Write On SC

Kasie Whitener

By writers, for writers, a weekly discussion of writing craft lead by South Carolina Writers Association members and guests.

  1. Fools, Clowns, Comic Relief

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    Fools, Clowns, Comic Relief

    It’s been a while since we covered the dozen uses for the Fool (Episode 181) so there are some new notes and updated links for it but the concept remains. Per Gemini AI: the Fool is an archetype, often a jester or simpleton, who uses humor, feigned madness, or childlike simplicity to speak uncomfortable truths, challenge norms, offer wisdom, and provide commentary, acting as a mirror for society and powerful figures, as seen in Shakespeare’s King Lear, where the Fool guides Lear through his downfall by bluntly pointing out his foolishness. They serve as both comedic relief and profound commentators, revealing deeper meanings through their seemingly nonsensical words or actions, and can represent vulnerability, childlike innocence, or a “holy fool” figure who embodies spiritual wisdom. (Link and Link) Key Characteristics: Truth-teller: Given license by their supposed foolishness, they can criticize kings, nobles, and societal conventions without punishment, a role often denied to others. Wise Fool: Appears simple but possesses profound insight, using wit, paradox, and riddles to convey wisdom (e.g., King Lear, Patchface in A Song of Ice and Fire). Vulnerability & Presence: Embodies living in the moment, embracing risk, and showing authentic emotion, contrasting with the controlled, often misguided, actions of the “wise” characters. Catalyst for Change: Their commentary forces others (and the audience) to confront uncomfortable realities, prompting growth or revealing tragic flaws. (Link) Read more on the blog

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  2. RetCon, what is it good for?

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    RetCon, what is it good for?

    What is Retroactive Continuity? Retroactive continuity (often called retcon) is a storytelling device used in fiction when authors or creators deliberately change, add to, or contradict facts that were previously established in a story’s “official past.” In essence, the story’s “history” gets rewritten, sometimes subtly and sometimes quite dramatically. (Wikipedia) According to one definition: “Retroactive continuity is a literary device in which previously established information in a work of fiction is changed, ignored, or contradicted to suit the current story.” (TCK Publishing) The motivations for retconning can vary: To correct continuity errors or inconsistencies that arose in earlier installments. (Wikipedia) To expand or deepen a story by adding new layers—backstories, motivations, relationships—that simply weren’t there before. (Language & Humanities) To reboot or reimagine a story, more in line with new creative direction, audience expectations, or modern sensibilities. (Language & Humanities) To revive characters (e.g., bring back a “dead” character) or reset aspects of the fictional universe to allow new plots. (Wikipedia) In long-running franchises — comics, film series, TV shows — retcons are especially common because over time, multiple writers or creators may contribute, or earlier plot points simply don’t hold up to new storytelling ambitions. (FourWeekMBA) Read more on the blog

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  3. Catalysts and Decision Makers

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    Catalysts and Decision Makers

    The last time we did this topic was way back in 2021 here’s the link to Episode 130. We think maybe we’ve learned something since then. Born out of the “be mean to your characters” necessity, “what could be meaner than making your characters make decisions, do something, take responsibility, and live with consequences of their actions?” According to this link by Meg LaTorre at Savvy Authors, “agency” means the character is more proactive than reactive in the story. The character does stuff instead of stuff just happening to him/her.To give characters agency, ensure they drive the plot through active choices and pursuit of clear, motivated goals, rather than passively reacting to events. This involves providing meaningful choices, showing consequences for their actions, creating internal and external conflicts that require decisive action, and allowing for character growth based on their decisions. (thanks, AI and this link)How do you do it? Check out this link (summary below): Active, Not Passive: Your protagonist should be the driver of the plot, making decisions that shape the story, not just having things happen to them.Clear Goals: Give characters specific, achievable goals rooted in their desires and motivations.Strong Motivations: Explain why a character takes action, linking their choices to their values, beliefs, and internal struggles.Meaningful Choices: Present dilemmas where characters must make difficult decisions that reflect their personality.Consequences: Show the tangible positive and negative outcomes of their decisions, reinforcing their impact on the story.Conflict as a Catalyst: Use obstacles and conflicts to force characters to act and make choices.Show, Don't Tell: Reveal agency through actions and dialogue, not just narration of thoughts or feelings.Character Arc: Allow characters to change and develop as a result of their experiences and choices.Avoid Deus Ex Machina: Don't resolve conflicts randomly or through external forces beyond the character's control.Read more on the blog

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  4. Getting Ready for an Event

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    Getting Ready for an Event

    Finding the right event, getting the vendor license, and packing all your stuff to go over there and sell is all part of the prep. The South Carolina Artisan license can be found at the SC Department of Revenue (link). Some expected costs: Table ($50-200), vendor license (maybe), travel -- if you have an LLC, you can consider all of these business expenses. Some preparation consideration: Table aesthetics - what will get people's attention? How can you display your logos and branding? What props will you use to lure people? Rex has foam boards of the book covers, Kasie has QR code displays. Rex has a foam baby eating a rat, it was a Halloween store buy. What giveaways will you have? We've used candy and we've used stickers. Match the stickers to the event. Book display stands are available at Amazon and the foam board displays will have theirs in the purchase price. Some of the vendors we mentioned for giveaways: DiscountMugs.com, VistaPrint, 24HourWristBands.com Tote bags - people walk around with the bags and advertise for you. This is a good onsite investment. Book pricing can and should be related to the people at the event. Consider charging what you think the people will pay. All the authors charging the same thing may not sell anything. But when Rex charges what he thinks the people will pay, he undercuts the other authors. Volume is what matters here, he says, so the more books you can put out in the world the better. How to present yourself at the table: look professional, a jacket and a nice shirt, something relevant for the event, put out a select number of books so that people can peruse them individually. Engage with people, talk to them, don't be nervous. Know something about the subject. Read more on the blog

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By writers, for writers, a weekly discussion of writing craft lead by South Carolina Writers Association members and guests.