The Base

The Base

The Base is a new production company founded by Oliver Bennett and Morgan Watkins. We want to rediscover, explore and reinvigorate great texts in the Western canon to challenge the conformity of the contemporary dramatic arts. In a series of readings, we will bring to life profound texts with responses from new interesting thinkers. Moving forward, we want to inspire new writers, fostering a movement of fearless creatives and exciting intellectuals. We believe drama needs to go deeper and challenge audiences in order to do justice to our fascinating and troubling modern world. The Base Creates will celebrate excellence, depth and vitality. Join us. www.thebasecreates.co.uk https://www.instagram.com/thebasecreates/ https://x.com/thebasecreates

  1. 5 days ago

    The Birth of Tragedy by Friedrich Nietzsche with Johannes Niederhauser

    At 24, Friedrich Nietzsche became a professor. He published The Birth of Tragedy in 1872, one of the most explosive and impactful philosophy books in history. We're joined by philosopher and teacher Johannes Niederhauser to explore Nietzsche's first book. IN THIS EPISODE Who Nietzsche was: the philologist trained as a classicist, and the young professor under Schopenhauer's influence. His warning, from the 1880s, that nihilism would define the history of the next 200 years. Apollo and Dionysus: the dream and the ecstasy, and why Nietzsche needs both. Why he blames Socrates, Euripides and Christianity for draining the life out of tragedy. The story of King Midas and Silenus: "What is best of all is not to be born." The "last man" in Thus Spoke Zarathustra, who has invented happiness and has nothing left to strive for. Strong pessimism against weak pessimism: how Nietzsche answers Schopenhauer. Why Nietzsche matters to anyone working in the arts. ABOUT JOHANNES Dr Johannes A. Niederhauser is a philosopher, author and founder of the Halkyon Philosophy Academy. He holds a PhD in Philosophy from the University of Warwick and specialises in Nietzsche, Heidegger and post-Kantian philosophy. EXPLORE JOHANNES'S WORK Halkyon Philosophy Academy https://halkyonacademy.com/ Halkyon Thinkers Guild https://www.halkyonguild.org/ Philosophical Writing https://johannes-niederhauser.kit.com/posts Substack https://substack.com/@johannesaniederhauser Academic Profile and Publications https://philpeople.org/profiles/johannes-niederhauser SUPPORT THE BASE Support our work and become a member of The Base on YouTube to help us make more of these conversations possible. 🌐 Website https://www.thebasecreates.co.uk ▶️ YouTube https://www.youtube.com/@TheBaseCreates ✍️ Substack https://open.substack.com/pub/thebase 🎧 Spotify https://open.spotify.com/show/0M9FI9yjLCmOtCSI8sVpJk 🍎 Apple Podcasts https://podcasts.apple.com/gb/podcast/the-base/id1749936928 📸 Instagram https://www.instagram.com/thebasecreates 𝕏 X https://x.com/thebasecreates 🎵 TikTok https://www.tiktok.com/@thebasecreates 🔐 Become a YouTube Member https://www.youtube.com/@TheBaseCreates/join CHAPTERS 00:00 Introduction 02:37 Who was Friedrich Nietzsche? 07:17 The crisis Nietzsche was responding to 13:14 The Birth of Tragedy in a nutshell 20:18 Nietzsche vs Schopenhauer 28:29 The last man 36:17 The Apollonian explained 42:32 The Dionysian explained 57:17 King Midas and Silenus ALSO WATCH: Our conversation with Johannes on Goethe's Faust.

    The Birth of Tragedy by Friedrich Nietzsche with Johannes Niederhauser
  2. 24 Oct

    The Foundations of Shakespeare with Dr Neema Parvini (Academic Agent)

    The Foundations of Shakespeare | Dr Neema Parvini (Academic Agent) What are we missing when we study Shakespeare? And why does he still matter? In this episode of The Base, Oliver Bennett and Morgan Watkins speak with Dr Neema Parvini, also known as Academic Agent, about Shakespeare, the foundations of education, and the historical world that shaped his work. The conversation begins with Shakespeare’s enduring power: why his plays remain psychologically rich, open to interpretation, and resistant to being reduced to a single moral or political message. They discuss the teaching of Shakespeare today, the importance of inspiring teachers, and what students miss when they are asked to interpret great works before mastering the basics of language, grammar, and history. From the fall of Constantinople in 1453 and the rediscovery of classical texts to the growth of London and the emergence of the modern world, Dr Parvini places Shakespeare within the wider intellectual and historical currents of the Renaissance. The discussion also explores Elizabethan assumptions about sex, gender, costume, and performance, asking how we can understand Shakespeare on his own terms rather than impose our own categories upon him. Topics include: Why Shakespeare remains difficult, ambiguous, and exciting to study The foundations of education: grammar, language, and historical knowledge The Renaissance and the rediscovery of classical learning How Shakespeare’s world connected the medieval past with modernity Elizabethan attitudes to sex, gender, and theatrical performance Was Shakespeare progressive or reactionary? Why Shakespeare continues to be claimed by competing political and cultural traditions To understand Shakespeare, we must first understand the world he inhabited — and recover the foundations that allow us to read him properly. Explore Dr Neema Parvini’s work Academic Agency: https://www.academic-agency.com/ Academic Agent on YouTube: https://www.youtube.com/@AcademicAgent Foundations of Shakespeare: Explore the course through Academic Agency. Books and publications: Edinburgh University Press and Bloomsbury. Subscribe to The Base for conversations on theatre, philosophy, history, and the ideas that have shaped Western Civilisation. Support our work and become a member of The Base on YouTube to help us make more of these conversations possible. 🎭 Website https://www.thebasecreates.co.uk ▶️ YouTube https://www.youtube.com/@TheBaseCreates ✍️ Substack https://open.substack.com/pub/thebase 🎧 Spotify https://open.spotify.com/show/0M9FI9yjLCmOtCSI8sVpJk 🍎 Apple Podcasts https://podcasts.apple.com/gb/podcast/the-base/id1749936928 📸 Instagram https://www.instagram.com/thebasecreates 𝕏 X https://x.com/thebasecreates 🎵 TikTok https://www.tiktok.com/@thebasecreates 🔐 Become a YouTube Member https://www.youtube.com/@TheBaseCreates/join 00:00 Introduction: Shakespeare and elite theory 02:21 Dr. Parvini’s first experiences with Shakespeare 04:47 Why Shakespeare remains difficult and exciting to study 07:12 A Midsummer Night’s Dream and school social hierarchies 10:57 The role of inspiring teachers and rebellious students 15:40 Why schools can reward formulaic essays over original thought 17:36 Foundational writing skills and what students may be missing 18:34 History education and the missing timeline 22:00 Why Shakespeare needs more context than the Tudor period 23:35 1453 and the fall of Constantinople 28:36 The Silk Road, trade, and the Renaissance 32:01 Greek and Roman texts return to Western Europe 34:28 Copernicus, Galileo, and the changing view of humanity’s place 39:22 Commerce, London’s growth, and Shakespeare’s audience 41:47 Shakespeare’s possible nostalgia for an older social order 47:41 Grammar basics: verbs, subjects, objects, and clear writing 50:04 Was Shakespeare progressive or reactionary? 52:34 Modern categories of sexuality and the Elizabethan context 55:52 Galen’s ideas about sex and the

    The Foundations of Shakespeare with Dr Neema Parvini (Academic Agent)
  3. 4 Oct

    The Creativity Apocalypse with Justine Bateman

    We spoke with writer and film maker, Justine Bateman. We were delighted to connect with her and explore her ideas on what has happened to the creative industries over the last 20 years. Art stopped reflecting the world—and now AI is helping finish the job. Filmmaker and writer Justine Bateman joins Oliver Bennett and Morgan Watkins for a candid conversation about what’s changed in film, why so much modern culture feels creatively flat, and how artists can stay true to their work. They discuss the decline of independent film, streaming’s “second screen” model, and the pressure to make safe, algorithm-friendly content. Bateman argues that fear and conformity can hold artists back—and that AI risks accelerating repetition rather than creating something genuinely new. The conversation also explores artistic courage, the value of criticism, and the possibility of a fresh aesthetic for our time. Chapters 00:00 Introducing Justine Bateman and The Base 02:07 Why Bateman connected with The Base’s work 06:14 Bateman’s unexpected path into acting 11:14 The shift from acting to writing and directing 18:02 Fear, conformity, and changes in the entertainment industry 28:04 How streaming and “second screen” viewing changed film 35:10 What’s at stake when art becomes “content” 44:03 AI, algorithms, and creative repetition 54:02 Artistic independence and the pressure to conform 67:27 Endurance, criticism, and staying faithful to your work 77:02 Bateman’s films, Substack, and the challenge of distribution 85:28 The Base’s approach to creative freedom and study 89:16 Imagining a new aesthetic for modern culture 95:06 Final advice for artists and actors Justine Bateman: https://substack.com/@justinebateman https://x.com/JustineBateman The Base: 🎭 Website https://www.thebasecreates.co.uk ▶️ YouTube https://www.youtube.com/@TheBaseCreates ✍️ Substack https://open.substack.com/pub/thebase 🎧 Spotify https://open.spotify.com/show/0M9FI9yjLCmOtCSI8sVpJk 🍎 Apple Podcasts https://podcasts.apple.com/gb/podcast/the-base/id1749936928 📸 Instagram https://www.instagram.com/thebasecreates 𝕏 X https://x.com/thebasecreates 🎵 TikTok https://www.tiktok.com/@thebasecreates 🔐 Become a YouTube Member https://www.youtube.com/@TheBaseCreates/join

    The Creativity Apocalypse with Justine Bateman
  4. 29 Sept

    They Were Trained By The Best In British Theatre. Now It Has Been Captured By Cowards And Liars.

    This is from our appearance on Thinking Class with John Gillam. Please check out his amazing podcast over on YouTube or in Apple Podcasts. https://www.youtube.com/channel/UCd-S_3PAZp428pP5-mJB8ng https://podcasts.apple.com/gb/podcast/thinking-class/id1717021615 Oliver Bennett and Morgan Watkins trained at RADA — the Royal Academy of Dramatic Art — one of the most prestigious drama schools in the world. They have worked in film, television, and theatre for nearly twenty years. And they have watched the institutions that once carried the greatest theatrical tradition on earth be hollowed out by people who no longer believe in it, no longer understand it, and actively despise the civilisation that produced it. So they built something new. They call it The Base. In this conversation we discuss what has happened to British theatre, why the Edinburgh Fringe has become a monument to progressive ideology, why the RSC is rehearsing a lesbian Othello set against the climate crisis, why not a single pro-Brexit play was produced in a country that voted 52% to leave, why the head of RADA admits he knows nothing about acting, and why two men trained in Shakespeare are now building from the ruins. Oliver Bennett and Morgan Watkins — Co-Founders, The Base. thebasecreates.com | @thebasecreates Sponsored by Aquinas Tuition — bespoke academic tutoring for children who deserve to be stretched, not managed: https://aquinastuition.co.uk/ This one is centred around Oliver Bennett and Morgan Watkins, the founders of The Base, and their attempt to build an alternative cultural institution focused on theatre, the Western canon, artistic freedom and excellence. Related: Pierre d’Alancaisez — The Custodians Of Beauty Became Its Gravediggers: • The Custodians Of Beauty Became Its Graved... Carl Trueman — The West Killed God. Then It Killed Man: • The West Killed God. Then It Killed Man. N... Frank Furedi — In Defence of Populism: • Frank Furedi In Defence of Populism: Why T... The Call of England: • Episode 1: The Foundations | The Call of E... Albion Institute: albioninstitute.org ▶ YouTube: / @thinkingclass ✍ Substack: https://thinkingclass.substack.com 🎧 Spotify: https://open.spotify.com/show/37vvzrl... 🍎 Apple: https://podcasts.apple.com/gb/podcast... 🐦 X: https://x.com/thinkingclasses New episodes every Thursday at 3pm. CHAPTERS: 00:00 Why Britain's Cultural Institutions Can't Be Reformed 01:44 What Is The Base? 04:14 Why The Theatre Became So Boring 05:57 How Woke Culture Captured The Arts 08:15 Why We Shouldn't Be Ashamed of the Western Canon 10:41 What Happens When Art Can't Explore Sex and Gender? 11:51 Has the Fringe Been Captured? 14:24 Why The Base Abandoned the Mainstream 16:09 How Theatre Lost Its Cultural Tradition 18:31 Can Shakespeare Be Modernised? 19:59 Meeting Shakespeare on His Own Terms 22:57 Bringing Shakespeare Back to Life 25:13 Why Modern Theatre Dumbs Down Shakespeare 26:36 The Lost Working-Class Culture 29:17 Can Culture Uplift the Masses? 32:50 Is a Cultural Renaissance Possible? 34:37 Why the Arts Abandoned the Working Class 36:24 Why There Are No Pro-Brexit Plays 38:04 The Power of the Western Canon 39:30 Can the Western Canon Still Grow? 43:36 Do Modern Artists Understand What They're Rejecting? 47:29 Can the Right Actually Create Culture? 48:38 What Is The Base Trying to Build? 50:05 Art, Freedom and the Pursuit of Beauty 52:11 Why Acting Standards Are Collapsing 53:05 Can Counter-Institutions Survive? 55:45 How Do You Fund a Cultural Counter-Revolution? 58:11 Building a New Cultural Business 59:21 The Base's Julius Caesar Project 01:00:50 What Have You Changed Your Mind On? 01:01:16 Why Culture Must Be Inherited 01:02:41 From Atheism to Belief in God 01:05:03 The Return of Masculinity 01:07:56 Where to Find The Base 01:08:17 What's Coming Next? 01:10:24 Outro

  5. 29 Sept

    They Were Trained By The Best In British Theatre. Now It Has Been Captured By Cowards And Liars.

    This is from our appearance on Thinking Class with John Gillam. Please check out his amazing podcast over on YouTube or in Apple Podcasts. https://www.youtube.com/channel/UCd-S_3PAZp428pP5-mJB8ng https://podcasts.apple.com/gb/podcast/thinking-class/id1717021615 Oliver Bennett and Morgan Watkins trained at RADA — the Royal Academy of Dramatic Art — one of the most prestigious drama schools in the world. They have worked in film, television, and theatre for nearly twenty years. And they have watched the institutions that once carried the greatest theatrical tradition on earth be hollowed out by people who no longer believe in it, no longer understand it, and actively despise the civilisation that produced it. So they built something new. They call it The Base. In this conversation we discuss what has happened to British theatre, why the Edinburgh Fringe has become a monument to progressive ideology, why the RSC is rehearsing a lesbian Othello set against the climate crisis, why not a single pro-Brexit play was produced in a country that voted 52% to leave, why the head of RADA admits he knows nothing about acting, and why two men trained in Shakespeare are now building from the ruins. Oliver Bennett and Morgan Watkins — Co-Founders, The Base. thebasecreates.com | @thebasecreates Sponsored by Aquinas Tuition — bespoke academic tutoring for children who deserve to be stretched, not managed: https://aquinastuition.co.uk/ This one is centred around Oliver Bennett and Morgan Watkins, the founders of The Base, and their attempt to build an alternative cultural institution focused on theatre, the Western canon, artistic freedom and excellence. Related: Pierre d’Alancaisez — The Custodians Of Beauty Became Its Gravediggers: • The Custodians Of Beauty Became Its Graved... Carl Trueman — The West Killed God. Then It Killed Man: • The West Killed God. Then It Killed Man. N... Frank Furedi — In Defence of Populism: • Frank Furedi In Defence of Populism: Why T... The Call of England: • Episode 1: The Foundations | The Call of E... Albion Institute: albioninstitute.org ▶ YouTube: / @thinkingclass ✍ Substack: https://thinkingclass.substack.com 🎧 Spotify: https://open.spotify.com/show/37vvzrl... 🍎 Apple: https://podcasts.apple.com/gb/podcast... 🐦 X: https://x.com/thinkingclasses New episodes every Thursday at 3pm. CHAPTERS: 00:00 Why Britain's Cultural Institutions Can't Be Reformed 01:44 What Is The Base? 04:14 Why The Theatre Became So Boring 05:57 How Woke Culture Captured The Arts 08:15 Why We Shouldn't Be Ashamed of the Western Canon 10:41 What Happens When Art Can't Explore Sex and Gender? 11:51 Has the Fringe Been Captured? 14:24 Why The Base Abandoned the Mainstream 16:09 How Theatre Lost Its Cultural Tradition 18:31 Can Shakespeare Be Modernised? 19:59 Meeting Shakespeare on His Own Terms 22:57 Bringing Shakespeare Back to Life 25:13 Why Modern Theatre Dumbs Down Shakespeare 26:36 The Lost Working-Class Culture 29:17 Can Culture Uplift the Masses? 32:50 Is a Cultural Renaissance Possible? 34:37 Why the Arts Abandoned the Working Class 36:24 Why There Are No Pro-Brexit Plays 38:04 The Power of the Western Canon 39:30 Can the Western Canon Still Grow? 43:36 Do Modern Artists Understand What They're Rejecting? 47:29 Can the Right Actually Create Culture? 48:38 What Is The Base Trying to Build? 50:05 Art, Freedom and the Pursuit of Beauty 52:11 Why Acting Standards Are Collapsing 53:05 Can Counter-Institutions Survive? 55:45 How Do You Fund a Cultural Counter-Revolution? 58:11 Building a New Cultural Business 59:21 The Base's Julius Caesar Project 01:00:50 What Have You Changed Your Mind On? 01:01:16 Why Culture Must Be Inherited 01:02:41 From Atheism to Belief in God 01:05:03 The Return of Masculinity 01:07:56 Where to Find The Base 01:08:17 What's Coming Next? 01:10:24 Outro

About

The Base is a new production company founded by Oliver Bennett and Morgan Watkins. We want to rediscover, explore and reinvigorate great texts in the Western canon to challenge the conformity of the contemporary dramatic arts. In a series of readings, we will bring to life profound texts with responses from new interesting thinkers. Moving forward, we want to inspire new writers, fostering a movement of fearless creatives and exciting intellectuals. We believe drama needs to go deeper and challenge audiences in order to do justice to our fascinating and troubling modern world. The Base Creates will celebrate excellence, depth and vitality. Join us. www.thebasecreates.co.uk https://www.instagram.com/thebasecreates/ https://x.com/thebasecreates

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