Back To One Filmmaker Magazine

She was on “Game of Thrones” when she was a child, but Nell Tiger Free hit her stride in the M. Night Shyamalan series “Servant,” and now her absolutely incredible performance in the hit horror film “The First Omen” has solidified her as one of the great young actors working today. On this episode, she discusses her ‘total non-process’ process, which means every aspect of her work takes place between “action” and “cut” and literally nowhere else. She talks about why she only reads the script once, finds all backstory that isn’t on the page “cringe,” doesn’t like to rehearse at all, is at the complete service of the director, and strives for total emersion in the moment. It’s a fascinating and inspiring approach that could easily be misconstrued as carless if it didn’t yield indisputably astonishing results. “The First Omen” begins streaming on Hulu May 30th.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 
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Since he was last on the podcast (Ep. 112), Tom Pelphrey has been nominated for an Emmy for his work on “Ozark,” he’s had juicy roles on "Outer Range” and David E. Kelly’s “Love and Death,” and now Kelly has given Pelphrey perhaps his most exciting role to date in the character of Raymond Peepgrass in Netflix’s “A Man In Full.” On this episode, Pelphrey takes us deep into his work on that limited series. He talks about why a good costumer designer is an actor’s best friend, what made him feel free to go “full weird” with Regina King, the importance of being an advocate for your character, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 
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(Photo by: Skylar Reeves)

Over the past year and a half, no actor in any medium has given me more inspiration through their work than Mia Vallet. As a company member and frequent performer at the exciting NYC “loft theaters” Adult Film and The Brooklyn Center for Theatre Research, she continues to show the thrilling possibilities for this craft of acting, culminating in her performance as Nina in “Sea Gull,” Adult Film’s new version of Chekov’s masterpiece, opening on Friday May 10th in Manhattan. On this episode, she talks about her training at the University of North Carolina School of the Arts and early success in the business, the setback in her personal life that threw her off course but set the stage for true fulfillment in the work, why daring actors inspire her, the importance of trusting a director, why she loves rehearsal, loves Chekhov, doesn’t shy away from the highly emotional material, is inspired by the remarkable resilience of actors, and much much more.
"Sea Gull" Info and Tickets 
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 
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Judy Reyes is best known for playing Carla on the TV series “Scrubs,” but her nearly three-decades-long career is packed with roles on long-running shows like “Devious Maids,” and in movies like “Birth/Rebirth,” for which she was nominated for an Independent Spirit Award for Best Actress. Her latest is Hannah Marx’s highly anticipated screen version of John Green’s celebrated novel “Turtles All The Way Down” (coming to MAX on May 2nd). On this episode, she takes us back to the beginning—her “dramatic” childhood household serving as a form of acting training, defying her mother when she wanted to actually be an actor, and the support she found at the legendary LAByrinth Theater. She tells us why journaling as the character is her first step inside, how one recent role allowed her to show the fullness of her range, why simply being a latino artist is not enough, and much much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 
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As a working actor, Ryan Czerwonko’s credits include “The Endgame,” “Chicago Med,” “Chicago Fire,” “Cherry,” “Paint,” and “Watchmen,” to name a few. He’s also the artistic director of Adult Film, an exciting Brooklyn theater and film group where he acts, directs, and teaches. His latest project is a year-long exploration of Chekhov’s “Sea Gull” that will culminate in a limited engagement in Manhattan in May and a documentary on the whole process. On this episode, he explains why Chekhov is so important to him and what he set out to do with this ambitious endeavor. He gives us a deep dive into his very specific preparation process and takes us through the various techniques and approaches he has collected and adapted for his own use and combined into a curriculum for his students. He uses his recent time on the set of a movie as an example of being in the present moment and using your current thoughts and feelings as the driving force of your work, which is a major tenet of his approach. He explains why Stella Adler and Nikos Psacharopoulos are so influential to him, why tension is good, “acting” is bad, how he learned to stop worrying and focus on the work, and much much more.
"Sea Gull" Info and Tickets 
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 
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(Photo by Matt Street)

Dylan Baker is the definition of a consummate actor. For over three decades he has delivered so many incredible performances in series like “The Good Wife,” “Damages,” “Hunters,” films like “Happiness,” “Selma,” “Spider-Man 2”, and his latest, “LaRoy, Texas”, where he plays a professional killer. He talks about his approach toward playing despicable people, some who other actor’s wouldn’t touch. He takes us back to his beginnings, and the acting instruction that changed his work and which he still uses today. He tells a story about how the legendary theater director Nikos Psacharopoulos had a big impact on his early career,  talks about the excitement of working on ultra independent films like Onur Tukel’s “The Misogynists,” explains why minimal direction works so powerfully for him, gives us a run down of his pre-curtain ritual, and much much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 
Follow Back To One on Instagram