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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films.

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Soundtracking with Edith Bowman audioBoom

    • TV & film
    • 5.0 • 3 beoordelingen

In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films.

https://twitter.com/soundtrackinguk

https://www.facebook.com/Soundtrackingwithedithbowman/

https://play.spotify.com/user/soundtrackingwithedithbowman

https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x

    Episode 251: John Krasinski & Marco Beltrami On The Music Of A Quiet Place

    Episode 251: John Krasinski & Marco Beltrami On The Music Of A Quiet Place

    It's becoming a bit of a thing, here on Soundtracking, having two guests for the price of one. But Edith is really pleased to welcome John Krasinski and Marco Beltrami to the podcast, given that A Quiet Place Part II was the first film she went to see in the cinema after the most recent lockdown.

    Written and directed by John, and scored by Marco, the film tells the story of a family forced to navigate a world inhabited by blind aliens with heightened hearing. Best not make much noise, it's safe to say!

    • 1 u. 13 min.
    Episode 250: Florian Zeller Discusses The Father

    Episode 250: Florian Zeller Discusses The Father

    Edith spoke to our latest guest on Soundtracking in the midst of our very first lockdown - not only when we were considerably more uncertain about things than we are today, but also before we knew what an extraordinary impact his film was going to have on lovers of cinema. 

    Since chatting to Florian Zeller, his directorial debut The Father has had all manner of critical acclaim and recognition, including the award for best adapted screenplay (from Florian's own play) and best actor for Anthony Hopkins at this year's Oscars. 

    Now we're not going to lie, there's not a huge amount of music in The Father, so we don't talk about it at great length, instead focussing on the very skillful way he tells a very challenging story. And we're also going to suggest that if you haven't seen it yet, DON'T LISTEN, because it really is one of those films best watched with as little foreknowledge as possible, and he gives a fair few trade secrets away. 

    • 32 min.
    Episode 248: Craig Gillespie & Emma Stone On The Music Of Cruella

    Episode 248: Craig Gillespie & Emma Stone On The Music Of Cruella

    It's another double header for you on this week's Soundtracking, with a director and one of his leading ladies joining me to discuss their spin on one of Disney's most iconic villains.

    Craig Gillespie and Emma Stone have, quite simply, created a fabulous Cruella De Vil. Effectively a prequel to the original animated classic, Cruella also stars Emma Thompson and Mark Strong among many other fine actors, and tells the story of Estella Miller, a fashion designer making her way in 1970s punk London who eventually becomes the titular baddie.

    As well as featuring over 50 songs, the film is scored by our dear friend Nicholas Britell, who complimented the deluge of needle drops with what he told us was his first rock-driven score.

    • 41 min.
    Episode 247: Junkie XL On The Music Of Justice League & Godzilla Vs Kong

    Episode 247: Junkie XL On The Music Of Justice League & Godzilla Vs Kong

    Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks.

    The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League, Godzilla vs Kong, and the riotous Netflix Zombie heist flick Army Of The Dead, which hadn't been released at time of recording.

    He was on BRILLIANT form - so we hope you enjoy the chat and, of course, his music as much as we do.

    • 57 min.
    Episode 247: Nicholas Britell On The Music Of The Underground Railroad

    Episode 247: Nicholas Britell On The Music Of The Underground Railroad

    Our latest guest on Soundtracking is one our our faves - a supremely talented composer and all-round top fella, returning to the podcast for a third time.

    As ever, Nicholas Britell's services are in high demand - and he's been keeping pretty busy during the pandemic and beyond Not only has he scored Barry Jenkins's new Amazon Prime series, The Underground Railroad, but he's also penned the music for Cruella and the forthcoming season 3 of Succession among other things.As always, you'll hear plenty of Nicholas's music sprinkled throughout, illustrating the discussion.

    • 49 min.
    Episode 246: Julie Taymor & Elliot Goldenthal On The Music Of The Glorias

    Episode 246: Julie Taymor & Elliot Goldenthal On The Music Of The Glorias

    Our latest guests on Soundtracking are writer / director Julie Taymor and her partner both romantically and creatively, the composer Elliot Goldenthal.

    Julia and Elliot joined Edith to discuss The Glorias, a remarkable film about the life of journalist and political activist, Gloria Steinem, with different actors playing her in the various phases of her life. It's a device that allows Julie all manner of scope for narrative fun and games, and elicits fine performances from leading ladies Julianne Moore, Alicia Vikander, Lulu Wilson and Ryan Kiera Armstrong.They also reflect upon Elliot's Oscar-winning score for Frida, which Julie directed.

    • 47 min.

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