#AmWriting

KJ

#AmWriting is a podcast and Groupstack hosted by KJ Dell’Antonia, Jess Lahey, Sarina Bowen, & Jennie Nash. Listen, read and join up for hard-won advice and inspiration to help you play big in your writing life and finish work that matters. amwriting.substack.com

  1. 2日前

    BookLab: The Art of Storytelling with Kathleen Barber

    Jennie Nash hosts a #amwriting podcast BookLab with guest Kathleen Barber, author of Truth Be Told and newly released Sisterhood Above All (co-written with Amayah Shaienne), and discusses Barber’s range across thrillers and romance, her character-first approach, and how RushTok inspired an authentic sorority-rush thriller featuring Madison, Shay, and Ava as tensions escalate and someone dies. They define RushTok as viral TikTok coverage of University of Alabama sorority recruitment and note its broad international fascination. In the BookLab, they evaluate three first-page submissions by asking “Would we turn the page?” They praise Heather’s Trust Me for strong voice, vivid Austin setting, and an intriguing problem hook, with minor notes about genre context. They decline Odeon Omega due to unearned logistics and too much dialogue despite an intriguing title/advert. They find Empty Spaces compellingly written but confusing from too many names and unclear stakes, suggesting more interiority and clarity. #AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Connect with Kathleen Visit Kathleen’s website to find her books and more: https://www.kathleenbarber.com Transcript Jennie: [00:00:00] Hi, I’m Jennie Nash, and you’re listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. This is a book lab session where we answer the most important question about your first pages. Would we pick up the book? Would we turn the page? Today, I have a really special guest with me. I have Kathleen Barber here, who is so many things. She’s the author of Truth Be Told, which was adapted as a series on Apple TV, Follow Me, Both Things Are True, and just brand new, like it came out four days ago, Sisterhood Above All, with, I’m gonna try her name, Amaya Chen? How do you- Barbara: Yeah. Uh, um, yeah. That’s, that’s very close. I think it’s Amaya Chen. Jennie: Okay. Yeah. Uh, so we’re gonna hear about that in a minute. Um, I haven’t, I haven’t cracked it open yet, but I’m so [00:01:00] excited for it. Um, Kathleen’s also an Author Accelerator certified book coach and a former attorney, and she lives in Washington, DC with her family. So welcome, Kathleen. Barbara: Thank you so much for having me. I’m really excited to be here. Jennie: So I watched your unboxing the other day. It was so fun, and I didn’t realize that we had scheduled this right on top of, like the actual- Oh ... launch of your book. Barbara: No, that, that’s okay. It’s, it’s great. Um, it gives me something to think about that’s not just, like, spiraling. Like, is anybody gonna read my book? Is anybody gonna like it? Um, so it gives me something else to focus on. Jennie: Well, it’s so interesting you say that because I think of you as this really seasoned pro and, you know, it’s been really interesting for me to watch your career because you’ve written some really different kinds of books. You did a ... Well, your first book was obviously a big thriller and a huge success, and at one point, you pivoted to romance, and now you’re doing ... Well, I, I saw that book list [00:02:00] called Sisterhood Above All, a soapy thriller Yes. Yes ... which is such a great description, and you did it with a collaborator. So you just seem interested in story to me. Barbara: I, I am. Yeah. I’m always very ... I always start a story with the characters. Um, and so then their story kind of spirals out from there. Um, yeah, so I, my last book that came out before this one was, was a rom-com. Um, and I was really nervous when I started writing it. I was like, “How am I going to write this when I’ve been writing suspense and thrillers before?” And it turns out that, like, at the heart of it, stories are stories, and people are people, and, you know, in a romance, happy things happen. In a thriller, bad things happen, but things still happen. Jennie: Amazing. So give us the overview of the brand new book, ‘cause it’s, it’s really juicy. Barbara: Yeah. Yeah, so I’m really excited about it. Um, Sisterhood Above All is a thriller set during sorority rush, and so it follows three different [00:03:00] women who are involved there. There’s Madison, who is the president of what’s she perceives as to be the coolest sorority on campus, so she’s kind of the gatekeeper, and there’s Shay, who is the president of a rival sorority and trying to shake, shake up the Greek institutions, and then there’s Ava, who is a potential new member. She’s going through rush. She’s desperate to join Madison’s sorority, um, and she might be a little too desperate. Uh, so you know, it’s a thriller. Bad things happen. Somebody dies, um, you know, and things kind of spiral out, spiral out of control. Jennie: But tell us about the collaboration, ‘cause it’s- Yeah ... so interesting how that came about and how it went and- Barbara: Yeah. You know, it was, it was a lot of fun. Um, I, like many writers, write alone, and I had never really considered collaborating with anybody before, um, but- But when I was kind of talking about this, I, I’d been pitching my agent a sorority themed thriller for a while. [00:04:00] Um, and at one point when, when Rush Talk was getting really big a couple summers ago, she was like, “This is the moment. This, you should write this book, but I think that in order to make it feel more authentic, we should bring in somebody who’s living this in this moment.” Um, so one of her colleagues found Amaya, who, um, was up until very, very recently an active member of a sorority at the University of Alabama, and brought us together. And Amaya and I got along right away, and we both had kind of the same vision for what we wanted the book to be, and so collaborating with her was, was a lot of fun in a way that I had been nervous that it wouldn’t be. But it was, it was a really good time, and I’m really, really proud of the book. Jennie: So for those who don’t know or weren’t following, can you tell us what Rush Talk- Barbara: Yeah was Jennie: or is Barbara: or- Yeah ... shall be? Yes, yes, yes. So, um, so if you’re gonna join a sorority, um, you go through, you go through recruitment and which is very slangily [00:05:00] called rush. Um, and so on TikTok a few years ago, um, people started sharing about their experiences during sorority rush, but specifically, uh, during sorority rush at the University of Alabama. Um, and it really took on a life of its own, like people were watching it like it was, you know, a television program. Uh, they made a documentary about it, which, you know, I’ll, I will let you make your own conclusions about the documentary. Um, but people just got really, really into it, and people... And it was kind of appealing to people who had gone through sorority rush at some point, were thinking about going through a sorority rush, or who were just invested in, you know, watching people have these kind of outlandish experiences and, and share them. So, um, it Jennie: was a lot of fun. My understanding was that it got very, very popular in other countries? Barbara: I- it’s definitely... [00:06:00] Yeah. You know, um- So sorority, some, some sororities are international. Not, not all of them are. Um, but by and large, when they say international, they mean that there are chapters in Canada, not that, like, there are chapters in, you know, like Europe or, or other countries. And so it just, it’s something that is so unique and so, like, uniquely about, like, this type of college experience that I think it’s been really interesting to people in lots of different places. Jennie: Yeah, yeah. Fascinating. So obviously the book has been out, like, mere hours here. But, um, how does it feel? Are you, are you- It’s exciting you said you were excited and proud and- So Barbara: exciting. Yeah. I’m, I’m, I’m really, really proud of the book. I love it. I mean, I know everybody, like, loves their own books, but I do. I truly, like, love this book, and I just really hope that the readers do too. Jennie: You know, it’s not true that everybody loves their book. I, I was dying to have somebody on the podcast who will never come on the podcast. But I- Yeah ... I heard a story about somebody who [00:07:00] got a seven-figure deal for a book that they really didn’t actually love, and then- Oh, no ... they, they wrote it. It came out, and then when they had to co- come time to do the publicity, they just dreaded it. They, it was like a, just they did it for the money. They got the money, and then didn’t, didn’t wanna talk about it, like felt sort of ashamed about it. And I was like, “Oh, please, come talk about that.” But of course they, they won’t. So... Barbara: That’s wild. Isn’t that wild? That’s wild. Yeah. I just, I just can’t even imagine how that would feel. Um, I mean... Jennie: I know. Well, I, uh, the cover of this, um, of this new book, Sisterhood Above All, is- is really cool too. So we will link to it in the show notes, and everyone can go read it and check it out, and, um, Kathleen’s other books, I’ve read them all, and you have such range and, um, like I said, [00:08:00] interesting stories. So with that, let’s get to our, our Book Lab entries. We just always wanna start by thanking those who submitted. It’s not easy to do this, to put your stuff out there with no context and no ability to talk back or anything and have random s- people on the internet, you know, talk about your stuff. So really appreciate the, the risk-taking of doing that, and we do this in order to help us all get better and, and learn, you know, what works and, and, um, for your own self or your own writing, what, what you want it to be. So what we’re gonna

    BookLab: The Art of Storytelling with Kathleen Barber
  2. 7月24日

    BookLab: 3 First Pages, 3 Vibes, One Question

    This is a free preview of a paid episode. To hear more, visit amwriting.substack.com I knew we’d get a huge response to our callout for first page submissions for a BookLab with Jo Piazza and I was right. I zipped through the google doc, skimming (there is a particular art to choosing the right submissions without ruining the freshness for me when I read and respond) and I did brilliantly, if I do say so myself (including a very funny callback to our sudden Dr. Pepper digression). Listen for our constructive takes on these 3 first pages and some excellent advice on the art of the first page in general. #AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. The first line of Jo’s current hit, The Parisian Heist: It’s terrible to be rich. Don’t you want more? Jo’s the creator of Under the Influence (the podcast) and Over the Influence (the Substack) and the national and international bestselling author of The Sicilian Inheritance, Everyone is Lying to You (KJ’s fave!), We Are Not Like Them, You Were Always Mine, Charlotte Walsh Likes to Win, The Knockoff (KJ’s other fave!) and How to Be Married but most importantly, her current book, The Parisian Heist, is just out and great for readers and writers alike. Ready to submit your first page for consideration for a future episode of BookLab? That’s a supporter benefit, link below, below the paywall. #AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. More about The Parisian Heist: Emma, a struggling American artist in Paris, thought she had left her dreams behind when she took a job cleaning for the city’s wealthy elite. Then she meets Stella Swanson, the widow of one of the most notorious art dealers in the business. The Swansons move in a world where billionaires, oligarchs, and heads of state pay fortunes for masterpieces. Drawn in by their dazzling wealth and the pull of a dangerously charming grandson, Emma becomes both a player and a pawn in a family battle to protect their empire and conceal its crimes. In the late 1800s, the young widow Jo van Gogh inherits hundreds of paintings from her brother-in-law Vincent that the art world deems worthless. Determined to prove their genius, and to secure a future for herself and her young son, she becomes consumed by Vincent’s legacy. As her devotion deepens, a vanished painting and a thwarted love affair leave her unsure who she can trust and how much of herself she’s willing to lose in the process. From glittering auction houses to the idyllic canals of Amsterdam and the grand museums of Paris, the lives of these two women converge as Emma uncovers the Swanson family’s darkest secrets and agrees to mastermind a daring heist inside the Musée d’Orsay. The stakes have never been higher, and these women refuse to be written out of history, no matter the cost.

    BookLab: 3 First Pages, 3 Vibes, One Question
  3. 7月17日

    Margin Notes: Monsters in the Archive with Caroline Bicks

    On the #amwriting podcast’s Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King’s Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem’s Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King’s word-level edits, literary influences, and Shakespearean foundations, especially The Shining’s ties to Hamlet. #AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Read the Book * Monsters in the Archives by Caroline Bicks Transcript Jennie: [00:00:00] Hi, I’m Jennie Nash, and you’re listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we’re talking about the big decisions writers face in their work and creative lives. I’m here today with a super special guest. I’m so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she’s the author of all kinds of very cool books ... about Shakespeare, including one on cocktails. Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome. Caroline: Thank you. Thanks for having me. Jennie: So this is gonna be the strangest interview you’ve probably ever done. I Caroline: don’t know. Because- I’ve talked to a lot of people around the world about this Stephen King book. Jennie: I couldn’t read your book. I, I couldn’t read it. I can’t read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I’m actually coaching someone live and they’re writing gothic horror, and they’re probably like, “All you talk about is horror, Jennie.” But, um, it’s actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it. Caroline: Yeah. Jennie: And you’re a scholar. Caroline: Yeah. Jennie: And you’ve written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it. And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you’re doing in this book is you’re getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing? And you actually feel it yourself while you’re going through it, and I found it quite terrifying actually. So, um, that’s kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives. Caroline: Yeah. I mean, it’s, it’s a bit of a story, so I won’t spend too much time on it, but just the mo- Oh, no, do. It’s good ... when I ch- when I took this position... So I’ve been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years. I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King’s name because he’s our most famous alum. So when I took the position, I, it was because I’m a Shakespearean, not because I’m a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story. Jennie: Right. Caroline: Um, so when I took this position though I was told, “You’re never gonna meet Stephen King. Don’t even make contact with him.” I’m like, “Fine, you know, this is still a great job. I’m excited.” Um- Thanks Jennie: for the money. Yeah. Caroline: Thanks for... You know, no, it’s a wonderful fund. It was funded by the Harold Alfond Foundation, and it’s to support the public humanities, which is an incredible mission. So, um, I get to give money away to people. You know, it’s a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn’t reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor. And he said, “You know, I think it’s time we meet.” I’m like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally. We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I’ve written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity. I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I’m not a cognitive scientist. I’m not a [00:05:00] specialist in horror literature, but I’m obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don’t have any of his works, but, you know, I, I understand what that process is. So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it’s a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column. I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don’t wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.” Jennie: Yeah. Caroline: You know, you, you never lose that scare, you know, I don’t... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they’ve read him, they remember specific lines and specific words, and I was like, “That’s an extraordinary, um, 50 years on to have that power.” So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it’s- ... where you wanted to pick up from this. Jennie: It’s so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house. Caroline: Oh, that’s insane. Jennie: So when I went to visit her, she drove me by that house. There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it’s- Caroline: It’s ‘cause it’s like a gothic, it’s like straight out of Haunting of Hill House ... Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They’re Caroline: in the house. They’re attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn’t even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know? Yeah. So I, I came out of the year with just tons of notes and observations, but I didn’t have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more. Um, so that’s- And- ... that’s the story of that. Jennie: Was it hard for you as a scholar to

    Margin Notes: Monsters in the Archive with Caroline Bicks
  4. 7月6日

    Live with Jennie Nash

    Join the Blueprint Summer Challenge Starting a book? Stuck in a draft? Planning a revision? The Blueprint Summer Challenge is designed to help you make meaningful progress on your manuscript this summer. Over six weeks, beginning July 10, you’ll use the Blueprint—a proven framework for developing stronger books with greater clarity, purpose, and reader impact—to move your project forward, wherever you are in the process. Whether you’re writing nonfiction, memoir, fiction, or another genre entirely, the goal is simple: spend six focused weeks making your book stronger. Start with the Blueprint Course We’re offering an all-new Blueprint course in Teachable, which includes: * The full text of The Blueprint * Fourteen video lessons covering every step of the framework * Real coaching examples that show writers applying the Blueprint to their own projects * Practical guidance you can use immediately The course is designed to help you develop a stronger foundation for your book—whether you’re beginning from a blank page, working through a draft, or planning a revision. Course enrollment: $19 👉 Enroll in the Fiction Blueprint Challenge 👉 Enroll in the Memoir Blueprint Challenge 👉 Enroll in the Nonfiction Blueprint Challenge Join the Live Coaching Sessions Paid podcast subscribers will also receive access to six weeks of live coaching sessions featuring me and a variety of Author Accelerator coaches. Each session will focus on a specific Blueprint step and the challenges writers commonly encounter while developing, drafting, or revising their books. You’ll have opportunities to ask questions, learn from expert coaches, and watch hot-seat coaching sessions where writers will receive direct feedback on their work. Some sessions will be led by me, while others will feature experienced Author Accelerator coaches with expertise across genres and stages of the writing process. We’ll hold these sessions at different times to accommodate different schedules, but we know for sure that Jennie will be doing coaching each Monday at 3:00 PST. The first one will be July 13. Other sessions will be slotted in soon. Whether you’re starting a new project, trying to get unstuck, or preparing for revision, these live sessions will help you apply the Blueprint to your own book and make meaningful progress throughout the summer. Become a paid subscriber for $12/month Win a Blueprint Revision Everyone who enrolls in the Blueprint Course will be entered to win a personal Blueprint coaching session with me and be featured on the podcast. We’ll award one winner for every 100 course enrollments, so the more writers who join the Challenge, the more opportunities there are to win this Grand Prize Ready for More Support? As you progress, you’ll also have the opportunity to connect with a trained Blueprint coach for personalized guidance, feedback, and accountability. We are rolling out a new coach matching system that will give you an easy and intuitive way to find the coaches who are a great fit for your and your project. There is no charge for this service and no obligation to work with the coaches we match you with – but what a great chance to connect with people who could help you write your best book! Whether you need help clarifying your vision, solving a structural problem, or creating a plan for finishing your manuscript, a coach can help you take the next step. Join us on July 10 and spend six weeks making your book stronger. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

    Live with Jennie Nash
  5. 7月3日

    Revising with the Blueprint: A Summer Challenge Success Story

    Jennie Nash interviews author Meghan P. Browne about her journey from picture-book nonfiction to selling her first middle-grade novel, after participating in the 2022 Blueprint Challenge. Browne began the project in 2019, drafted it during her MFA at Vermont College of Fine Arts, then used the Blueprint framework to “reverse engineer” the manuscript and discover it lacked plot; the inside outline helped her connect scene events to emotional meaning. After tragedy and other commitments, she returned to revise intensively, resubmitted to her agent, and the novel later sold. Browne also describes submitting pages to the podcast’s First Page Lab and learning to absorb both critical and positive feedback. Visit Meghan on her website: https://meghanpbrowne.com Thanks for reading #AmWriting! Subscribe for free to receive new posts and support my work. Join the Blueprint Summer Challenge Starting a book? Stuck in a draft? Planning a revision? The Blueprint Summer Challenge is designed to help you make meaningful progress on your manuscript this summer. Over six weeks, beginning July 10, you’ll use the Blueprint—a proven framework for developing stronger books with greater clarity, purpose, and reader impact—to move your project forward, wherever you are in the process. Whether you’re writing nonfiction, memoir, fiction, or another genre entirely, the goal is simple: spend six focused weeks making your book stronger. Start with the Blueprint Course We’re offering an all-new Blueprint course in Teachable, which includes: * The full text of The Blueprint * Fourteen video lessons covering every step of the framework * Real coaching examples that show writers applying the Blueprint to their own projects * Practical guidance you can use immediately The course is designed to help you develop a stronger foundation for your book—whether you’re beginning from a blank page, working through a draft, or planning a revision. Course enrollment: $19 👉 Enroll in the Fiction Blueprint Challenge 👉 Enroll in the Memoir Blueprint Challenge 👉 Enroll in the Nonfiction Blueprint Challenge Join the Live Coaching Sessions Paid podcast subscribers will also receive access to six weeks of live coaching sessions featuring me and a variety of Author Accelerator coaches. Each session will focus on a specific Blueprint step and the challenges writers commonly encounter while developing, drafting, or revising their books. You’ll have opportunities to ask questions, learn from expert coaches, and watch hot-seat coaching sessions where writers will receive direct feedback on their work. Some sessions will be led by me, while others will feature experienced Author Accelerator coaches with expertise across genres and stages of the writing process. We’ll hold these sessions at different times to accommodate different schedules, but we know for sure that Jennie will be doing coaching each Monday at 3:00 PST. The first one will be July 13. Other sessions will be slotted in soon. Whether you’re starting a new project, trying to get unstuck, or preparing for revision, these live sessions will help you apply the Blueprint to your own book and make meaningful progress throughout the summer. Become a paid subscriber for $12/month Win a Blueprint Revision Everyone who enrolls in the Blueprint Course will be entered to win a personal Blueprint coaching session with me and be featured on the podcast. We’ll award one winner for every 100 course enrollments, so the more writers who join the Challenge, the more opportunities there are to win this Grand Prize Ready for More Support? As you progress, you’ll also have the opportunity to connect with a trained Blueprint coach for personalized guidance, feedback, and accountability. We are rolling out a new coach matching system that will give you an easy and intuitive way to find the coaches who are a great fit for your and your project. There is no charge for this service and no obligation to work with the coaches we match you with – but what a great chance to connect with people who could help you write your best book! Whether you need help clarifying your vision, solving a structural problem, or creating a plan for finishing your manuscript, a coach can help you take the next step. Join us on July 10 and spend six weeks making your book stronger. Learn All About the Summer Challenge On July 6th at 9:00 am PT, Jennie will be hosting a live AMA to talk about the Blueprint and the summer challenge, and answer all your questions. We’ll send out an email reminder about this event. Transcript Jennie: [00:00:00] Hey, it’s Jennie and the Blueprint Summer Challenge begins July 10th. I’d love for you to join us. If you’re starting a book, stuck in a draft, or preparing for a revision, this challenge was designed for you. Over six weeks, you’ll have the opportunity to learn the blueprint framework through our new blueprint course. Over six weeks, you’ll have the opportunity to learn the blueprint framework in our new blueprint course. You can also participate in live coaching sessions with me and Author Accelerator coaches and see the blueprint applied to real books and real writing challenges. The course is just $19 and includes the full blueprint book, 14 video lessons, and coaching examples. And remember, everyone who enrolls in the course for the blueprint challenge is automatically entered to win a blueprint revision with me and a live coaching session on the podcast. We’ll select one winner for every hundred enrollments. If you’ve been looking for a reason to recommit to your book this summer, this is your invitation. Visit the link in the [00:01:00] show notes and join the Blueprint Summer Challenge today. Hi, I’m Jennie Nash, and you’re listening to the #AMWriting Podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. I’m so excited today to be talking to Meghan Brown, who has an incredible story connected to some of the things we’ve been doing here at the podcast, including the upcoming Blueprint Challenge. So I’m gonna talk to Meghan about her journey to getting her first novel published and on its way to being on the shelf and in readers’ hands. So welcome, Meghan. Meghan: Hi. Thanks for having me. Jennie: This is such a fun story. I just, I just love it. So we heard about you and your book- Because we chose you to do one of [00:02:00] our First Page Lab readings where we look at the first pages of a novel and give feedback, and we’ll get to that in a minute. But through, through that, we learned that you did our original Blueprint Challenge in the summer of 2022. So can you talk about where you were in your writing life, and why you decided to do that, and what the experience was like for you? Meghan: Sure. I was so excited when y’all ran that challenge in 2022. I actually first started working on this project in 2019, which feels like a bazillion years ago because it was pre-pandemic, of course. And I took a little class at a local place, it was virtual, but called The Writing Barn here in Austin that does a lot of great classes. It was a middle grade class. I had just gotten representation for some picture books I had been working on, and my agent and other people in the industry were telling me that my voice was very middle grade. So I took this class, I wrote 20 pages. [00:03:00] I got nominated for a big award at our local SCBWI, um, conference that spring, and I actually used my very first advance money from my picture books to start at Vermont College of Fine Arts for my MFA in Writing for Children and Young Adults, where I was hoping to learn how to write middle grade. And through the two years that it took in that program, including being in that program during the pandemic, and working with Linda Urban and Anh Nha, who are both very, very incredible, um, authors in their own right, I was able to finish a first draft by the summer of 2021. And I basically, because of a lot of things, just didn’t really touch that work until I heard that you were running this challenge, and I was so excited to kind of dive back in and realize that I needed to kind of reverse engineer the whole project. So I had a first draft, and I just [00:04:00] was looking to fix it. Jennie: Amazing. So the... I just want you to be able to tell our listeners about your picture books because they’re- they’re so beautiful, and we’ll link to your website in the show notes so people can find you. It’s Meghan P. Browe, and it’s Browe with an E on the end. Um, but just, just so we sort of know the vibe of what your work had been, uh, beforehand. Sure. Yeah. Meghan: Um, well, thank you. They are very beautiful, and I did not illustrate any of them. Um, so the, the first one is called Indelible Ann. It’s the larger than life story of Governor Ann Richards. It’s a nonfiction picture book for young readers all about the life of late, great Ann Richards. Um, and that one is illustrated by Carlyn Witt, who is an awesome Texan that lives in LA now And then the second is called Dorothy the Brave. It’s the story of a female aviator from World War II who I got to meet and interview for the first time when I was in eighth [00:05:00] grade. Jennie: What? Meghan: A wild story. And, um, then I ended up writing the book that she got to read just months before she passed at the age of 99. Jennie: What? Meghan: Um, and I know. That one was a, a true book of my heart. Um, that one is illustrated by Brooke Smart, who is based in Utah. And the third book that came out last year was, is called The Bees of Notre Dame, and it’s illustrated by E.B. Goodale, and it’s the true s- survival story of the honeybees that were housed on the rooftop of the cathedral when it burned. Jennie: Wow, that’s so timely, ‘cause the cathedral just opened. Meghan: Yes, yes.

    Revising with the Blueprint: A Summer Challenge Success Story

番組について

#AmWriting is a podcast and Groupstack hosted by KJ Dell’Antonia, Jess Lahey, Sarina Bowen, & Jennie Nash. Listen, read and join up for hard-won advice and inspiration to help you play big in your writing life and finish work that matters. amwriting.substack.com

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