The Bandwich Tapes

Brad Williams
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  • Music Interviews
  • Updated twice weekly

The Bandwich Tapes is a podcast where host Brad Williams sits down with musicians for thoughtful conversations about the craft of making music. Each episode explores the experiences, influences, and creative decisions that shape an artist’s work. From improvisation and songwriting to collaboration, recording, and life on the road, the conversations go beyond biography to focus on how music actually gets made. Guests include instrumentalists, composers, songwriters, and producers from across the musical landscape. The tone is relaxed, curious, and musician-to-musician—an opportunity to hear artists reflect on their process, their collaborators, and the musical moments that have stayed with them. Whether you're a seasoned musician, a die-hard music fan, or simply someone who loves a good story, The Bandwich Tapes has something for everyone. So, come along for the ride as we explore the magic of music and the incredible journeys of the people who bring it to life.

  1. Dave Mackay: Sound, Space, and Life on the Road

    4 days ago

    Dave Mackay: Sound, Space, and Life on the Road

    On this episode of The Bandwich Tapes, I sit down with pianist, composer, producer, and sound designer Dave Mackay for a thoughtful conversation about musical identity, touring life, and the creative possibilities that live between composition, improvisation, and sound. Dave reflects on the strange rhythm of life on the road, especially after years of near-constant touring. We talk about the physical and emotional shift from playing for massive audiences to suddenly being home, and how that quiet space can bring a different kind of reflection. He speaks honestly about performance, nerves, and why playing the piano can feel natural while speaking into a microphone can still feel unnerving. We also trace his musical path, from early piano lessons in England to his studies in London and at Berklee College of Music in Boston. Dave shares how a perceptive childhood teacher encouraged him not just to learn music, but to develop his own voice. That thread carries through the entire conversation, from his improvisational instincts as a child to the way he builds sounds, writes records, and approaches collaboration now. A major part of our conversation centers on Dave’s remarkable body of original work, including his Three trilogy:  L.A., Nashville, and Utopia, and his album The Looking Chamber. We talk about the influence of the Esbjörn Svensson Trio, the creative chemistry of working in a trio format, and how sound design and composition constantly inform one another in his music. Dave also shares why he prefers creating his own keyboard patches rather than relying on presets, and how his relationship with Nord keyboards grew out of that sonic curiosity. We close by talking about his work touring with Brandi Carlile, how that opportunity came together through Lucius, and why he remains passionate about live music that breathes naturally rather than being locked to click tracks and playback. It’s a conversation about artistry, listening, taste, and learning how to trust your own instincts, both on stage and in the studio. Key Takeaways Dave talks candidly about the physical and emotional reality of life on tour, and why the transition back home can feel just as intense as the touring itself.He shares how improvisation has been part of his musical voice from the very beginning, even as a young piano student.Dave reflects on the importance of great teachers and how one early mentor helped him develop his own sound rather than imposing someone else’s.We discuss the origin of his Three trilogy — L.A., Nashville, and Utopia — and how those records grew out of improvisation, friendship, and experimentation.Dave offers a fascinating look at sound design, explaining how creating his own patches and textures is integral to his compositional identity.He talks about touring with Brandi Carlile and why live music feels most alive to him when musicians listen and respond in real time.The conversation becomes a broader meditation on trust: trusting your ears, your collaborators, and the artistic choices that feel most like you.Music from the Episode All the Same - Dave MackayHere in the Vastness - Dave MackayImpulse - Dave MackayProphecies - Dave MackayTrust Goddess - Dave MackayAbout the Podcast The Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It’s a show about process, perspective, and the stories behind a life in music. Connect with the Show Email: contact@thebandwichtapes.com

    56 min
  2. Eric Doob: Taste, Sound, and the Art of Listening

    18 Jun

    Eric Doob: Taste, Sound, and the Art of Listening

    On this episode of The Bandwich Tapes, I sit down with drummer, collaborator, and educator Eric Doob for a wide-ranging conversation about sound, taste, collaboration, and what it really means to make music in today’s world. I first came across Eric’s playing through his work on Live From Here with Chris Thile, and I’ve been a fan ever since. From the very beginning of our conversation, it’s clear that Eric approaches music with a deep sense of curiosity and care, whether he’s performing, recording, producing, or teaching. We spend time talking about his work with guitarist Matthew Stevens, including his role as both a drummer and a collaborator in shaping the sound of those records. Eric offers great insight into the importance of sonic identity, how the sound of the drums, the tuning, the cymbals, and even the engineer’s perspective can shape the emotional core of a track. It’s a thoughtful look at how sound itself becomes part of the composition. Our conversation also dives into collaboration and the idea of “taste” as a guiding force. Eric shares how the strongest musical relationships often come from a shared aesthetic sensibility rather than just technical ability. We talk about bands, chemistry, and the unspoken communication that happens when musicians are truly aligned. We also explore his path from growing up outside Boston to studying at Berklee College of Music and eventually building a life in New York. Along the way, Eric reflects on early musical experiences, the importance of access to live music, and how those formative years shaped his voice as a musician. Toward the end of the conversation, we get into teaching, creativity, and the challenges of making music in an age of constant distraction. Eric shares some really thoughtful perspectives on how access to everything can be both a gift and a challenge, and why focused listening and presence might be more important than ever. It’s a conversation about listening, really listening, to music, to collaborators, and to the moment you’re in. Key Takeaways Eric Doob discusses how sound—especially drum sound—can define the emotional identity of a track.He shares insights into his collaboration with Matthew Stevens and the importance of long-term musical relationships.We explore the idea that shared “taste” can be more important than technical ability in building great musical chemistry.Eric reflects on his early musical experiences growing up near Boston and the importance of access to live music.He talks about his evolving role in recording, producing, and shaping music beyond just playing drums.We discuss teaching and how working with students has deepened his own understanding of music.Eric offers a thoughtful perspective on modern music consumption, distraction, and the importance of focused listening.Music from the Episode Take Heart - Matthew StevensThree Card Molly - from Live From Here with Chris ThileEl Duelo - Diego Urcola QuartetTangled in the Endless Chain - Ryan Keberle & CatharsisAbout the Podcast The Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It’s a show about process, perspective, and the stories behind a life in music. Connect with the Show Email: contact@thebandwichtapes.com

    59 min
  3. Tim Lefebvre: Tone, Trust, and the Art of Fitting In

    15 Jun

    Tim Lefebvre: Tone, Trust, and the Art of Fitting In

    On this episode of The Bandwich Tapes, I sit down with bassist Tim Lefebvre for a conversation about groove, adaptability, tone, and what it really means to serve the music. Tim has built one of the most distinctive and wide-ranging careers in modern bass playing, with credits spanning jazz, rock, pop, experimental music, and singer-songwriter projects. From David Bowie’s Blackstar to Tedeschi Trucks Band, Wayne Krantz, and countless sessions in between, Tim has become one of those rare players whose sound is unmistakable yet fits almost anywhere. We begin by talking about his 2026 so far, which includes recording work, short touring runs, a date with Nate Smith and Jason Lindner, upcoming shows in Italy with Tiziano Ferro, and a tour with Melissa Etheridge. From there, we get into one of the central tensions of a working musician’s life: how to bring your own identity to a project while still honoring the artist, the songs, and the original recordings. Tim has strong instincts here, and he speaks with great clarity about choosing simplicity, resisting overplaying, and understanding what the music actually needs. One of my favorite parts of this conversation is hearing Tim talk about some of the landmark experiences in his career. We discuss the Bryan Adams tour, the joy of playing huge songs in front of large crowds, and then spend time on David Bowie’s Blackstar, including how Tim approached the sessions, how much of the rhythmic language was already implied in Bowie’s demos, and how some of the bass textures on songs like “Lazarus” emerged naturally in the room. Tim also reflects on the creative freedom and trust inside Tedeschi Trucks Band, and what it felt like to be part of a band that could take real improvisational chances in front of thousands of people. Along the way, we talk gear, compression, pedals, picks, strings, remote recording, favorite drummers, the differences between New York and Los Angeles, sobriety, and some of the bass players who shaped his ear early on, including James Jamerson, Paul McCartney, Darryl Jones, Marcus Miller, Victor Bailey, Jaco Pastorius, and Tony Levin. This is a conversation about craft, but also about judgment, restraint, and learning to make the right choice in the moment. Key Takeaways Tim Lefebvre talks about balancing personal identity with the responsibility of serving the artist, the arrangement, and the song.He shares stories from the making of David Bowie’s Blackstar, including how parts of “Lazarus” developed in the studio.Tim reflects on the musical and emotional intensity of playing with Tedeschi Trucks Band and the freedom that the group allowed onstage.He discusses his early path from saxophone to bass, his father’s influence, and learning on real gigs at a young age.The conversation explores how bass playing varies with the drummer and what Tim listens for when locking in with someone new.Tim also gets into gear, including pick playing, flats versus rounds, bass compression, distortion, reverb, and how pedals can shape creative ideas.We talk openly about sobriety, professional growth, and how life experience changes the way a musician shows up on and off the bandstand.Music from the Episode Anyhow - Tedeschi Trucks BandShake Loose - Donny McCaslinIt's No Fun Not to Like Pop - Krantz/Carlock/LefebvreHanging On - KnowerBlackstar - David BowieAbout the Podcast The Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative people for thoughtful conversations about craft, collaboration, career, and the experiences that shape a life in music. It is a show about process, perspective, and the human side of making art. Connect with the Show contact@thebandwichtapes.com

    49 min
  4. Wendy Moten: Versatility, Grace, and a Life in Song

    11 Jun

    Wendy Moten: Versatility, Grace, and a Life in Song

    On this episode of The Bandwich Tapes, I sit down with the extraordinary Wendy Moten for a conversation about longevity, versatility, professionalism, and the many different ways a singer can build a meaningful life in music. Wendy has one of those careers that musicians know and revere: a major-label artist in the 1990s, a world-class touring vocalist, a sought-after session singer, a member of the Grammy-winning Time Jumpers, a regular performer on the Grand Ole Opry, and, more recently, a powerful presence for a new generation of listeners through The Voice. What struck me most in this conversation is how clearly she understands her craft, her purpose, and the discipline required to sustain both. We begin by talking about the busy season she is in now, balancing solo work, sessions, weekly performances with the Time Jumpers, and another major tour with Vince Gill. Wendy shares the story of how Vince first called her out of the blue after her run with Martina McBride had ended, and how that invitation opened an entirely new chapter in her career. From there, we get into what she calls her “version of country music,” and how she found it not by imitating the genre, but by studying its history, listening closely, and finding an authentic way to bring herself into the tradition. One of my favorite parts of the conversation centers on harmony singing and what it really means to support another artist. Wendy talks beautifully about what she learned during 15 years as Julio Iglesias’s duet partner, including how to listen, how to match breath and phrasing, how to stay out of the way, and how to make someone else sound even better. She says she was “getting paid for self-control,” which is one of the best descriptions of professional background singing I have ever heard. That whole section of the conversation is full of insight for anyone who cares about what it means to serve the music at a very high level. We also talk about church, family, and the support system that made her life in music possible. Wendy reflects on growing up in Memphis, singing in church, and learning early how to stand in front of people, even when she was shy and uncomfortable. She shares how much her parents sacrificed to create opportunities for her and her siblings, and how much those sacrifices still mean to her now. We also spend time talking about her Grand Ole Opry appearances, including the emotion of making her Opry debut without her parents there to see it, and the significance of standing on that stage as a Black woman in a space where history has not always made room for everyone. Along the way, we get into her years at EMI, the pressure to be shaped into whatever version of success the label wanted at the time, and the freedom she eventually found by building a career outside the usual boxes. Wendy talks openly about not needing fame in the conventional sense, about loving the role of underdog, and about continuing to surprise people. This is a conversation about singing, certainly, but also about resilience, humility, excellence, and how to remain generous and grounded across four decades in music. Key Takeaways Wendy Moten reflects on building a career across pop, country, jazz, Americana, sessions, television, and touring without being confined to one lane.She shares how 15 years with Julio Iglesias taught her phrasing, breath, dynamics, communication, and the art of listening more deeply.Wendy talks about singing with Vince Gill and the Time Jumpers, and how she developed her own authentic relationship to country music.She offers a sharp and memorable perspective on background vocals: great harmony singing requires self-control, consistency, and leaving your ego at home.The conversation explores how the church shaped her confidence, artistry, and ability to recover from mistakes in front of an audience.Wendy also reflects on The Voice, why she chose to do it, and how it introduced her to a new audience without diminishing everything that came before it.We discuss the Grand Ole Opry, the emotional weight of her debut, and the significance of taking up space in a tradition that has not always been inclusive.Music from the Episode Ode to Billy Joe - Wendy MotenDon't Touch Me - Wendy MotenDriving Nails in My Coffin - Wendy MotenFaithless Love - Wendy Moten (with Vince Gill)About the Podcast The Bandwich Tapes is a podcast where I sit down with musicians, singers, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the life experiences that shape the music. It is a show about artistry, process, and the human side of a life in music. Connect with the Show contact@thebandwichtapes.com

    44 min
  5. Luis Conte: Freedom, Feel, and the Music That Lives in You

    8 Jun

    Luis Conte: Freedom, Feel, and the Music That Lives in You

    On this episode of The Bandwich Tapes, I sit down with legendary percussionist Luis Conte for a conversation that goes far beyond music, into life, freedom, faith, and the deep roots of rhythm.  Luis has played with just about everyone, from James Taylor to Pat Metheny, and has been a defining voice in modern percussion for decades. But what struck me most in this conversation is not just what he’s played, it’s how he thinks about music and where it comes from. We begin with where he is today, working out of his home studio and navigating the modern recording world. Luis strikes a balance between convenience and connection, the trade-off between recording alone and the magic that happens when musicians are in the same room together.  From there, we get into one of my favorite parts of the conversation: the relationship between drummer and percussionist. Luis has such a simple and powerful philosophy: don’t overthink it. Listen. Let the music tell you what to play. It’s a reminder that great musicianship is often about awareness, not complexity. Luis then shares his incredible personal story, growing up in Cuba, being immersed in music from an early age, and eventually leaving the country as a teenager. What follows is a story of sacrifice, resilience, and ultimately freedom. His reflections on that experience are deeply moving and provide valuable context for the way he approaches music and life. We also talk about his journey into the Los Angeles music scene, the importance of relationships, and what it really takes to build a career: not just playing well, but being someone people want to be around. Along the way, he shares stories about working with some of the greats, including the late Carlos Vega, whose impact on musicians runs deep.  Toward the end, we get into his work with Pat Metheny and the idea of trusting great musicians to bring their own voice to the music. It’s a theme that runs throughout the entire conversation. Music isn’t something you force; it’s something you respond to. This is a conversation about feel, about listening, and about the life experiences that shape the way we play. Key Takeaways Luis Conte explains why listening, not thinking, is the foundation of great percussion playing.He shares the nuanced role of a percussionist alongside a drummer and how to complement the music.Luis reflects on his journey leaving Cuba and the profound meaning of freedom in his life and career.We discuss how early musical exposure shaped his instincts long before formal training.Luis emphasizes that relationships, attitude, and reliability are just as important as musicianship.He shares stories about Carlos Vega and what made him such a special musician.Luis talks about working with Pat Metheny and the importance of trusting artists to bring their own voice.Music from the Episode Santiaguero - Ropa Vieja ft. Luis Conte & San MiguelLa Aguita - Ropa Vieja ft. Luis Conte & San MiguelAmerica Undefined - Pat MethenyAbout the Podcast The Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It’s a show about process, perspective, and the stories behind a life in music. Connect with the Show Email: contact@thebandwichtapes.com

    48 min
  6. Brad Lubman: Precision, Community, and a Life in New Music

    4 Jun

    Brad Lubman: Precision, Community, and a Life in New Music

    On this episode of The Bandwich Tapes, I sit down with conductor, composer, and longtime contemporary music advocate Brad Lubman for a wide-ranging conversation about interpretation, rehearsal, composition, and the deeper responsibilities of making music with other people. Brad first came onto my radar through his work conducting Steve Reich's music, but this conversation quickly opened into something much larger. He talks about the way audiences often associate him with Reich’s music, while reminding us that he had already built a substantial life in new music long before that connection began. From there, we get into a fascinating discussion about what conductors actually do, and why he resists the idea that great conducting is about imposing personality on a score. For Brad, the work begins with the composer’s intentions and the discipline of bringing those intentions to life as clearly and honestly as possible. We also spend time on Brad’s path as both a percussionist and a conductor, including how his early love of drums and rock music, and later of orchestral music, shaped the musician he became. He reflects on what percussion taught him about immediacy, time, and gesture, and how those lessons still inform the way he teaches conductors today. His thoughts on rehearsal are especially compelling: the idea that a conductor’s role is not to dominate but to create conditions in which musicians can play with confidence, clarity, and artistry. A particularly rewarding part of this conversation centers on Brad’s own music, especially his powerful piece Tangents for two pianos and two percussionists. He shares the origin of that work, how it emerged during a moment when he was considering stepping away from composition, and why it marked the beginning of a new phase in his musical language. We also talk about his long association with Steve Reich, Ensemble Signal, and the kinds of life-changing moments that can come from simply doing your work well and being ready when the right people are listening. By the end of the conversation, what comes through most clearly is Brad’s seriousness of purpose and his belief in music as a communal act. Whether he is conducting, composing, teaching at the Eastman School of Music, or building programs with Ensemble Signal and major orchestras around the world, he approaches music with precision, humility, and an unwavering sense of service to the score and the people making it. Key Takeaways Brad Lubman offers a thoughtful distinction between “interpretation” and serving the composer’s intentions, arguing that great conducting begins with fidelity to the score rather than ego.He explains why so much of what audiences hear as a conductor’s influence is actually shaped in rehearsal, not just in performance.Brad reflects on how his background as a drummer and percussionist sharpened his sense of time, touch, and physical gesture.We talk in depth about his piece Tangents and why that work marked a turning point in his life as a composer.Brad shares how key moments in his career — including his connection to Steve Reich and the New York premiere of City Life — came through preparation, reputation, and musical trust.He discusses the communal nature of orchestral music-making and his belief that an ensemble can model cooperation at the highest level.The conversation concludes with a look at his current work as a teacher, conductor, composer, and advocate for contemporary music worldwide.Music from the Episode Music for 18 Musicians (Pulse) - Steve Reich (Ensemble Signal - Brad Lubman, Conductor)Radio Rewrite (I. Fast) - Steve Reich (Ensemble Signal - Brad Lubman, Conductor)Double Sextet (I. Fast) - Steve Reich (Ensemble Signal - Brad Lubman, Conductor)Tangents - Brad Lubman (Icaras Quartet)About the Podcast The Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, conductors, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper ideas that shape their work. It’s a show about process, perspective, and the stories behind a life in music. Connect with the Show Email: contact@thebandwichtapes.com

    1hr 3min
  7. Mark Kibble: Harmony, Purpose, and a Lifetime of Listening

    1 Jun

    Mark Kibble: Harmony, Purpose, and a Lifetime of Listening

    On this episode of The Bandwich Tapes, I sit down with Mark Kibble of Take 6, a group whose music has been part of my life since the very beginning of my musical journey.   We start with a full-circle moment, me seeing Take 6 live as a teenager, and now getting to sit down and talk with Mark about his career, his process, and the music that continues to inspire him. We begin with his work on Pat Metheny's latest project, in which Mark contributed vocal arrangements that add an entirely new dimension to Pat's sound. Mark walks through the process, receiving tracks, interpreting harmonic language, and building a choir sound that fits seamlessly into a complex musical landscape.   From there, we zoom out and talk about what it means to be a collaborator, how Mark approaches working with other artists, what he listens for, and how he balances his own voice with the music's needs. His perspective is simple but profound: it's not about him. It's about making the music better. We spend time reflecting on the longevity of Take 6, how a group can stay together for decades, navigate challenges, and still maintain both musical excellence and deep personal relationships. Mark shares that their foundation goes far beyond music; it's rooted in purpose, faith, and a genuine commitment to each other as family.  We also talk about influence, how artists like Jacob Collier are carrying the torch forward, and how meaningful it is to see a new generation connect with the music that Take 6 has been making for decades. There are some great moments of reflection, too, working with legends like Joe Sample, collaborating with Lalah Hathaway, and the challenge (and joy) of continuing to grow as a vocalist over time.  We also get into vocal health, longevity, and what it takes to sustain a career at the highest level—physically, mentally, and creatively. This is a conversation about harmony in every sense of the word: musical, personal, and spiritual. Key Takeaways Mark Kibble breaks down how he approached arranging vocals for Pat Metheny's latest project.He shares why collaboration is about serving the artist—not showcasing yourself.The longevity of Take 6 is rooted in purpose, faith, and treating each other like family.Mark reflects on the group's influence on artists like Jacob Collier.Great arranging is about fitting into the music—not competing with it.Vocal longevity requires discipline, rest, and learning how to pace yourself.Coaching others reinforced the importance of finding your own authentic voice.Music from the Episode Biggest Part of Me - Take 6Don't Look Down - Pat MethenyU-Turn - Joe Sample with Take 6Someday We'll All Be Free - Take 6 with Lalah HathawayCome Unto Me - Take 6About the Podcast The Bandwich Tapes is my chance to sit down with musicians, composers, and creative artists for honest conversations about the craft, the process, and the stories behind the music. It's about digging deeper—into how great music gets made and the people who make it. Connect with the Show Email: contact@thebandwichtapes.com

    46 min
  8. Joe Dyson: Listening, Lineage, and the Path to Innovation

    1 Jun

    Joe Dyson: Listening, Lineage, and the Path to Innovation

    On this episode of The Bandwich Tapes, I sit down in person with drummer Joe Dyson, the first in-person conversation I’ve recorded for the show, and it couldn’t have been with a better musician or person.  Joe is currently on the road with Pat Metheny, and we talk about the experience of being inside that music night after night, how the band continues to grow, how chemistry develops on the road, and what it truly means to live inside the music. We begin at the very beginning, Joe’s earliest connection to the drums, growing up in church, watching his family play, and learning through imitation long before formal instruction. That foundation, playing with purpose, listening deeply, and serving something larger than yourself, continues to shape everything he does today.  From there, we dive into the cultural impact of growing up in New Orleans and the moment Joe realized just how unique that musical environment is. His reflections on culture, identity, and the preservation of tradition are powerful and deeply personal. One of the most meaningful parts of this conversation centers around mentorship, specifically his relationships with Alvin Batiste and Donald Harrison. Joe shares incredible stories about how these mentors shaped him, not just musically, but philosophically, and how their lessons continue to reveal themselves years later.  We also spend time talking about listening, not just as a musical skill, but as a life skill. Joe makes a compelling case that listening is at the center of everything: collaboration, groove, communication, and even being a better human being. We get into his artistic philosophy, how he balances honoring the lineage of great drummers like Elvin Jones, Roy Haynes, and Philly Joe Jones while still pushing forward creatively. His perspective on imitation, emulation, and innovation is something every musician can learn from. Joe also shares the incredible (and almost missed!) story of how he connected with Pat Metheny, starting with an email he nearly ignored, and what it’s like working with an artist of that level in both live and studio settings. We wrap up by talking about his debut album, Look Within, and how stepping into the role of a bandleader changed his perspective, not just musically, but also in how he approaches collaboration and supports other artists. This is a conversation about growth, humility, and the lifelong process of becoming a musician. Key Takeaways Joe Dyson explains why listening is the most important skill a musician can develop—on and off the stage.He shares how growing up in church shaped his sense of purpose and connection to music.Joe reflects on the unique cultural identity of New Orleans and its lasting influence on his playing.He discusses the profound impact of mentorship from Alvin Batiste and Donald Harrison.Joe breaks down the process of musical growth: imitation → emulation → innovation.He tells the story of nearly ignoring the email that led to working with Pat Metheny.Leading his own band gave him a deeper respect for collaboration and the responsibilities of being a bandleader.Music from the Episode Pious Walk - Joe DysonForward - Joe DysonFleeting Faith - Joe DysonIn On It - Pat Metheny Side Eye IIINaysayers - Joe DysonAbout the Podcast The Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, and the deeper musical ideas that shape their work. It’s a space to explore process, perspective, and the human side of a life in music. Connect with the Show Email: contact@thebandwichtapes.com

    55 min
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About

The Bandwich Tapes is a podcast where host Brad Williams sits down with musicians for thoughtful conversations about the craft of making music. Each episode explores the experiences, influences, and creative decisions that shape an artist’s work. From improvisation and songwriting to collaboration, recording, and life on the road, the conversations go beyond biography to focus on how music actually gets made. Guests include instrumentalists, composers, songwriters, and producers from across the musical landscape. The tone is relaxed, curious, and musician-to-musician—an opportunity to hear artists reflect on their process, their collaborators, and the musical moments that have stayed with them. Whether you're a seasoned musician, a die-hard music fan, or simply someone who loves a good story, The Bandwich Tapes has something for everyone. So, come along for the ride as we explore the magic of music and the incredible journeys of the people who bring it to life.

Information

  • Creator
    Brad Williams
  • Years Active
    2023 - 2026
  • Episodes
    148
  • Rating
    Explicit
  • Copyright
    © 2026 BSW Productions
  • Show Website
    The Bandwich Tapes

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