Blank Check with Griffin & David Blank Check Productions

Ah, yes - we’ve arrived at the reason why we held off on covering Sam Raimi for so long…because we didn’t want to end our series on such a dismal note! “Oz the Great and Powerful” - Raimi’s last feature until the recent “Doctor Strange in the Multiverse of Madness” - features James Franco in a performance that guest Dana Schwartz (“Noble Blood”) characterizes as “having the energy of a hot boy in a school play who’s laughing with his friends in the front row.” It doesn’t have the tactile, zippy cinematic language of Raimi’s best work, instead opting for the popular hyper-saturated, entirely digital look of Tim Burton’s “Alice in Wonderland” (a clear influence). But it *does* have a little girl made of porcelain who almost made Ben cry. Topics discussed include our desire for a Mila Kunissance, Zach Braff being the surprise MVP in this movie, whether “Tinkers” are a specific ethnicity or a class or workers, and the Disney IP lawyers who had to be on set making sure nothing infringed on MGM’s copyright of the classic Oz visuals.







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After the massive box office success of his Spider-Man movies, Sam Raimi went “back to basics” - returning to the gnarly demonic possession genre that he put his stamp on back in the “Evil Dead” days. This time, instead of the chin-god Bruce Campbell, we’ve got a particularly cherubic Alison Lohman in the starring role! The Bechdel Cast’s Caitlin Durante and Jamie Loftus join the #TwoFriends to chat about the goofy gross-out scares and economic recession relevance of 2009’s “Drag Me To Hell,” plus, we attempt to put together the ultimate canon of Goat Cinema.




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If “Spider-Man 2” had the reputation of being the greatest superhero movie of all time, “Spider-Man 3” had the inverse - a bloated mess with too many villains, and a very goofy Peter Parker going to the darkside, if by “darkside” you mean a trip to Men’s Warehouse and Hot Topic. But is that reputation justified? We’re gonna air on the side of…not REALLY. Notable Spidey 3 defender Jamelle Bouie (The New York Times, his podcast “Clear and Present Danger”) returns to Blank Check to praise this film’s focus on interpersonal relationships and quiet character moments. What else do we like? Griffin likes the “Editor’s Cut” (on Amazon Prime!). Ben *obviously* loves The Sandman. We all can agree that the much-memed sidewalk strut and jazz club sequences are a ton of fun. What doesn’t work? Let’s just say we have some issues with a lil guy named VENOM.




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For a while, “Spider-Man 2” was considered the high water mark for superhero movies - but does it hold up 14 years deep into the MCU? We’ve got two words for you - ALFRED MOLINA. Self-professed “Blank Check rabble rouser” Chris Gethard returns to the pod (and apologizes to the Blankie Community) as we trace the history and legacy of this iconic Spidey sequel. We love this movie so much, David doesn’t even care that the subway sequence isn’t accurate to New York! Other topics covered - why Aunt May should always be elderly and fragile, Tobey’s near-firing from the franchise, Mr Ditkovich Memes, our comic book villain rankings, and more!







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Upside down kissing, Bonesaw McGraw, and a soundtrack featuring not just one, but TWO of Avril Lavigne’s ex-husbands…it’s SPIDER-MAN! Screen Crush’s Matt Singer (who literally wrote a book about Spider-Man) joins us as we take a look back to a much different Hollywood landscape; a time when Marvel was a struggling comics company, when both Sam Raimi and Tobey Maguire were considered odd choices for a superhero adaptation, and when no film had yet to open to $100M at the US Box Office. Is the hyphen in “Spider-Man” crucial to the film’s themes? Was it a mistake to cover Willem Dafoe’s already goblinesque visage with a mask? Does Joe Manganiello look too old to be a high school student? Join us as we discuss those questions and more!







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Katie Holmes in a lazy southern accent asks, “What’s the matter? See somethin’ bad?” and we are immediately transported back to the year 2000 when the trailers for this movie were EVERYWHERE.  Writer and podcasting icon Starlee Kine joins us to talk about Sam Raimi’s “The Gift” - a film with an incredibly stacked cast of actors who were eager to sink their teeth into a Southern Gothic Billy Bob Thornton creation. Do we buy Keanu as a wife-beating redneck? Is Cate Blanchett actually a terrible psychic? How does Giovanni Ribisi’s performance in this rank among his most deranged screen outings? Folks - we apologize in advance for bringing up “The Other Sister”.




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