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  • Contemporary Piano Music
    Contemporary Piano Music

    1

    Contemporary Piano Music

    Tandy Venice

  • Wodcast
    Wodcast

    2

    Wodcast

    Into the Words

  • Pikiranfajar
    Pikiranfajar

    3

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    Pikiranfajar & Kukila

  • The Book Club
    The Book Club

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    The Book Club

    Goalhanger

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    Titip Pesan

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    febri hermawan

  • Ray Janson Radio Podcast
    Ray Janson Radio Podcast

    6

    Ray Janson Radio Podcast

    Ray Janson

  • (cerita anak) kisah 25 nabi dan rasul
    (cerita anak) kisah 25 nabi dan rasul

    7

    (cerita anak) kisah 25 nabi dan rasul

    purin nurbaya

  • KENAPA MAKANAN BALI BELUM MENDUNIA? WITH WAYAN KRESNA YASA

    2 days ago

    KENAPA MAKANAN BALI BELUM MENDUNIA? WITH WAYAN KRESNA YASA

    Di episode kali ini, kita akan ngobrol bareng salah satu Chef terkenal di Bali, Wayan Kresna Yasa. Seorang Chef yang sempat keluar dari salah satu restoran terbaik, KAUM Potato Head Bali. Beliau memutuskan untuk membuka restorannya sendiri, HOME by Chef Wayan yang ternyata tidak sesuai ekspektasinya. Awal buka, yang datang sangat sedikit. Di sini, kita juga akan membahas seputar makanan-makanan Bali yang masih belum banyak dikenal di masyarakat. Tonton video selengkapnya di #RayJansonRadio Enjoy the show! Instagram: Wayan Kresna Yasa https://www.instagram.com/chefwayan?xtok=MWxzbWNvMXczazZicQ%3D%3D HOME by Chef Wayan https://www.instagram.com/home.by.chefwayan?cplk=bmpldHl1eWJva3V2 DON'T FORGET TO LIKE AND SUBSCRIBE ! Ray Janson Radio is available on: Spotify: https://spoti.fi/2lEDF01 Apple Podcast: https://apple.co/2nhtizq Google Podcast: https://bit.ly/2laege8i Anchor App: https://anchor.fm/ray-janson-radio TikTok: https://www.tiktok.com/@rayjansonradio Let's talk some more: https://www.instagram.com/rayjanson #RayJansonRadio #FnBPodcast #Indonesia

  • 10/14(수) - [장류진의 책갈피] 무라카미 하루키 "토니 타키타니" with 소설가 장류진 / [오늘, 이 책] AJ 덩고 "파도였던 날들" with 김경영 MD

    16 hr ago

    10/14(수) - [장류진의 책갈피] 무라카미 하루키 "토니 타키타니" with 소설가 장류진 / [오늘, 이 책] AJ 덩고 "파도였던 날들" with 김경영 MD

    [장류진의 책갈피] 무라카미 하루키 "토니 타키타니" with 소설가 장류진 / [오늘, 이 책] AJ 덩고 "파도였던 날들" with 김경영 MD

  • 481. The History of Diablo II (with David L. Craddock)

    27/08/2021

    481. The History of Diablo II (with David L. Craddock)

    David L. Craddock joins us to discuss his book Stay Awhile and Listen: Book II: Heaven, Hell, and Secret Cow Levels, about the making of the classic video game Diablo II. Learn more about your ad choices. Visit megaphone.fm/adchoices

  • MAG 94 - Dead Woman Walking

    Season 3, Episode 14

    MAG 94 - Dead Woman Walking

    #0172904 Statement of Georgina Barker regarding the last words of possible corpse. Recorded direct from subject April 29th 2017. Content Warnings for this episode are at the end of the show notes. Thanks to this week's Patrons: Joshua Wilson, Rhiannon Knol, Cynthia J. Steward, Morgan, Julian Plumadore, Zenia McAllister, Chris Schneidmiller, Ryan Frazier, Dan Pratt & Shaun If you'd like to support us, head to www.patreon.com/rustyquill Edited by James Austin, Brock Winstead & Alexander J Newall. The Archivist is played by Jonathan Sims, Georgie Barker is played by Sasha Sienna Sound effects for this episode provided by justiiiiin, pogmothoin & previously credited artists via freesound.org. Check out our merchandise at https://www.redbubble.com/people/rustyquill/collections/708982-the-magnus-archives-s1 You can subscribe to this podcast using your podcast software of choice, or by visiting www.rustyquill.com/subscribe. Please rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear. Content Warning for: UndeadMortalityDepressionFor ad-free episodes, bonus content and more, join members.rustyquill.com or our Patreon. Pre-order FROM THE LIBRARY OF JURGEN LEITNER, a Magnus novel releasing October 27th: rustyquill.com/novel Hosted on Acast. See acast.com/privacy for more information.

  • Exploring meaning from John Berger’s essay “Understanding a Photograph”

    2 Mar

    Exploring meaning from John Berger’s essay “Understanding a Photograph”

    Hey there!  I hope you are having a great week. In this week's podcast, I wanted to talk about some of the things that came up for me when I revisited John Berger's essay, "Understanding a Photograph." As I was preparing for a class, this essay got me excited for a podcast discussion about meaning in our work. Berger asks us, at the core of the essay, a few things. One of which is: What really gives a photograph its meaning?  Before we even get to first off, one of my favorite phrases from Berger is that a photograph is a "meditation of light." Photography is, at its core, about light—how it shapes, reveals, and transforms a scene. Love that idea. First off, I love that a photograph is the result of a photographer's decision to record a particular moment, event, or object. This is a deceptively simple but powerful notion. As John says, if we photographed everything indiscriminately, no single image would stand out. The act of pressing the shutter is what gives a photograph its weight. It's not just a neutral record; it's a message. When I decide to photograph something, I say, "This time, place, person, thing matters." Berger also makes a subtle but important distinction: a photograph doesn't celebrate the event or the act of seeing, but rather a focus on the message about the event. The photograph isn't about the photographer's experience or the event's essence. Instead, it's a statement: "This happened, and it was important enough to record." That's a powerful shift in thinking. It shifts the way I want to discuss and analyze work. What was compelling about this moment? Or what is the photographer trying to communicate? When looking at others' work, I may try to step into their shoes. What might have inspired them to press the shutter at that exact moment? The photograph uses the event it records to explain why it was made. Sometimes, the reason is obvious—a dramatic sunset, a fleeting expression. Other times, it's subtle or even external to the image itself. Before composing, spend a moment just watching how light interacts with your subject. What story does the light tell? Sometimes, the difference between a good photo and a great one is waiting for the right light. Be patient and responsive. Not every photograph will explain itself fully, and that's okay. Sometimes, the meaning is personal or contextual. Berger challenges the traditional emphasis on composition by comparing photography to painting. Painting is an art of arrangement (again, his words), meaning that every element is deliberately placed. Photography, on the other hand, records events that are inherently mysterious and can't be fully explained by arrangement alone. This doesn't mean composition isn't important, but it's not the whole story. Use composition as a tool to support the significance of the moment, not as an end in itself.  The difference between photographing at one moment or another can change everything.  He also says that, unlike painting, photography doesn't have its own internal language (not sure I agree here, but we'll give him the benefit of the doubt). We "read" photographs like we read footprints or medical charts. The meaning is tied to the event and to what we think of or know about it, real or otherwise. It isn't just a response to the lines and symbols within the image. Context matters and can matter a lot. When analyzing a photo, think about what's happening outside the frame. What's the story behind the event?  Berger's essay made me realize how important it is to know why I clicked the shutter at a particular moment. If I can't answer that, I wasn't truly connected to the scene. Sometimes, the best lessons come from the shots that missed, the ones I didn't take, or the moments I missed.  I can't recommend John Berger's Understanding a Photograph enough. It's a collection of essays that will challenge and inspire you to think more deeply about your photography.  Don't forget to check out the upcoming chat with Jenny Hansen Das, where we start a great conversation about meeting expectations.  Thanks for joining me. I hope you have a great week.

  • Why Colleen Allen Turns Away Retailers That Won't Pay Deposits

    13 Sept

    Why Colleen Allen Turns Away Retailers That Won't Pay Deposits

    Colleen Allen learned to sew sitting on her grandmother's lap, holding the fabric while her grandmother worked the pedal. Growing up in the Midwest, far from the industry, she found her way in through magazines, fashion blogs and old McQueen shows on YouTube. Allen studied menswear at Parsons, moved to London for a semester abroad at Central Saint Martins and asked to stay on to complete her degree. She landed her first job designing menswear at The Row but then something shifted. She decided to venture out on her own and create a womenswear label in 2024. Since then, Allen says the business has grown by triple digits year over year, with no outside investment and no full-time team other than herself. So how did she do it? This week on The BoF Podcast, Allen joins BoF founder Imran Amed to talk about the making of a womenswear label, the discipline behind self-funded growth and what she's building next. This conversation was recorded ahead of the LVMH Prize final in Paris, where Allen was one of nine finalists. Key Insights:  A blog-era education: With no connections to the industry, Allen taught herself fashion through magazines, hand-me-downs and, later, fashion blogs. She describes Alexander McQueen's Plato's Atlantis livestream as a formative moment: "It just totally blew my mind that there was still something to be discovered and something new and something transformative." Advocating for herself at Central Saint Martins: After a single semester abroad, Allen asked to stay at CSM and was told no. "I thought, no, I'm going to figure it out. I'm going to find a way to stay," she says — and by the end of the year, the head of menswear invited her to remain in the programme. Leaving menswear to design for her own body: After years designing menswear at The Row, Allen realised she had "no connection to my femininity, to my body" — and that the only way to process that was through her own work. "The only way I was going to be able to create that space for myself and my sort of own becoming into myself was to be creative, to work through fashion," she says. Disciplined cash flow management : Entirely self-funded, Allen has grown her business by only working with retail partners willing to pay a deposit upfront — even if it means turning some away. “We are really only working with people on a deposit basis. Otherwise it's impossible. And so I'm very grateful that within the current retail clients, people have been accommodating for those terms because it's the only way it works.” she says. Building a world, not just a product: Looking ahead, Allen wants to reinvest wholesale revenue into her direct-to-consumer business while continuing to expand the creative universe around the brand — campaign imagery, casting and, eventually, a runway show. "It's about bringing people into the world and creating more than just the product, but like who our woman is," she says.  Two Books Colleen Allen Recommends:  Red Comet by Heather Clark Gods and Kings by Dana Thomas  Additional Resources: What to Look Out for at New York Fashion Week | BoFLVMH Announces Young Designers’ Prize Semifinalists for 2026 | BoFNew York Fashion Week’s Identity Crisis | BoF Hosted on Acast. See acast.com/privacy for more information.

  • Satoshi Kuwata Is on a Lifelong Search for Balance

    04/04/2025

    Satoshi Kuwata Is on a Lifelong Search for Balance

    After years of honing his craft at Savile Row, studying at Central Saint Martins, and working for Givenchy, Edun and Golden Goose, Japanese designer Satoshi Kuwata created the brand Setchu, a deeply personal response to his passion for blending Japanese and Western ideas.  Grounded in precision tailoring and shaped by the poetic restraint of the kimono, Kuwata’s work reflects a lifelong pursuit of balance – between cultures, between past and future, and between creativity and business.  “Once you meet the Western garment, it's free. You can do whatever you want. Some people go too crazy, but designers like Rei Kawakubo, and Yohji Yamamoto are geniuses, for understanding the flow of the fabric, understanding the shape of it but still keeping their Japaneseness,” shares Kuwata. Kuwata joins BoF Founder and CEO Imran Amed to explore how his Japanese upbringing shaped his creative vision, how Savile Row and Saint Martins gave him the tools to execute it, and why he’s just as focused on designing a company as he is designing clothes. Key Insights:  Kuwata's design identity is rooted in a lifelong tension between his Japanese heritage and Western training. Having studied Savile Row tailoring and graduated from Central Saint Martins, he continues to explore how 2D kimono principles and 3D Western garment construction can coexist in one garment and one brand. “Setchu is the journey of finding the right balance,” he says. Kuwata’s years at Savile Row shaped his technical fluency and deep respect for tradition. “I really loved British designers because of tailoring … because that’s the most complicated garment,” he says. Working at prestigious houses like Huntsman, he absorbed a culture of precision, etiquette and generational craftsmanship. “I was probably the last generation to feel or to experience that kind of old culture,” he reflects. That foundation now anchors his design approach, even as he pushes toward innovation. Kuwata wants Setchu to be a new kind of fashion company that is collaborative, thoughtful, and grounded in mutual respect. He believes in designing a workplace culture as intentionally as he designs garments. “As a leader, … I'd like to design a company as well. I'd like to design a beautiful relationship as well, he says. “If I have a good team, I don’t need to tell them to finish on time – they’ll do it even earlier.” Building an independent brand comes with real challenges, from financial anxiety to industry expectations, but Kuwata reframes pressure as opportunity. “Fashion is fashion. It’s not 100% that people love your collection. I don't take it as pressure. I always take it as an opportunity, and I always dream big.” Additional Resources: Satoshi Kuwata | BoF 500 | The People Shaping the Global Fashion Industry Satoshi Kuwata’s Setchu Wins the 2023 LVMH Prize | BoF Hosted on Acast. See acast.com/privacy for more information.

  • 139: Nothing But A Mirror

    23/12/2014

    139: Nothing But A Mirror

    This week, we discuss a documentary on last week’s Photographer of the Week, Jane Bown, who recently passed away at 89. Can photography be “just” a job and still be important? Or do we have to approach it as art (whatever that means to you) for it to have any sort of deeper meaning? Pioneer of early motion studies, Eadweard Muybridge is our Photographer of the Week. Links for this episode: On Taking Pictures | iHeartRadio Jerry Lewis & Dean Martin Reunion - 1976 MDA Telethon - YouTube Serial Sucked And Wasted Everyone's Time Jane Bown obituary | Art and design | The Guardian Bored Coworkers Recreate Classic Paintings Using Office Supplies | DeMilked Flickr yanks photos from store after Creative Commons backlash - SFGate Massive Fuji firmware update: X-T1, X-E2, X-E1, and X-Pro1 gain impressive new features Freeze Frame- Muybridge in Motion Eadweard Muybridge - Wikipedia, the free encyclopedia Muybridge Freeze Frame Motion Gallery – Experiments In Motion On Taking Pictures - Community - G+ Assignment: #family American Brand: Quality Outerwear, Outdoor Clothing, and Bags | Filson

  • Blindboy

    1 day ago

    Blindboy

    Blindboyboatclub is an award-winning Irish author, documentary‐maker and podcaster. As a writer, he has published three collections of best-selling and critically-acclaimed short stories, blending myth, satire and the vernacular power of Limerick into fiction that is both darkly comic and profoundly humane. In 2026, these stories were adapted into a play “Animals” which is debuting at Ireland's national theatre, The Abbey.   He began his podcast in 2017, combining social commentary and insightful interviews, quickly gaining a large following. He regularly tours his podcasts globally, with sell-out shows where his mix of sharp wit, empathy and social insight draws audiences into bold conversations about culture, politics and the human condition. His screen work, including documentaries on modern slavery and the UK housing system, has won a Grierson award in 2025, an RTS award, a Sky Arts nomination and the BAFTA long list, establishing him as one of Ireland’s most distinctive documentary voices. In this episode of Fashion Neurosis, Bella Freud and Blindboy discuss Autism, Alpha Male codes in the changing room, and if Psychoanalysis is like After-Sex talk. Learn more about your ad choices. Visit podcastchoices.com/adchoices

  • Lagu malaysia terbaik dan terenak sepanjang masa

    10/03/2021

    Lagu malaysia terbaik dan terenak sepanjang masa

    .

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