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  1. EX.792 Tiga

    1 DAY AGO

    EX.792 Tiga

    Electroclash icon Tiga talks about the manosphere, the currency of cool and his first album in 10 years, HOTLIFE. Canadian producer Tiga—born Tiga Sontag—has navigated the peaks and valleys of electronic music for over three decades. A key architect of the electroclash explosion in the early 2000s, Sontag reigned supreme over the indie sleaze era of the dance floor during the 2010s. But eventually, that momentum stalled. Sontag, one of the scene's most charismatic figures, found himself contemplating retirement while battling a health crisis that threatened to derail his career entirely. In this rare interview, Sontag talks to RA editor Gabriel Szatan about those lost years. Rather than retracing his anthemic hits ("You Gonna Want Me," "Sunglasses At Night"), the pair discuss why, after stepping back from the public eye for over a decade, Tiga is entering a new chapter he describes as "all answers, no questions." His upcoming LP, HOTLIFE, unpacks personal demons alongside his takes on everything from Elon Musk and the manosphere to the "pornographic" repetition of the music industry's relentless churn. It's out April 17th via Turbo Recordings and Secret City Records, and features contributions from Boys Noize, Maara and Priori and more. Listen to the episode in full.

    50 min
  2. RA.1031 Priori

    4 DAYS AGO

    RA.1031 Priori

    A key architect of the 2020s underground debuts on the RA Mix. Scroll through end-of-year features or the tracklists of a certain kind of new-school techno DJ, and Priori is rarely far away. The Montreal artist has built a reputation as a kind of studio chameleon, working with the biggest names across the underground. Whether it be james K, Tiga or Paul St. Hilare, or his work co-running naff recordings, his output will be familiar to any raver who has touched grass at the likes of Sustain-Release, Dekmantel or Waking Life in recent years. The "Priori touch" is easy to spot. It shapeshifts as you listen: strange, synthetic textures, enveloping low-end, everything draped in a fine silk gauze that seems to hover just above the surface. But for all its hallmarks, it's also deeply versatile. Priori is prog, Priori is dub, sometimes Priori is even pop. Just as you think you've grasped his sound, it slips away. This is by design. Priori takes inspiration from myriad genres and mediums—as likely to be moved by an obscure illbient 12-inch as a Wong Kar-wai film. "I love world-building," he once told Butter Sessions, and that instinct lends his productions a sense of richness. Making his long-overdue debut on the RA Mix, Priori opens the door to the chillout room. RA.1031 is built on thick, enveloping bass and atmospheric drift, as dub, prog and electronica cuts are folded together with ease. Who knows what thrilling new forms await in the future. Find the tracklist and Q&A at ra.co/podcast/1050 @priori-ties @naffrecordings

    2h 25m
  3. RA.1030 Main Phase

    15 MAR

    RA.1030 Main Phase

    The ATW Records boss and honorary prince of UK Garage steps up with a mix that might surprise you. From the post-lockdown school of UK garage producers, Adam Emil Schierbeck, AKA Main Phase, is a rare international graduate. The Copenhagen producer has closely studied the British sound, shaping an international garage revival in his wake. Schierback stands as one of UK Garage's premiere tastemakers. Ordained as the king of the speed garage shuffler, a Main Phase track is easy to spot: infectious swing and rippling melodies, underpinned by a sensual, determined mood. With Interplanetary Criminal, he now co-runs ATW Records, invigorating what was once a exploratory imprint into one of the scene's most crucial nurturers of new talent. Some listeners might press play expecting the corybantic ragga edits of "100%," but patience is required: what you may expect from a Main Phase set only pokes its head out briefly (there's exactly one speed garage drop, two hours in). Instead, treat RA.1030 as Main Phase 101. Opening with a dub-techno soundbath, the mix traces the roots and outer edges of his sound, and lands like an artistic statement he has been building towards since he was an awestruck teenager, racing home to catch Rinse FM. Read more at ra.co/podcast/1049 @mainphase001 @atwrec

    2h 17m
  4. RA.1029 Valentina Magaletti

    8 MAR

    RA.1029 Valentina Magaletti

    The singular percussionist turns inward for a rare solo excursion. Valentina Magaletti at the drums is a picture of freedom: laughing, loose-limbed, entirely absorbed. For RA.1029, the London-based percussionist channels that instinct into a rare solo outing—a personal excursion through her musical archive. The atmosphere moves as freely as she plays, shifting from ominous and claustrophobic passages to contemplative field recordings. Collaboration is one of the central ways she continually reinvents herself, whether it be spiritual dub excursions with Shackleton and Holy Tongue, or post-punk melancholia with Moin. As she told The Guardian in 2024, "dialogue is more interesting than monologue." Take her work with Princípe associate Nídia, in which she used Angolan kuduro as a springboard for new acoustic visions of dance music. But Magaletti is also a solo artist in her own right, and RA.1029 is the sound of her own monologue. The 90-minute mix sees her roving through her personal archive, from wild drum excursions and Midwestern industrial to frenetic free jazz, eerie gqom and Ukrainian electro. It captures, she says, her current inner state, a feeling of being "suspended between introspection and anticipation." Fitting, then, for a groundbreaking artist who thrives in the spaces in between. Find the tracklist and Q&A at ra.co/podcast/1048 @magadrum

    1hr 16min
  5. RA.1028 DJ Plead

    1 MAR

    RA.1028 DJ Plead

    A kaleidoscope of polyrhythms and post-dubstep. "Music was a way to speak Arabic… It's my way of being confident that I am, in fact, Lebanese," Jared Beeler AKA DJ Plead told Crack Magazine in 2022. Often framed as an Australian producer threading Arabic rhythmic structures through techno and post-dubstep, DJ Plead's music is better understood as tradition embedded inside contemporary club forms, where percussion and bass move as one. First surfacing in the late 2010s with releases on DECISIONS and Nervous Horizon, he has since become one of the most consistent voices in leftfield dance music, defined by the tactile clarity of their drum programming and Maqam-informed phrasing. RA.1028 opens with Bruce's "Just Getting On With It" from Livity Sound's ten-year compilation, a fitting nod to the kind of rhythmic experimentation that runs through the set. From Iran to London to Miami and back again, the 90-minute mix pulls a wide frame into focus, including several unreleased DJ Plead tracks. Whether it's the dry snap of hand-drum hits or sub-bass that lands with chest-caving weight, RA. 1028 is a reminder that rhythm can be a direct path back to the self. Find the tracklist and Q&A at https://ra.co/podcast/1047 @1djplead

    1hr 31min
  6. RA.1027 JADALAREIGN

    22 FEB

    RA.1027 JADALAREIGN

    Two hours of groove, texture and Black excellence from new-school New York royalty. New York native JADALAREIGN has always represented Black excellence, but in recent years her vision crystallised. The in-demand act and former Nowadays booker has fine-tuned her creative practice, experimenting with tempo and selection in ways that have led to a deep, nuanced relationship with Black artistry, one that centres musical education through storytelling. Behind the decks, JADALAREIGN is principled. They say wisdom brings sorrow, but RA.1027 suggests the opposite. It opens with a vocal sample whose message mirrors her wider creative practice: "I'm an African woman who believes in justice for all people. The priorities of this planet have to completely change." From there, the mix ricochets through rumbly drums and sci-fi whirr, peppering house melodies with slo-mo bleeps and techy steppers. She moves across club genres with fluid ease, keeping the cadence loose-limbed yet dynamic throughout. It's strange and tactile—and it sounds like freedom. JADALAREIGN seems surer than ever about all aspects of her career, and it shows in her RA Mix. If you see her at the function, her joy for her work is ever bountiful. For US Black History Month, it's a timely reminder that history isn't only something we look back on; JADALAREIGN is making it, live. Find the Q&A and tracklist at ra.co/podcast/1046

    1hr 47min
  7. EX.788 Kim Gordon

    18 FEB

    EX.788 Kim Gordon

    The Sonic Youth cofounder opens up about her solo output, the intersection of art and music, and her new album, PLAY ME. For over four decades, Kim Gordon has navigated the edges where fine art meets noise. Her claim to fame was as a founding member of Sonic Youth, the band that took the nihilistic, abrasive energy of New York's no wave scene and forged it into a new language for rock. After Sonic Youth's public breakup in 2011, Gordon returned to her original creative practice: visual art. But in recent years, she has undergone a staggering creative transformation that's led her back to music. At 72—an age when most legends are content with the heritage circuit—she has instead dived headlong into the sounds of the present: industrial electronics, Chicago footwork and the blown-out low-end of SoundCloud rap. Aiming to break with her Sonic Youth legacy, Gordon released her first two solo albums, No Home Record and The Collective, in 2019 and 2024, respectively. And now, she's back with her third LP: PLAY ME. Working alongside producer Justin Raisen, she uses beat-oriented frameworks to interrogate what she calls the "tyranny of frictionless culture." From naming Spotify playlists in her lyrics to donating proceeds to reproductive rights, her work remains a vital, confrontational critique of late capitalism and technocratic fascism. In this RA Exchange, Gordon discusses the process of moving closer to solo work, as well as the masculinity of rock; her evolving relationship with electronic music; the politics of the "body;" and why, after thinking she was done with music, she keeps getting pulled back in. Listen to the episode in full.

    37 min
  8. RA.1026 Carl Craig, Moodymann & Mike Banks

    16 FEB

    RA.1026 Carl Craig, Moodymann & Mike Banks

    A b3b for the ages, straight from Detroit techno's Hall of Fame. "Let's just go through some shit, let's see what we got here." In that unmistakable drawl, Moodymann opens RA.1026—and from there, you know you’re in good hands. Mike Banks, Carl Craig and Moodymann are artists of the utmost standing. As founders of Underground Resistance, Planet E and Mahogani Music respectively, their catalogues have shaped electronic music in profound ways, from Moodymann's 2004 LP Black Mahogani and Craig's era-defining remixes, to Banks's uncompromising output as Underground Resistance. But the records are only part of it. All three artists show you can build something lasting without corporate backing, that creative freedom is a discipline as much as a right. Through their work, house and techno became vehicles for resistance, identity and pride. Recorded live at Movement in Detroit, RA.1026 captures Banks on keys, Craig on the decks and Moodymann on the mic, weaving through Motor City staples, '80s classics and deep cuts, including "The Final Frontier" and "Knights Of The Jaguar." As Black History Month continues in the US, the mix feels especially momentous Coming in at just under two hours, it’s about chemistry, shared history and timeless records. Read the Q&A with Carl Craig at ra.co/podcast/1045. @moodymann313 @carl-craig-official @underground-resistance

    1hr 53min
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About

Front left since 2001.

Information

  • Creator
    Resident Advisor
  • Years Active
    2006 - 2026
  • Episodes
    523
  • Rating
    Explicit
  • Copyright
    © All rights reserved
  • Show Website
    RA Podcast

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