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Politique

29 avr.

16 juil.

How Manchester shaped Andy Burnham, the UK's incoming prime minister

Three months ago, Andy Burnham’s desk was filled with the business of running Greater Manchester. Buses. Housing. Policing. This mayoral region in the north of England is home to 3 million people and Burnham, a former minister in the Labour governments of Tony Blair and Gordon Brown, has been its mayor for nearly a decade. But after a whirlwind ten weeks, Burnham travelled to Buckingham Palace on July 20 to meet King Charles, who appointed him as Britain’s new prime minister. At the heart of Burnham’s plans for power lies Manchesterism, a political philosophy that centres on giving cities and towns outside London more political control. In this episode, we explore how running Greater Manchester shaped Andy Burnham’s politics with researchers Kirsty Fairclough from Manchester Metropolitan University and Philip Brown from the University of Huddersfield. They assess what Burnham achieved as mayor and discuss whether a philosophy designed around one city can work on a national level for the UK. This episode was written and produced by Gemma Ware and Mend Mariwany. Mixing by Michelle Macklem and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation. Why Andy Burnham’s radical plan relies on the Treasury being a friend of devolutionThis is what Andy Burnham’s devolution plans need to consider – expert panelThis episode is part of a series on Manchesterism – a guide to Burnham's Britain
9 juil.

How celebrities like Taylor Swift are fighting back against AI deepfakes

When Taylor Swift launched her latest album, The Life of a Showgirl, in October 2025, she recorded two short clips to promote it. One for Amazon Music began with “Hey, it’s Taylor Swift”. Another, for Spotify with “Hey, it’s Taylor”. These two phrases may sound a little mundane, but they’re now at the frontline of a legal fightback by celebrities like Swift against AI deepfakes. In April, Swift’s intellectual property company, TAS Right Management, applied to the US Patent and Trademark office to trademark them as registered sound marks, along with a photo of her, from her recent Eras tour. In this episode, we speak to intellectual property expert Graeme Austin, a professor of law at the University of Melbourne and chair of private law at Victoria University of Wellington to understand why Swift took this route, and the different ways celebrities are trying to protect themselves against AI deepfakes. And if you’re not a celebrity with a large legal team, what can you do? This episode was written and produced by Gemma Ware and Mend Mariwany. Mixing by Michelle Macklem and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation. Can you own a voice? Taylor Swift’s latest legal move raises big questions for AI and copyrightFrom Taylor Swift to Bollywood, stars turn to the civil courts to fight deepfakesTaylor Swift trademarking her voice and likeness points to a new legal frontier in combating AI deepfakes
14 mai

The conspiracy theorists who feel vindicated by the Epstein files

As the revelations from the Epstein files continue to reverberate around the globe, those conspiracy theorists who were among the first to call for the release of information about Jeffrey Epstein's legal cases are feeling vindicated. Before his death, Epstein already featured in many fringe online forums, including those centred on the Qanon conspiracy narrative that the world is run by an elite cabal of child sex traffickers. Now, many in these communities are saying "We told you so." In this episode, Art Jipson, a sociologist at the University of Dayton in Ohio, who researches social movements and extremism, explains what happened when a real-life criminal case collided with an online community built on conspiracy theories. This episode was produced by Katie Flood, with assistance from Mend Mariwany. The executive producer was Gemma Ware. Mixing by Eleanor Brezzi and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation.
2 juil.

The anatomy of a super El Niño

El Niño has begun and forecasters predict a more than 60% chance that the naturally occurring phenomenon could become a very strong, or super El Niño later in 2026. El Niño begins with warmer water in the Pacific Ocean near the equator and can have a cascade of dramatic effects on the world’s weather. But what chain of events has to happen for high temperatures in the Pacific to translate into severe floods, droughts and storms around the world? And what role does climate change play in El Niño? In this episode, Ioana Colfescu, an expert in climate and machine learning at the University of St Andrews and the University of Edinburgh, explains how El Niño works and what it could mean for the world. This episode was written and produced by Gemma Ware and Mend Mariwany. Mixing by Michelle Macklem and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation. Mentioned in this episode: Voices of the South
23 avr.

Israel’s history shapes how it wages war

In around ten minutes on April 8, the Israeli military hit more than 100 targets across Lebanon. Israel called the attack Operation Eternal Darkness and said it struck Hezbollah command and control centres. The Lebanese government said at least 300 people were killed and 1,000 injured. Israel has a powerful and lethal army, and it’s been defending itself against attacks from Hamas, Hezbollah and Iran. But why has it chosen such brutal military aggression? One historian, Yaron Peleg, believes the answer to this question lies in the early days of Zionism in the 19th century, when many Jews who arrived in Palestine were fleeing antisemitism in Europe. In defiance, they began a cultural revolution, emphasising military strength and honouring Biblical Jewish heroes. But in the wake of the Holocaust, Peleg, who is a professor of modern Hebrew studies at the University of Cambridge in the UK, thinks Israel’s view of itself began to change. He tracks how he sees Israel’s self‑image changed from self‑reliance to aggressive militarism, and how that history helps to explain the way it wages war today. This episode was produced by Mend Mariwany and the executive producer was Gemma Ware. Mixing by Eleanor Brezzi and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation.
18 juin

Teens are still on social media, but does that mean Australia's ban has failed?

When Australia banned under 16-year-olds from using social media in December 2025, it became a test case for a policy now being pursued by governments around the world. This week, the UK announced a similar social media ban from 2027. So how’s it going in Australia? Have the teenagers emerged from a phone-lit glow to reengage in the real world? And what kind of difference is it having on their mental health? In this episode, we speak to Susan Sawyer, a professor of adolescent mental health at the University of Melbourne, who is running a number of ongoing studies examining the way young people and their parents are reacting to Australia’s ban. This episode was written and produced by Gemma Ware, Katie Flood and Mend Mariwany. Mixing by Michelle Macklem and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation.
11 juin

How the US finally fell in love with soccer

When Roberto Baggio missed a penalty in the 1994 Fifa World Cup final at the Rose Bowl in Pasadena, California, more than 94,000 people were there to watch Italian heartbreak and Brazilian ecstasy. To this day, no other World Cup has been as well attended as the 1994 tournament. Tickets were cheap and abundant, and despite the relatively low profile of the game in the US compared to sports like baseball or basketball, people went along to see what it was all about. Now, three decades later, as the 2026 World Cup returns to North America with games across Mexico, Canada and the US, soccer has grown a much larger and more dedicated fan base in America. In this episode, we speak to John Sloop, a professor of communication studies at Vanderbilt University in Nashville, Tennessee, and historian of soccer and its fans in the United States, about what’s changed for the men’s game in the US and whether the popularity has staying power. This episode was written and produced by Gemma Ware, Katie Flood and Mend Mariwany. Mixing by Michelle Macklem and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation. Is soccer taking over America … or are Americans taking over football?How apartheid, European racism and Pelé helped cultivate a culture of diversity in US soccer that endures into Messi-era MLSSoaring ticket prices could help FIFA pull in $15B this World Cup cycle — where does the money come from, where does it go?
28/08/2025

The secret ingredients for creative flow

If you’ve ever experienced a state of creative flow, perhaps when writing, playing music, or even gardening, you’ll know that it feels like everything just clicks into place. But what is actually happening inside the brain? This week, we're re-running an episode first published in June 2024 featuring neuroscientist John Kounios at Drexel University in the US. He scanned the brains of jazz musicians as they were improvising, and revealed the secret ingredients need to achieve a state of creative flow. This episode was written and produced by Mend Mariwany and Gemma Ware. Sound design and mixing by Eloise Stevens and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation.
24/06/2021

« T » comme Testostérone

L’épisode du jour est dédié à la testostérone, une hormone très souvent associée à des comportements dits masculins voire virils et convoquée pour expliquer l’agressivité, l’appétit sexuel, ou encore la compétition. Pour comprendre enfin ce qu’est la testostérone, ce qu’on en sait vraiment, comment elle influence nos corps et nos comportements, nous recevons la neurobiologiste Catherine Vidal. Catherine Vidal est directrice de recherche honoraire à l’institut Pasteur et membre du comité d'éthique de l’INSERM. Depuis toujours intéressée par les rapports entre science et société, les questions de déterminisme en biologie, les rapports entre cerveau, sexe et genre, elle a écrit de nombreux ouvrages sur ces sujets dont Cerveau, sexe et pouvoir (Belin, 2015), et Nos cerveaux, tous pareils, tous différents (Belin, 2017). Les mots de la science est un podcast produit par The Conversation France. Retrouvez les autres épisodes ainsi que les références mentionnées sur le site de The Conversation France. Conception et production Iris Deroeux Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
25 juin

Cockroach party hits nerve with angry young Indians

A new youth protest movement in India that started as online satire is now staging an ongoing sit-in in New Delhi calling for the resignation of India’s education minister. The Cockroach Janta Party (CJP) was launched in late May by Abhijeet Dipke, a graduate of Boston University, in response to alleged comments by India's chief justice, Surya Kant, comparing unemployed young Indians to cockroaches. Dipke launched a parody political party, calling on all cockroaches to unite, which led to street protests in cities including Delhi, Pune, Jaipur and Bengaluru. The CJP latched onto mounting anger in India at a series of issues affecting exams, including the secondary school leaving exam, which has affected thousands of people and been linked to suicides. But the movement has also tapped into the anger of a generation of graduates who’ve done everything right but still can’t find work that matches their aspirations. In this episode economist Rosa Abraham at Azim Premji University, explains how India’s jobs crisis is fuelling this new youth protest movement. This episode was written and produced by Gemma Ware and Mend Mariwany. Mixing by Michelle Macklem and theme music by Neeta Sarl. Read the full credits for this episode and sign up here for a free daily newsletter from The Conversation. If you like the show, please consider donating to The Conversation, an independent, not-for-profit news organisation.

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