The Official Podcast Page of www.wagneroperas.com
An Afternoon Walküre at the MET
The Metropolitan Opera is currently presenting Wagner's Ring, and the return of the Robert Lapage controversial production. Last Saturday I attended a performance of Die Walküre, and the mechanical problems that plagued this staging during the first season now seem to be gone.
The Bayreuth Festival 2018
It’s that time of the year, when that midsummer classic the Bayreuth Festival begins once again. This year I will be attending this yearly ritual, and ahead of me will be performances of The Flying Dutchman, Parsifal, Die Meistersinger von Nürnberg, and the new production of Lohengrin, directed by , the first American to mount a production at the Green Hill.
Herrmann and Wagner
In this podcast, we explore the link between the musical score of Alfred Hitchcock’s masterpiece Vertigo, written by composer Bernard Herrmann, and the music of Richard Wagner’s Tristan und Isolde. The 1959 film, whose themes center on obsession, and the links between love and death, covers similar terrain as Wagner’s opera. As a result, Herrmann’s music at times appears to be a loving homage as well as a tribute to Wagner’s greatest work.
Parsifal at the Metropolitan Opera - 2018
When Parsifal is playing in town at the Metropolitan Opera it is a not-to-be-missed event. I was joined by my good friends Francis and his wife Julia, as well as my friend Vlad. Francis and I went to Bayreuth last summer, so he is well-seasoned in the works of Wagner, but this was Julia and Vlad’s first Parsifal. The reaction of my friends to this production, including musical interludes of their favorite moments from this opera, is at the heart of this podcast.
A Trip to Bayreuth in 1905
A guidebook to the city of Bayreuth, written at the turn of the century, got me thinking: I wonder what a trip to Bayreuth would have been like in those days. In this video podcast we will take a trip to 1905, and listen to the glorious voices that graced the Festspielhaus during the beginning of the 20th century.
The Christmas season does not usually bring to mind the music of Richard Wagner, but it should, for on Christmas morning, in the year 1870, Cosima, the composer's wife, woke from her slumbers to a new composition written by her husband to celebrate her 25th of December birthday, and played at their house by her friends. The composition was the Siegfried Idyll, Wagner’s very special Christmas music.
Informative and particular. Though I wish they offered yet more archived material from the 20th century, the recordings themselves are well suited to enjoyment and education.
but does not publish very often