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Interviews with Authors about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  1. 58分钟前

    Eran A. Zelnik, "American Laughter, American Fury: Humor and the Making of a White Man's Democracy, 1750–1850" (JHU Press, 2025)

    A joke is never just a joke—not even in the eighteenth century. In American Laughter, American Fury: Humor and the Making of a White Man's Democracy, 1750–1850 (JHU Press, 2025) Eran A. Zelnik offers a cultural history of early America that shows how humor among white men served to define and construct not only whiteness and masculinity but also American political culture and democracy more generally. Zelnik traces the emerging bonds of affinity that white male settlers in North America cultivated through their shared, transformative experience of mirth. This humor—a category that includes not only jokes but also play, riot, revelry, and mimicry—shaped the democratic and anti-elitist sensibilities of Americans. It also defined the borders of who could participate in politics, notably excluding those who were not white men. While this anti-authoritarian humor transformed the early United States into a country that abhorred elitism and class hierarchies, ultimately the story is one of democratization gone awry: this same humor allowed white men to draw the borders of the new nation exclusively around themselves. Zelnik analyzes several distinct forms of humor to make his case: tall tales, "Indian play," Black dialect, riot and revelry, revolutionary protests, and blackface minstrelsy. This provocative study seeks to understand the vexing, contradictory interplay among humor, democracy, and violence at the heart of American history and culture that continues today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  2. 58分钟前

    Gastronomy as Sensory Engineering

    One year after the publication of Gastronomica’s special feature on food and philosophy, Robert T. Valgenti of the Editorial Collective revisits the question of what a philosophical perspective could bring to addressing food-related issues. In this episode, he talks with Gastronomica author and philosopher Sascha Benjamin Fink about human perception and how people experience the world, taking up questions at the cutting edge of science, art, and gastronomy. Sascha discusses the role of the senses and sensory manipulation in gastronomy and explains how common experiences of eating can lend real-world insights into sensory engineering. Over the course of their conversation Bob and Sascha consider different examples – such as the setting of the table, spatial design, experimental cuisine, and the use of AI in recipe development – and weigh in on what sensory engineering can also reveal about gastronomy. The article Gastronomy as Sensory Engineering, co-authored by Sascha Benjamin Fink and Brandon Ashby, appeared in the Fall 2025 issue of Gastronomica. “Gastronomy as Sensory Engineering” was one of fifteen short papers in a special section dedicated to philosophical perspectives on food issues. Access the articles in volume 25.3 of the journal here and learn more about the special section in Episode 53: Mapping Food and Philosophy of the Gastronomica podcast. Sascha Benjamin Fink works on the philosophy of mind with research interests in consciousness, sensory engineering, and new technologies, and most recently has been Director of Research at the Centre for Philosophy and AI Research (PAIR) at Friedrich-Alexander-Universität Erlangen-Nürnberg. As of August 2026, he works at the University of Cologne on sensory engineering in the DFG-AHRC Project SENSOR (DFG 527947799). Robert T. Valgenti is a professor of liberal arts and food studies at The Culinary Institute of America. A philosopher and translator, he works on the philosophy of food, Italian philosophy, and hermeneutics and is a member of the Editorial Collective at Gastronomica. Gastronomica: The Journal for Food Studies is published by the University of California Press. Quarterly issues are available in print and online. Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  3. 58分钟前

    Karin Barber, "Much Matter in a Penny Paper: Early Yoruba Print Culture in Lagos, 1910–1930" (Ohio UP, 2026)

    Much Matter in a Penny Paper: Early Yoruba Print Culture in Lagos,1910-1930 (Ohio UP, 2026) is a survey of the history and development of Yoruba print culture in Lagos, Nigeria, from the 19th to the early 20th century. The book details the emergence of the Yoruba language press, its themes, and its distinction from the English-language press. The influence of both missionary and secular presses on religion and morality as well as the socio-economic and political lives of the Nigerian people are also emphasised. The book relates the impact of the development of other machines, including transportation technologies like trains, trucks, and bicycles on the dissemination of printed materials across the regions. In terms of methodology, the book combines history and ethnography approaches to tell the story of the Yoruba printing culture in Lagos between 1910-1930. Alluding to Robert Campbell's installation of the first printing press in 1862, which led to the publication of the Anglo-African newspaper, the book narrates how the focus shifted from English-only publications to include Yoruba language content in the early 20th century, with books about Yoruba towns and poetry becoming popular. While the title of the book is rooted in the Yoruba proverb, “Oro po ninu iwe kobo”, reflecting the richness and diversity of content in early Yoruba newspapers, the book is testament to Professor Karin Barber’s motivation entrenched in her fascination with Yoruba language creativity including oral praise poetry, popular theater, and verbal arts, and her discovery of Yoruba oriki in colonial-era publications.   Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ LinkedIn | ORCID | and Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  4. 58分钟前

    Nancy Yunhwa Rao, "Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond" (U Illinois Press, 2025)

    The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  5. 58分钟前

    Raf de Bont et al eds., "Globalizing Wildlife" (UNC Press, 2026)

    Humans have always incorporated wildlife into processes of work, capture, and exchange. During the nineteenth and twentieth centuries, globalization became the latest in a long line of forces affecting human-animal relations. Grey parrots travelled the world as pets; rats used global shipping infrastructure to spread to far-off islands and became the object of cross-border extermination campaigns; and California sea otters were relocated to accommodate global oil transportation needs. The language of globalization, however, is rarely used to understand the history of these creatures. Globalizing Wildlife (UNC Press, 2026) shows how wild animals were not simply affected by globalization but shaped its concrete trajectories at local, national, and international scales. The editors and contributors of this collection bring the more-than-human turn to globalization studies, foregrounding not only how globalization matters for wildlife but also how wildlife matters for and constitutes globalization. The volume presents a range of geographically- and species-diverse case studies spanning from the 1870s to the present day to show that globalizing wildlife is far from a homogenous process. Ultimately, contributors reconceptualize globalization and wildlife in relation to one another and foster new connections between the longstanding study of globalization and the dynamic, rapidly consolidating field of historical animal studies. Contributors are Vincent Bijman, Christina Dunbar-Hester, Regina Horta Duarte, George Iordachescu, Nancy J. Jacobs, Ajit Menon, Gregg Mitman, Nitin D. Rai, Simone Schleper, Jules Skotnes-Brown, Monica Vasile, and James L. A. Webb Jr. Jacob Ward is an historian at Maastricht University, the Netherlands. He has written on the history of science and technology, environmental history, business and financial history, and political history. He recently published Visions of a Digital Nation: Market and Monopoly in British Telecommunications (MIT Press, 2024) and he’s currently working on a history of futurology in the United Kingdom and Europe from 1945 to the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

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Interviews with Authors about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

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