Writers at Work

Bliss Publications

WRITERS AT WORK is a podcast about the joys, heartaches, challenges and satisfaction of the creative writing process. Hosted by Jim Fusilli, additional information is available at writersatworkpodcast.com.

  1. 12/19/2025

    Peter Blauner, Reed Farrel Coleman, S.J. Rozan, Peter Spiegelman

    As we approach the end of 2025, a special edition of Writers at Work. I speak with four writers I've known for almost 25 years: Peter Blauner, Reed Farrel Coleman, S.J. Rozan, and Peter Spiegelman. They are much-admired authors of mystery and crime fiction, with whom I've consulted and commiserated, and who have consulted and commiserated with each other as our careers as novelists careen like cars on a roller coaster. If Writers at Work is about the joys, heartaches, challenges, and satisfaction of the creative writing process, they can discuss those outcomes in great and intimate detail. Peter, Reed, S.J., and Peter have experienced the highs the life of a novelist can bring. Publication by admirable houses, rave reviews, awards, the attention of Hollywood, and most importantly, the loyalty of readers. They've also experienced the lows of the writer's life. Being dropped by those admirable houses, an absence of review, no nominations for awards, and silence from the film community. Thank goodness for those readers who remain true. To be a novelist is to be a solitary figure beset by uncertainty and doubt. To paraphrase Nietzsche, when you stare into a blank screen, the blank screen stares into you. Peter, Reed, S.J., and Peter possess what I consider to be the most essential traits of a successful novelist, willfulness, courage, and a belief in their work regardless of whatever obstacles they may face. Let's find out how they do what they do and what they've learned from their experiences.

    52 min
  2. 12/11/2025

    Rob Bowman

    My guest on this episode of Writers at Work is Grammy winning music scholar, Rob Bowman, whose new book is LAND OF A THOUSAND SESSIONS: THE COMPLETE MUSCLE SHOALS STORY 1951-1985. If the role of Muscle Shoals, a town in Northwest Alabama, in modern music history doesn't immediately pop to mind, allow me to mention a few of the landmark tracks recorded there. When A Man Loves a Woman by Percy Sledge, Land of a Thousand Dances by Wilson Pickett, You Better Move On by Arthur Alexander, I Never Loved a Man the Way I Love You by Aretha Franklin, I'll Take You There by the Staple Singers, I'd Rather Go Blind by Etta James, If Loving You Is Wrong, I Don't Want To Be Right by Luther Ingram. And then came the 1970s. In pursuit of the earthy funk sound captured in those studios, the rock and pop world invaded and the Rolling Stones, Rod Stewart, Joe Cocker, Jimmy Cliff, Paul Simon, and Bob Seger cut major hits there with members of the fame house band sitting in. Then country came calling. Willie Nelson, Hank Williams Jr., Mac Davis, Jerry Reed, and so on. To say Rob captures it all doesn't quite get it. Clocking in at 762 pages, including essential indices and with its fluid narrative style, LAND OF A THOUSAND SESSIONS at times feels like a minute-by-minute history. Fortified with a generous supply of photography and printed on beautiful stock, the book is as appealing as it is essential. As a fan of the music made in Muscle Shoals, and as a music journalist, I loved it. In addition to his Grammy nominated liner notes that are worthy of independent publication, Rob is also the author of SOULSVILLE USA: THE STORY OF STAX RECORDS and THE LAST SOUL COMPANY: THE MALACO RECORDS STORY.

    41 min
  3. 10/16/2025

    Steven C. Smith

    My guest on this episode of Writers at Work is Steven C. Smith, author of HITCHCOCK AND HERRMANN: THE FRIENDSHIP & FILM SCORES THAT CHANGED CINEMA. Before we proceed, a little story. Back in 2011, I proposed to the Wall Street Journal a story on the centennial of the birth of Bernard Herrmann. Securing the assignment, I traveled to the University of Southern California in Santa Barbara to examine their Herrmann archives that includes almost all of his film scores, all written in Herrmann's own hand. I assumed an archivist would stay with me and help me see how Herrmann composed and orchestrated his great works. But the archivist left me alone among pages and pages of scores. I was lost. I come to music by rock and folk. My sight reading is limited to top line melodies and maybe the baseline. Herrmann wrote for a full orchestra or unusual combination of instruments. In one score, I recall, there were parts for seven organs to be played simultaneously. To help me understand what I had seen, I made two phone calls. One to John Williams, the composer and conductor, who earlier in his career played piano on Herrmann's sessions. The other was to Steven C. Smith, today's guest and author of A HEART AT FIRE’S CENTER: THE LIFE AND MUSIC OF BERNARD HERRMANN, an extraordinary biography I had read years earlier. Steven was very patient when he explained to me what Herrmann had achieved with his masterworks. For his first Herrmann book, Steven C. Smith received the ASCAP Deems Taylor Award. Variety said that Herrmann book was responsible for, "A huge uptick of interest in that once neglected now practically deified film composer." Steven also produced some 200 documentaries about film and music, and is a four-time Emmy nominee.

    52 min

Ratings & Reviews

5
out of 5
6 Ratings

About

WRITERS AT WORK is a podcast about the joys, heartaches, challenges and satisfaction of the creative writing process. Hosted by Jim Fusilli, additional information is available at writersatworkpodcast.com.

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