We Interrupt This Broadcast

We Interrupt This Broadcast

Your essential monthly round-up of the Australian screen industry, every third Tuesday of the month. Plus, weekly deep dive interviews on the Tuesdays in between! Hosted by Julie Eckersley and Kirsty Stark. Produced by Leonie Marsh.

  1. 2 DAYS AGO

    047: Deep Dive with Leela Varghese: The Afterlife of Your Film is the Most Important Part

    In this episode, Kirsty chats to Leela Varghese, a writer and director, most recently of Lesbian Space Princess, which she co-wrote and co-directed with Emma Hough Hobbs, winning Best Indie Film at the AACTA Awards and the Teddy Award for Best Feature at Berlinale. Leela also wrote and directed the short film I’m the Most Racist Person I Know, which won the Special Jury Award at SXSW and the AACTA Award for Best Short Film.Kirsty and Leela discuss her career trajectory, including the strategies she applied on both recent films to try to build her profile as a director. Listen to hear Leela discuss: strategically aligning project ideas with grant criteria or historical festival programming to give them the best chance of successthe importance of building relationships with festival programmershow bold titles have played a role in her films’ success, and the way they’ve been seen by audiencesworking with distributors and sales agents as part of your festival strategythe relevance of film festivals in an age of social media and streaminghow to pivot and give your project the best chance of market success, while holding onto your creative vision why you should be thinking about distribution as you develop your projects Follow Leela and her work: Leela on Instagram: https://www.instagram.com/leelavargoose Lesbian Space Princess: https://lesbianspaceprincessmovie.comLesbian Space Princess on Instagram: https://www.instagram.com/lesbianspaceprincessfilmLesbian Space Princess: Official Trailer:https://www.youtube.com/watch?v=Nra14aUNYS8 This Deep Dive interview is hosted and edited by Kirsty Stark. If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend! Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠ Don’t forget to subscribe & get weekly episodes in your inbox.

    39 min
  2. 2 MAR

    046: Deep Dive with Alexander Jeffery: Making Low Budget Indies Outside of Hollywood

    In this episode, Robbie chats to Alexander Jeffery, a filmmaker based in Shreveport, Louisiana, where he co-owns production company Bespoke Works LLC with his friend and longtime collaborator, Paul Petersen. After moving to Los Angeles to pursue his dreams of acting and filmmaking, Alexander returned to the south to make low-budget, independent films with his friends, including his short film The Bespoke Tailoring of Mister Bellamy, which won the $50,000 Grand Prize at the Louisiana Film Prize, and his first feature, A Chance Encounter, which was released by Samuel Goldwyn Films after winning the audience choice award at Heartland Film Festival. Robbie and Alexander discuss the pros and cons of working outside a major film and television hub, and how he has built a sustainable career as an independent filmmaker. Listen to hear Alexander discuss: his reasons for choosing to work outside of LAwhat makes his projects resonate with an audiencehow to gain an insight into filmmaking trends as a screener for film festivalswhy creating work within a collaborative community can be an advantagehis strategy for creating profitable indie filmshow to find distribution and get your projects in front of an audiencehis new experiments in independent TVwhy low budgets are sometimes best Listen to Episode 46 on Spotify, YouTube or Apple Podcasts. If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast. Follow Alexander and his work: Alexander on LinkedIn: https://www.linkedin.com/in/alexanderjeffery Alexander on Instagram: https://www.instagram.com/alexanderjeffery Alexander on YouTube: https://www.youtube.com/@alexanderjeffery Bespoke Works LLC website: https://bespokeworksllc.com This Deep Dive interview is hosted by Robbie Miles and edited by Robbie Miles and Kirsty Stark. If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend! Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠ Don’t forget to subscribe & get weekly episodes in your inbox. https://www.weinterruptthisbroadcast.com.au

    28 min
  3. 23 FEB

    045: February 2026 News Round-Up: Matchbox Closure, AACTA Festival Wrap-Up & More...

    It’s been a huge start to the year for the Australian screen industry, with lots to cover in this episode! Kirsty Stark and Aven Yap discuss their time at AACTA Festival, including all of the big winners from the AACTA Awards. We talk about Universal Studios International’s decision to close Matchbox Pictures, and what it means for our local industry. Plus: all of your February screen industry news, opportunities and opinions from around the country... Subscribe and get every episode of We Interrupt This Broadcast in your inbox. Subscribe now 00:00 Happy Lunar New Year! 00:42 AACTA Award Winners, AACTA Festival Highlights, and what we heard on the ground 08:38 Matchbox Pictures closes 13:01 SPA Seeks ACCC Authorisation for Collective Bargaining 14:47 Streaming Quotas in place & the ABC’s plans for its additional funding 16:25 Screen Australia’s New Market & Audience Programs 18:10 Minimum License Fees for TV Production Increase 18:26 Brad Pitt Fights Tom Cruise & Darren Aronofsky Dabbles in AI 20:54 SXSW Sydney Ends & Tropfest is Resurrected 23:38 Industry Opportunities 24:40 What We’re Watching: Iron Lung + Aussie Festival News & Selections 27:37 What’s in production around Australia 28:33 One year of We Interrupt This Broadcast, and thank you AFTRS! 30:15 Acknowledgement of Country If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word. This episode of We Interrupt This Broadcast was hosted by Kirsty Stark and Aven Yap, and edited by Kirsty Stark. Thank you to AFTRS, the Australian Film, Television and Radio School, for sponsoring this episode. Applications for the 2026 mid-year intake of the AFTRS Master of Arts Screen Business, their postgraduate course on screen business and creative leadership, are now open until June 2. Head to aftrs.edu.au/award-course/master-of-arts-screen-business-mid-year for more information about , or listen to past student Fiona Kelly talk about her AFTRS experience in last week’s episode, Ep. 44. Join the conversation about Episode 45 on ⁠Instagram⁠ and ⁠LinkedIn⁠, or submit your own Big Idea to shape the industry at ⁠http://weinterruptthisbroadcast.com.au⁠. Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at weinterruptpod@gmail.com

    31 min
  4. 16 FEB

    044: Deep Dive with Fiona Kelly: Building a Career as a Screenwriter

    In this episode, Kirsty chats to screenwriter, story producer and script editor Fiona Kelly, about her 30 years’ experience writing for Australian television. Fiona has over 280 episodes of Australian drama to her name on shows including Home and Away, All Saints, Sea Patrol, and recently Scrublands Silver S2 and NCIS Sydney S3. Fiona shares her journey as a screenwriter from her early days to returning to study through a Master of Arts in Screen Business at AFTRS, including her tips for those wanting to forge a writing career today. Listen to hear Fiona discuss: Her initial journey into screenwriting The changing landscape of television The difference between a writer, story producer and script editor Why she decided to pursue further study The Master of Arts in Screen Business at AFTRS Advice for aspiring screenwriters Her big idea to change the shape of the industry Listen to Episode 44 on Spotify, YouTube or Apple Podcasts. If you enjoyed this episode, please subscribe & leave a rating or review to help the show find more listeners. Follow Fiona and her work: Fiona on LinkedIn: https://www.linkedin.com/in/fiona-kelly-16002056 Fiona on IMDb: https://www.imdb.com/name/nm1282210 If you’re interested in the Master of Arts Screen: Business at AFTRS, applications for the 2026 mid-year cohort (commencing August this year) are open now, until the 2nd of June. Designed for a new generation of screen leaders, AFTRS’ Master of Arts Screen: Business is Australia’s foremost creative screen business course. You can find out more at the links below: https://www.aftrs.edu.au/wp-content/uploads/2024/08/MASB-Course-Guide-2025.pdf https://www.aftrs.edu.au/award-course/master-of-arts-screen-business/ This Deep Dive interview is hosted and edited by Kirsty Stark. If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend! Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠ This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find your course and enrol. Don’t forget to subscribe & get weekly episodes in your inbox.

    29 min
  5. 9 FEB

    043: Deep Dive with Sophie Hyde: Creating Intimacy on Set and on Screen

    In this episode, Kirsty chats to Director, Writer & Producer Sophie Hyde, whose work includes 52 Tuesdays, Animals, Good Luck to You Leo Grande and Jimpa. Sophie shares insights into her process of collaborating with cast and crew, including internationally renowned performers like Emma Thompson, Alia Shawkat, Olivia Colman and John Lithgow. --- Listen to hear Sophie discuss: How she started as a director, and why it felt like the right role for her The way she balances writing, directing and producing across her projects Themes of freedom and intimacy across her projects The process of casting A list actors Some of the ways she builds trust with cast and crew How the body can serve as a way to access greater intimacy in storytelling Creating a supportive and collaborative culture on set Her big idea to shape the future of the industry Follow Sophie and her work: Sophie on Instagram: https://www.instagram.com/sophhyde Closer Productions: https://closerproductions.com.au Jimpa (in Australian cinemas from February 19th): https://www.instagram.com/jimpa_film Trailer: https://www.youtube.com/watch?v=LucqCU5y_-8 This Deep Dive interview is hosted by ⁠Kirsty Stark⁠ and edited by Brandon Boyer and Kirsty Stark. This episode is sponsored by ⁠AFTRS⁠, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find the right course for you. Join the conversation about Episode 43 on ⁠Instagram⁠ and ⁠LinkedIn⁠, or submit your own Big Idea to shape the industry at ⁠http://weinterruptthisbroadcast.com.au⁠. Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at weinterruptpod@gmail.com If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend! Don’t forget to subscribe & get weekly episodes in your inbox.

    42 min
  6. 2 FEB

    042: Deep Dive with Dan Fahy: Make Your TV Series More Favourable to Buyers

    In this episode, Kirsty chats to Screen industry consultant Dan Fahy about the evolving global marketplace for television, focusing on revenue trends, the importance of community, and the impact of data analysis on content creation. Dan outlines the opportunities for producers in a changing market with an emphasis on adaptability and innovation. Plus, the five realities buyers are facing that you should check your content against if you’re involved in the creation of stories. Listen to hear Dan discuss: His work for Paramount, BBC Studios and Nine, and why data analysis is crucial for understanding market trends.The slowing in revenue, leakage of revenue and concentration of revenue that are affecting content buyers globally.How children’s content presents great opportunities that we aren’t capitalising on in Australia.The five ways producers can adapt to make their content more favourable to buyers.Why the future of the industry relies on innovation and adaptability.Follow Dan on LinkedIn: https://www.linkedin.com/in/danfahy100 This Deep Dive interview is hosted by Kirsty Stark and edited by Brandon Boyer and Kirsty Stark. If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend! Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠ This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find your course and enrol.

    33 min
  7. 19 JAN · BONUS

    Bonus Episode: New Year, New Hosts!

    Happy New Year, and welcome to 2026! With Julie Eckersley departing We Interrupt This Broadcast for her new role at Screen Queensland, we’re excited to welcome Loani Arman, Aven Yap and Robbie Miles, who will be joining Kirsty Stark as hosts. We’re thrilled to expand the WITB team with a great mix of people and personalities who all have the best interests of the industry at heart - and we have big plans for the podcast this year! Tune in to this episode to hear more about who we are and what we’re excited about. Plus, we announce our upcoming first appearance as a team at AACTA Festival, where we’ll be hosting a panel (register and say hi!), and running an activation to capture your big ideas about the future of the industry (more news in the episode!). --- Loani Arman is a writer, director, and screen executive with over 20 years in the Australian screen industry, including her AIDC Award winning documentary My Body Says and as executive producer of the AACTA-winning series Latecomers. She most recently co-wrote a feature film adaptation of a hugely popular horror title. Aven Yap is a producer, writer, content creator working across Australia and Asia, and founder of Nimbus Creative. His credits span scripted and documentary projects for ABC, Nine, Disney+/NatGeo, and his award-winning short Piano Mums has a feature adaptation in development with investment from Screen Queensland and Screen Australia. Robbie Miles is a producer, educator and screen industry strategist with a deep interest in how creative work actually gets made. He currently leads industry engagement at the Australian Film Television and Radio School (AFTRS) and develops projects across film, television and digital platforms through Miles Ahead Productions. Kirsty Stark is an Emmy award-winning producer at Epic Films with a strong commitment to industry support, particularly in areas that promote career sustainability for freelancers and industry growth. She is the founder of CrewHQ, a nationwide crew database, and CrewCon, a conference for freelance crew. Kirsty is also Deputy Chair of The Mercury, and a host of We Interrupt This Broadcast. --- Our podcast schedule for 2026: Last Tuesday of the month - Monthly round-up episode All other Tuesdays - Deep Dive interviews Next week’s episode will be a special bonus AACTA Festival preview with Sam Buckland, with our regular schedule kicking off in February. Listen on Spotify, YouTube or Apple Podcasts. --- Links for your enjoyment: Aven crashes out in Sunnybank Plaza: https://www.instagram.com/p/DTJ5xttDI_K Robbie Miles in The Guardian: What It’s Like Winning Mastermind Australia: https://www.theguardian.com/tv-and-radio/2025/jul/19/mastermind-australia-sbs-winner See you in February, and don’t forget to sign up for our mailing list to get all of our episodes in your inbox when they’re released! --- If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word. We Interrupt This Broadcast is hosted by Kirsty Stark, Loani Arman, Robbie Miles and Aven Yap. This episode was edited by Kirsty Stark. This episode is sponsored by AFTRS, the Australian Film, Television and Radio School. Head to aftrs.edu.au to find an AFTRS course that’s made for you.

    21 min
5
out of 5
27 Ratings

About

Your essential monthly round-up of the Australian screen industry, every third Tuesday of the month. Plus, weekly deep dive interviews on the Tuesdays in between! Hosted by Julie Eckersley and Kirsty Stark. Produced by Leonie Marsh.

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