'm Kevin, a composer and ear training educator. I've worked with over 1,400 students refining how musicians actually build their ears — not by drilling harder, but by training smarter. More at [UreMusic link]. 🎧 About This Channel Ear training, audiation, and creative theory for musicians of all levels. 📚 Essential Resources • Resource Guide • Octave Registers by Number • Newsletter • UreMusic Homepage • Books & Courses 👉 All links here: https://linktr.ee/uremusic 🎼 My Books Full list → https://www.uremusic.com/books 💬 Work With Me Consultation → https://www.uremusic.com/book-a-consultation 📌 Tags #Audiation #EarTraining #MusicTheory #Composition 📢 Affiliate Disclosure Some links may be affiliate links. Thank you for supporting the channel.

    13 min

  2. May 18

    A Song Stuck in Your Head Is Not Audiation

    🎧 Start your audiation journey: https://youtube.com/playlist?list=PLoSeDrmcZDEv0SdiDEMzOHGCZxVtJsQYq&si=STb2uT5nshBB_a9e Most musicians think audiation is hearing a song in your head. It's not. If you've ever had a song stuck in your head, that's mental recall and not true audiation. Real audiation is the ability to create internally and know what you're creating. It's what allowed Beethoven to keep composing as he lost his hearing. It's what separates musicians who can hear what they're writing from those who can only guess. In this video I talk about what audiation actually is, how it develops, and why most musicians never build it. And it's not because they lack talent, but because nobody teaches them the right process. I also share how I use it as a composer, how my students are developing it, and what you can start doing today with nothing but a piano and five minutes. If you're serious about developing your ear and your musical imagination, this is where it starts. 🎁 Free Resource Guide Start your audiation journey → https://www.uremusic.com/resource-guide 🎧 About This Channel Ear training, audiation, and creative theory for musicians of all levels. 📚 Essential Resources • Resource Guide • Octave Registers by Number • Newsletter • UreMusic Homepage • Books & Courses 👉 All links here: https://linktr.ee/uremusic 🎼 My Books Full list → https://www.uremusic.com/books 💬 Work With Me Consultation → https://www.uremusic.com/book-a-consultation 📌 Tags #Audiation #EarTraining #MusicTheory #Composition 📢 Affiliate Disclosure Some links may be affiliate links. Thank you for supporting the channel.

    21 min

  3. May 10

    The Music Transcription Trap: Reactive vs. Generative Ear Training

    Want Practical Exercises? https://youtube.com/playlist?list=PLoSeDrmcZDEv0SdiDEMzOHGCZxVtJsQYq&si=STb2uT5nshBB_a9e Many musicians work hard on ear training yet still feel that their progress does not remain consistent. This video explores one possible reason for that experience. Modern musicians often learn through recordings, and recordings are shaped by engineering choices that influence how sound is perceived. Microphones, compression, equalization, and mixing can guide the listener’s attention in ways that may not always support the development of internal hearing. Before recording technology existed, musicians relied more heavily on memory, singing, improvisation, and internal generation. Mozart, Bach, and Beethoven developed their musicianship in environments that encouraged strong internal models of sound. Their hearing was often predictive and generative rather than primarily reactive. Some modern approaches to ear training may reverse this relationship by encouraging musicians to respond to external sound without always strengthening the internal structures that support audiation. This conceptual video considers how recordings may influence perception, how the brain forms musical categories, and why reactive listening alone may contribute to plateaus for some learners. It also discusses the idea of the Transcription Trap, which describes situations in which expectation may influence what listeners believe they hear. If your ear training has ever felt unstable or difficult to retain, this perspective may offer a useful explanation. Understanding the difference between reactive listening and generative hearing can help musicians build a more reliable internal reference. Check out the free series on practical applications: https://youtube.com/playlist?list=PLoSeDrmcZDEv0SdiDEMzOHGCZxVtJsQYq&si=STb2uT5nshBB_a9e Timestamps 00:00 Introduction 02:53 The Problem With Modern Ear Training 04:09 Historical Perspective 05:41 Acoustic Coherence and Engineered Sound 07:06 How the Brain Learns Through Prediction 09:28 The Beethoven Principle 10:24 The Transcription Trap 11:36The Flawless Method 12:58 Moving Forward Additional Research: -- Bregman, Albert. Auditory Scene Analysis: The Perceptual Organization of Sound. MIT Press, 1990. -- Deutsch, Diana. The Psychology of Music. Academic Press, 2013. -- Friston, Karl. “The Free Energy Principle: A Unified Brain Theory.” Nature Reviews Neuroscience, vol. 11, no. 2, 2010, pp. 127–138. -- Gibson, James J. The Ecological Approach to Visual Perception. Houghton Mifflin, 1979. -- Gordon, Edwin. Learning Sequences in Music: Skill, Content, and Patterns. GIA Publications, 2012. -- Helmholtz, Hermann von. On the Sensations of Tone. Dover Publications, 1954. -- Huron, David. Sweet Anticipation: Music and the Psychology of Expectation. MIT Press, 2006. -- Kraus, Nina, and Bharath Chandrasekaran. “Music Training for the Development of Auditory Skills.” Nature Reviews Neuroscience, vol. 11, no. 8, 2010, pp. 599–605. -- Kuhl, Patricia. “Early Language Acquisition.” Nature Reviews Neuroscience, vol. 5, no. 11, 2004, pp. 831–843. -- Leman, Marc. Embodied Music Cognition and Mediation Technology. MIT Press, 2008. -- Sacks, Oliver. Musicophilia: Tales of Music and the Brain. Vintage Books, 2008. -- Schaeffer, Pierre. Treatise on Musical Objects. University of California Press, 2017. -- Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Destiny Books, 1994. -- Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Duke University Press, 2003. 🎁 Free Resource Guide Start your audiation journey → https://www.uremusic.com/resource-guide 🎧 About This Channel Ear training, audiation, and creative theory for musicians of all levels. 📚 Essential Resources • Resource Guide • Octave Registers by Number • Newsletter • UreMusic Homepage • Books & Courses 👉 All links here: https://linktr.ee/uremusic 🎼 My Books Full list → https://www.uremusic.com/books 💬 Work With Me Consultation → https://www.uremusic.com/book-a-consultation 📌 Tags #Audiation #EarTraining #MusicTheory #Composition 📢 Affiliate Disclosure Some links may be affiliate links. Thank you for supporting the channel.

    14 min

  4. May 1

    Why Real World Sound is Unstable

    Audiation – Inner Ear Training for Musicians: https://youtube.com/playlist?list=PLoSeDrmcZDEv0SdiDEMzOHGCZxVtJsQYq&si=STb2uT5nshBB_a9e Real‑world sound is never stable, and this video demonstrates why ear‑training fails when students anchor their hearing to external audio. “Every sound that you’ve ever trained your ear against was already wrong before it ever reached you” and “the actual sound in the room… was never a fixed target” (00:00–00:17). By examining variables such as room acoustics, instrument instability, physiology, and playback coloration, you will see how external sound constantly shifts and why audiation provides the only reliable internal reference. Through guided demonstrations, this lesson illustrates how perception changes with ear‑covering, head movement, and environmental conditions, even when the pitch itself remains unchanged. “When your ear is anchored to sound… your reference shifts with every room,” but “when your ear is anchored to audiation… the reference begins to become more constant” (00:04:18–00:04:43). The video concludes by presenting audiation as the foundation of stable musicianship and invites viewers to explore a free introductory audiation course. 00:00 Why Real World Sound Is Unstable 00:07 The Ear Training Problem 00:29 Sound Is Not a Reliable Teacher 01:36 Ear Training Variables You Cannot Control 02:55 The Ear Doesn't Stabilize 04:12 Ear Training vs. Audiation Approaches 05:16 Audiation Is the Stable Model 05:51 External Sound vs. Internal Audiation 06:39 Perception Demonstration 10:48 Your Ear Isn't Broken 13:01 New Knowledge 13:51 Build Your Inner Reference 🎧 Ear Training, Audiation & Creative Theory for Musicians | Kevin Ure 🎶 Learn music from the inside out. This channel explores ear training, music theory, and composition using audiation-based methods—designed for beginners, professionals, and even babies building tonal awareness. 📚 Featured Resources • Resource Guide → https://www.uremusic.com/resource-guide • Octave Registers by Number → https://www.uremusic.com/octave-registers-by-number • Subscribe to the Newsletter → https://www.uremusic.com/subscribe • Amazon Bookstore → https://amzn.to/44SsSAJ • UreMusic Homepage → https://www.uremusic.com/ 🎧 Learn & Connect • Schedule a Consultation → https://calendly.com/uremusic/consultation • Support on Patreon → https://www.patreon.com/c/UreMusic • Explore Services & Products → https://linktr.ee/uremusic 🔔 Subscribe for new videos every week and start sharpening your inner ear today. 📌 Topics Covered #Audiation #EarTraining #MusicTheory #MusicComposition #ComposerTutorials #VoiceLeading #Counterpoint #FormAndAnalysis #AspiringComposer #MusicEducation 📬 Affiliate Disclosure Some of the links below may be affiliate links, which means I may earn a small commission if you make a purchase—at no extra cost to you. This helps support the channel and keeps the educational content flowing. Thank you! 📚 My Books on Music Composition Available on Amazon or UreMusic: https://www.uremusic.com/books 🎼 Composition Series • Elements of Music Composition → https://amzn.to/44O2OIi • Music Composition Technique Builder → https://amzn.to/40FwgOa • Technique Builder Workbook → https://amzn.to/40FwgOa 🎻 Orchestration • The Study of Orchestration → https://amzn.to/3U0jkyI 📝 Composition Foundations • Fundamentals of Music Composition → https://amzn.to/3H5h8Tu 📘 Music Theory • Style and Idea → https://amzn.to/471BdVm • Theory and Harmony → https://amzn.to/3TWT4oT • Structural Functions of Harmony → https://amzn.to/4kZYaM6 🎵 Schenkerian Analysis • Analysis of Tonal Music (Schenkerian Approach) → https://amzn.to/4ffGgUu • Introduction to Schenkerian Analysis → https://amzn.to/4o6ZmQw • Structural Hearing: Tonal Coherence in Music → https://amzn.to/4o9Rs94 🎶 Counterpoint • The Study of Counterpoint → https://amzn.to/457BXpg • Counterpoint (Kennan) → https://amzn.to/44TtA24 • Counterpoint in Composition → https://amzn.to/40ze6h6 📎 Bonus Reading • Gustav Mahler: Letters to His Wife → https://amzn.to/4lU03LI

    15 min

  5. Apr 22

    The Path to Audiating – Part 3: The Moment Interval Identity “Clicks”

    Free Tips & Exclusive Offers: https://www.uremusic.com/subscribe Unlock your musical intuition and finally understand interval identity. In this lesson, you’ll experience how musicians with “great ears” actually hear music. This video guides you through a structured process to reset your ear, feel interval identity, and begin developing the kind of intuition that makes improvisation, transcription, and performance feel effortless. Identity is the one element that never moves, even when timbre, register, harmony, and emotional shading shift around it. As the video explains, “identity is the invariant… your auditory system continues to track even when everything else shifts.” If you’ve ever wondered how to recognize intervals instantly — without thinking, without naming, and without relying on character — this training session gives you the first real glimpse of that ability. ⏱️ Timestamps / Chapters 00:00 – Why Some Musicians Have “Great Ears” 00:18 – What Musical Intuition Really Is 00:34 – Moving Beyond Labels & Emotion 01:20 – Resetting Your Ear 02:00 – Guided Listening: Reaction → Character → Emotion 03:48 – The One Element That Never Moves 05:05 – Perfect Fifth vs. Other Distances 06:46 – Identity: The Structural Element Your Ear Tracks 07:04 – Color‑Assisted Interval Training 09:39 – Character Shifts, Identity Remains 10:06 – Interval Spacing Test (Eyes Closed) 11:18 – What Subtle Shifts Mean 12:14 – What Identity Is Not 13:28 – Why Intuition Appears Only After Structured Practice 14:56 – Identity‑Lock Practice Session . 21:19 – Bringing Identity Into Real Music 🎯 What You’ll Learn -- How to hear intervals through distance, not labels -- Why emotional character is unreliable for real‑world musicianship -- How intuition forms from structured comparison -- How to sense invariant spacing even when everything else changes -- How to begin developing instant interval recognition 🔗 Explore Flawless Ear Training If you want to develop this ability fully — the ability to hear intervals instantly, intuitively, and accurately — explore the full Flawless Ear Training program: 👉https://www.uremusic.com/flawless-ear-training-audio-video This video is only the beginning. The full course gives you the complete developmental sequence that builds true musical intuition.

    22 min

  6. Mar 20

    Your Ear Isn’t Broken — It’s Being Overridden

    Most musicians don’t realize their instrument is training them to hear the wrong thing. If your ear ever feels “stuck,” inconsistent, or unreliable, it’s not because you lack talent — it’s because your muscle memory is overriding your perception before your ear ever gets a chance to listen. This video breaks down the hidden perceptual bias built into every instrument, why it makes you confidently mishear intervals, and why traditional advice like “just transcribe more” often makes the problem worse. Once you understand this mechanism, your entire approach to ear training changes. If you’ve ever wondered why you can play something perfectly but can’t hear it internally, or why your ear feels great one day and confused the next, this will finally make sense. 🎧 What You’ll Learn * Why your instrument predicts sound before your ear does * How bias makes you confidently mishear intervals * Why transcribing can reinforce mistakes instead of fixing them * How to remove perceptual bias and hear raw sound * What real progress feels like when your ear finally opens up * Why isolated drills don’t transfer to real music * How musicians develop predictive listening and internal clarity This is the mechanism behind stubborn ears… and once you see it, you can’t unsee it. 00:00 — Your Instrument Is Training You to Hear Wrong 00:24 — The Mechanism Behind Stubborn Ears 01:03 — Muscle Memory Overrides Real Listening 02:40 — The Test That Reveals Biased Ears 03:04 — Why Most Musicians Mishear With Confidence 05:34 — How Transcribing Reinforces Your Bias 06:26 — The Bent Lens Analogy 08:04 — You Can’t Transcribe Your Way Out of a Perceptual Block 08:44 — Raw Sound: The First Time You Truly Listen 11:40 — The Flute Player Who Lost Pitch Direction 13:29 — Why Traditional Ear Training Doesn’t Transfer to Real Music 17:27 — You Don’t Need Better Ears — You Need Unbiased Perception 🎧 Ear Training, Audiation & Creative Theory for Musicians | Kevin Ure 🎶 Learn music from the inside out. This channel explores ear training, music theory, and composition using audiation-based methods—designed for beginners, professionals, and even babies building tonal awareness. 📚 Featured Resources • Resource Guide → https://www.uremusic.com/resource-guide • Octave Registers by Number → https://www.uremusic.com/octave-registers-by-number • Subscribe to the Newsletter → https://www.uremusic.com/subscribe • Amazon Bookstore → https://amzn.to/44SsSAJ • UreMusic Homepage → https://www.uremusic.com/ 🎧 Learn & Connect • Schedule a Consultation → https://calendly.com/uremusic/consultation • Support on Patreon → https://www.patreon.com/c/UreMusic • Explore Services & Products → https://linktr.ee/uremusic 🔔 Subscribe for new videos every week and start sharpening your inner ear today. 📌 Topics Covered #Audiation #EarTraining #MusicTheory #MusicComposition #ComposerTutorials #VoiceLeading #Counterpoint #FormAndAnalysis #AspiringComposer #MusicEducation 📬 Affiliate Disclosure Some of the links below may be affiliate links, which means I may earn a small commission if you make a purchase—at no extra cost to you. This helps support the channel and keeps the educational content flowing. Thank you! 📚 My Books on Music Composition Available on Amazon or UreMusic: https://www.uremusic.com/books 🎼 Composition Series • Elements of Music Composition → https://amzn.to/44O2OIi • Music Composition Technique Builder → https://amzn.to/40FwgOa • Technique Builder Workbook → https://amzn.to/40FwgOa 🎻 Orchestration • The Study of Orchestration → https://amzn.to/3U0jkyI 📝 Composition Foundations • Fundamentals of Music Composition → https://amzn.to/3H5h8Tu 📘 Music Theory • Style and Idea → https://amzn.to/471BdVm • Theory and Harmony → https://amzn.to/3TWT4oT • Structural Functions of Harmony → https://amzn.to/4kZYaM6 🎵 Schenkerian Analysis • Analysis of Tonal Music (Schenkerian Approach) → https://amzn.to/4ffGgUu • Introduction to Schenkerian Analysis → https://amzn.to/4o6ZmQw • Structural Hearing: Tonal Coherence in Music → https://amzn.to/4o9Rs94 🎶 Counterpoint • The Study of Counterpoint → https://amzn.to/457BXpg • Counterpoint (Kennan) → https://amzn.to/44TtA24 • Counterpoint in Composition → https://amzn.to/40ze6h6 📎 Bonus Reading • Gustav Mahler: Letters to His Wife → https://amzn.to/4lU03LI

    22 min

  7. Mar 4

    The Path to Audiating Interval Identify – Part 2: Character and Identity

    Important Notes on Part Two: Character vs Identity — Why Most Ear Training Plateaus This is Part Two of The Path to Audiating Interval Identity — a structured training sequence designed to rebuild interval perception from the ground up. In Part One, we examined emotion — the immediate, involuntary reaction your nervous system has when an interval sounds. In this session, we move deeper. We distinguish between: • Emotion – your subjective reaction • Character – how an interval behaves in context (timbre, register, harmony, articulation) • Identity – the invariant pitch distance that does not change Most ear training systems heavily emphasize emotional quality (“bright,” “sad,” “tense”) or contextual character. That works — to a point. But recognition often collapses in real music because real music is acoustically variable. Research in auditory perception and perceptual learning consistently shows that the brain becomes more accurate at recognition when it is exposed to variability. When timbre, register, articulation, and harmony change, the auditory system learns to extract what remains constant. In interval perception, that constant is relative pitch distance. This session introduces identity training — the ability to recognize intervals by structural spacing rather than emotional color or contextual shading. A Note on Terminology When I say that traditional ear training “plateaus,” I am not dismissing existing pedagogy. Many systems successfully train early perceptual layers. The plateau occurs when training does not systematically include variability and invariant extraction. When I reference perceptual research or neuroscience, I am referring broadly to findings in auditory cortex processing, relative pitch tracking, and variability-driven perceptual generalization. This is not a claim that emotion is irrelevant — only that it is not structurally identical to interval identity. When I describe perfect fourths and fifths as closely related acoustically and functionally, I am referring to their proximity in harmonic structure and tonal usage, which often leads to early-stage perceptual confusion. Precision in language matters — and so does clarity of training focus. Who This Is For • Musicians frustrated by inconsistent interval recognition • Students who perform well in apps but struggle in real music • Teachers seeking a structured model of auditory perception • Anyone developing strong relative pitch and audiation skills Topics Covered • Interval training • Relative pitch development • Audiation • Perceptual learning in music • Acoustic variability in ear training • Why ear training apps feel easier than real music • Perfect fourth vs perfect fifth confusion • Interval identity vs interval quality Part Three applies this framework directly inside real musical context. If you are serious about developing reliable interval recognition — not just labeling exercises — this is where the shift begins. Timestamps: 00:00 – Emotion as the First Layer of Perception 00:35 – Character and Identity Defined 01:31 – How Context Changes a Major Triad 03:16 – What “Character” Really Means in Music 03:47 – Why Traditional Ear Training Plateaus 07:28 – Real Music, Not Sterile Conditions 08:21 – Variability and Perceptual Generalization 09:38 – Identity: The Part That Never Moves 11:23 – Neuroscience and Relative Pitch Distance 13:46 – Beginning Identity Training: Octaves and Fifths 14:51 – Why Fifths and Fourths Come First 16:32 – Emotion/Character vs. Identity in Real Music 16:46 – Testing Identity in Actual Music 📚 Research Citations Huron, D. (2006). Sweet Anticipation: Music and the Psychology of Expectation. MIT Press. • Emotion is not identical to interval identity — it is a response to expectancy structures. Juslin, P. N., & Västfjäll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral and Brain Sciences, 31(5), 559–621. • Emotional valence is not reducible to interval structure alone. McDermott, J. H., Schultz, A. F., Undurraga, E. A., & Godoy, R. A. (2016). Indifference to dissonance in native Amazonians reveals cultural variation in music perception. Nature, 535(7613), 547–550. • Consonance preference is culturally mediated • Western stability judgments are not universal Wright, B. A., & Zhang, Y. (2009). A review of learning with normal and altered sound. Hearing Research, 256(1–2), 6–21. • Variability strengthens invariant extraction, but does not directly discuss interval training. Zatorre, R. J., & Belin, P. (2001). Spectral and temporal processing in human auditory cortex. Cerebral Cortex, 11(10), 946–953. • The auditory cortex tracks relative pitch even when timbre changes. • Supports the idea that auditory cortex processes pitch relationships • Shows specialization for spectral vs temporal processing

    17 min

  8. Feb 25

    The Path to Hearing Interval Quality

    Download Your Free Resource Guide: Start your journey to better audiation and ear training today! 👉 https://www.uremusic.com/resource-guide Most musicians can name intervals, but that doesn’t mean they can hear them. This masterclass is all about the part everyone skips — the part where your ear actually learns to feel the difference between sounds without counting, guessing, or memorizing songs. For about 25 minutes, I walk you through a series of simple contrasts: rough vs smooth, bright vs dark, tension vs release. Nothing academic. Nothing theoretical. Just direct listening that sharpens your perception in real time. – You’ll notice your reactions happening before your thoughts. – You’ll feel clarity show up without effort. And by the end, the very first interval we played together will feel different — not because the sound changed, but because you did. This is the path to hearing interval quality. Not as information, but as sensation. If this experience shifts something for you, even slightly, imagine what happens when you train this way every week. That’s the whole idea behind Composing Hour: guided listening that rewires how you hear. If you want to go deeper, explore how interval quality works, how contrast training sharpens perception, or how musicians develop recognition without thinking. Timestamps: 0:00 Naming vs actually hearing intervals 0:40 Exercise 1 – Hearing texture 2:36 Exercise 2 – Alternating intervals 3:40 Instant visceral reaction 5:10 Practicing advice 6:33 Not all minor seconds are the same 7:58 Imprinting emotional states 9:08 Feeling over labels 10:55 Exercise 3 – Millisecond response 14:55 Exercise 4 – Nervous system ID 15:56 Traditional ear training and labels 17:54 Exercise 5 – Feeling the stretch 20:33 Recap – Clarity check 22:00 Exercise 6 – Identification run 22:52 Obstacles and pedals 24:11 Contrast learning 🎧 Ear Training, Audiation & Creative Theory for Musicians | Kevin Ure 🎶 Learn music from the inside out. This channel explores ear training, music theory, and composition using audiation-based methods—designed for beginners, professionals, and even babies building tonal awareness. 📚 Featured Resources • Resource Guide → https://www.uremusic.com/resource-guide • Octave Registers by Number → https://www.uremusic.com/octave-registers-by-number • Subscribe to the Newsletter → https://www.uremusic.com/subscribe • Amazon Bookstore → https://amzn.to/44SsSAJ • UreMusic Homepage → https://www.uremusic.com/ 🎧 Learn & Connect • Schedule a Consultation → https://calendly.com/uremusic/consultation • Support on Patreon → https://www.patreon.com/c/UreMusic • Explore Services & Products → https://linktr.ee/uremusic 🔔 Subscribe for new videos every week and start sharpening your inner ear today. 📌 Topics Covered #Audiation #EarTraining #MusicTheory #MusicComposition #ComposerTutorials #VoiceLeading #Counterpoint #FormAndAnalysis #AspiringComposer #MusicEducation 📬 Affiliate Disclosure Some of the links below may be affiliate links, which means I may earn a small commission if you make a purchase—at no extra cost to you. This helps support the channel and keeps the educational content flowing. Thank you! 📚 My Books on Music Composition Available on Amazon or UreMusic: https://www.uremusic.com/books 🎼 Composition Series • Elements of Music Composition → https://amzn.to/44O2OIi • Music Composition Technique Builder → https://amzn.to/40FwgOa • Technique Builder Workbook → https://amzn.to/40FwgOa 🎻 Orchestration • The Study of Orchestration → https://amzn.to/3U0jkyI 📝 Composition Foundations • Fundamentals of Music Composition → https://amzn.to/3H5h8Tu 📘 Music Theory • Style and Idea → https://amzn.to/471BdVm • Theory and Harmony → https://amzn.to/3TWT4oT • Structural Functions of Harmony → https://amzn.to/4kZYaM6 🎵 Schenkerian Analysis • Analysis of Tonal Music (Schenkerian Approach) → https://amzn.to/4ffGgUu • Introduction to Schenkerian Analysis → https://amzn.to/4o6ZmQw • Structural Hearing: Tonal Coherence in Music → https://amzn.to/4o9Rs94 🎶 Counterpoint • The Study of Counterpoint → https://amzn.to/457BXpg • Counterpoint (Kennan) → https://amzn.to/44TtA24 • Counterpoint in Composition → https://amzn.to/40ze6h6 📎 Bonus Reading • Gustav Mahler: Letters to His Wife → https://amzn.to/4lU03LI

    26 min
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6 Ratings

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Join the Hike as we talk about musical concepts, including audiation, ear training, composition, theory, and much more!

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