Chloe Michelle Howarth, author of 'Heap Earth Upon It,' discusses drawing her inspiration from the Irish countryside, the process of researching historical settings, crafting multiple character perspectives, and exploring the theme of obsession in her latest book. The conversation delves into the creative process, sibling dynamics, and upcoming projects, offering insights into the author's writing journey. In this episode of Why Authors Write host Sara Stanton explores how bestselling novelist Chloe Michelle Howarth deals with the theme of obsession in “Heap Earth Upon It.” Set in a fictional rural Irish town in 1965, the novel follows the O’Leary siblings—Tom, Anna, Jack, and Peggy—as they arrive in Ballycray seeking a new beginning, only to find that old secrets and dangerous fixations don’t stay buried for long. Drawing from her upbringing in West Cork, Chloe anchors her characters in the drizzly winters, eerie quiet, and isolated landscapes of rural Ireland to create the perfect backdrop for a gothic tale steeped in sapphic obsession, family tension, and identity. She and Sara dig into the craft of telling a story about obsession from multiple points of view, with each character completely convinced that their version of events is the core truth. Chloe and Sara explore why 1960s Ireland—especially rural Ireland—was the right era for this novel. Far from the image of the swinging ’60s, Chloe points out that Irish social change and counterculture arrived much later. She wanted to place a queer protagonist in a time and place with no language, references, or community for her queerness, forcing that self‑discovery to happen in a near vacuum. To pull this off, Chloe relied heavily on the RTÉ archives, immersing herself in contemporary radio and television to capture what people were hearing, gossiping about, and angered by in that exact moment. Craft-wise, the novel is told through four distinct points of view—Tom, Anna, Jack, and Betty—and Chloe was determined that each voice feel truly separate. She even wrote each character in a different color ink to remind herself “drop into” their perspective, ensuring they didn’t all sound like variations of her own voice. The complexity of aligning their timelines, secrets, and emotional arcs was, she admits, a major editorial challenge—but also one of the most satisfying parts of making the book. Chloe owns up to enjoying centering her book on obsession and delving into the dysfunctional sibling relationships that sharpen into crisis in the course of her book. “These characters are obsessive people, and they’re like that from the start… the brothers get away with it because their obsessions are more socially acceptable, even when their behavior is just as extreme.” Takeaways Setting as InspirationResearching Historical SettingsGothic storytellingSibling dynamics and perspectives on obsession Chapters 00:00 Exploring the Theme of Obsession