Screen Australia Podcast

Screen Australia

Empowering the Australian screen industry Get the latest insight and explore the biggest industry trends from leading industry professionals, as well as interviews with world-class Australian practitioners. Subscribe to Screen Australia's fortnightly newsletter to receive the latest episode along with show notes and bonus content, as well as the latest agency news, opportunities, funding approvals, and more at www.screenaustralia.gov.au. Feedback can be sent to podcast@screenaustralia.gov.au.

  1. 'The right team. The right time.' How The Killings at Parrish Station stuck to their creative guns.

    1 day ago

    'The right team. The right time.' How The Killings at Parrish Station stuck to their creative guns.

    Horror is having a moment, and so is creator Ben Jenkins with the recent release of the cosmic horror, crime drama The Killings at Parrish Station.  Like creators of horror hits across the globe like Get Out, Weapons, Talk to Me, and more recently Obsession and Backrooms, Jenkins started in comedy. "Horrible things sometimes happen to quite funny people. […] People are naturally funny, even when bad things are happening to them," hey says. "And that, to me, is drama."  He credits the collaborative and improvisational nature of his sketch comedy past with shaping production of the series, instilling confidence to back the concept and landing the right market fit with Stan and ITV.  Jenkins shares the development and delivery of the series from its ideation in Soviet urban myths and working with Helium and Stan, to building a shared creative vision with director Daniel Nettheim, writers Tim Pye, Catherine Smyth-McMullen and Yolanda Ramke, as well as leading cast Mia Wasikowska, Heather Mitchel, Xavier Samuel, Robert Taylor, Alan Dale and Doris Younane The series investigates the gruesome murder of four scientists in a remote Australian desert research station. Set across the original mystery in 1987 and the fallout of a potential copycat spree killer decades later, Detectives Georgia Cooke (Wasikowska and Mitchell) and Michael Thorne (Samuel and Taylor) grapple with the uncanny mystery that threatens their families, careers and sanity. The Killings at Parrish Station is available now on Stan.

    38 min
  2. 19 Jan

    Your Audience: The Ultimate Market Guide

    Start the year right with the latest Marketplace intel from Screen Australia Head of Market and Audience Rakel Tansley. Throughout the podcast, Tansley gives insight into how the Screen Australia Market and Audience team collates investment data and deal terms to provide an overview of the domestic and global marketplace, including how the data is interpreted to identify trends and develop publicly available resources for producers and filmmakers. She also discusses the rise of direct-to-audience and the microdrama, the importance of retaining IP and non-exclusive terms, the big genre and format hitters from MIPCOM (cozy crime or family co-viewing, anyone?), filling the gaps in your finance plan, and the top ten territories buying Australian content.  "Considering [Australia is] a very small pool, we land a very large wave internationally," Tansley says. "Screen Australia are in a privileged position that we get to see globally what is happening across the whole distribution landscape, across all mediums. And we get to see those deal terms, those licence periods, the fees being paid, and expenses being taken, so we can help navigate and help negotiate the best deals to make sure that's fair and reasonable across the board."  Further Reading and Resources   Sales agents and distributors  Checklist when negotiating film and TV distribution deals   Podcast: How to make marketplace intel work for you   Market Profiles

    46 min
  3. 06/10/2025

    Saving the planet one set at a time with Karl Liegis and Helen Panckhurst

    This is a big episode. We're talking saving the world big.  The global screen industry generates millions of metric tons of carbon emissions every year. From fossil fuels to food waste, costumes and sets, the average production can generate over 28700 kilograms of waste, and with pressure on production costs and budgeting, embracing sustainable practices on set can seem daunting.  But a growing movement of practitioners are exploring how to build more sustainable productions, regardless of size. 60Forty Films' Karl Liegis and Matchbox Pictures' Helen Panchurst join this episode to discuss the strategies and opportunities for engaging the screen sector in sustainability. They share their insights into what the industry is doing globally to be more environmentally conscious, how consultants and coordinators work with production, and why it's more important than ever for the Australia sector to embrace sustainable practices. Our top takeaways: Collaboration is key - not just within your team or production, but across the industry. Don't try to do everything. Pick three things that your production or team can focus on. It's not always about the successes. Learn from the hurdles and setbacks, and build them into your next project. Resources  Sustainable Screens Australia: https://www.sustainablescreens.au/  BAFTA Albert Toolkit: https://wearealbert.org/  The Pact HETV Drama Production Support Initiative: https://www.pact.co.uk/resource/the-hetv-drama-production-support-initiative.html   For feedback about this episode, please email podcast@screenaustralia.gov.au.

    40 min
4.8
out of 5
53 Ratings

About

Empowering the Australian screen industry Get the latest insight and explore the biggest industry trends from leading industry professionals, as well as interviews with world-class Australian practitioners. Subscribe to Screen Australia's fortnightly newsletter to receive the latest episode along with show notes and bonus content, as well as the latest agency news, opportunities, funding approvals, and more at www.screenaustralia.gov.au. Feedback can be sent to podcast@screenaustralia.gov.au.

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