VOICES - before it was written

Francis Rosenfeld

These are spoken fragments—reflections, passages, and pieces of stories that have not yet settled. Some of them have written forms. Some of them point to places that already exist. Some of them are the only version. francisrosenfeld.substack.com

  1. Elena:  Reading from The Garden of Confidence - Self Help

    12h ago

    Elena: Reading from The Garden of Confidence - Self Help

    “What is all this stuff, Cimmy?” Rahima asked, looking around at the piles of sketches carefully hand drawn on thin sheets of parchment that covered the table and the walls. The descriptions of the sketches were elaborate and brightly illuminated, appearing more like art than scientific documentation. “Oh, nothing. Just some notes I took, on plants and their properties.” She remembered something and turned around. “How are you here? Aren’t you supposed to be in class?” “The teacher sent me for a potion, one of the girls is running a fever.” “What kind of fever? Does she have a rash?” “Does it matter?” “Very much. Can I come with you and see her?” Rahima nodded in approval and, upon leaving Cimmy’s cabin, they bumped into Josepha, who generously shared her wisdom. “Oh, go ahead and visit the feverish. Bring some friends along too and talk to as many people as possible. How wise is our resident layer of hands not to worry about all of us catching this thing? It’s indeed a miracle from God we’re all still alive in your capable care!” Much as Cimmy resented the tongue lashing, she had to agree Josepha was right and felt embarrassed for not thinking about it herself. Experience is the most valuable teacher, especially when other sources of knowledge are scarce, and the grouch’s experience was far more extensive than her own. Josepha had seen her share of outbreaks and instinctively knew how to protect herself. For a moment, the girl thought bringing the elder along would be useful in identifying what kind of illness she was facing, but one look at Josepha conveyed without doubt the latter wouldn’t be caught dead within a thousand paces of the patient. Many of the afflictions that visited upon their village came unannounced, always met with helpless hand wringing, and Cimmy had made it her life’s mission to figure out how to heal as many of them as possible, and since she couldn’t do that from a safe distance, she prayed for luck and went in. While she tended to the sick girl her mind raced with worries and what ifs, peeved at Josepha for not offering her invaluable input into the matter and mad at herself for needing her help, and was appalled that in all this time, through everything that happened, nobody ever thought of describing the various plagues for safekeeping, so the next generations didn’t have to start from scratch again and again. Since then, she began sketching rashes and noting symptoms in a large and ominous book that took up half her workspace, a book that no one else would open for fear it might be cursed. Nobody knew who had spread the rumor, and maybe it wasn’t just one person at all, but a compilation of the collective fears and assumptions of the village people, most of whom were firm believers in the law of correspondence, and for whom a detailed description of disease was a disease recipe, pure and simple. “You are going to doom us all with that evil tome of yours! Banish the day that brought us together, for it seems there is no harm visited upon us in which you didn’t have a hand. Bertha,” she turned to the latter for support, “let’s have a show of hands to find out how many people think this abomination should be burned to cinders and spread into the four winds before somebody touches it and gets cursed.” Cimmy had known Josepha long enough to understand she meant to destroy her research, and took the first opportunity to sneak past the village boundary with the book and find a place to hide it. The disappearance of the tome unleashed whispers that Cimmy was consorting with the forces of evil, and her all too frequent visits to the wilderness instantly became suspect, for what could one possibly seek in the wild, if not malevolent non-human creatures? “Cimmy…” Rahima started her timid inquiry. “Yes?” “We always shared everything, right?” “Always.” “So, if you did something, you would tell me.” “Something?” “Well, you know… things.” “Please tell me you didn’t give in to this nonsense! Rahima, you’re my best friend!” “People talk,” Rahima looked down, embarrassed. “And that’s new?” “No, it’s just, you never talk to me about what you do out in the wild, and as you said, we used to share everything.” “I didn’t know you were interested. Come with me next time and I’ll show you what I learned so far.” To a group that is accustomed to expressing common opinions and beliefs, the only thing that induces more panic than a secretive life is a conspiracy. As soon as Rahima joined the effort to fill in gaps in diseases’ etiology, Bertha became concerned. “I told you to forbid the girls to learn how to read and write. What need do they have for those worthless scribbles? They’re busy enough with the field work and their household duties. You know what writing is good for? Preserving evil knowledge and hiding it away from the people of good will, like a shameful disease only the unworthy delight in.” “In all your born days, Josepha, did you have any question, any concern that couldn’t be solved by respectfully asking your elders? Who knew everything worth knowing and kept us and our sacred values safe? This writing business, those terrible drawings, I’m telling you, the girl is evil, as I’ve been saying all along, and now she corrupted that hare-brained friend of hers. Poor girl wasn’t the sharpest knife in the drawer, but at least she was obedient and respectful. How long before all of our youth gets corrupted, you think? Is it worth putting up with damnation just because an evil doer got lucky enough to cure a few diseases? Who says it was her effort and not God’s grace that did the healing, and she’s not taking us all for fools to advance her unholy plans?” “So, what do you want me to do, banish her?” “Them. And why not? Better two get lost than the entire village, two who are as good as lost already. Let them figure out how to live in the wilderness if they like it so much.” The council of elders was assembled, and it was decided and announced, in dignified fashion, that Cimmy and Rahima were to depart the village and seek their fortunes in the wild. The two left at sunrise, with nothing but the shirts on their backs, and walked quietly through the wild meadows, not looking at each other. After a few hours, Cimmy gave into her guilt. “I’m so sorry, Rahima. Maybe Bertha is right. I seem to get myself, and now you, in trouble no matter what I do.” Rahima refused to answer. She was furious, scared, and never felt more alone. Rahima had built her life inside the soul of the village, and the absence of society hurt her like a wound. What were they going to do now, how were they going to live, who would take care of them when they were in need, what of all the terrible creatures of the wild, from which they had no protection now? These thoughts reminded her she hadn’t seen Fay in days, and, upset as she was, she still had to ask Cimmy about his whereabouts. As if prompted by the question, Fay poked his snout through the high grasses by the side of the path and clambered Cimmy’s leg and arm to reach her shoulder, where he made himself comfortable in her hair. “Great. You have rat in your hair. What on earth was I thinking?” “Rahima, please don’t hate me! We’re in this together. We need each other.” “And what exactly can we do to survive? Have you thought of that? What of your precious sketches? Good luck drawing them now, with no charcoal and no parchment. What about food, Cimmy? Or shelter? How are we not going to starve or freeze to death? Or get eaten?” Her voice went dry with dread. “Fay managed to survive here, and he’s a rat! Have some faith, will you? We’ll think of something.” “It would have been better to think this through ahead of need.” “The thistle cakes are edible, and there are plenty of those. We can make some beds out of the stems, too.” “Are you mad? Who eats thistle cakes?” ‘She really doesn’t remember anything,’ Cimmy thought, amazed that the skip jumping through history and time she seemed to experience was completely foreign to her friend. “Rahima, it’s not that hard. You’ve been sowing and reaping and making clothes and cooking food and starting bonfires your entire life. There is no difference between doing it for the village and doing it for yourself, except for your own fear. Let’s set camp somewhere, it’s close to sunset. We’ll find some thistles and berries to eat and tomorrow, before dawn, we’ll sneak out into the fields and gather some seeds and grains to plant out here.” “What, steal?!” Rahima started shaking. “No. We’ll just starve to death.” “You and your cursed book! Bertha was right. It’s a slippery slope and before I know it, I will be damned, I know I will,” Rahima started sobbing uncontrollably, refusing to allow Cimmy to comfort her. “I am doomed, and it’s all your fault!” “Be that as it may, can we ensure our survival first? You can blame me later, on a full stomach.” Through all the drama, Fay snuggled comfortably in Cimmy’s hair, watching the two with intense curiosity, trying to figure out if their bizarre behavior was meant to accomplish something. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit francisrosenfeld.substack.com

    10 min
  2. Rachel: Reading from The Garden - To Heal

    Jun 10

    Rachel: Reading from The Garden - To Heal

    “Are you sure it was the leaf?” Rahima asked, while stirring the pot of blue liquid to get the color evenly distributed through the fibers. “I don’t know.” Cimmy scratched her head, unconvinced. “Maybe. It’s hard to tell.” She frowned and changed her mind. “What else could it be?” “But why would placing a leaf on your wound make it better?” Rahima asked. “It doesn’t make any sense!” “I know, I’ve been asking myself the same thing,” Cimmy pondered, working through her logical explanation out loud. “Maybe some of the plant’s substance fused into my skin,” she said tentatively. “That’s crazy talk, even for you,” Rahima shook her head, appalled. “There,” she grabbed onto her friend’s arm and held on to it. “Am I leaving part of my substance in your arm, too?” Cimmy thoughtfully considered her answer. “You are not actually going to answer that, are you?” Rahima protested, exasperated. “Why would that be so hard to believe?” Cimmy asked, puzzled at the reaction. “Because it’s crazy,” Rahima stated the obvious. “Maybe it only works with leaves,” Cimmy walked back her hypothesis. “Maybe it doesn’t work at all,” Rahima returned the more plausible response. “Maybe not,” Cimmy relented. They watched the pot in silence, stirring occasionally to prevent the color from settling on the bottom. Cimmy eventually blurted out. “But, say, if it were possible, wouldn’t you want to try it? What’s it going to hurt? It’s not like you’re not hurt already!” “Maybe I don’t want to spend three weeks delirious, hoping I don’t die from the fever. Who knows how those leaves might foul up your blood?” Rahima asked, concerned. “How would they foul up my blood?” Cimmy continued the flow of logic. “With whatever they might get inside your wound?” “So you’re saying they can blend some of their essence into my blood?” Cimmy picked up the logical dissonance. “Yes! No!” Rahima got all turned around inside her head. “You don’t understand!” “How don’t I understand?” Cimmy continued, unrelenting. “Either it lends its essence to your blood or it doesn’t.” “It’s not that simple,” Rahima protested. “We do know things that can turn your blood foul, but we do not know things that can heal your wound.” “What’s the difference?” Cimmy went on, unperturbed. “For one, I’ve seen blood turn foul. I haven’t seen a wound healed by a leaf.” “Until now,” Cimmy corrected her. “Until now,” Rahima agreed in principle. “If that’s what happened, that is.” “What else could it be?” Cimmy restarted the logical cycle. “What if it’s not and you could have made it worse?” “What if my blood ran foul if I didn’t use it?” “What if your blood ran foul because you did?” Rahima offered the gloom and doom alternative. “Besides,” she continued, frowning, “there is no way to verify that. Unless you hurt yourself again.” “I’m not going to hurt myself on purpose!” Cimmy protested. “Well, then we’ll have to wait for the next time you do it on accident and try to see if the leaf makes your blood turn foul,” Rahima continued in the most natural tone. “Rahima!”Cimmy couldn’t believe her ears. “Remind me not to get on your bad side!” “I’m just saying,” the latter replied, trying to appease her. “How else are you going to find out?” “Maybe we can boil the leaves and drink the water, see what happens,” Cimmy continued, inspired by the blue liquid brewing in the cauldron. “You’re going to poison yourself!” Rahima exploded. “So you agree that it will do something to my body,” Cimmy continued. “So would a knife, but you’re not going to swallow that either,” Rahima retorted. The logic had come to a stopping point, so they continued to watch the pot in silence. A few minutes later, Cimmy couldn’t help herself. “How does it poison me, exactly?” “Here,” Rahima offered her a ladle of blue dye. “Drink this!” “No!” Cimmy shook her head. “Why not? How is it different? It’s a boiled plant!” “But it didn’t heal my wound. It stained my shirt,” Cimmy replied. “Maybe the other leaf can stain your shirt, too. You haven’t tried,” Rahima argued. Cimmy acknowledged her friend’s objection and put testing the leaf for dye pigments on her list of things to do. “But it also healed my wound.” “You don’t know that,” Rahima disagreed, stubbornly. “But say it did. How would you be able to tell apart the plants that heal your wound from the plants that stain your shirt?” “How do you tell apart the plants you eat from the plants you use to make baskets?” “I don’t know, you grow up with them, you get taught by your parents,” Rahima hesitated. “How do you think they figured it out the first time? I mean, somebody must have figured it out at some point.” “I guess starvation wises you up really fast,” Rahima frowned. “So does blood sickness.” Cimmy’s eyes turned dark suddenly. Life was harsh and cruel in their village, which had been visited by loss more times than the girl wanted to remember, and every time it did a deep sense of helplessness and inevitability set in, a sense that they were all slaves to an implacable fate. Maybe it was a fool’s errand, but, according to the widely held opinion, she was a fool already. It wasn’t like she had a reputation to maintain. Reputation, Cimmy thought, was incredibly damaging to a person’s creativity. It kept one locked into a state of being one didn’t belong to anymore, like a tree whose growth is stunted so it continues to fit in a dish. What good is your reputation when fate comes for you? That said, she blessed crazy with both hands, wrapped the sky blue gossamer veil around her head in an even more eccentric manner, if that were possible, and planned to go out into the fields and figure out the plants that heal from the plants that stain your shirt like her life depended on it. She had absolutely no idea how she was going to do that, of course. “Maybe you can go blindfolded and hope to stumble upon them,” Rahima offered, half jokingly. “You think that would work?” Cimmy asked seriously. Rahima shook her head in dismay and pulled out the blue cloth, which had finally achieved the desired hue, out of the cauldron. “Do you think you can find other plants to get more colors?” she asked, pleased with the results, and went to spread the cloth on thistles to allow it to dry. “At least we won’t run the risk of poisoning ourselves while doing that,” Cimmy thought. Photo by micheile henderson on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit francisrosenfeld.substack.com

    7 min
  3. Elena: Listen to a new chapter from The Garden - The Good Herbs

    Jun 3

    Elena: Listen to a new chapter from The Garden - The Good Herbs

    […]Cimmy washed the shirt repeatedly for the next several days, but the blue was there to stay. In light of the disaster du jour, Cimmy had another heretical thought, the kind that had reliably gotten her in trouble since she had started taking her first steps into the world. A shirt that was stained blue was not acceptable, but if she managed to make the entire shirt blue, that would probably be alright. She wasn’t given to situational analysis, and therefore she did not contemplate the impact of being the only person with a blue shirt in a village full of tan ones, so she went back out into the field and picked a large bundle of the weeds with blue flowers, took them home and boiled them together with her shirt. Problem solved. She was surprised to find a knotted bundle of threads at the bottom of the pot after she threw away the blue water, threads a lot softer and silkier than the scratchy thistle fibers her shirt was made of, and they were all bright blue, like the sky and the waters, and looked so beautiful that they didn’t seem to belong to this world. There were no such colors and such softness in her world, and while looking at them and feeling their softness caress her fingers, she wondered whether she didn’t actually venture into that dream world of hers after all. She spent all afternoon removing the bits of woody stem still stuck in the wondrous fibers, and then she unraveled the knots and split the sturdy bundles into thinner and thinner threads, until they were lighter than the breeze and so thin she could barely see them. When she was done, she ended up with a lot of thread, so she stretched it on the loom and made a piece of cloth out of it, finer than gossamer and lighter than the breeze, a cloth whose color seemed to have been drawn directly from the sky.[…] This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit francisrosenfeld.substack.com

    11 min
  4. Ethan: A Reader Recently Asked

    Jun 1

    Ethan: A Reader Recently Asked

    Q: Why do mirrors appear so often in your work? I didn’t notice that myself, so whatever it is, it must dwell below the threshold of reason. Ask yourself: what does a mirror do? It transforms the three-dimensional image of a subject into a flat representation that looks like it, but lacks substance and depth. A mirror is to an object like a memoir is to a person’s real life: no matter how much detail is rendered in it, it can never capture the essence of what being that person was truly like. Q: What is the difference between memory and imagination? I don’t think there is a fundamental difference. The images and concepts they create in your mind are just as real whether they’re a replica of a place or situation you encountered, or a manufactured reality you constructed. The power of their emotional content is the same, and they both have the ability to awaken your intuition and spur you to action. This lack of distinction is precisely what enables visualization, empowering you to craft for yourself a future that is both unfamiliar to you and highly desirable. It is also what makes ancient and abstruse spiritual practices understandable: altered states of consciousness, dream incubation, vision quests. Q: If a reader could walk into one of your stories, where would you send them? I would send them to Generations, the happy, carefree world where the children of Terra Two grew up. Nothing is impossible in that world. It is a place without dangers where advanced technological breakthroughs made the mere intention of creating something enough to bring it to life. Q: Why are doorways, thresholds, and hidden rooms recurring motifs in your writing? There is a lot more to this life than we can see, or even know exists. I was raised on fairytales and later developed an interest in transcendental concepts. These two ends of the spectrum share a similar intuition: that whatever that is that lays beyond our perception or understanding is accessible through some hidden, mystical knowledge. The quest for that hidden knowledge has haunted enlightened people throughout history. Q: Is nostalgia a place, an emotion, or a form of time travel? I think it’s all three: nostalgia transports you back in time to the person you used to be back then, and to places that no longer exist. For a brief time you become that old you again, in a place lost to the past. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit francisrosenfeld.substack.com

    2 min

About

These are spoken fragments—reflections, passages, and pieces of stories that have not yet settled. Some of them have written forms. Some of them point to places that already exist. Some of them are the only version. francisrosenfeld.substack.com